22.04.2020 Views

Shifts in Japanese Materiality

11 July – 31 August 2019 Bic Tieu | Guy Keulemans | Julie Bartholomew | Kyoko Hashimoto | Liam Mugavin | Rui Kikuchi | Yusuke Takemura This group exhibition of contemporary design practice considers the changing nature of materiality in Japanese object-making culture. Through the work of experimental Japanese and Australian designers, Shifts in Japanese Materiality highlights the porosity of Japanese design and craft processes in a contemporary context.

11 July – 31 August 2019

Bic Tieu | Guy Keulemans | Julie Bartholomew | Kyoko Hashimoto | Liam Mugavin | Rui Kikuchi | Yusuke Takemura


This group exhibition of contemporary design practice considers the changing nature of materiality in Japanese object-making culture. Through the work of experimental Japanese and Australian designers, Shifts in Japanese Materiality highlights the porosity of Japanese design and craft processes in a contemporary context.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>Japanese</strong> term of kogei. This word <strong>in</strong><br />

the <strong>Japanese</strong> langauge is a name and<br />

category given to <strong>Japanese</strong> craftsmen<br />

work<strong>in</strong>g with traditional craft<br />

materials and processes.I have lived <strong>in</strong><br />

Australia for over ten years now and<br />

I feel stronger the sense of <strong>Japanese</strong><br />

craftsmanship with<strong>in</strong> my works. I<br />

believe the more I create, contemplate<br />

and develop new works, the better I<br />

understand myself.<br />

Yusuke Takemura<br />

Artist Statement<br />

The work <strong>in</strong> this exhibition explores<br />

how my senses of <strong>Japanese</strong>ness were<br />

built by see<strong>in</strong>g and contemplat<strong>in</strong>g my<br />

work.<br />

My current project is focused on<br />

selfconfirmation(exploration), and<br />

ask<strong>in</strong>g myself what is me. Clear glass<br />

is a very mysterious material, yet, it<br />

is a perfect material for me to work<br />

with. I overlap the mysterious feel<strong>in</strong>g<br />

of oversee<strong>in</strong>g solid clear glass and<br />

th<strong>in</strong>k<strong>in</strong>g about my m<strong>in</strong>d to which<br />

see<strong>in</strong>g solid clear glass doesn’t give you<br />

the solidness of glass. The appearance<br />

of the transparency of glass is almost<br />

weightless. Whilst my m<strong>in</strong>d seems like<br />

exist<strong>in</strong>g, I compare and extend to the<br />

metaphors of this medium. What I see<br />

is just my body(shell), not my m<strong>in</strong>d I<br />

have been also <strong>in</strong>terested <strong>in</strong> the<br />

44

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!