NJPAC - January/February/March 2020
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on “Everything Must Change,” from<br />
Jones’ 1974 album Body Heat. Ledisi is<br />
also joining Porter for a song on their<br />
upcoming album.<br />
“She’s just one of the best voices in the<br />
world, so it’s awesome to work with<br />
her,” says Porter.<br />
He will also use the show to preview<br />
some material from his next album,<br />
All Rise, due out in April.<br />
“There are two things that the show<br />
will focus on: My love songs, and<br />
songs from the new record,” he says.<br />
Porter’s last album, 2017’s Nat King<br />
Cole & Me, paid tribute to one of his<br />
biggest influences. All Rise is very<br />
different: “Fifteen original songs,” he<br />
says, “recorded by my band and the<br />
London Symphony Orchestra, in the<br />
Ledisi<br />
“ It’s just a beautiful<br />
voice that can do<br />
any type of music...<br />
and likewise, I’m<br />
the same.”<br />
–Gregory Porter on Ledisi<br />
vein of my style of writing about the<br />
ups and downs of love and life,<br />
and subtle protest of some ills and<br />
wrongs going on around the world,<br />
or in the country.”<br />
Born in Sacramento and raised in<br />
Bakersfield, CA, Porter moved to<br />
Brooklyn about 15 years ago and<br />
built a following in local clubs. He<br />
released his first album in 2010, at<br />
the somewhat advanced age (for<br />
a musician) of 38, and is particularly<br />
popular in England, where his last<br />
three studio albums have reached<br />
the Top 10 of the pop charts.<br />
He has a trademark look, wearing<br />
hats with fabric that reaches down to<br />
cover his ears and chin. He has said<br />
he got into the habit of wearing them<br />
as a child, after suffering some<br />
facial scarring.<br />
Though Porter is usually classified as a<br />
jazz artist—and has won GRAMMYs in<br />
the Jazz Vocal Album category<br />
for Liquid Spirit (2013) and<br />
Take Me to the Alley (2016)—<br />
and Ledisi is usually labeled<br />
R&B, Porter says they have<br />
a lot in common. “I think she<br />
employs, in her voice, all of the<br />
things that are in jazz and soul<br />
and gospel. It’s just a beautiful<br />
voice that can do any type of music.<br />
She could do classical, if she wanted<br />
to. She can be a gospel singer. And<br />
likewise, I’m the same.”<br />
That kind of open-mindedness<br />
comes through in Porter’s<br />
songwriting, as well.<br />
“I always approach this thing<br />
organically,” he says. “In writing<br />
the song, if it feels like it’s going<br />
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