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2022 Craft ACT Annual Report

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<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> +<br />

Design Centre<br />

<strong>2022</strong> <strong>Annual</strong> <strong>Report</strong>


<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre<br />

Level 1 North Building<br />

180 London Circuit, Canberra<br />

www.craftact.org.au<br />

T (02) 6262 9333<br />

<strong>Craft</strong> <strong>ACT</strong> Office hours<br />

Monday to Friday 9 am-5 pm<br />

<strong>Craft</strong> <strong>ACT</strong> Gallery + Retail hours<br />

Tuesday-Friday: 12-4 pm<br />

Saturday: 12-4 pm<br />

Publisher: <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre<br />

Research, writing and coordination: Jodie Cunningham, Travis Bullock, Welly McGarry, Moraig McKenna, Frances<br />

Spurgin, Rachel Skeehan, Christian Sirois, Belinda Neame, and Georgia Arndell<br />

Editor: <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre<br />

Graphic design template: Rachel Skeehan<br />

Typesetting: Rachel Skeehan<br />

Printing: Bytes ’n Colours<br />

Cover image: Harriet Schwarzrock, Studio Visit <strong>2022</strong>. Photography: 5foot<br />

ABN: 33 314 092 587<br />

<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre is partially supported by the <strong>ACT</strong> Government and the Australia Council for the<br />

Arts, the Australian Government’s arts funding and advisory body.<br />

<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre is partially supported by the Visual Arts and <strong>Craft</strong> Strategy, an initiative of the<br />

Australian Government and all state and territory governments.<br />

<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre is a member of the network of Australian <strong>Craft</strong> Design Centres (ACDC).<br />

<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre acknowledges the Ngunawal and Ngambri people as the traditional<br />

custodians of the <strong>ACT</strong> and surrounding areas. We honour and respect their ongoing cultural and spiritual<br />

connections to this country and the contribution they make to the life of this city and region. We also<br />

acknowledge other Aboriginal and Torres Strait Islander people who have made Canberra their home and we<br />

aim to respect cultural heritage, customs and beliefs of all Indigenous peoples.<br />

<strong>Craft</strong> <strong>ACT</strong> certifies that all information provided above is true and correct to the best of our knowledge and<br />

belief.<br />

© <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre <strong>2022</strong><br />

2


<strong>2022</strong> <strong>Annual</strong> <strong>Report</strong> Contents<br />

<strong>2022</strong>: The year in review<br />

President’s report<br />

<strong>Craft</strong> <strong>ACT</strong> achievements<br />

DESIGN Canberra achievements<br />

Month by month<br />

Goal 1: Innovation<br />

Exhibitions<br />

Research<br />

Residencies<br />

Public programs<br />

Goal 2: Collaboration<br />

Audience development and attendance<br />

Design Canberra programming<br />

Local, national, + global collaborations<br />

Goal 3: Value<br />

Effective communications<br />

Enhanced digital presence + engagement Membership<br />

Goal 4: Security<br />

Income<br />

DESIGN Canberra growth<br />

Member + staff professional development<br />

Acquittals, reporting and governance<br />

Board, staff, committees, volunteers, and interns<br />

Social pages<br />

Appendices: 2021 <strong>Craft</strong> <strong>ACT</strong> activity<br />

Membership<br />

Exhibitions<br />

Public programs<br />

Media<br />

<strong>Craft</strong> <strong>ACT</strong> supporters and funding partners<br />

Thank you<br />

4<br />

9<br />

10<br />

12<br />

14<br />

17<br />

23<br />

31<br />

34<br />

46<br />

50<br />

64<br />

66<br />

3


Fire Country, Rebecca Selleck + James Tylor, <strong>2022</strong>. Photography 5foot<br />

<strong>2022</strong>: The year in review<br />

<strong>2022</strong> was an incredible year<br />

for <strong>Craft</strong> <strong>ACT</strong> representing a<br />

period of significant growth for<br />

the organisation and a massive<br />

recovery from the challenging<br />

years of the pandemic. We met<br />

and exceeded our strategic<br />

goals of Innovation, Collaboration,<br />

Value, and Security, with a full<br />

year of vibrant events, including<br />

the ninth and most successful<br />

DESIGN Canberra Festival,<br />

innovative exhibitions in our gallery,<br />

markets, auctions, workshops,<br />

public programs, competitions,<br />

awards, retail sales, and our<br />

Artists-in-Residence program.<br />

The synergy and vitality of our<br />

programming has been achieved<br />

through collaboration with over<br />

1400 generous stakeholders<br />

and has been well received by<br />

our community with engaged<br />

audiences growing.<br />

We achieved our strategic goal of<br />

Innovation via exhibitions, research,<br />

residencies, and workshops. We<br />

reached our goal of Collaboration<br />

through both <strong>Craft</strong> <strong>ACT</strong> and<br />

DESIGN Canberra programming<br />

working with local, national, and<br />

global artists, organisations, and<br />

partners. We enacted our pillar<br />

of Value through expanding <strong>Craft</strong><br />

<strong>ACT</strong>’s physical premises (with<br />

our Hub Shop and workshop<br />

space and working on the future<br />

Kingston Arts Precinct project),<br />

growing our audiences, providing<br />

opportunities for our members,<br />

and enhancing our online<br />

engagement. Further to this, we<br />

achieved our goal of Security<br />

through growing organisational<br />

sponsorship and artist’s income,<br />

growing the DESIGN Canberra<br />

Festival, increasing staff numbers,<br />

and providing professional<br />

development programs to our<br />

artist members; and ensuring<br />

our governance reporting and<br />

acquittals were of the highest<br />

standard—being successful in our<br />

application for <strong>ACT</strong> Government<br />

organisational funding.<br />

On a personal level an example<br />

of our many successes was an<br />

evening of programming during<br />

the Festival:<br />

On a balmy Friday evening in<br />

November <strong>2022</strong>, I sat in Civic<br />

Square as the sky went pink<br />

and learnt how to make woven<br />

bracelets under the expert<br />

guidance of accomplished<br />

Wiradjuri artist Jessika Spencer.<br />

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The sensory combination of<br />

the natural texture of the raffia,<br />

and the repeated rhythm of the<br />

stitching was both calming and<br />

compelling—exemplifying the<br />

wellbeing benefits of making<br />

by hand and the satisfaction of<br />

learning new skills and deepening<br />

my understanding of First Nations<br />

Culture. I sipped on a glass of crisp<br />

local Lake George Winery Rosè<br />

and nibbled on cheeses from the<br />

region—indulging in local delights<br />

further enhancing my state of<br />

relaxation. I chatted with strangers<br />

as I wove feeling a gentle sense<br />

of connection to each other in<br />

this shared making activity and to<br />

place—the beautiful Ngunnawal<br />

country we live in.<br />

We sat immersed in public artwork<br />

which altered our perception of<br />

the urban landscape and provoked<br />

me to ponder new ideas. Under<br />

foot was on an incredible largescale<br />

mural by Kamilaroi artist<br />

Leah Brideson that represented<br />

cultural shift in knowledge through<br />

a First Nations lens: symbols of<br />

waterways and rocks in velvety<br />

blues, oranges and white served<br />

as a potent reminder that whilst<br />

surrounded by concrete, we were<br />

on country and urgently need to<br />

pay attention to caring for country<br />

and climate.<br />

Behind me on the theatre ramps<br />

and the lane ways into the square<br />

was the mural by artist Lymesmith<br />

which used geometry and colour<br />

to reference the surrounding<br />

heritage architecture; enhancing<br />

the arrival and departure<br />

experience to the Square.<br />

As I looked up toward the <strong>Craft</strong><br />

<strong>ACT</strong> building, I could see the<br />

incredible woven sculpture, Given<br />

Conditions, by artist Lucy Irvine<br />

climbing up out of her temporary<br />

studio (CRA Second Space) into<br />

the windows of the gallery on<br />

the floor above like a strange<br />

alien organism, disrupting my<br />

perception of the building, of the<br />

definition of the craft of weaving,<br />

and the power of public art to<br />

change perspectives.<br />

Next to it a-top the building lights,<br />

were bulbous forms, exploring<br />

contemporary weaving practice<br />

by artist Julie Monro-Allison,<br />

her installation Becoming an<br />

exploration of biological life and<br />

the web of entanglement that<br />

exists between all living organisms.<br />

This lovely November evening<br />

in <strong>2022</strong> immersed me and our<br />

community in transformative<br />

experiences of being surrounded<br />

by artworks, making by hand,<br />

connecting with each other,<br />

learning traditional First Nations<br />

culture, celebrating Canberra,<br />

and being challenged to think<br />

in new ways. It encapsulates so<br />

much about why <strong>Craft</strong> <strong>ACT</strong>’s<br />

artists, exhibitions, and programs<br />

are essential to our lives and in<br />

celebrating our beautiful cities’<br />

significant design legacies and<br />

futures. Our artists, craftspeople<br />

and designers make work that<br />

reflects and reveals our society,<br />

tells our stories, connects us with<br />

our community and strengthens<br />

our sense of identity. It enhances<br />

our wellbeing and replenishes our<br />

human spirit.<br />

The arts are essential to our city,<br />

our culture, and our survival and<br />

what we do at <strong>Craft</strong> <strong>ACT</strong> is so<br />

incredibly important to our city<br />

and our world. Canberra has<br />

an extraordinarily high number<br />

of creatives per capita and<br />

in <strong>2022</strong> <strong>Craft</strong> <strong>ACT</strong> has been<br />

instrumental in showcasing their<br />

work and providing opportunities<br />

for audience engagement and<br />

income generation.<br />

At 51 years old, and the longest<br />

running visual arts organisation<br />

of our kind in Australia, <strong>Craft</strong><br />

<strong>ACT</strong> has played a vital role in<br />

sustaining Australia’s high-quality<br />

studio practice and supporting<br />

craftspeople, designers, and<br />

audiences, and we are proud<br />

to continue this tradition and<br />

continue to thrive because of<br />

our incredible artist members.<br />

It is these artists that give so<br />

much to our community and<br />

our world, with generosity they<br />

continue to enrich and challenge<br />

us. Often these makers cannot<br />

earn a living wage from their<br />

work and <strong>Craft</strong> <strong>ACT</strong> continues to<br />

advocate for fair pay for artists<br />

and provide opportunities for<br />

income generation and connection<br />

to growing audiences. We were<br />

delighted in <strong>2022</strong> to increase fees<br />

to artists by 100% and through all<br />

our programs supported artists to<br />

earn over $465,142 (up 70% from<br />

2019).<br />

Our <strong>2022</strong> exhibition program<br />

exemplified the best in innovative<br />

contemporary craft and design<br />

practice, showcasing the diversity<br />

of practice globally. A highlight<br />

for me was our annual members’<br />

exhibition which demonstrated<br />

excellence and innovation of our<br />

artist members' creative activities,<br />

and the diversity of practice in<br />

our region. The works presented<br />

complex responses to the theme<br />

of nurture, the post pandemic<br />

social environment, the influence<br />

of the pandemic, the climate<br />

crisis; and the critical need to look<br />

after each other and our world;<br />

demonstrating how important<br />

creative endeavour is in reflecting<br />

our communities' experiences.<br />

Other highlights for me included<br />

the exhibitions Fire Country,<br />

CONFLUENCE, BEEing, the <strong>2022</strong><br />

Robert Foster F!NK National Metal<br />

Prize and Home Life.<br />

The timely exhibition Fire Country<br />

by Rebecca Selleck and James<br />

Tylor addressed the physical<br />

and cultural significance of fire<br />

in Australia in a sensitive and<br />

poetic manner that captured<br />

the emotional trauma of fire in<br />

sparse sophistication resonating<br />

powerfully with our community.<br />

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CONFLUENCE showcased the<br />

extraordinary work of 2021 Artistin-Residence<br />

artists Valerie Kirk<br />

AM and Harriet Schwarzrock<br />

resulting from their immersion in<br />

the collections of Geoscience<br />

Australia and the environment<br />

of Namadgi National Park. This<br />

outstanding exhibition was<br />

awarded a Canberra Critics Circle<br />

Award for Visual Arts.<br />

The accompanying exhibition in<br />

July, BEEing, featured the work of<br />

established craft-based artist Dr.<br />

Julie Bartholomew and earlycareer<br />

contemporary ceramic<br />

artist Mahala Hill and sparked<br />

critical discourse around the<br />

intersection of art and awareness<br />

of biodiversity threats.<br />

<strong>Craft</strong> <strong>ACT</strong> was honoured to<br />

present the new Robert Foster<br />

F!NK National Metal Prize,<br />

supported by the Tall Foundation,<br />

F!NK + Co. Director Gretel Harrison,<br />

and <strong>Craft</strong> <strong>ACT</strong>. This bi-annual<br />

award is an important professional<br />

development opportunity for metal<br />

practitioners and celebrated the<br />

outstanding work of ten emerging<br />

and established contemporary<br />

metalworkers, designers, and<br />

craftspeople across Australia.<br />

Artists from New South Wales,<br />

Victoria, South Australia, and the<br />

Canberra region were represented,<br />

with two outstanding artists,<br />

Gretal Ferguson and Larah Knott,<br />

awarded cash prizes.<br />

Our international sensation—the<br />

Home Life exhibition from Rome,<br />

showcased the best in Italian<br />

design in the <strong>Craft</strong> <strong>ACT</strong> Gallery<br />

during the DESIGN Canberra<br />

Festival. We were so excited<br />

to continue our long-standing<br />

partnership with the Embassy<br />

of Italy to bring this incredible<br />

exhibition to Canberra (thanks also<br />

to the support of the Institute of<br />

Italian Culture and the Prosecco<br />

Consortium).<br />

Other exhibitions demonstrating<br />

excellence in contemporary craft<br />

and design in our <strong>2022</strong> program<br />

included:<br />

• Collide + Divide, an experimental<br />

collaborative exhibition featuring<br />

eleven emerging JamFactory<br />

associates which explored the<br />

opportunities of a cross-discipline<br />

collaboration between the four<br />

JamFactory studios of glass,<br />

ceramics, jewellery, and furniture.<br />

• Tension[s] 2020, the Tamworth<br />

Textile Triennial exhibition focussed<br />

on the future of people and place<br />

through textile as a material and<br />

human experience as materiality.<br />

• Home Grown by artist Jeremy<br />

Brown, contrasted design-bynature<br />

and design-by-human,<br />

and linked raw materials to their<br />

final product as an ode to the<br />

harmonious existence of the<br />

two elements in Canberra’s own<br />

streets.<br />

• You Get A Rhythm About It<br />

showcased the work Peter Minson,<br />

spanning his 60-year career as a<br />

lampworker.<br />

• 6:30 Sessions, by Nellie Peoples<br />

and Michelle Stemm featured<br />

objects created as the result of a<br />

collaboration in lockdown.<br />

• Emerging Contemporaries,<br />

the <strong>Craft</strong> <strong>ACT</strong> National Award<br />

Exhibition for early career artists<br />

showcased the best in emerging<br />

graduate work from educational<br />

institutions in the region.<br />

We were delighted to host a<br />

website-based exhibition of<br />

some of the best journals from<br />

2021’s DESIGN Canberra Creative<br />

Journaling Challenge as part of<br />

our online audience engagement,<br />

developed to encourage daily<br />

creative practice which is proven<br />

to improve wellbeing and creative<br />

thinking. This online exhibition<br />

presented the winning journal of<br />

collage artist Laura Canty and a<br />

shortlisted group of 26 of these<br />

wonderful journals. Further to this,<br />

a selection of five of the journals<br />

were highly commended by the<br />

judges and were exhibited at the<br />

<strong>Craft</strong> <strong>ACT</strong> Gallery. In November<br />

<strong>2022</strong> we ran the challenge again<br />

as part of the DESIGN Canberra<br />

Festival expanding its reach to<br />

national audiences thanks to our<br />

new partnership with Eckersley’s<br />

Art and <strong>Craft</strong>.<br />

In October <strong>2022</strong>, we were excited<br />

to launch our new initiative the<br />

DISCOVER: <strong>Craft</strong> + Design Trail<br />

(supported by the City Renewal<br />

Authority) in which six shortlisted<br />

<strong>Craft</strong> <strong>ACT</strong> members were given a<br />

unique professional development<br />

opportunity to work with mentors<br />

to create public art works on<br />

display in the Canberra Art Biennial<br />

and the DESIGN Canberra Festival<br />

<strong>2022</strong>. These extraordinary public<br />

artworks bought craft and design<br />

practice into a public context and<br />

activated City West, engaging<br />

new audiences in a process of<br />

discovery and delight, and with a<br />

new way of engaging with craft<br />

and design.<br />

Our major outreach program,<br />

the DESIGN Canberra Festival,<br />

returned with a bang—being our<br />

biggest festival to date, after two<br />

years of being compromised by<br />

the pandemic. With over 250<br />

events, we enriched the city with<br />

an exhilarating, rich program<br />

of symposiums, talks, tours,<br />

exhibitions, public installations,<br />

and workshops for all ages. The<br />

Festival theme of transformation<br />

invited us to speculate on how<br />

we might transform our city,<br />

our community and our world<br />

through design and creative<br />

practice. Inspired by <strong>Craft</strong> <strong>ACT</strong>’s<br />

golden anniversary in 2021,<br />

and gold’s symbolism as an<br />

agent of transformation, we<br />

reflected on the ways that artist,<br />

designers, and craftspeople act<br />

as alchemists, transforming raw<br />

materials and ideas into objects,<br />

spaces, buildings, and concepts.<br />

The Festival engaged design<br />

6


thinking and creative enterprise<br />

to speculate on how to solve the<br />

big issues of our time, improve<br />

our wellbeing; and to foster a<br />

vibrant, equitable, sustainable, and<br />

innovative society.<br />

The results for the <strong>2022</strong> festival<br />

were astounding, demonstrating<br />

the public appreciation for<br />

engaging with contemporary<br />

design and our community.<br />

470,660 people engaged with<br />

the Festival (an increase of 310%<br />

from our pre-pandemic highest<br />

statistics in 2019); 396,802<br />

people with our public art + public<br />

exhibitions; and 73,858 attendees<br />

with our programs + gallery<br />

exhibitions. We supported our<br />

creatives to generate $327,443 of<br />

income (an increase of 71% from<br />

2019) and supported more First<br />

Nations artists in the program than<br />

ever before. We saw an impressive<br />

35% increase in interstate visitors<br />

to Canberra for the festival, 59%<br />

new audiences to our website,<br />

and a 525.46% increase from<br />

2019 in our social media followers.<br />

We were thrilled to develop new<br />

family audiences through targeted<br />

inclusive programming, including<br />

our Creative Kids programs and<br />

the Forage at DESIGN Canberra.<br />

The Festival was an extraordinary<br />

collaboration between over<br />

1400+ stakeholders—artists,<br />

designers, craftspeople, industry,<br />

sponsors, educational institutions,<br />

organisations, and supporters.<br />

Their creativity, generosity and<br />

commitment contributed to<br />

community wellbeing and identity;<br />

and embedded contemporary<br />

craft, making and design at the<br />

centre of everyday life in Australia’s<br />

capital, a global city of design. The<br />

Festival is only possible due to the<br />

extraordinary generosity of these<br />

collaborators, and I wholeheartedly<br />

thank them for their loyalty and<br />

support.<br />

I make special mention of the<br />

key financial contributors to<br />

the Festival—without whom<br />

the festival could not run. The<br />

<strong>ACT</strong> Government via arts<strong>ACT</strong>,<br />

the City Renewal Authority, and<br />

Cultural Facilities Corporation;<br />

our Platinum Sponsors - Alastair<br />

Swayn Foundation, Canberra<br />

BMW, Canberra Centre, Capital<br />

Airport Group, Embassy of Italy in<br />

Australia, Home by Holly, Sellecks<br />

Consultants, The Tall Foundation,<br />

University of Canberra and their<br />

Faculty of Arts and Design. Our<br />

exclusive product partners, A by<br />

Adina (Hotel), Capital Brewing<br />

(Beer), Eckersley’s Art and <strong>Craft</strong><br />

(Art Supplies), Her Canberra<br />

(Media), Lake George Winery<br />

(Wine), and Prosecco Consortium<br />

(Sparkling Wine). And the other 24<br />

partners whose generosity in-kind<br />

ensures the success of the Festival<br />

(full list of generous partners on<br />

page 64).<br />

During <strong>2022</strong>, I had the privilege<br />

to work with an incredible<br />

and completely delightful new<br />

team of staff whose creativity,<br />

commitment, energy, warmth and<br />

tenacity ensured organisational<br />

success and growth across all<br />

our activities. I extend my heartfelt<br />

gratitude to current core staff<br />

Moraig McKenna, Welly McGarry,<br />

Rachel Skeehan, Frances Spurgin,<br />

Belinda Neame, Travis Bullock<br />

and Christian Sirois; our casual<br />

staff—Daniel Margules, Eve<br />

Fairhall, Melissa Hammond, Elmi<br />

Slater, Mary Monro-Allison, Maree<br />

McGarry, Victoria Byron and Ella<br />

Myer; and our previous staff<br />

Georgia Arndell, Olinda Narayanan,<br />

Dotty Berryman, Justine Merrony<br />

and Meagan Jones.<br />

Our Board of Management has<br />

provided invaluable strategic<br />

leadership and vision to <strong>Craft</strong><br />

<strong>ACT</strong>, and I thank board members<br />

for their generosity and wisdom.<br />

Current members Rebecca<br />

Coronel, Jenny Edwards, Charles<br />

Brewer, Laura Crick, Rod Bobeldijk,<br />

Jennifer Kemarre Martiniello,<br />

Isabelle Mackay-Sim, and previous<br />

board members Caroline Forster<br />

OAM and Sam Bryant.<br />

<strong>Craft</strong> <strong>ACT</strong> has been incredibly<br />

fortunate to be partially supported<br />

by the Australian and the <strong>ACT</strong><br />

government which ensures<br />

organisational stability and growth.<br />

We are also partially supported<br />

by the Australia Council for the<br />

Arts four-year funding 2021 to<br />

2024, and the Visual Arts and<br />

<strong>Craft</strong> Strategy, an initiative of the<br />

Australian, State and Territory<br />

Governments and the <strong>ACT</strong><br />

Governments Arts Organization<br />

Investment funding—being<br />

successful in <strong>2022</strong> in securing<br />

additional multi-year funding for<br />

2023 to 2026. I would particularly<br />

like to thank <strong>ACT</strong>’s Arts Minister<br />

Tara Cheyne MLA, Senior Advisor<br />

Michael Liu, and arts<strong>ACT</strong> staff for<br />

their unwavering support of our<br />

activities.<br />

And finally, I thank our member<br />

artists who are at the centre<br />

of all of our activities—our<br />

member’s creativity, generosity<br />

and determination ensure the<br />

growth and success of our<br />

organisation and contribute to a<br />

vibrant arts culture in Australia.<br />

Our members give us purpose;<br />

bring a regional, national, and<br />

international perspective and<br />

expertise to our artistic programs;<br />

and consistently inspire us. It is an<br />

honour to support such a thriving<br />

and creative community.<br />

I am so grateful to work in an<br />

organisation that makes a tangible<br />

difference in the lives of our artists,<br />

our community, and our city, and<br />

invests in long term cultural and<br />

economic gain. I feel incredibly<br />

proud of what the <strong>Craft</strong> <strong>ACT</strong><br />

community has achieved in <strong>2022</strong><br />

and so privileged to lead such<br />

an inspiring and creative cohort<br />

of incredible individuals. I am so<br />

excited about working together to<br />

continue our successes into 2023<br />

and beyond.<br />

Jodie Cunningham<br />

CEO + Artistic Director<br />

<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre<br />

7


8


President’s report<br />

Retail sellers, F!NK, Anna Gianakis, + Jenni Kemarre Martiniello, <strong>2022</strong>. Photography Tim Bean<br />

In each year’s <strong>Annual</strong> <strong>Report</strong>,<br />

we reflect on the achievements<br />

and activities of <strong>Craft</strong> <strong>ACT</strong> and in<br />

this, my third and final President's<br />

<strong>Report</strong>, I find myself overwhelmed<br />

at how much a small team and<br />

membership organisation can<br />

achieve in twelve months!<br />

Starting early in the year our<br />

annual Emerging Contemporaries<br />

exhibition highlights the best<br />

work from recent graduates, once<br />

again demonstrating the depth<br />

and range of new artists and<br />

makers. The extensive exhibition<br />

program also included creative<br />

responses from Valerie Kirk AM<br />

and Harriet Schwarzrock, our<br />

selected Namadgi National Park<br />

Artists-in-Residence for <strong>2022</strong>.<br />

Their reflections on the collections<br />

of Geoscience Australia and<br />

their time spent in the recovering<br />

Namadgi bush resonated<br />

strongly with our visitors. We<br />

were also pleased to present<br />

the inaugural Robert Foster F!NK<br />

National Metal Prize supported<br />

by the Tall Foundation, F!NK +<br />

Co-Director Gretel Harrison, and<br />

<strong>Craft</strong> <strong>ACT</strong>, highlighting the talent<br />

in metalworking in the region<br />

and reinforcing the value of<br />

ensuring high quality training and<br />

mentorship in the crafts.<br />

<strong>Craft</strong> <strong>ACT</strong> also punched above<br />

its weight with international<br />

collaborations. Our successful<br />

partnership with the Embassy<br />

of Italy brought the Home Life<br />

exhibition from Rome showcasing<br />

Italian design. Later in the year<br />

our first small, but significant<br />

collaboration, with the Embassy of<br />

Uruguay produced an exhibition<br />

of Uruguayan fibre arts spread<br />

across the <strong>Craft</strong> <strong>ACT</strong> Gallery and<br />

the Canberra Airport. With such a<br />

vibrant and engaged diplomatic<br />

community in Canberra we are<br />

making connections between<br />

members and makers across the<br />

world.<br />

In <strong>2022</strong>, the <strong>Craft</strong> <strong>ACT</strong> team<br />

delivered the ninth, and largest to<br />

date, DESIGN Canberra Festival.<br />

Although every year brings it's<br />

challenges and new programs the<br />

<strong>2022</strong> festival was the culmination<br />

of two years of planning, program<br />

development, and partnerships<br />

(after the necessary reductions<br />

in 2021 due to pandemic<br />

restrictions). Transformation was a<br />

triumph of coordination and sheer<br />

determination from the small <strong>Craft</strong><br />

<strong>ACT</strong> team to bring the Festival<br />

to the public. A count of the<br />

connections and collaborations<br />

that form the Festival indicated<br />

well over 1200 stakeholders, with<br />

many artists and organisations<br />

being repeat contributors over<br />

several years. It is this strength<br />

of community connection which<br />

make the DESIGN Canberra<br />

Festival such a fabulous and<br />

essential part of Canberra’s art<br />

and design ecosystem each year.<br />

I would like to acknowledge the<br />

leadership of our CEO and Artistic<br />

Director, Jodie Cunningham,<br />

whose personal commitment to a<br />

creative, positive and efficient <strong>Craft</strong><br />

<strong>ACT</strong> has been exemplary. My<br />

thanks also to the <strong>Craft</strong> <strong>ACT</strong> staff<br />

whose capacity to deliver high<br />

quality programs and services with<br />

enthusiasm and grit has been a<br />

highlight of <strong>2022</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> Members are of course<br />

the backbone of the organisation.<br />

Our membership numbers attest<br />

to the success of the many<br />

programs and benefits offered<br />

by <strong>Craft</strong> <strong>ACT</strong> and confirm our<br />

relevance to the community we<br />

serve.<br />

I thank our Board of Management<br />

members for remaining engaged<br />

and collaborative throughout<br />

another busy year. Everyone on<br />

the <strong>Craft</strong> <strong>ACT</strong> Board has been<br />

focused on ensuring high quality<br />

governance and practical problem<br />

solving, with our aim being to<br />

support the team to effectively and<br />

efficiently deliver the strategic plan.<br />

Funding support from government<br />

and sponsors is essential to<br />

our operations. I thank the <strong>ACT</strong><br />

Government, the Visual Arts and<br />

<strong>Craft</strong> Strategy (an initiative of<br />

the Australian, state and territory<br />

governments), and the Australia<br />

Council for the Arts (the Australian<br />

Government’s arts funding and<br />

advisory body) for their on-going<br />

support of <strong>Craft</strong> <strong>ACT</strong>.<br />

This will be my final President’s<br />

<strong>Report</strong> as I step down from<br />

my four years on the Board<br />

of Management. It has been<br />

an exciting, and sometimes<br />

extraordinary, time to have been<br />

on the Board and I have been<br />

lucky to have worked with many<br />

creative and talented <strong>Craft</strong> <strong>ACT</strong><br />

staff and members in this time. I<br />

know the organisation will continue<br />

to deliver great programs and<br />

exhibitions into the future. I look<br />

forward to finding some time<br />

to reactivate my own creative<br />

pursuits and will continue to look<br />

to our Canberra region makers,<br />

craftspeople, and artists for<br />

inspiration.<br />

Rebecca Coronel<br />

President<br />

<strong>Craft</strong> <strong>ACT</strong> Board of Management<br />

9


<strong>Craft</strong> <strong>ACT</strong> achievements<br />

All Statistics compared to the pre-pandemic DESIGN Canberra Festival in 2019 unless otherwise stated.<br />

Artist participation<br />

109 in exhibitions<br />

153 in our public programs<br />

116 stocked our retail shop (↑15 from 2021)<br />

1,061 participated in DESIGN Canberra <strong>2022</strong><br />

28 First Nations artists<br />

1439<br />

artists participated<br />

$485,153<br />

total income<br />

generated for artists<br />

by <strong>Craft</strong> <strong>ACT</strong> activities<br />

↑45% from 2019<br />

Income generation for<br />

artists<br />

$20,944 exhibition sales (↓68%)<br />

$117,141 retail shop sales (↑57%)<br />

$7,000 artists fees paid for <strong>Craft</strong> <strong>ACT</strong><br />

professional development programs,<br />

Artist-in-Residence + CO:LAB<br />

In addition to full-time employees <strong>Craft</strong><br />

<strong>ACT</strong> also engaged designers, craft<br />

practitioners and arts workers as casual<br />

and part-time staff to the value of<br />

$218,489.46 in <strong>2022</strong>.<br />

*includes fees paid to artists and artist generated income via Festival<br />

markets, open studios etc.<br />

Exhibitions<br />

3,687 in person attendances at <strong>Craft</strong> <strong>ACT</strong><br />

exhibitions<br />

43,124 in person attendees at <strong>Craft</strong> <strong>ACT</strong>'s<br />

DESIGN Canberra exhibitions<br />

10 on-site exhibitions<br />

45 members in annual exhibition<br />

9 exhibition essays commissioned<br />

11 digital catalogues produced<br />

2 curators engaged<br />

3,687<br />

attendance at <strong>Craft</strong><br />

<strong>ACT</strong> exhibitions<br />

10


40,400<br />

attendance at <strong>Craft</strong><br />

<strong>ACT</strong> public programs<br />

Public programs<br />

11,357 attendance at public programs<br />

19,373 attendees at <strong>Craft</strong> <strong>ACT</strong>'s DESIGN<br />

Canberra public programs<br />

9,670 online attendees at <strong>Craft</strong> <strong>ACT</strong>'s DESIGN<br />

Canberra public programs<br />

28 on-site <strong>Craft</strong> <strong>ACT</strong> public programs<br />

5 off-site <strong>Craft</strong> <strong>ACT</strong> public programs<br />

Members<br />

7 Life members<br />

60 Accredited Professional members<br />

97 Associate members<br />

207 <strong>Craft</strong> + Design Maker members<br />

44 <strong>Craft</strong> + Design Lover members<br />

576<br />

members<br />

↑80.8% from 2019<br />

161 Student members<br />

Communications<br />

Record<br />

engagement<br />

157,983 <strong>Craft</strong> <strong>ACT</strong> website visits (↑84%)<br />

44,868 <strong>Craft</strong> <strong>ACT</strong> Page reach (↑17%)<br />

4,216 <strong>Craft</strong> <strong>ACT</strong> email subscribers (↑25%)<br />

18 <strong>Craft</strong> <strong>ACT</strong> e-newsletters sent<br />

5,797 followers on <strong>Craft</strong> <strong>ACT</strong> Facebook<br />

(↑33%)<br />

8,075 followers on <strong>Craft</strong> <strong>ACT</strong> Instagram<br />

(↑96%)<br />

Volunteers and interns<br />

2 interns<br />

28 weeks, 210 intern hours valued at $7,000<br />

300+ hours of time donated by our board<br />

and committee members<br />

510 hours<br />

of time donated<br />

11


DESIGN Canberra achievements<br />

All Statistics compared to the pre-pandemic DESIGN Canberra Festival in 2019 unless otherwise stated.<br />

250+ festival events were presented over 19 days from 2- 20<br />

November <strong>2022</strong>, which included:<br />

18 events including exhibition openings,<br />

City Sessions, launches, and a <strong>Craft</strong> +<br />

Design Auction Party<br />

31 exhibitions<br />

11 public art Installations<br />

16 talks<br />

6 symposiums<br />

14 tours<br />

13 adult Nurture Making by Hand<br />

workshops<br />

12 Creative Kids workshops<br />

3 craft + design markets<br />

45 Open Studios<br />

7 arts organisation open days<br />

1 Creative Journalling Challenge<br />

1 photography competition<br />

1 contemporary metal prize (<strong>2022</strong> Robert<br />

Foster F!NK National Metal Prize)<br />

Audiences<br />

470,660 people engaged with festival programs (↑310%)<br />

• 396,802 people with our public art + public<br />

exhibitions<br />

• 73,858 attendees with our programs + gallery<br />

exhibitions<br />

51% audiences had never attended DESIGN Canberra<br />

before<br />

27% of audiences from interstate (↑35%)<br />

42% of attendees attended more than 2-3 events and<br />

23% attended 4-8 events<br />

470,660<br />

engaged people<br />

↑310% from 2019<br />

78% of attendees felt connected to a creative experience<br />

and 74% their city—Canberra<br />

70% of attendees stated that after engaging in a DESIGN<br />

Canberra program their wellbeing had improved.<br />

Fields of interest<br />

Art: 56%<br />

<strong>Craft</strong> + Design markets: 7%<br />

Architecture tours: 9%<br />

Creative Kids activities: 5%<br />

Artist’s open studios: 5%<br />

Architecture talks: 3%<br />

Artist’s talks: 3%<br />

Exhibitions: 2%<br />

Creative Journaling Challenge: 2%<br />

Photography competition: 2%<br />

Audience by age<br />

18-24: 6.5%<br />

25-34: 17.8%<br />

35-44: 18.8%<br />

45-54: 17.5%<br />

55-64: 18.2%<br />

65-74: 10.1%<br />

75+: 2.4%<br />

12


DESIGN Canberra income generation<br />

1061 artists were part of the festival<br />

130 exhibited in DESIGN Canberra<br />

exhibitions<br />

20 exhibited in public art installations<br />

DESIGN Canberra visibility and impact<br />

247,517 DESIGN Canberra website visits (↑21%)<br />

137,892 DESIGN Canberra Page reach (↑34% from 2021)<br />

221,289 web views and 83,236 web sessions<br />

3% click through rate from website (↑12% from 2021)<br />

895% increase in interstate clicks from 2021<br />

75% new audiences engaging online<br />

95% of online engagement come from an interstate audience<br />

45,040 e-newsletters views<br />

7,463 DESIGN Canberra email subscribers (↑34%)<br />

19 DESIGN Canberra e-newsletters sent with revenue of $9,324<br />

(↑365% from 2021)<br />

4.6% click through rate on e-newsletters (↑54% from 2021)<br />

970,000+ impressions across social media platforms<br />

14,922 social media followers (↑65%)<br />

4,744 followers on DESIGN Canberra Facebook (↑20%)<br />

10,178 followers on DESIGN Canberra Instagram (↑48%)<br />

85 media articles written from the launch date of the Festival<br />

7 radio interviews and 4 video interviews<br />

$455 revenue generated from media (↑NA% from 2021)<br />

Partnerships<br />

$327,443<br />

of income directly to<br />

artists ↑71% from 2019<br />

970,000+<br />

impressions across<br />

social media platforms<br />

Secured and worked collaboratively with sponsors, partners, and supporters from the broader<br />

Canberra community, including business, tertiary, cultural, and industry sectors.<br />

• Government: The Australia Council for the Arts, arts<strong>ACT</strong>, City Renewal Authority, Cultural<br />

Facilities Corporation.<br />

• Platinum: Alastair Swayn Foundation, Canberra BMW, Canberra Centre, Capital Airport Group,<br />

Embassy of Italy in Australia, Home by Holly, Sellecks Consultants, The Tall Foundation, University<br />

of Canberra<br />

• Exclusive: A by Adina (Hotel), Capital Brewing (Beer), Eckersley’s Art and <strong>Craft</strong> (Art supplies), Lake<br />

George Winery (Wine), Prosecco Consortium (Sparkling).<br />

• Media: ArtsHub, Architecture AU, Dezeen, Her Canberra, Region Media (Riot<strong>ACT</strong>).<br />

• Gold: F!NK + Co.<br />

• Silver: Australian Academy of Science, Design Institute of Australia, Embassy of Uruguay in<br />

Australia, Embassy of Finland in Canberra, Institute of Italian Culture, Australian National University,<br />

Kambri, Molonglo, National Museum Australia, ROJO Customs.<br />

• Bronze: Canberra Art Biennial, Complete Constructions Australia, Graham Humphries, Light<br />

House Architecture and Science, Meredith Hinchliffe, Norton Rose Fulbright, The Pop Inn by Wine<br />

Bar Co., Thinkplace.<br />

13


Month by month<br />

JANUARY<br />

2023 Exhibition call out, 2 February<br />

<strong>2022</strong>.<br />

FEBRUARY<br />

Emerging Contemporaries<br />

exhibition and artists talks, 3<br />

February-19 March <strong>2022</strong>.<br />

You get a Rhythm about It<br />

exhibition and artist's talk, 3<br />

February-19 March <strong>2022</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> artists exhibit at DENFAIR<br />

+ Interiors Australia exhibition in<br />

Melbourne, 10-12 February <strong>2022</strong>.<br />

MARCH<br />

CO:LAB member professional<br />

development program call-out, 2<br />

March-4 April <strong>2022</strong>.<br />

Creative Journaling Challenge<br />

exhibition launch (online and <strong>Craft</strong><br />

<strong>ACT</strong> Gallery) and winning prize<br />

awarded to Laura Canty, 2 March<br />

<strong>2022</strong>.<br />

DISCOVER: <strong>Craft</strong> + Design Trail<br />

member professional development<br />

call out, 7 March <strong>2022</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> at Enlighten in the City,<br />

<strong>Craft</strong> After Dark with pop-up family<br />

workshops and shop, 10 March<br />

<strong>2022</strong>.<br />

Home Grown exhibition and artist<br />

talk, 24 March-14 May <strong>2022</strong>.<br />

Tension[s] 2020: Tamworth Textile<br />

Triennial exhibition and artists talks,<br />

24 March-14 May <strong>2022</strong>.<br />

<strong>2022</strong> <strong>Craft</strong> <strong>ACT</strong> <strong>Annual</strong> General<br />

Meeting (reporting on 2021), 29<br />

March <strong>2022</strong>.<br />

Welcome to Country and<br />

Ngunawal Culture talk by Wally Bell,<br />

senior Ngunawal Elder and chair<br />

of the Buru Ngunawal Aboriginal<br />

Corporation, 29 March <strong>2022</strong>.<br />

APRIL<br />

2023 Artist-in-Residence call out,<br />

26 April-2 June <strong>2022</strong>.<br />

MAY<br />

Artist-in-Residence program open<br />

day and workshops at Ready-Cut<br />

Cottage, 7 May <strong>2022</strong>.<br />

Collide + Divide exhibition and<br />

artist talks, 19 May-2 July <strong>2022</strong>.<br />

Fire Country exhibition and artist<br />

talks, 19 May-2 July <strong>2022</strong>.<br />

National Sorry Day social media<br />

posts on both DESIGN Canberra<br />

and <strong>Craft</strong> <strong>ACT</strong> Instagram,<br />

Facebook, and LinkedIn pages, 26<br />

May <strong>2022</strong>.<br />

Published How to be an Ally<br />

resources on our website, 26 May<br />

<strong>2022</strong>.<br />

JUNE<br />

<strong>2022</strong> <strong>Annual</strong> Fundraising Appeal,<br />

<strong>Craft</strong> and Design Transform the<br />

World, 1-3 June <strong>2022</strong>.<br />

Australian Museums and Galleries<br />

Association Conference <strong>2022</strong><br />

– Jodie Cunningham, <strong>Craft</strong> <strong>ACT</strong><br />

CEO + Artistic Director, presented<br />

paper, Nurture: Mindful Making<br />

Case Study and organised and<br />

convened Art, <strong>Craft</strong> + Design<br />

Network session, Freelance<br />

Curator as Provocateur, 10 June<br />

<strong>2022</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> Artistic Excellence<br />

Committee met for selection of the<br />

2023-2024 Artistic Program, 29<br />

June <strong>2022</strong>.<br />

JULY<br />

Nurture: <strong>2022</strong> <strong>Craft</strong> <strong>ACT</strong> <strong>Annual</strong><br />

Members Exhibition call out, 5 July-<br />

8 August <strong>2022</strong>.<br />

CONFLUENCE: 2021 Artists-in-<br />

Residence exhibition and artists<br />

talks, 7 July-27 August <strong>2022</strong>.<br />

BEEING exhibition and artists talks,<br />

7 July-27 August <strong>2022</strong>.<br />

NAIDOC Week social media<br />

profiling of First Nations artists<br />

and online resources for adults<br />

and children on both DESIGN<br />

Canberra and <strong>Craft</strong> <strong>ACT</strong> Instagram,<br />

Facebook, LinkedIn, and websites,<br />

3-10 July <strong>2022</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> at Winter in the City, Felt<br />

Caterpillar and Found Treasures<br />

workshops in partnership with the<br />

Canberra Regional Feltmakers, 9 +<br />

16 July <strong>2022</strong>.<br />

STORYBOX public art exhibition<br />

and launch showcasing <strong>Craft</strong><br />

<strong>ACT</strong>'s Members, 12 July-30<br />

September <strong>2022</strong>.<br />

DESIGN Canberra Festival <strong>Craft</strong> +<br />

Design Auction call out, 25 July-23<br />

September <strong>2022</strong>.<br />

DESIGN Canberra Festival Dairy<br />

Road Design Market call out, 25<br />

July-12 August <strong>2022</strong>.<br />

AUGUST<br />

Professional Practice in the Arts<br />

talk for Canberra Institute of<br />

Technology visual arts students, 10<br />

August <strong>2022</strong>.<br />

Wear it Purple in the Arts talk in<br />

partnership with Wear it Purple,<br />

supporting ‘Rainbow Youth’, 25<br />

August <strong>2022</strong>.<br />

Indigenous Artists-in-Residence,<br />

Krystal Hurst and Jessika Spencer,<br />

conducted research at the<br />

National Library of Australia, 22-26<br />

August <strong>2022</strong>.<br />

14


SEPTEMBER<br />

Indigenous Artist-in-Residence, Jessika Spencer,<br />

conducted residency at Ready-Cut Cottage in<br />

Namadgi National Park, 1-15 September <strong>2022</strong>.<br />

Nurture: <strong>2022</strong> <strong>Craft</strong> <strong>ACT</strong> <strong>Annual</strong> Members<br />

Exhibition and artists talks, 8 September-22<br />

October <strong>2022</strong>.<br />

DESIGN Canberra volunteer call out via EDM and<br />

social media channels, 27 September <strong>2022</strong>.<br />

Jodie Cunningham participated as a panel<br />

member in the Sustainable Creative Careers:<br />

Balancing Creative Life discussion. Presented by<br />

the ANU School of Art & Design and supported<br />

by arts<strong>ACT</strong>, 28 September, <strong>2022</strong><br />

OCTOBER<br />

DISCOVER: <strong>Craft</strong> + Design Trail public art<br />

installation in partnership with Canberra Art<br />

Biennial, in six locations across City West, 1<br />

October-20 November.<br />

<strong>2022</strong> Robert Foster F!NK National Metal Prize<br />

exhibition and award—the main prize and<br />

emerging prize awarded to Gretal Ferguson,<br />

and acquisition prize awarded to Larah Nott, 27<br />

October <strong>2022</strong>.<br />

Home Life exhibition (From IMF Foundation<br />

Rome), 27 October-10 December <strong>2022</strong>.<br />

Seeing Seventies, DESIGN Canberra Architecture<br />

Photography competition exhibition, 27<br />

October-10 December <strong>2022</strong>.<br />

Jodie Cunningham chaired the Mentoring in<br />

Public Art Session at the DISCOVER: Public Art in<br />

Canberra Symposium, 28 October <strong>2022</strong><br />

DISCOVER: Public Art in Canberra Symposium<br />

was held in partnership with Canberra Art<br />

Biennial and Canberra Museum and Gallery, 29<br />

October <strong>2022</strong>.<br />

NOVEMBER<br />

DESIGN Canberra Festival launched by <strong>ACT</strong> Arts<br />

Minister Tara Cheyne MLA in front of the Festival<br />

Hub Shop in Civic Square, 1 November <strong>2022</strong>.<br />

Launch of <strong>ACT</strong> Historic Places Art Prize,<br />

including <strong>Craft</strong> <strong>ACT</strong> <strong>Craft</strong> + Design Prize<br />

with Minister Tara Cheyne MLA at Lanyon<br />

Homestead, 4 November <strong>2022</strong>.<br />

DESIGN Canberra Festival program of 250<br />

events which included, but was not limited to,<br />

the following:<br />

‘Nurture’ Making by Hand workshops, Creative<br />

Kids workshops, exhibitions, symposiums,<br />

tours, artist talks, a pop-up shop and workshop<br />

space, public artworks, and events (see DESIGN<br />

Canberra section on page 54)<br />

HOME:MADE, Aurora, The Stills, and Roguetopia<br />

exhibitions at the Canberra Contemporary Art<br />

Space, 5-20 November <strong>2022</strong>.<br />

Golden Years, Koskela x MOA Arts, Shift,<br />

Abundant Wonder, and Ripple Effect exhibitions<br />

at Canberra Museum and Gallery, November<br />

<strong>2022</strong>.<br />

2023 Emerging Contemporaries Award winners<br />

selected and awarded, 7 November-16<br />

December <strong>2022</strong>.<br />

Jodie Cunningham participated as a panel<br />

member in the discussion From Silo to<br />

Collaboration, presented by the Design Institute<br />

of Australia at the National Museum of Australia,<br />

9 November <strong>2022</strong>.<br />

Canberra Critics Circle Award for Visual<br />

Arts awarded to Valerie Kirk AM and Harriet<br />

Schwarzrock for their <strong>Craft</strong> <strong>ACT</strong> exhibition<br />

CONFLUENCE at the 32nd <strong>Annual</strong> <strong>ACT</strong> Arts<br />

Awards, 22 November <strong>2022</strong>.<br />

Capital Arts Patrons Organisation <strong>Craft</strong> <strong>ACT</strong><br />

Award awarded to Ximena Natanya Briceño and<br />

Jonathon Zalakos, 24 November <strong>2022</strong>.<br />

DECEMBER<br />

Christmas retail campaign, including 20% off<br />

lunchtime and evening happy hours, cross<br />

promotional partnership with City Renewal<br />

Authority’s Celebrate in the City campaign, 1-21<br />

December <strong>2022</strong>.<br />

* full list of all artists, craftspeople, designers, curators, speakers, and partners in appendix, page 50.<br />

15


16


Goal 1: Innovation<br />

Foster innovation and excellence in artistic practice by building on our national and<br />

international reputation to support craft practitioners at every stage of practice.<br />

<strong>2022</strong> Robert Foster F!NK National Metal Prize Launch <strong>2022</strong>. Photography: 5foot<br />

Exhibitions<br />

The artistic program of <strong>2022</strong> was<br />

collated from an exceptionally<br />

high standard of applications from<br />

craft and design practitioners<br />

from our local, national, and<br />

international stage—showcasing<br />

a variety of mediums. Each<br />

application was peer-reviewed by<br />

the <strong>Craft</strong> <strong>ACT</strong>’s Artistic Excellence<br />

committee which comprised<br />

of six Accredited Professional<br />

Members, representing the craft<br />

and design disciplines of glass,<br />

metal, textiles, ceramics, paper,<br />

wood, and design, and <strong>Craft</strong> <strong>ACT</strong>’s<br />

CEO and Artistic Director, Jodie<br />

Cunningham.<br />

Through our artistic program, <strong>Craft</strong><br />

<strong>ACT</strong> continues to foster innovation<br />

and excellence in craft and design<br />

practices, support practitioners<br />

at every stage of their careers,<br />

showcasing and supporting<br />

extraordinary practitioners, recent<br />

graduates, early, mid, and late<br />

career artists, and craft and design<br />

researchers which represented<br />

a diverse range of mediums<br />

including glass, ceramics, metals,<br />

textiles, wood, paper, and mixed<br />

media. The <strong>2022</strong> program fostered<br />

innovation and excellence,<br />

continuing to build on our national<br />

and international reputation of<br />

supporting outstanding craft and<br />

design practitioners.<br />

In <strong>2022</strong>, <strong>Craft</strong> <strong>ACT</strong> showcased 13<br />

exhibitions which included:<br />

• 2 solo exhibitions<br />

• 4 two person exhibitions<br />

• 7 group exhibitions<br />

• 177 craft and design<br />

practitioners<br />

• 21 First Nation craft and design<br />

practitioners<br />

• 2 freelance curators<br />

<strong>Craft</strong> <strong>ACT</strong> commenced its <strong>2022</strong><br />

exhibition program in February<br />

with three incredible shows,<br />

Emerging Contemporaries, 6:30<br />

Sessions, and You get a Rhythm<br />

about It. The <strong>2022</strong> Emerging<br />

Contemporaries exhibition featured<br />

craft and designer practitioners<br />

from educational institutions from<br />

across the Canberra Region. It<br />

was a great demonstration of<br />

graduating student’s resilience<br />

under the extraordinary pressures<br />

which came with studying during<br />

the worldwide pandemic. Jewellery<br />

artists Nellie Peoples and Michelle<br />

Stemm presented their exhibition<br />

6:30 Sessions, which was a result<br />

of joint art sessions from their<br />

respective homes during lock<br />

down. In recognition of Glass<br />

artist Peter Minson’s important<br />

contribution to glass art and craft<br />

in Australia we presented the<br />

exhibition You get a Rhythm about<br />

It, a retrospective of glassmaking<br />

through a contemporary lens.<br />

In March, we changed over<br />

exhibitions and hosted Jeremy<br />

Brown’s Home Grown and the<br />

2020 Tamworth Textiles Triennial<br />

touring exhibition, Tension[s].<br />

Brown celebrated the street trees<br />

of Canberra through two threads<br />

of practice, furniture making and<br />

botanical illustrations. Tension[s]<br />

showcased the best contemporary<br />

textiles practice art from across<br />

the country. It acknowledged the<br />

tension the world has endured<br />

with a focus on the “future<br />

of people and place through<br />

textile as a material and human<br />

experience as its materiality”.<br />

Opening in May, the exhibitions,<br />

Fire Country and Collide + Divide,<br />

were characterised and framed<br />

by collaboration. Fire Country,<br />

featuring collaborative work from<br />

Rebecca Selleck and James Tylor,<br />

explored the physical and cultural<br />

significance of fire in Australia<br />

with the work representing our<br />

relationship to fire. A disciplinebending,<br />

object-based exhibition,<br />

Collide + Divide, was an<br />

experimental collaborative project<br />

within which Associates (emerging<br />

practitioners) from the JamFactory<br />

shared interdisciplinary skills to<br />

create powerful mixed media<br />

works.<br />

In the midst of the Canberran<br />

winter, BEEing and CONFLUENCE<br />

opened in July. Featuring the<br />

work of Dr. Julie Bartholomew<br />

and Mahala Hill, BEEing brought<br />

visibility to the critical discourse<br />

to the survival of bees as their<br />

current population declines.<br />

These ceramic works brought<br />

the microscopic world of Bees<br />

into the gallery with a close-up<br />

examination of how bees are<br />

essential to our biodiversity.<br />

The exhibition, CONFLUENCE,<br />

was the culmination of <strong>Craft</strong><br />

<strong>ACT</strong>’s 2021 Artists-in-Residence<br />

program, showcasing the work<br />

of established artists Valerie Kirk<br />

AM and Harriet Schwarzrock<br />

resulting from their residency<br />

at Geoscience Australia and<br />

Namadgi National Park. After<br />

delving into the hidden treasures<br />

of Geoscience’s National Mineral<br />

and Fossil Collection; Valerie Kirk<br />

AM and Harriet Schwarzrock<br />

spent time in Namadgi National<br />

Park’s Gudgenby Ready-Cut<br />

Cottage, exploring and making<br />

art; taking with them a deeper<br />

understanding of the geological<br />

attributes of the landscape,<br />

which engendered new ways of<br />

looking and creatively engaging<br />

17


with the environment. The<br />

resulting exhibition, CONFLUENCE,<br />

embodied the essence of the<br />

Artists-in-Residence program<br />

with Valerie and Harriet exploring<br />

new ideas, research, and material<br />

to then experiment, explore, and<br />

develop a deeper relationship<br />

with the landscape, their practice,<br />

and themselves. This outstanding<br />

exhibition was awarded a<br />

Canberra Critics Circle Award for<br />

Visual Arts at the 32nd <strong>Annual</strong> <strong>ACT</strong><br />

Arts Awards in November.<br />

In celebration of the extraordinary<br />

work of our <strong>Craft</strong> <strong>ACT</strong> artist<br />

members, our annual members<br />

exhibition opened its doors in<br />

September. The Nurture Exhibition<br />

showcased contemporary<br />

expressions of craft and design<br />

uniting time-honoured techniques<br />

with modern interpretations.<br />

The works presented complex<br />

responses to the theme of<br />

nurture, the post pandemic social<br />

environment, the influence of the<br />

pandemic, the climate crisis, and<br />

the critical need to look after each<br />

other and our world.<br />

<strong>2022</strong> ended with three<br />

exhibitions celebrating the best<br />

in contemporary design and<br />

craftmanship nationally and<br />

globally; the inaugural <strong>2022</strong> Robert<br />

Foster F!NK National Metal Prize,<br />

Home Life and Seeing Seventies.<br />

Honouring the late Robert Foster,<br />

the F!NK National Metal Prize<br />

celebrated the outstanding work<br />

of ten contemporary metalworkers,<br />

designers, and craftspeople<br />

with generous cash prizes and<br />

an exhibition supported by F!NK<br />

+ Co., the Tall Foundation, and<br />

<strong>Craft</strong> <strong>ACT</strong>. The selected finalists<br />

represented the value of highquality<br />

craft making skills, sound<br />

design, and innovation. The overall<br />

and emerging prize was awarded<br />

to Gretal Ferguson, with Larah Nott<br />

awarded the acquisition prize.<br />

<strong>Craft</strong> <strong>ACT</strong> was delighted to<br />

continue collaborating with the<br />

Embassy of Italy, a partner of<br />

DESIGN Canberra since 2018.<br />

Together with the IMF Foundation<br />

in Rome, we brought Home Life<br />

curated by Elisabetta Pisu to<br />

<strong>Craft</strong> <strong>ACT</strong>. This exciting exhibition<br />

of contemporary Italian design<br />

revealed how houses could<br />

evolve in the future and showed<br />

how objects can enhance our<br />

enjoyment of being home.<br />

Showcasing the photographs<br />

of over 40 Canberra region<br />

photographers, Seeing Seventies,<br />

was the results of the 2021<br />

DESIGN Canberra Festival<br />

photography competition. The<br />

theme for 2021’s competition<br />

was ‘Design in the 70’s’,<br />

encouraging professional and<br />

amateur photographers to take<br />

photos which take a closer look<br />

at Canberra’s iconic design and<br />

architecture from the 1970s. Four<br />

finalists were selected, Cathy<br />

Breen, Henry Buttriss, and Lachlan<br />

Herring (2 selected for the open<br />

category and 2 selected for the<br />

student category) with one overall<br />

winner, Aaron Puls, announced at<br />

the opening.<br />

First Nation craft and design are<br />

embedded in our artistic and<br />

public programs. During <strong>2022</strong>,<br />

<strong>Craft</strong> <strong>ACT</strong> supported more<br />

First Nations artists than the<br />

previous year with 21 First Nations<br />

practitioners exceptional craft and<br />

design works from across Australia<br />

represented.<br />

This included:<br />

• Mitjili Napurrula (Papunya) an<br />

Ikuntji textile artist featured in<br />

the HOME:MADE exhibition.<br />

• Kayannie Denigan (Luritja) a<br />

designer and mixed media artist<br />

featured in the HOME:MADE<br />

exhibition.<br />

• Leonie Kumutu (Papunya) an<br />

Ikuntji textile artist featured in<br />

the HOME:MADE exhibition.<br />

• Mackenzie Saddler (Wiradjuri)<br />

a designer and painter of the<br />

graphic intervention, Geological<br />

Transformations.<br />

• Wayne Simon (Biripi) a designer<br />

and maker featured in the<br />

Golden Years exhibition.<br />

• Sophi Suttor a ceramist featured<br />

in the Nurture Member’s<br />

Exhibition.<br />

• James Tylor (Kaurna and Te<br />

Arawa) a designer and maker<br />

featured in Fire Country.<br />

• Leah Brideson (Kamilaroi) a<br />

designer and co-painter of the<br />

graphic intervention, Currents.<br />

6:30 Sessions, Emerging Contemporaries, and You get a Rhythm about It exhibition opening, <strong>2022</strong>. Photography 5Foot<br />

18


DESIGN Canberra <strong>2022</strong>, Kayannie Denigan & Estelle Briedis. Photography 5foot<br />

• Dianne Ungukalpi Golding<br />

(Ngaanyatjarra) a Tjanpi Desert<br />

weaver featured in Tension[s].<br />

• Judith Yinyika Chambers<br />

(Ngaanyatjarra) a Tjanpi Desert<br />

weaver featured in Tension[s].<br />

• Joyce James a Tjanpi Desert<br />

weaver featured in Tension[s].<br />

• Charlotte Golding<br />

(Ngaanyatjarra) a Tjanpi Desert<br />

weaver featured in Tension[s].<br />

• Amy Hammond (Gomeroi)<br />

a Yinarr Maramali Gomeroi<br />

Community weaver featured in<br />

Tension[s].<br />

• Lorrelle Munro (Gomeroi) a<br />

Yinarr Maramali Gomeroi<br />

Community weaver featured in<br />

Tension[s].<br />

• Bronwyn Spearim (Gomeroi)<br />

a Yinarr Maramali Gomeroi<br />

Community weaver featured in<br />

Tension[s].<br />

• Sophie Honess (Gomeroi)<br />

a Yinarr Maramali Gomeroi<br />

Community weaver featured in<br />

Tension[s].<br />

• Emily Honess (Gomeroi) a Yinarr<br />

Maramali Gomeroi Community<br />

weaver featured in Tension[s].<br />

• Lena Smith (Gomeroi) a Yinarr<br />

Maramali Gomeroi Community<br />

weaver featured in Tension[s].<br />

• Gabbi Briggs (Gomeroi) a Yinarr<br />

Maramali Gomeroi Community<br />

weaver featured in Tension[s].<br />

• Mona Fernando (Gomeroi)<br />

a Yinarr Maramali Gomeroi<br />

Community weaver featured in<br />

Tension[s].<br />

• Paula Savage (Kaurareg) a MOA<br />

Arts weaver featured in Koskela<br />

x MOA Arts.<br />

Research<br />

<strong>Craft</strong> <strong>ACT</strong> is an advocate for<br />

practice-led research, where<br />

innovation and excellence in<br />

craft skills intersect. In <strong>2022</strong>,<br />

we have continued our support<br />

of practitioners to explore,<br />

experiment, and produce a variety<br />

of craft and design work with a<br />

number of exhibitions within this<br />

year’s artistic program showcasing<br />

the results of research. These<br />

exhibitions included:<br />

Jeremy Brown’s exhibition Home<br />

Grown, featured the practice-led<br />

research of making from local<br />

trees, investigating the beauty<br />

of both the internal and external<br />

structures. The connection<br />

between the two is often lost<br />

when a tree is stripped down to a<br />

functional material. Furthermore,<br />

Brown explored his relationship<br />

with the trees of Canberra while<br />

simultaneously giving the audience<br />

a chance to reflect and submit<br />

their own tree story. Brown intends<br />

to use the submitted stories to<br />

research other relationships to the<br />

trees and how that can translate<br />

into furniture works.<br />

Rebecca Selleck and James<br />

Tylor's exhibition, Fire Country,<br />

evoked an emotional response<br />

in our audiences examining the<br />

relationship between the physical<br />

and cultural significance fire has<br />

in Australia and on our landscape.<br />

Following the disastrous 2019 fire<br />

season, Selleck and Tylor explored<br />

the burnt landscape and brought<br />

their discoveries into the gallery<br />

space, translating their experience<br />

into furniture pieces and imagery.<br />

Their work investigates, through a<br />

contemporary lens, the potential to<br />

engage in cultural fire practices for<br />

a better managed future.<br />

Our South Australian counterpart,<br />

the JamFactory, facilitates<br />

interdisciplinary practice among<br />

emerging practitioners as part<br />

of their Associate program.<br />

The exhibition, Collide + Divide,<br />

presented at <strong>Craft</strong> <strong>ACT</strong> in <strong>2022</strong><br />

demonstrated the results of<br />

a practice-led approach to<br />

collaboration and experimentation.<br />

The generation of ideas and<br />

production of work was executed<br />

by allowing their discipline and<br />

expertise to inform each other’s<br />

contributions which created<br />

collaborative works featuring<br />

hallmarks of either practice. This<br />

skill sharing research amongst<br />

fellow practitioners also creates<br />

new and interesting ways of<br />

making and viewing their work.<br />

During 2021 Artists-in-Residence,<br />

Valerie Kirk AM and Harriet<br />

Schwarzrock, collaborated with<br />

research partner Geoscience<br />

Australia’s world-class National<br />

Mineral and Fossil Collection. They<br />

19


gained an understanding of the<br />

geological history of Namadgi<br />

National Park which represents<br />

a timeframe of millions of years<br />

in the context of significant<br />

recent radical transformation. The<br />

resultant exhibition, CONFLUENCE,<br />

was presented at <strong>Craft</strong> <strong>ACT</strong>,<br />

featuring glass, textiles, and<br />

mixed media work. This exhibition<br />

demonstrated the effects of<br />

having access to a cultural<br />

institution and time and space<br />

to experiment has on a visual<br />

practice. Both artists stepped<br />

out of their comfort zone and<br />

mobilised, their rather immobile<br />

practices, to explore the Namadgi<br />

National Park landscape with a<br />

deeper understanding of what<br />

lies beneath. The displacement<br />

of their practices paved way for<br />

new methods to experiment<br />

and engage in the landscape<br />

without their usual tools at hand.<br />

This resulted in a multifaceted<br />

approach to creating work in situ<br />

and returning to their studios for<br />

further exploration.<br />

<strong>Craft</strong> <strong>ACT</strong>’s CO:LAB professional<br />

development program was run<br />

for the second time in <strong>2022</strong>. This<br />

program is aimed at enhancing or<br />

transforming a craft practitioner’s<br />

practice through research and<br />

was supported by the generous<br />

donations from <strong>Craft</strong> <strong>ACT</strong>'s Circle<br />

of Hands donor circle. Two <strong>Craft</strong><br />

<strong>ACT</strong> members, Lisa Cahill and<br />

Peter Bollington, were selected to<br />

conduct practice-based research<br />

with architecture firm Light<br />

House Architecture & Science<br />

and their clients to develop new<br />

lighting for a residential project in<br />

Canberra. This project encouraged<br />

the artists to embrace a spirit<br />

of collaboration, work across<br />

disciplines and gain exposure to<br />

commercial environments with<br />

other designers and clients.<br />

<strong>Craft</strong> <strong>ACT</strong> actively supports<br />

practitioners in their pursuit of<br />

practice-led research facilitating<br />

collaboration, experimentation,<br />

and showcasing the result of their<br />

artistic brilliance. These exhibitions<br />

evoke viewers to ask themselves<br />

to consider their surrounds on<br />

the surface as well as in the<br />

depths. They conjured questions<br />

of the physical and cultural<br />

significance we have with fire in<br />

Australia, despite the destruction,<br />

pain, and apprehension we<br />

experienced during the 2019 fire<br />

season. Practice-led research<br />

also extended practitioners to<br />

explore and experiment, producing<br />

work that has undergone rigours<br />

analysis and interrogation. The<br />

foundation of all these successful<br />

projects is the generous support<br />

of our research partners and<br />

sponsors, whose vision and<br />

encouragement continues to<br />

inspire us. <strong>Craft</strong> <strong>ACT</strong> and DESIGN<br />

Canberra are grateful for support<br />

from the following institutions in<br />

<strong>2022</strong>:<br />

• <strong>ACT</strong> Parks & Conservation<br />

• Geoscience Australia<br />

• Light House Architecture &<br />

Science<br />

• SKEEHAN Studios<br />

• Miko Design<br />

• Design <strong>Craft</strong><br />

• National Museum of Australia<br />

• School of Art and Design,<br />

Australian National University<br />

• Faculty of Arts and Design,<br />

University of Canberra<br />

• The JamFactory<br />

Residencies<br />

<strong>Craft</strong> <strong>ACT</strong> continued its partnership<br />

with <strong>ACT</strong> Parks and Conservation<br />

Service and established a<br />

research partnership with National<br />

Library of Australia for the <strong>2022</strong><br />

interaction of our annual Artists-in-<br />

Residence program. The selected<br />

artists, Bev Hogg (Ceramics),<br />

Mel Robson (Ceramics) and Julie<br />

Ryder (Textiles) spent March and<br />

April researching at the National<br />

Library of Australia and living and<br />

making at Gudgenby Ready-Cut<br />

Cottage in Namadgi National Park.<br />

An exhibition of the artists’ work<br />

generated though the residency<br />

project will be held in the <strong>Craft</strong><br />

<strong>ACT</strong> Gallery from 23 March to 13<br />

May 2023.<br />

On Saturday May 7, we held a<br />

public open day program as<br />

part of the residency project at<br />

Gudgenby Ready-Cut Cottage in<br />

Namadgi National Park with 2021<br />

artists Bev Hogg, Mel Robson,<br />

and Julie Ryder. The open day<br />

included artist demonstrations,<br />

workshops and talks, and a park<br />

Mel Robson, Artist-in-Residence, National Library of Australia, <strong>2022</strong>. Photography 5foot<br />

20


anger talk about the inspiration<br />

and interpretation of the park<br />

environment and its history. The<br />

open day was a unique chance<br />

for the public to engage with<br />

the acclaimed artists and learn<br />

directly from the Namadgi park<br />

ranger whilst immersed in beautiful<br />

Ngunawal country.<br />

We were excited to launch our first<br />

Indigenous Artists-in-Residence<br />

program in August <strong>2022</strong>, thanks<br />

to the support of donor Phillip<br />

Kier. Selected artists Krystal<br />

Hurst and Jessika Spencer spent<br />

time conducting research at the<br />

National Library of Australia in<br />

August. Following this, Jessika<br />

Spencer stayed at Ready-Cut<br />

Cottage in Namadgi National Park<br />

from 1-15 September developing<br />

a new body of work, which will be<br />

exhibited at the <strong>Craft</strong> <strong>ACT</strong> Gallery<br />

from 23 March to 13 May 2023.<br />

Additionally, Jessika Spencer<br />

conducted two drop-in family<br />

weaving workshops as part of<br />

the DESIGN Canberra Festival<br />

City Sessions, in which she taught<br />

approximately 60 participants<br />

traditional Wiradjuri weaving<br />

techniques.<br />

Public programs<br />

Public programs were held for<br />

both community audiences and<br />

<strong>Craft</strong> <strong>ACT</strong> members. We presented<br />

a range of programs to diverse<br />

audiences throughout the year<br />

increasing our engagement to<br />

include children and families and<br />

interstate visitors.<br />

<strong>Craft</strong> <strong>ACT</strong>'s Making by Hand<br />

workshops are at the heart of<br />

what <strong>Craft</strong> <strong>ACT</strong> delivers to our<br />

community; connecting artists to<br />

audiences, teaching people new<br />

skills, and enhancing wellbeing<br />

through making and connecting.<br />

We are proud to have involved<br />

many of our artist members in the<br />

execution of these programs:<br />

• <strong>Craft</strong> <strong>ACT</strong> at DENFAIR + Interiors<br />

Australia exhibition in Melbourne<br />

featuring members Maitlan<br />

Brown, Madeline Cardone, Louis<br />

Grant, and Sam Sheppard, 10-12<br />

February <strong>2022</strong>.<br />

• Artists-in-Residence Bev Hogg,<br />

Julie Ryder, and Mel Robson<br />

completed their research with<br />

our <strong>2022</strong> research partner the<br />

National Library of Australia and<br />

their residency at Gudgenby<br />

Ready-Cut Cottage with our<br />

program partners <strong>ACT</strong> Parks<br />

and Conservation Service and<br />

the National Library of Australia,<br />

7-18 March <strong>2022</strong> and 25 April-15<br />

May <strong>2022</strong> respectively.<br />

• <strong>Craft</strong> <strong>ACT</strong> at Enlighten in the<br />

City, <strong>Craft</strong> After Dark with claymaking<br />

family programs and<br />

pop-up retail stall, 10 March<br />

<strong>2022</strong>.<br />

• <strong>Craft</strong> <strong>ACT</strong> at Winter in the<br />

City: Felt Caterpillar Beads and<br />

Found Treasure workshop in<br />

partnership with Canberra<br />

Region Feltmakers, 9 + 16 July<br />

<strong>2022</strong>.<br />

• MAKE:OVER, a styling master<br />

class presented by Lynsey<br />

Fryers—a professional<br />

development workshops for<br />

members, 26 February <strong>2022</strong>.<br />

The bulk of our public programs<br />

occurred as part of the DESIGN<br />

Canberra Festival in November<br />

which included over 250 programs<br />

(full DESIGN Canberra program list<br />

on page 54).<br />

<strong>Craft</strong> <strong>ACT</strong> held artists and curator<br />

talks and events to complement<br />

the exhibition program. Full details<br />

are listed in the appendix, but<br />

highlights included:<br />

• Emerging contemporaries, 6:30<br />

Sessions, and You Get a Rhythm<br />

about It exhibition opening, 3<br />

February <strong>2022</strong>.<br />

• 6:30 Session's floor talk with<br />

artists Nellie Peoples and<br />

Michelle Stemm, 5 February<br />

<strong>2022</strong>.<br />

• You Get a Rhythm about It floor<br />

talk with artist Peter Minson, 5<br />

March <strong>2022</strong>.<br />

• Home Grown and Tension[s]:<br />

2020 Tamworth Textiles<br />

Triennial exhibition opening, 24<br />

March <strong>2022</strong>.<br />

• Home Grown floor talk with artist<br />

Jeremy Brown, 2 April <strong>2022</strong>.<br />

• Fire Country and Collide + Divide<br />

exhibition opening ,19 May <strong>2022</strong>.<br />

• Collide + Divide floor talk with<br />

CEO + Artistic Director, Jodie<br />

Cunningham, in conversation<br />

with artist Daria Fox and Bailey<br />

Donovan, 21 May <strong>2022</strong>.<br />

• Fire Country floor talk with artist<br />

Rebecca Selleck, 18 June <strong>2022</strong>.<br />

• BEEing and CONFLUENCE<br />

exhibition opening, 7 July <strong>2022</strong>.<br />

• BEEing floor talk with artists Dr.<br />

Julie Bartholomew and Mahala<br />

Hill, 30 July <strong>2022</strong>.<br />

• CONFLUENCE floor talk with<br />

artists Valerie Kirk AM and<br />

Harriet Schwarzrock, 23 July<br />

<strong>2022</strong>.<br />

• Nurture: <strong>Craft</strong> <strong>ACT</strong> <strong>Annual</strong><br />

Members Exhibition opening, 8<br />

September <strong>2022</strong>.<br />

• <strong>2022</strong> Robert Foster F!NK<br />

National Metal Prize, Home Life,<br />

and Seeing Seventies exhibition,<br />

opening, 27 October <strong>2022</strong>.<br />

* All floor talks were lived streamed<br />

via Instagram increasing our reach<br />

to national audiences.<br />

21


22


Goal 2: Collaboration<br />

Ensure more local, regional, national, and global audiences have access to, and engage<br />

with, the Australian craft and design community.<br />

Dairy Road DESIGN Markets, DESIGN Canberra, <strong>2022</strong>. Photography 5foot<br />

Audience<br />

development +<br />

attendance<br />

The DESIGN Canberra Festival<br />

is the primary outreach<br />

program of <strong>Craft</strong> <strong>ACT</strong>. It fosters<br />

innovation, facilitates quality<br />

discourse, supports professional<br />

development, and promotes<br />

social inclusion. After two years<br />

of the pandemic, the Festival<br />

made an impressive comeback—<br />

with the <strong>2022</strong> program bigger<br />

than ever before with over 250<br />

events including symposiums,<br />

talks, tours, exhibitions, public art<br />

installations, and workshops for<br />

audiences of all ages leading the<br />

community forward into a new<br />

level of creativity, connection,<br />

wellness, and urban activation.<br />

The results for the <strong>2022</strong> festival<br />

were impressive with significant<br />

increases in audience diversity,<br />

numbers, and satisfaction (full list<br />

of statical data see page 10).<br />

In <strong>2022</strong>, we commissioned two<br />

evaluation projects to develop<br />

qualitative evaluation frameworks<br />

and methodologies to measure<br />

the impact of the Festival<br />

programming on our audiences,<br />

partners, and stakeholders based<br />

on our organisational values<br />

of connection, inclusivity, and<br />

wellbeing. We worked with DESIGN<br />

Canberra partners University<br />

of Canberra and Thinkplace in<br />

co-designed workshops, and<br />

implemented evaluation tools<br />

including surveys, interviews, and<br />

focus groups during the festival to<br />

inform the continuation of highquality<br />

audience experiences and<br />

inform the development of a more<br />

sustainable festival model based<br />

on quality outcomes for both<br />

audiences and stakeholders.<br />

The four main concepts selected<br />

to evaluate were connection,<br />

wellbeing, creativity, and inclusivity;<br />

with the results indicating that of<br />

these concepts, ‘inclusivity’, was<br />

ranked highest by our audiences.<br />

An encouraging outcome for<br />

<strong>Craft</strong> <strong>ACT</strong>—proving that the wider<br />

community of both members<br />

and participants felt welcomed<br />

by and included in the Festival.<br />

We were delighted to discover<br />

from the results that more than<br />

78% of attendees felt connected<br />

to a shared creative experience<br />

in an inclusive environment, with<br />

more than 70% stating that after<br />

engaging in a DESIGN Canberra<br />

program their wellbeing had<br />

improved.<br />

Online inclusivity was commended<br />

in relation to the Creative<br />

Journaling Challenge and the<br />

online workshops for those not<br />

living in Canberra. Delivering<br />

workshops online extended our<br />

audience reach, with attendees<br />

joining from all over the <strong>ACT</strong><br />

region, Sydney, regional NSW,<br />

Victoria, and Queensland.<br />

‘Creativity’ was also readily<br />

recognised and powerfully felt<br />

through active participation in<br />

activities such as Nurture Making<br />

by Hand workshops and the<br />

Creative Journaling Challenge. We<br />

were excited to find that other<br />

kinds of participation were also<br />

seen as creative, in a more passive<br />

way, such as attending artists talks<br />

or producing events as a member<br />

of a cross promoted organisation.<br />

A sense of connection; sense of<br />

wellbeing; creative experiences;<br />

and inclusive experiences are<br />

what <strong>Craft</strong> <strong>ACT</strong> aims to continue<br />

to focus on with our community.<br />

Through these guiding values we<br />

will continue to grow and maintain<br />

our audiences with integrity and<br />

depth.<br />

DESIGN Canberra audience<br />

development and attendance<br />

snap shot:<br />

Engaged 470,660 people<br />

(↑310% from 2019)<br />

51% new visitors to the Festival<br />

27% Interstate audiences<br />

75% new audiences online<br />

Enhanced creativity, inclusivity,<br />

and wellbeing<br />

78% of attendees felt<br />

connected to a to a shared<br />

creative experience in an<br />

inclusive environment<br />

70% attendees stating that<br />

after engaging in a DESIGN<br />

Canberra program their<br />

wellbeing had improved.<br />

DESIGN<br />

Canberra Festival<br />

programming<br />

The ninth edition of the DESIGN<br />

Canberra Festival asked how<br />

we can and should transform<br />

our world though design. In the<br />

context of the challenges our<br />

community and our world have<br />

faced over the last few years<br />

including the global pandemic,<br />

the climate emergency, the fires,<br />

and the floods; this year's festival<br />

used design thinking and creative<br />

enterprise to solve the big issues<br />

of our time, improve our wellbeing;<br />

and to foster a vibrant, equitable,<br />

sustainable, and innovative<br />

23


society. The Festival theme arose<br />

from planning for <strong>Craft</strong> <strong>ACT</strong>’s<br />

50th—golden—anniversary which<br />

took place in 2021. Inspired by<br />

the symbolism of gold and the<br />

ways that artists and designers,<br />

like alchemists, transform raw<br />

materials and ideas into objects,<br />

spaces buildings, and concepts.<br />

The Festival engaged design<br />

thinking and creative enterprise,<br />

speculating on solving the big<br />

issues of our time, improving our<br />

wellbeing, connection, creativity,<br />

and fostering a vibrant, equitable,<br />

sustainable, and innovative society.<br />

The programs run with the DESIGN<br />

Canberra Festival encouraged and<br />

fostered connection, and a shared<br />

creative experience with the public<br />

welcomed at exhibition openings,<br />

panel discussions, artists talks,<br />

hands on workshops and festival<br />

‘spaces’ which promoted social<br />

connection with music, food,<br />

drinks and activities.<br />

The <strong>2022</strong> DESIGN Canberra<br />

Festival supported and showcased<br />

more First Nations craft and design<br />

practitioners than ever before (10<br />

artists). Presented in exhibitions<br />

and public art installations was the<br />

extraordinary work and talents of:<br />

• Mitjili Napurrula (Papunya) an<br />

Ikuntji textile artist featured in<br />

the HOME:MADE exhibition.<br />

• Kayannie Denigan (Luritja) a<br />

designer and mixed media artist<br />

featured in the HOME:MADE<br />

exhibition.<br />

• Leonie Kumutu (Papunya) an<br />

Ikuntji textile artist featured in<br />

the HOME:MADE exhibition.<br />

• Mackenzie Saddler (Wiradjuri)<br />

a designer and painter of the<br />

graphic intervention, Geological<br />

Transformations.<br />

• Wayne Simon (Biripi) a designer<br />

and maker featured in the<br />

Golden Years exhibition.<br />

• Leah Brideson (Kamilaroi) a<br />

designer and co-painter of the<br />

graphic intervention, Currents.<br />

• Paula Savage (Kaurareg) a MOA<br />

Arts weaver featured in Koskela<br />

x MOA Arts.<br />

With multiple workshops run<br />

by the talented First Nations<br />

practitioners Ronnie Jordan, Colin<br />

Jordan, and Jessika Spencer—<br />

sharing weaving techniques to<br />

create bush animals and wearable<br />

pieces.<br />

For the first time in DESIGN<br />

Canberra programming,<br />

workshops were hosted for<br />

children through our Creative<br />

Kids program, developing new<br />

family audiences for the Festival<br />

and <strong>Craft</strong> <strong>ACT</strong>. The program<br />

included design thinking, weaving,<br />

and ceramics workshops. The<br />

Designing Futures workshops<br />

developed by artist and educator<br />

Naomi Zouwer utilized creative<br />

thinking techniques to imagine<br />

Canberra futures by creating paper<br />

components for a collaborative<br />

sculptural installation that was on<br />

display in our Festival Hub for the<br />

duration of the Festival.<br />

Week 2 Open Studio - Estelle Briedis, DESIGN Canberra Festival, <strong>2022</strong>. Photography 5foot<br />

24


Culture on the Move director,<br />

Ronnie Jordan (Kalkadoon Pitta<br />

Pitta), and her son, Colin Jordan,<br />

taught bush animal weaving to<br />

children of all ages at the Canberra<br />

Centre. Ceramic artist, Fran<br />

Romano, taught ceramic vessel<br />

making at the Canberra Centre to<br />

an enthusiastic group of under 12s.<br />

In addition to these workshops,<br />

DESIGN Canberra ran drop-in<br />

craft sessions at the Friday City<br />

Sessions at the Festival Hub. These<br />

featured clay hand building with<br />

<strong>Craft</strong> <strong>ACT</strong> staff and weaving with<br />

Wiradjuri artist, Jessika Spencer.<br />

The Nurture Making by Hand<br />

workshops were held in the<br />

Festival Hub Shop workshop<br />

space, Civic Square, and Canberra<br />

Centre by <strong>Craft</strong> <strong>ACT</strong> member<br />

artists across a variety of mediums<br />

and employed craft and design<br />

techniques to promote wellbeing.<br />

Wellbeing activities included<br />

textiles, silk painting, clay making,<br />

felting, stitching, spoon making,<br />

and spatial weaving. The adult<br />

and kids’ creative workshops<br />

raised $11,475 for our artists and<br />

attracted 566 participants, with<br />

126 participants in our Creative<br />

Kids program.<br />

The DESIGN Canberra Festival<br />

featured 31 exhibitions across<br />

multiple venues. These exhibitions<br />

showcased <strong>Craft</strong> <strong>ACT</strong> artist<br />

members as well as local, national,<br />

and international practitioners. The<br />

diversity on show demonstrated<br />

the breadth and depth of which<br />

craft and design is the fore front<br />

of our everyday lives. The Festival<br />

kicked off early with:<br />

• the inaugural <strong>2022</strong> Robert<br />

Foster F!NK National Metal Prize,<br />

honouring the late Robert Foster<br />

by celebrating ten contemporary<br />

metalworkers, designers, and<br />

craftspeople.<br />

• Home Life curated by Elisabetta<br />

Pisu, with DESIGN Canberra<br />

partners the Embassy of Italy<br />

and IMF Foundation in Rome,<br />

an exhibition speculating how<br />

household objects will evolve.<br />

• Seeing Seventies, showcasing<br />

the results of the 2021 DESIGN<br />

Canberra Festival photography<br />

competition with the theme,<br />

‘Design in the 70’s.<br />

In addition, the Canberra<br />

Contemporary Art Space hosted<br />

a number of the Festival’s<br />

exhibitions. This included:<br />

• New Zealand artist, Tyler<br />

Jackson and his exhibition<br />

Aurora—a light bathed<br />

installation designed with<br />

influence from the Bauhaus;<br />

• Designer-in-Residence Lucy<br />

Irvine’s The Stills, the signature<br />

work of the Festival.<br />

• A collaborative work,<br />

Roguetopia, by Lucy Irvine and<br />

Davey Barbar, of an invading<br />

contemporary weaving<br />

infiltrating iconic 1970’s Canberra<br />

architecture.<br />

• HOME:MADE, a curated<br />

Eggpicnic Canberra Airport Installation, DESIGN Canberra, <strong>2022</strong>. Photography 5foot<br />

25


selection of new furniture and<br />

homewares by some of the<br />

most exciting early career<br />

designers and makers from<br />

across Australia.<br />

DESIGN Canberra Festival<br />

exhibitions were also on display<br />

at the Canberra Museum and<br />

Gallery, the Canberra Centre, the<br />

Canberra International Airport,<br />

and the Canberra Theatre Centre,<br />

with Golden Years, Shift, Koskela<br />

x MOA, Abundant Wonder, Ripple<br />

Effect, Dovetail, Shadow Lines,<br />

CTRL.ALT.DESIGN, the Australia<br />

x Uruguay <strong>Craft</strong> Exchange,<br />

Friends in High Places, and Brutal<br />

Transformations.<br />

In activating public spaces<br />

across the city and beside Lake<br />

Burley Griffin, six outdoor public<br />

art installations were installed<br />

at Commonwealth Place, Civic<br />

Square, Knowles Place, and across<br />

City West:<br />

• Mackenzie Saddler’s (Wiradjuri)<br />

Geological Transformations<br />

reflected on the layers of<br />

changes on site.<br />

• Lucy Irvine’s Given Conditions<br />

considered the sweet spot<br />

between organisational forces<br />

allowing emergent phenomena.<br />

• Julie Monro-Allison’s Becoming<br />

explored biological organisms<br />

and their entangled web.<br />

• Leah Brideson’s (Kamilaroi)<br />

Currents represented the shift<br />

in rediscovering First Nations<br />

culture.<br />

• Lymesmiths’s Along Civic Lines,<br />

referenced Canberra Heritage<br />

buildings using geometry<br />

and colour and provided a<br />

‘directional pull to the heart of<br />

the city’.<br />

• DISCOVER: <strong>Craft</strong> + Design Trail<br />

featured artworks by Hannah<br />

Quinlivan, Lan Nguyen-hoan,<br />

Rosie Armstrong, S.A. Adair,<br />

Sam Sheppard, and Tony Burke<br />

(details available on page 39).<br />

The featured public programs<br />

of talks and symposiums saw<br />

robust discourse with artists,<br />

designers, architects, curators,<br />

academics, journalists, authors,<br />

and government representatives<br />

talking about public art, urban<br />

design, and architecture. Highlights<br />

included:<br />

• DISCOVER: Public Art in<br />

Canberra Symposium in<br />

partnership with Canberra Art<br />

Biennial and Canberra Museum<br />

+ Gallery, with guest speakers<br />

Kauri Hawkins, Elanor Clayton,<br />

Virginia Rigney, Neil Hobbs, and<br />

Rosie Armstrong, Kambri @ANU,<br />

29 October <strong>2022</strong>.<br />

• Design Thinking, Learning and<br />

Making in Canberra: Legacies<br />

and New Initiatives with<br />

Nationally renowned glass and<br />

Jewellery artists, Tom Moore<br />

and Blanche Tilden, Canberra<br />

Museum + Gallery, 4 November<br />

<strong>2022</strong>.<br />

• Art and Creativity-Within and<br />

Beyond Urban Public Spaces<br />

Symposium, The Link, 4<br />

DISCOVER: <strong>Craft</strong> + Design Trail, artist S.A.Adair, DESIGN Canberra Festival, <strong>2022</strong>. Photography Tim Bean<br />

26


November <strong>2022</strong>.<br />

• Transforming Canberra<br />

symposium, with keynote<br />

speakers author Elizabeth<br />

Farrelly, Shine Dome, 5<br />

November <strong>2022</strong>.<br />

• Medium Density Housing<br />

symposium, with keynote<br />

author Tony Fry. Shine Dome, 13<br />

November <strong>2022</strong>.<br />

The series of artist talks gave<br />

audiences deeper insight into<br />

the artwork on display during<br />

the Festival including the Design<br />

Revisited series featuring Marita<br />

Leuver in conversation with<br />

Graham Rendoth reflecting on<br />

graphic design of the 1970’s, and<br />

architect Roger Pegrum discussing<br />

his legacy of achievements in<br />

Canberra housing design with<br />

Phillip Goad, Head of Architecture,<br />

Royal Melbourne Institute of<br />

Technology.<br />

The tours of DESIGN Canberra<br />

were very popular with attendees<br />

exploring local homes with<br />

extraordinary design and<br />

features, commercial properties<br />

re-imagined and new builds reenergising<br />

the city, and discovery<br />

of the art, design, and craft around<br />

the city. The DISCOVER: <strong>Craft</strong> +<br />

Design Trail public art tour hosted<br />

by freelance curator Deborah<br />

Clark featured the artwork of Fran<br />

Romano, Hannah Quinlivan, Lan<br />

Nguyen-hoan, Rosie Armstrong,<br />

S.A. Adair, Sam Sheppard, and<br />

Tony Burke. This professional<br />

development program was<br />

launched earlier in the year with<br />

<strong>Craft</strong> <strong>ACT</strong> members selected<br />

to create public art installations<br />

with mentorship offered by<br />

senior practitioners Nick Stranks<br />

(Casting), Sam Tompkins (Digital<br />

Fabrication), Valerie Kirk AM<br />

(Textile) and Thor Diesendorf<br />

(Wood).<br />

For the second year running, the<br />

Creative Journaling Challenge<br />

(supported by Eckersley’s Art and<br />

<strong>Craft</strong>) provided a daily prompt<br />

word based on the theme of<br />

transformation for participants to<br />

respond to. These responses were<br />

then shared online via Instagram<br />

by the artists creating a dynamic<br />

online community for the duration<br />

of the Festival. The journal entries<br />

were shortlisted, with the main<br />

prize to be judged and awarded,<br />

and an online exhibition of finalists<br />

to be published in March 2023.<br />

This year the challenge was<br />

launched at a public program<br />

with two <strong>Craft</strong> <strong>ACT</strong> members<br />

demonstrating watercolour<br />

sketching by Sally Black and<br />

collage techniques by Dr. Llewellyn<br />

McGarry. It was also supported by<br />

two online Daily Creative Practice<br />

workshops run by <strong>Craft</strong> <strong>ACT</strong> artist<br />

members, Sally Black and Tom<br />

Skeehan.<br />

More than 45 open studios and<br />

seven arts organisation open<br />

days showcasing the work of<br />

235 artists as part of the Festival<br />

with <strong>Craft</strong> <strong>ACT</strong> artist members<br />

and organisational members<br />

welcoming the public into their<br />

spaces. Through these visits,<br />

attendees gained an insight<br />

into the behind-the-scenes of<br />

practitioners, purchased objects of<br />

beautiful design and craftmanship,<br />

and got to know the artists behind<br />

the thriving craft and design scene<br />

in Canberra. The open studios<br />

program enjoyed over 5,000<br />

attendees and raised $119,314<br />

income for artists.<br />

A highlight was our celebration<br />

event for <strong>Craft</strong> <strong>ACT</strong>’s belated 50th<br />

birthday which included the annual<br />

<strong>Craft</strong> + Design Auction Party, with<br />

food, drinks, music, and dancing.<br />

As a part of the celebrations,<br />

Geneviève Jacobs conducted<br />

interviews with representatives<br />

from the <strong>Craft</strong> <strong>ACT</strong> community<br />

over the past 50 years—<strong>Craft</strong><br />

<strong>ACT</strong> practitioners, supporters,<br />

and CEO’s past and present<br />

such as Jodie Cunningham, Ian<br />

Young, Tom Skeehan, Rachael<br />

Coghlan, Avi Amesbury, and Holly<br />

Komorowski, to discuss <strong>Craft</strong><br />

<strong>ACT</strong>’s significant contribution to<br />

the craft and design in Australia<br />

since 1970. The annual <strong>Craft</strong> +<br />

Design Auction gave design-lovers<br />

the opportunity to bid on pieces<br />

of contemporary design work by<br />

<strong>Craft</strong> <strong>ACT</strong> members. The auction<br />

raised $5,269, with a portion of the<br />

objects going under the hammer<br />

in a live auction held at the closing<br />

party and the remaining items sold<br />

online. We thank Bianca Way and<br />

Jenna Dunley, from our Platinum<br />

Partner Home by Holly, for expertly<br />

running the live auction and<br />

encouraging spirited bidding.<br />

Partnering with Molonglo, the Dairy<br />

Road DESIGN Market was held<br />

on 6 November and presented<br />

a unique selection of stalls by<br />

11 <strong>Craft</strong> <strong>ACT</strong> members in the<br />

distinctive designed environment.<br />

Complementing our members<br />

wares were wine tastings by Cellar<br />

Door, works from the Molonglo<br />

Art and Object Collection, freshly<br />

prepared food, live jazz, and allages<br />

play activities by Green Hat<br />

Workshop. With over 2,000 people<br />

in attendance, it was a wonderful<br />

day for our members to engage<br />

with the wider community.<br />

Furthermore, after a two-year<br />

break, we welcomed the return of<br />

the Undercurrent Design Market<br />

with 21 of our members taking<br />

part in the three-day event at the<br />

National Portrait Gallery.<br />

In <strong>2022</strong>, we were excited to<br />

partner with the Forage Street<br />

Food Festival as part of our<br />

audience development activities.<br />

The Forage attracted over 2,000<br />

visitors to Civic Square and the<br />

Festival Hub. Many of these visitors<br />

being family groups, who enjoyed<br />

the sunshine, food, music, and the<br />

many public artworks Civic Square.<br />

27


Local, national,<br />

+ global<br />

collaborations<br />

We were delighted to continue<br />

our long standing partnership<br />

with the Embassy of Italy (since<br />

2018) to bring the exhibition Home<br />

Life from the IMF Foundation<br />

in Rome to DESIGN Canberra.<br />

This was also supported by the<br />

Institute of Italian Culture and the<br />

Prosecco Consortium. Curator<br />

Elisabetta Pisu of Ep Studios,<br />

curated an exciting display of<br />

contemporary Italian design<br />

revealing the potential for how<br />

houses can evolve in the future<br />

and demonstrate how objects can<br />

enhance our enjoyment of being<br />

at home. These objects were<br />

beautifully crafted and allowed our<br />

audiences to see the best in Italian<br />

design first-hand and imagine<br />

the objects of the future which<br />

boasted sustainable, functional,<br />

and beautiful designs of everyday<br />

objects.<br />

We also partnered with the<br />

Embassy of Italy to present a panel<br />

discussion and cocktail event,<br />

Design Diplomacy - Conviviality +<br />

Innovation, reflecting on design as<br />

a part of inter-cultural exchange at<br />

the residence of the Ambassador<br />

of Italy. This year’s discussion<br />

included speakers, Paolo Crudele<br />

His Excellency the Ambassador<br />

for Italy in Australia, ceramic artist<br />

and <strong>Craft</strong> <strong>ACT</strong> member Moraig<br />

McKenna, chef Danny Russo,<br />

Derek Lath from Ferrero Food<br />

Service Australia, and Gabriele Flisi<br />

from Smeg Australia.<br />

In <strong>2022</strong>, <strong>Craft</strong> <strong>ACT</strong> was excited<br />

to initiate a partnership with the<br />

Embassy of Finland in Australia<br />

to present two programs that<br />

celebrated architecture and<br />

creative thinking processes in<br />

education. We worked together<br />

to celebrate the 20th Anniversary<br />

of the architectural significant<br />

Finnish chancery building with<br />

a public event including talks<br />

by the architects and a music<br />

performance.<br />

Our second Festival program at<br />

the Embassy of Finland was an<br />

exhibition and talk about Beyond<br />

the Verbal, an inter-cultural<br />

education research project for<br />

using creativity in education.<br />

Speakers included artist and <strong>Craft</strong><br />

<strong>ACT</strong> member Dr. Naomi Zouwer,<br />

in her role as Lecturer at the<br />

University of Canberra, Finnish<br />

artists Samuli Heimonen, Dr Tiina<br />

Lämsä from University of Jyväskylä,<br />

Finland, and indigenous artist<br />

Adam Duncan (Biripi).<br />

For the first time <strong>Craft</strong> <strong>ACT</strong><br />

partnered with the Embassy<br />

of Uruguay to host a travelling<br />

exhibition of high quality craft<br />

and design for Uruguay at the<br />

<strong>Craft</strong> <strong>ACT</strong> Gallery and at the<br />

Canberra Airport (thanks to the<br />

generous support of the Capital<br />

Airport Group). The cross-cultural<br />

exchange was an exciting way to<br />

build a global collaboration around<br />

our shared values of innovation,<br />

craft, design, and cultural<br />

importance. We are working with<br />

the Embassy of Uruguay towards<br />

an exciting cross cultural exchange<br />

program for Australian and<br />

Uruguayan artists for 2024.<br />

Home Life exhibition opening, DESIGN Canberra, <strong>2022</strong>. Photography 5foot<br />

28


29


30


Goal 3: Value<br />

Educate the community about the potential of contemporary craft and design to<br />

inform public agendas, promote wellbeing and community cohesion, and forge viable<br />

commercial pathways.<br />

Weaving City Sessions with Jessika Spencer, DESIGN Canberra Festival, <strong>2022</strong>. Photography 5foot<br />

Effective<br />

communications<br />

Our <strong>Craft</strong> <strong>ACT</strong> and DESIGN<br />

Canberra Festival activities<br />

continue to be well-supported<br />

by the local media. The power<br />

of our contemporary craft and<br />

design has been effectively<br />

communicated to inform public<br />

agendas, promote wellbeing, and<br />

our continuous efforts in forging<br />

viable commercial pathways.<br />

<strong>Craft</strong> <strong>ACT</strong> engaged the digital<br />

marketing agency, Tilt, to<br />

advertise the DESIGN Canberra<br />

Festival programs to regional and<br />

interstate audiences and raise<br />

brand awareness of Canberra as a<br />

global city of design. This resulted<br />

in a significant increase of 95%<br />

in new audiences engaging with<br />

the Festival website with interstate<br />

visitors to the Festival increasing<br />

by 35% from 2019.<br />

Sydney-based creative media<br />

public relations specialists,<br />

Articulate, were engaged<br />

to provide a strategic<br />

communications campaign<br />

designed to support the objectives<br />

of DESIGN Canberra with particular<br />

focus on expanding the national<br />

profile of the Festival in published<br />

media articles nationally. The<br />

results of this were articles and<br />

interviews with highlights such<br />

as; Australian Financial Review’s<br />

Life & Leisure, The Australian<br />

Design Review, Architecture &<br />

Design, Concrete Playground,<br />

The Canberra Times: Panorama,<br />

and the Canberra Weekly; and<br />

radio interviews with ABC Radio<br />

Canberra.<br />

Effective communications<br />

snapshot:<br />

247,517 DESIGN Canberra<br />

website visits (↑21%)<br />

157,983 <strong>Craft</strong> <strong>ACT</strong> website visits<br />

(↑84%)<br />

14,922 social media followers<br />

(↑ 65%)<br />

85 media articles<br />

7 radio interviews<br />

4 video interviews<br />

Enhanced digital<br />

presence +<br />

engagement<br />

<strong>Craft</strong> <strong>ACT</strong> is dedicated to<br />

engaging its community of<br />

artists and supporters in as<br />

many ways possible. During<br />

the COVID-19 pandemic, we<br />

provided opportunities for digital<br />

engagement with our Artists'<br />

Studios Stories videos, Nurture<br />

online workshop programs, and<br />

the DESIGN Canberra Creative<br />

Journalling Challenge.<br />

In <strong>2022</strong> we continued to grow on<br />

this foundation of digital offerings<br />

with an online exhibition, online<br />

workshops, Meet the Maker videos<br />

(supported by Home by Holly), and<br />

live streaming of all openings and<br />

public talks via Instagram. This<br />

resulted in an expansion of the<br />

reach in the types of audiences<br />

we connected with online. Our<br />

DESIGN Canberra Instagram page<br />

grew its following to 10,178 people<br />

and our <strong>Craft</strong> <strong>ACT</strong> page grew its<br />

followers to over 8,075 people—<br />

demonstrating the success in our<br />

digital engagement strategies.<br />

The 2021 Creative Journalling<br />

Challenge online exhibition was<br />

made available online early in the<br />

year to coincide with the beginning<br />

of the <strong>2022</strong> Artistic Program. The<br />

online platform enabled the online<br />

community to have an intimate<br />

look into the submitted and<br />

winning journals with 1,382 page<br />

views.<br />

As part of DESIGN Canberra<br />

Festival we held two online Daily<br />

Creative Practice workshops, Pen<br />

and Watercolour with Sally Black<br />

and Ideation and Sketching with<br />

Tom Skeehan. With 82 participants<br />

across both workshops, we were<br />

able to involve a new and wider<br />

audience that otherwise could not<br />

engage with the Festival.<br />

Expanding our reach, <strong>Craft</strong> <strong>ACT</strong><br />

live streamed all exhibition opening<br />

speeches, artists talks, launches,<br />

and parts of symposiums via<br />

the <strong>Craft</strong> <strong>ACT</strong> and DESIGN<br />

Canberra Instagram pages.<br />

Improving accessibility using new<br />

technologies available through<br />

social media platforms has been a<br />

game changer in how audiences<br />

participate in our creative spaces.<br />

In addition, it has not only<br />

increased our reach, but made it<br />

accessible to those who cannot or<br />

could not attend.<br />

Membership<br />

Our membership of craft<br />

practitioners, artists, designers,<br />

and makers at all career stages<br />

is at the heart of <strong>Craft</strong> <strong>ACT</strong>. Our<br />

members give us purpose; bring a<br />

regional, national, and international<br />

perspective and expertise to our<br />

artistic programs; and inspire<br />

us consistently. It is an honour<br />

31


to support such a thriving and<br />

creative community.<br />

Accredited Professional<br />

Membership (APM) is the highest<br />

tier of membership at <strong>Craft</strong> <strong>ACT</strong>.<br />

APMs are professional craft<br />

practitioners and designers<br />

whose outstanding contributions<br />

demonstrate a high standard of<br />

artistic merit and technical skill<br />

and who have local, national and/<br />

or international experience and<br />

standing. This respected level of<br />

membership is attained through<br />

a peer assessed application<br />

process. Successful artists<br />

demonstrate a practice of artistic<br />

excellence and strong local<br />

and/or regional experience and<br />

engagement.<br />

Associate Membership of <strong>Craft</strong><br />

<strong>ACT</strong> is by application and suitable<br />

for emerging and established<br />

professional craft practitioners<br />

and designers who demonstrate<br />

commitment to their practice and<br />

require the benefit of insurance<br />

that comes with this level of<br />

membership.<br />

General Maker Membership<br />

of <strong>Craft</strong> <strong>ACT</strong> is our entry level<br />

membership aimed at practicing<br />

craft and design practitioners who<br />

wish to keep informed and help<br />

grow their profession.<br />

Our <strong>Craft</strong> and Design Lover<br />

Membership category (established<br />

in 2021) is designed for friends<br />

and supporters who want to<br />

engage with local craft and design<br />

communities, enjoy discounts at<br />

the <strong>Craft</strong> <strong>ACT</strong> shop, and special<br />

invitations to events. This category<br />

of membership saw significant<br />

growth in <strong>2022</strong> to 44 <strong>Craft</strong> and<br />

Design Lover Members ensuring<br />

more sales of our artists work<br />

though our retail space and<br />

attendances at programs.<br />

Our Student Membership category<br />

continues to grow each year. This<br />

membership is for high school,<br />

tertiary, and mature-age students<br />

interested in joining the <strong>Craft</strong> <strong>ACT</strong><br />

community and developing their<br />

interest in craft and design. We<br />

aim to make this membership<br />

as accessible as possible, with<br />

the membership being free to all<br />

eligible concession card holders.<br />

This aim of accessibility flows into<br />

our public program with DESIGN<br />

Canberra <strong>2022</strong> supporting free<br />

tickets to our student members<br />

for many events including the<br />

DISCOVER: Public Art in Canberra<br />

and Medium Density Housing<br />

symposiums. We see this<br />

membership as the first step their<br />

craft and design careers.<br />

Inclusivity Membership—as part of<br />

our inclusivity initiative in <strong>2022</strong>—<br />

we supported artists identifying<br />

as First Nations, LGBTQI+, and<br />

disabled with a free yearly General<br />

Maker Membership.<br />

<strong>Craft</strong> <strong>ACT</strong> keeps in regular contact<br />

with members via the <strong>Craft</strong><br />

<strong>ACT</strong> website, email newsletters<br />

(including a dedicated membersonly<br />

newsletter), and social media.<br />

The social media platforms we use<br />

to connect with our members are<br />

Instagram, Facebook, and LinkedIn.<br />

This includes a public facing<br />

<strong>Craft</strong> <strong>ACT</strong> page and the private<br />

<strong>Craft</strong> <strong>ACT</strong> Member group where<br />

members can communicate and<br />

collaborate with each other.<br />

Our public programs include<br />

professional development<br />

opportunities for our members and<br />

connect them with new audiences<br />

and new sources of income,<br />

especially through our Nurture<br />

Making by Hand workshops, in<br />

which they are engaged to teach,<br />

and the DESIGN Canberra Festival<br />

which included opportunities for<br />

members to be commissioned<br />

for public art and exhibitions; host<br />

open studios and artists talks, and<br />

participate in our <strong>Craft</strong> + Design<br />

auction. This year our members<br />

generated $485,153 income<br />

across all of our activities in <strong>2022</strong>,<br />

a 44% increase on from 2019.<br />

Left: City Session Artist Talk with Leah Brideson, Julie Monro-Allison, + Lymesmith, DESIGN Canberra Festival, <strong>2022</strong>. Photography 5foot<br />

Right: Dairy Road DESIGN Markets, Roz Hall, <strong>2022</strong>.. Photography 5foot<br />

32


33


Goal 4: Security<br />

Support professionalisation, entrepreneurship and enterprise development to build<br />

capacity, skills and security for artists and the sector.<br />

34


Design Thinking, Learning and Making in Canberra: Legacies and New Initiatives, DESIGN Canberra, <strong>2022</strong>. Photography Tim Ngo<br />

35


Megalo Open Day, DESIGN Canberra Festival, <strong>2022</strong>. Photography 5foot<br />

Income<br />

<strong>Craft</strong> <strong>ACT</strong> is committed to<br />

supporting artists to generate<br />

income to ensure sustainable<br />

professional careers, aiming to<br />

connect them to wider audiences<br />

and income sources. We are<br />

committed to growing our<br />

activities to ensure we can support<br />

more creatives and innovation in<br />

craft and design across the sector.<br />

In <strong>2022</strong> we increased artists fees<br />

by 100%, expanded the number<br />

of workshops delivered by artists<br />

and expanded our retail operations<br />

though the establishment of<br />

a pop-up Festival Hub shop<br />

which quadrupled our sales of<br />

artists work during the Festival in<br />

November. Total income generated<br />

directly by artists and designers<br />

as a result of <strong>Craft</strong> <strong>ACT</strong> and<br />

DESIGN Canberra was $485,153,<br />

approximately three quarters of<br />

this income was the result of the<br />

DESIGN Canberra Festival, $327,<br />

443.<br />

Income snapshot:<br />

Total Income $485,153 (↑45%<br />

2019)<br />

Exhibition sales $20,944 (↓68%<br />

2019)<br />

Retail shop sales $117,141 (↑57%<br />

2019)<br />

DESIGN Canberra $327,443<br />

(↑71%)<br />

During <strong>2022</strong>, we saw an overall<br />

drop in exhibition sales and an<br />

increase in retail sales which<br />

has reflected the economic and<br />

political climate of <strong>2022</strong>—the <strong>2022</strong><br />

Federal Election, employment<br />

uncertainties with returning to<br />

work post-pandemic, increased<br />

living costs, and supplier and<br />

manufacturing shortages and cost<br />

increases.<br />

The exhibition sales mirrored the<br />

ups and downs of last year, but<br />

on a smaller scale. In the first<br />

quarter we saw our second largest<br />

income yield for the year, with a<br />

downturn in the second quarter<br />

around the time the Federal<br />

Election was called and the lead<br />

up to the establishment of the new<br />

Government. The third quarter<br />

reflected the relief of the political<br />

and economic climate calming<br />

with the highest yielding income.<br />

However, in the fourth quarter,<br />

cost of living rose, and the sales<br />

dropped to our second lowest<br />

yield of the year.<br />

The retail sales mimicked the ebb<br />

and flow of last year’s figures,<br />

ending <strong>2022</strong> with a bang. The first<br />

quarter there was steady growth<br />

which exceeded the previous year.<br />

However, into the second and third<br />

quarter the sales flatlined, only<br />

recovering in time to have the best<br />

quarter of the year and a 75%<br />

36


Retail sellers, F!NK, Annette Blaire, Harriet Schwarzrock, Jeremy Brown, Christopher Plumridge + Tjanpi Dessert Weavers, <strong>2022</strong>. Photography Tim Bean<br />

increase in sales for November<br />

<strong>2022</strong> in comparison to 2021. This<br />

increase reflects the opening of<br />

our Festival Hub shop, providing<br />

two locations for shoppers to<br />

purchase from with an increase in<br />

craft and design products on offer<br />

with 15 new stockists, and benefits<br />

from the effects of the DESIGN<br />

Canberra Festival marketing<br />

campaign.<br />

New retail stockists include<br />

• Kellie MacFarlane Studio<br />

• Days of August<br />

• Carol Cooke<br />

• Cheryl J Studios<br />

• Wendy Dawes<br />

• Adam Dossetor<br />

• Made by Pen<br />

• Moraig McKenna<br />

The dedicated staff and sector<br />

commitment from arts<strong>ACT</strong> (<strong>ACT</strong><br />

Government) and the Australia<br />

Council for the Arts (Federal<br />

Government) elevates the work of<br />

<strong>Craft</strong> <strong>ACT</strong>, as does funding from<br />

the Visual Arts and <strong>Craft</strong> Strategy<br />

which is delivered by the Territory<br />

and Federal Government arts<br />

bodies. We are grateful for the<br />

security that this public funding<br />

• Ian Jones<br />

• Tamara Schneider<br />

• Adam Dossetor<br />

• Jaqueline Calvert-Lane<br />

• Caslake and Pedler<br />

• Merchants of Nonsense<br />

• Phoebe Porter<br />

brings to our organisation and our<br />

major public program, the DESIGN<br />

Canberra Festival.<br />

<strong>2022</strong> has seen <strong>Craft</strong> <strong>ACT</strong> work<br />

closely with the <strong>ACT</strong> Government<br />

on the implementation of the<br />

strategy to create Canberra as<br />

Australia’s arts capital—from the<br />

release of Canberra: Australia's Art<br />

Captial—Arts, Culture, and Creative<br />

Policy <strong>2022</strong>-2026. This bold<br />

declaration aligns with our strong<br />

commitment to nurture a thriving<br />

community of artistic excellence.<br />

Additionally, our strong relationship<br />

with the <strong>ACT</strong> Government—City<br />

Renewal Authority (CRA)—has<br />

demonstrated the powerful<br />

result of an aligned partnership.<br />

The DESIGN Canberra Festival<br />

would not have been possible<br />

without the CRA, and this year<br />

our festival was bigger and more<br />

impactful than any previous<br />

37


festival—showing the vital role<br />

the CRA plays in not only DESIGN<br />

Canberra but in shaping our<br />

cultural landscape and community<br />

connection.<br />

In <strong>2022</strong> <strong>Craft</strong> <strong>ACT</strong> continued<br />

with the successes of the donor<br />

category, the Circle of Hands. This<br />

category is directly associated<br />

with the CO:LAB project which<br />

is a culmination of professional<br />

development, high-quality studio<br />

practice, and a cross-collaboration<br />

between industry and craft. This<br />

project started in April <strong>2022</strong> and<br />

will be exhibited in May 2023. We<br />

thank the Circle of Hands donors,<br />

Jenny Edwards, Peta Furnell,<br />

Design <strong>Craft</strong> and the Humphries<br />

Family Fund, for their continued<br />

support of this project.<br />

DESIGN Canberra<br />

growth<br />

DESIGN Canberra Festival<br />

continued to grow in <strong>2022</strong>;<br />

expanding our audiences—<br />

nationally and internationally—<br />

providing meaningful experiences;<br />

expanding on opportunities for<br />

<strong>Craft</strong> <strong>ACT</strong> practitioners, and<br />

contributing to the branding<br />

of Canberra as a global city of<br />

design. The Festival has been<br />

on a growth trajectory since its<br />

inception in 2014 and incurred<br />

a practicable dip during the<br />

pandemic in 2020 and 2021. In<br />

<strong>2022</strong>, we recovered magnificently,<br />

building on a strong foundation of<br />

collaboration and innovative new<br />

projects.<br />

<strong>2022</strong> saw the largest increase<br />

across the board in the DESIGN<br />

Canberra Festival history. The total<br />

number of attendees increased<br />

310% since 2019, with a 35%<br />

increase in interstate visitors. More<br />

than 1,061 artists and creatives<br />

participated which is an increase<br />

of 108% from previous years.<br />

The Festival generated more<br />

than $327,000 income for these<br />

creatives with a 71% increase on<br />

previous years.<br />

The DESIGN Canberra Festival<br />

continues to thrive thanks to<br />

the generosity of our artists, our<br />

supportive sponsors and partners<br />

who have demonstrated their<br />

commitment to our organisation<br />

and the celebration of Canberra as<br />

a global city of design. We thank<br />

all of our sponsors at all levels<br />

for their loyalty and contribution<br />

to <strong>Craft</strong> <strong>ACT</strong> and the DESIGN<br />

Canberra Festival to execute a<br />

world class festival in <strong>2022</strong>.<br />

Sponsorship and self-generated<br />

income accounts for 70% of the<br />

Festival budget. Due to the support<br />

from our partners, we were able<br />

to deliver the DESIGN Canberra<br />

Festival which contributes so<br />

much to the future of our creative<br />

industries. We extend our sincerest<br />

gratitude to the following sponsors<br />

who supported us in <strong>2022</strong><br />

(outlined on page 64).<br />

Catching Space Workshop with Julie Monro-Allison, DESIGN Canberra Festival, <strong>2022</strong>. Photography 5foot<br />

38


Member + staff<br />

professional<br />

development<br />

<strong>Craft</strong> <strong>ACT</strong>’s CO:LAB professional<br />

development program ran for<br />

the second time in <strong>2022</strong>. This<br />

program is aimed at enhancing or<br />

transforming a craft practitioner’s<br />

practice and was supported by<br />

the generous donations from <strong>Craft</strong><br />

<strong>ACT</strong>’s Circle of Hands donor circle.<br />

Two <strong>Craft</strong> <strong>ACT</strong> members, Lisa<br />

Cahill and Peter Bollington, were<br />

selected to work with architecture<br />

firm Light House Architecture<br />

& Science and their clients<br />

to develop new lighting for a<br />

residential project in Canberra. This<br />

project encouraged the artists to<br />

embrace a spirit of collaboration,<br />

work across disciplines and<br />

gain exposure to commercial<br />

environments with other designers<br />

and clients.<br />

The artists each received a<br />

$5,000 artists fee, an exhibition,<br />

mentoring, sustainability advice,<br />

professional photography, and<br />

technical support. The artists<br />

consulted with the clients, started<br />

designing and prototyping, and<br />

have commenced working with<br />

designer Tom Skeehan who will<br />

mentor the artists in the next<br />

phase of their design process. The<br />

<strong>2022</strong> CO:LAB project will culminate<br />

in an exhibition at the <strong>Craft</strong> <strong>ACT</strong><br />

Gallery in May 2023.<br />

This year we delivered an innovate<br />

new professional development<br />

program for our member artists,<br />

the DISCOVER: <strong>Craft</strong> + Design Trail,<br />

supported by the City Renewal<br />

Authority was presented during<br />

the Canberra Art Biennial and the<br />

DESIGN Canberra Festival and was<br />

developed to support craftspeople<br />

and designers to develop their<br />

skills in public art. The DISCOVER:<br />

<strong>Craft</strong> + Design Trail, featured<br />

<strong>Craft</strong> <strong>ACT</strong> member artists Fran<br />

Romano, Hannah Quinlivan, Lan<br />

Nguyen-hoan, Rosie Armstrong,<br />

S.A. Adair, Sam Sheppard, and<br />

Tony Burke. This program began<br />

earlier in the year with <strong>Craft</strong> <strong>ACT</strong><br />

members selected to create public<br />

art installations with mentorship<br />

offered by senior practitioners Nick<br />

Stranks (Casting), Sam Tompkins<br />

(Digital Fabrication), Valerie Kirk<br />

AM (Textile), and Thor Diesendorf<br />

(Wood).<br />

<strong>Craft</strong> <strong>ACT</strong> continued to offer the<br />

Artists-in-Residence program<br />

as professional development<br />

for our members. This program<br />

enables members to apply for<br />

the opportunity to experience,<br />

research, and collaborate with<br />

a partner cultural institution and<br />

the <strong>ACT</strong> Parks and Conservation<br />

Service, receive funds to assist in<br />

the generation of exhibition work,<br />

and an exhibition at the <strong>Craft</strong> <strong>ACT</strong><br />

Gallery. The selected members<br />

also facilitate and promote their<br />

practice through the popular<br />

Gudgenby Ready-Cut Cottage<br />

Open day, the exhibition opening<br />

and talks, and exhibition. This<br />

year, Bev Hogg (Ceramics), Mel<br />

Robson (Ceramics), and Julie<br />

Ryder (Textiles) were selected to<br />

spend time at the National Library<br />

of Australia and at Gudgenby<br />

Ready-Cut Cottage in Namadgi<br />

National Park. The results from<br />

this residence will be showcased<br />

at the <strong>Craft</strong> <strong>ACT</strong> Gallery from 23<br />

March to 13 May 2023.<br />

We were excited to launch our first<br />

Indigenous Artists-in-Residence<br />

program in August <strong>2022</strong> with First<br />

Nations artists Krystal Hurst and<br />

Jessika Spencer; thanks to the<br />

support of donor Phillip Kier. Both<br />

artists spent time at the National<br />

Library of Australia followed by<br />

a stay at Ready-Cut Cottage<br />

in Namadgi National Park. The<br />

new body of work from Jessika’s<br />

research which will be exhibited<br />

at the <strong>Craft</strong> <strong>ACT</strong> Gallery from 23<br />

March to 13 May 2023.<br />

In <strong>2022</strong> <strong>Craft</strong> <strong>ACT</strong> staff<br />

participated in professional<br />

development and training<br />

opportunities to build their<br />

knowledge and skills, these<br />

included attending and presenting<br />

at forums and conferences and<br />

operational training (full list of<br />

programs on page 53).<br />

At <strong>Craft</strong> <strong>ACT</strong> we are committed<br />

to the right for every person to<br />

fully experience and contribute<br />

to the creative and cultural life of<br />

Canberra. We have endeavoured<br />

to create a culture and practice<br />

that recognises, respects, values,<br />

and celebrates people with<br />

disabilities. Our new Disability<br />

Inclusion Action Plan will be<br />

released in 2023 with updates to<br />

the <strong>Craft</strong> <strong>ACT</strong> website highlighting<br />

accessibility and inclusion,<br />

supporting disabled members<br />

with inclusivity membership, and<br />

adjusting public programming<br />

to accommodate disabled<br />

participants. Accessibility and<br />

inclusion is a core principle at <strong>Craft</strong><br />

<strong>ACT</strong> and we desire to be a leader<br />

in normalising accessibility and<br />

inclusion with all opportunities.<br />

Acquittals,<br />

reporting, +<br />

governance<br />

The <strong>Craft</strong> <strong>ACT</strong> team, both staff<br />

and Board, have gone through<br />

significant renewal in <strong>2022</strong>. With<br />

a vibrant new team on the job,<br />

we hit the ground running and<br />

look forward to contributing to the<br />

growth of the organisation in 2023.<br />

<strong>Craft</strong> <strong>ACT</strong> is supported by a<br />

diverse community of over<br />

1600 collaborators, sponsors,<br />

donors, and more than 576 (and<br />

growing) members. <strong>Craft</strong> <strong>ACT</strong> has<br />

established strong sustainable<br />

relationships with government,<br />

universities, retail, business,<br />

39


education, and philanthropic<br />

sectors and proven itself a strong<br />

contributor to the sector.<br />

With the success of the DESIGN<br />

Canberra Festival, we have seen<br />

the benefits of these wellestablished<br />

relationships through<br />

the successful roll-over of funding<br />

from 2021 to <strong>2022</strong>, which was<br />

required due to the effects of<br />

the pandemic. All our generous<br />

sponsors and partners adjusted<br />

to the flexible terms demanded<br />

by COVID-19 restrictions to move<br />

their support to the <strong>2022</strong> festival.<br />

Following a time of constant<br />

adaptation, the security of the<br />

strong partnerships that <strong>Craft</strong> <strong>ACT</strong><br />

has established over the years has<br />

contributed to the sustainability<br />

and growth of <strong>Craft</strong> <strong>ACT</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> is partially supported by<br />

the <strong>ACT</strong> Government, the Australia<br />

Council for the Arts (four-year<br />

funding 2021-2024) and the<br />

Visual Arts and <strong>Craft</strong> Strategy. In<br />

<strong>2022</strong>, <strong>Craft</strong> <strong>ACT</strong> was successful<br />

in securing four-year funding from<br />

the <strong>ACT</strong> Government for 2023-<br />

2026.<br />

Our valued collaboration with<br />

the <strong>ACT</strong> Parks and Conservation<br />

Service on the Artist-in-Residence<br />

program continues to be a<br />

highly valued partnership for our<br />

artists. Aligning with The National<br />

Library of Australia as the <strong>2022</strong><br />

research partner, our Artists-in-<br />

Residence program is extensive<br />

and well supported by our partner<br />

organisations.<br />

Left: Tension[s] and Home Grown exhibition opening event, <strong>2022</strong>. Photography 5foot<br />

Right: Lucy Irvine + Davey Barber, Roguetopia, Margel Hinder sculpture, 1970., DESIGN Canberra Festival, <strong>2022</strong>. Photography 5foot<br />

40


41


Board, staff, committees, volunteers, and interns<br />

Board of Management<br />

Rebecca Coronel | President<br />

(2017-2023) | Senior<br />

Manager, Strategy, National<br />

Film and Sound Archive<br />

Rebecca is a strategic leader in national cultural institutions with a<br />

wealth of experience in the museums sector and arts administration.<br />

In her current role at the National Film and Sound Archive, she is<br />

working on a range of projects, including property strategy. She was<br />

previously Assistant Manager, Collections Access, at the Department<br />

of Communications and the Arts, and managed a range of funding<br />

programs. Prior to 2017, Rebecca was the Manager, Exhibition Projects<br />

and Interpretation at the National Museum of Australia and was the<br />

President of Museums Galleries Australia <strong>ACT</strong> branch.<br />

Sam Bryant | Former<br />

Treasurer (2016-<strong>2022</strong>) |<br />

Business owner, Pack &<br />

Send Fyshwick<br />

Sam is a certified practising accountant with extensive experience<br />

in financial management from grass roots accounts payable and<br />

receivable through to high-level financial policy development, as well as<br />

financial reporting, asset accounting, management accounting, general<br />

finance and management consulting. Sam is skilled in the preparation<br />

of risk management and compliance audits. He holds an MBA and has<br />

demonstrated experience with governance requirements of the Financial<br />

Management and Accountability Act 1997.<br />

Charles Brewer | Treasurer<br />

(<strong>2022</strong> – ongoing) |<br />

Corporate and policy<br />

manager at Australian<br />

Department of Foreign<br />

Affairs and Trade<br />

Charles is a Chartered Accountant with over 20 years corporate<br />

management experience in private and public sectors. He has led policy<br />

development, stakeholder engagement and change activities in his<br />

current work at the Department of Foreign Affairs and Trade in Australia<br />

and overseas. He has expertise in financial and budget management,<br />

procurement, HR, ICT, property, security, and project management and<br />

has previously been treasurer for not-for-profit organisations in the<br />

education and community sectors.<br />

Jennifer Kemarre<br />

Martiniello OAM |<br />

Member representative<br />

(2021-ongoing) |Award<br />

winning visual artist,<br />

Accredited Professional<br />

Member <strong>Craft</strong> <strong>ACT</strong><br />

Jenni Kemarre Martiniello in an Award-winning visual artist, poet, writer,<br />

and photographer of Arrernte, Chinese and Anglo-Celtic descent. Jenni’s<br />

glass works have been exhibited in numerous exhibitions, including<br />

solo exhibitions at Canberra Contemporary Art Space, Belconnen Arts<br />

Centre, Canberra Glassworks and Sabbia Gallery in Sydney. She was<br />

awarded Canberra Critics Circle Awards for Visual Arts in 2011 and 2013.<br />

Jenni is an <strong>ACT</strong> Creative Arts Fellow (2003) and is the recipient of a<br />

2-year Aboriginal and Torres Strait Islander Visual Arts Fellowship from<br />

the Australia Council for the Arts for 2013/2014. In 2013 she won the<br />

prestigious Telstra Prize for Aboriginal and Torres Strait Islander Art.<br />

Isabelle Mackay-Sim |<br />

Member representative<br />

(2021 – ongoing) | Emerging<br />

ceramic artist, Associate<br />

Member <strong>Craft</strong> <strong>ACT</strong><br />

Isabelle Mackay-Sim is an emerging Australian ceramic artist and 2018<br />

graduate from the Australian National University Ceramics Department.<br />

Since graduating she has participated in numerous exhibitions and<br />

residencies in Australia and Internationally. In 2019, Mackay-Sim’s work<br />

was included in the online exhibition for the Gyeonggi International<br />

Korean Ceramics Biennial, and she went on to receive the Talent Award<br />

from the Munich International <strong>Craft</strong> Fair in 2020. Mackay-Sim’s sculptural<br />

ceramic practice centres around a passion for exploring inter-sectional<br />

feminist issues, featuring the body as a pivotal motif. Mackay-Sim<br />

uses the figure in her work as a tool for communicating emotion and<br />

vulnerability.<br />

42


Laura Crick | Secretary and<br />

public officer (2020-2023 |<br />

Senior Lawyer, Norton Rose<br />

Fulbright<br />

Laura is an experienced public law litigator who acts for government and<br />

private clients in relation to disputes involving administrative decisions,<br />

disciplinary proceedings, environment and planning, contracts and<br />

employment law. She regularly appears as a solicitor advocate in federal<br />

courts and tribunals and provides advice to the Australian Government<br />

in relation to regulatory compliance and program administration. Laura<br />

studied art history as part of a Bachelor of Arts/Laws at ANU and tutors<br />

there in litigation and dispute management.<br />

Jenny Edwards | Deputy<br />

President and sustainability<br />

advocate (2020 – ongoing)<br />

| Owner, Managing Director<br />

and Lead Scientist, Light<br />

House Architecture &<br />

Science<br />

Jenny has a Master's degree in science and is an <strong>ACT</strong>-licensed Building<br />

Energy Efficiency Assessor. In 2010, Jenny established an energy<br />

efficiency consulting business, Scinergy, which won the <strong>ACT</strong> Sustainable<br />

Cities Energy Innovation Award in 2010 for its innovative, scientific<br />

approach to improving energy efficiency in the residential construction<br />

sector. Since 2011, Jenny has been a director of the award-winning<br />

company Jigsaw Housing Pty Ltd, which has traded as the business Light<br />

House Architecture & Science since the end of 2015. In 2015 Jenny won<br />

the ‘Outstanding in Industry’ award from the <strong>ACT</strong> branch of the National<br />

Association of Women in Construction.<br />

Rod Bobeldjik | Board<br />

Member (<strong>2022</strong>-ongoing)<br />

| Complete Constructions<br />

(Aust)<br />

Rod Bobeldijk is the Director and co-founder of Complete Constructions<br />

(Aust) Pty Ltd, (Est. 1998), specialising in commercial construction and<br />

project management. Rod has significant experience working in the<br />

Commercial Construction Industry, where he has been involved in<br />

Building & Civil projects within the <strong>ACT</strong>, surrounding NSW and Sydney<br />

since 1993.<br />

As a Director, Rod has been instrumental in developing Complete<br />

Constructions (Aust), which has built a reputation in the industry as a<br />

highly regarded, professional and innovative organisation. A younger<br />

Rod was awarded MAB <strong>ACT</strong> Young Commercial Builder of the Year<br />

(2012) based on his “knowledge of his craft and his ability to work in<br />

cooperative arrangements with both his clients and designers”.<br />

Carolyn Forster OAM |<br />

Previous Board Member<br />

(March-July <strong>2022</strong>)<br />

Carolyn is vice-president of the Children’s Medical Research Institute<br />

board and a member of their Canberra committee since 1973, serving<br />

three times as its president. She worked in the federal parliament, as<br />

many of you know. She has chaired the <strong>ACT</strong> Heritage Festival for 11 years.<br />

She was chair of the board of Phillip College and is a past president of<br />

the Women’s International Club in the <strong>ACT</strong>. She also serves as chair of<br />

the Church of St Andrew Conservation and Restoration Foundation and is<br />

a very active council member of the Australiana Fund.<br />

Committee member and a former president of the Friends of the National<br />

Museum of Australia. She is the delegate also to the World Federation<br />

of Friends of Museums and is about to head off on a trip to Berlin and<br />

a member of the Australian Committee of the International Council of<br />

Museums.<br />

43


Jodie Cunningham |<br />

Ex officio (non-voting)<br />

(2021-ongoing) | CEO,<br />

<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design<br />

Centre and Artistic Director,<br />

DESIGN Canberra<br />

Jodie Cunningham is CEO + Artistic Director of <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> +<br />

Design Centre, one of Australia’s leading creative centres for the<br />

development of visual art, craft and design. Jodie manages the overall<br />

operations and resources, acting as the main point of communication<br />

between the board of directors, staff, members, sponsors, and<br />

government bodies. She is the public face of the organisation,<br />

curating a vibrant program of exhibitions, residencies and crossdisciplinary<br />

collaborations including the DESIGN Canberra Festival.<br />

Cunningham is a highly creative arts leader, visual artist, and educator<br />

with extensive experience in developing and delivering innovative<br />

exhibitions, public programs in museums, galleries, and art contexts.<br />

She also has an extensive background in visual art and design<br />

education and a commitment to mentoring developing artists and<br />

fostering collaboration.<br />

Cunningham advocates for the power of creativity, the arts and<br />

cultural activity to provide hope to our communities, strengthen our<br />

local and national cultural identities, and facilitate social change.<br />

CEO + Artistic Director Jodie Cunningham, Emerging Contemporaries opening night, 2023. Photography Tim Ngo<br />

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Staff<br />

In addition to full-time arts workers, <strong>Craft</strong> <strong>ACT</strong> engages designers, craft practitioners, and artists as casual and<br />

part-time staff members to further support the Canberra arts community. The total value of this support to arts<br />

workers and artists was $218,489.46 in <strong>2022</strong>.<br />

CEO + Artistic Director Jodie Cunningham (from July 2021)<br />

Assistant Director (Communications) Megan Jones (left February <strong>2022</strong>)<br />

Marketing Manager Rachel Skeehan (from February <strong>2022</strong>)<br />

Gallery Manager Christian Sirois (from October <strong>2022</strong>)<br />

Gallery + Retail Manager Welly McGarry (October 2021-October <strong>2022</strong>)<br />

Project Manager Welly McGarry (from June <strong>2022</strong>)<br />

Justine Merrony (April 2021-May <strong>2022</strong>)<br />

Development Manager Travis Bullock (October 2021-Feburary 2023)<br />

Membership + Development Manager Frances Spurgin (From May <strong>2022</strong>)<br />

Public Programs Manager Moraig McKenna (from October 2021)<br />

Retail Manager Oli Narayanan (March <strong>2022</strong>-November <strong>2022</strong>)<br />

Events Manager Belinda Neame (from September <strong>2022</strong>)<br />

Marketing + Digital Content Assistant Georgia Arndell (October 2021-December <strong>2022</strong>)<br />

Gallery + Retail Assistant Bethany Brewsher (July 2021 – March <strong>2022</strong>)<br />

Oli Narayanan (October 2021 – March <strong>2022</strong>)<br />

Mary Monro-Allison (April <strong>2022</strong> – June <strong>2022</strong>)<br />

Victoria Byron (from October <strong>2022</strong>)<br />

Daniel Margules (from March <strong>2022</strong>)<br />

Melissa Hammond (from June <strong>2022</strong>)<br />

Ella Myer (from September <strong>2022</strong>)<br />

Elmi Slater (from September <strong>2022</strong>)<br />

Eve Fairhall (from September <strong>2022</strong>)<br />

Maree McGarry (October-November <strong>2022</strong>)<br />

Dotty Berryman (October – November <strong>2022</strong>)<br />

Sincere thanks to the former staff of <strong>Craft</strong> <strong>ACT</strong>, who made valuable contributions to the work and<br />

achievements of <strong>Craft</strong> <strong>ACT</strong> during <strong>2022</strong>. Your contributions continue to strengthen and support the work that<br />

we do, and we appreciate your ongoing support within the sector.<br />

<strong>Craft</strong> <strong>ACT</strong> artistic<br />

program committee<br />

Ann McMahon (Textiles, APM)<br />

Anne Masters (Ceramic, APM)<br />

Caren Florance (Paper, APM)<br />

Sean Booth (Metal, APM)<br />

Nikki Main (Glass, APM)<br />

Kirandeep Grewal (Textiles, APM)<br />

Patsy Hely (Ceramics, APM)<br />

Jodie Cunningham (<strong>Craft</strong> <strong>ACT</strong>)<br />

Volunteers<br />

Central to our work is our community engagement and help from<br />

volunteers including artists, recent graduates, retirees, high school<br />

students, and people in our local community. <strong>Craft</strong> <strong>ACT</strong> enjoyed over 255<br />

hours in volunteer support in <strong>2022</strong>, to a value of $7,000.*<br />

We are especially grateful to all our volunteers, interns, and supporters.<br />

*Applying national $27.45/hour rate method (see www.<br />

volunteeringaustralia.org).<br />

Interns<br />

Angus Macoun<br />

Miranda Williams<br />

<strong>Craft</strong> <strong>ACT</strong> thanks the community for its ongoing support of our programs.<br />

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All Photography 5foot<br />

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Appendices: <strong>2022</strong> <strong>Craft</strong> <strong>ACT</strong> activity<br />

Membership<br />

Life members<br />

Beverly Wood | Bill Wood | David Williams | F!NK Design | Gene Willsford | Meredith Hinchliffe | Michelle Frost<br />

Accredited professional members<br />

Anita McIntyre | Annie Trevillian | Annette Blair | Ann McMahon | Avi Amesbury | Barbara Rogers | Belinda Jessup<br />

| Belinda Toll | Bev Hogg | Caren Florance | Cathy Franzi | Dianne Firth | Dimity Kidston | Elizabeth Kelly | Elizabeth<br />

Paterson | Eugenie Keefer Bell | Gail Nichols | Harriet Schwarzrock | Hiroshi Yamaguchi | Ian Jones | Jacqueline<br />

Knight | Janet DeBoos | Jennifer Robertson | Jenni Kemarre Martiniello | Joanne Searle | Jonathan Everett | Judi Elliott<br />

| Julie Bradley | Julie Bartholomew | Julie Ryder | Kaye Pemberton | Keiko Amenomori-Schmeisser | Kirstie Rea | Lisa<br />

Cahill | Lissa-Jane de Sailles | Lucy Irvine | Luna Ryan | Mark Eliott | Margaret Brown | Melanie Olde | Mel Douglas |<br />

Monique van Nieuwland | Moraig McKenna | Nikki Main | Pamela Irving | Phoebe Porter | Rozlyn de Bussey | Ruth<br />

Allen | Ruth Hingston | Sally Blake | Sarit Cohen | Scott Chaseling | Sean Booth | Sharon Peoples | Simon Cottrell |<br />

Susan Wiscombe | Valerie Kirk AM | Will Maguire | Ximena Briceño | Zeljko Markov<br />

Associate members<br />

Abbey Jamieson | Adam Dossetor | Adina Leigh-Fitzsimons | Akie Haga | Alice Sutton (van Meurs) | Angela Bakker<br />

| Anne Masters | Benedict Laffan | Brenda Runnegar | Bronwyn Sargeson | Camelia Smith | Cam Michael | Carol<br />

Cooke | Cassandra Layne | Catherine Newton | Chelsea Lemon | Chin-Jie Melodie Liu | Daniel Margules | Daniel<br />

Venables | David Liu | Debra Jurss | Edward Collett | Elizabeth Curry | Emilie Patteson | Emina Adriaans | Estelle<br />

Briedis | Fiona Hooton | Fran Romano | Isabelle Mackay-Sim | Isobel Waters | Galia Shy | Gerhard Herbst | Grace<br />

Blake | Hannah Gason | Helen Keogh | Jacqui Keogh | Janet Meaney | Jennifer King | Jenny Harris | Jenny Manning |<br />

Jeremy Brown | Jochen Heinzmann | Jodie Cunningham | Josephine Townsend | Jo Victoria | Julie Pennington | Kate<br />

McKay | Kerry Johns | Kirandeep Grewal | Lea Durie | Lee Leibrandt | Leonie Andrews | Lex Sorrentino | Louis Grant<br />

| Lucy Palmer | Olinda Narayanan | Olivia Gates | Madisyn Zabel | Mahnie Blakey | Maricelle Olivier | Marie Barincou |<br />

Michele Grimston | Minqi Gu | Nadina Geary | Nick Adams | Nichola Leeming | Nicola Knackstredt | Pamela McGrath<br />

| Patricia Hely | Peter Bollington | Pinal Maniar | Rene Linssen | Rob Schwartz | Robyn Campbell | Rodger Sutherland<br />

| Rolf Barfoed | Rose-Mary Faulkner | Rosie Armstrong | Roz Hall | Sam Sheppard | Saskia den Brinker | Sarah<br />

Murphy | Sara Wurcker | Sean Morris | Sinead Woods | Sue Hewat | Sue Peachey | Sophi Suttor | Tamara Schneider<br />

| Tania Vrancic | Tanya Taglietti | Tony Burke | Victoria Cotton | Virginia Sprague | Wayne Creaser | Zoe Brand<br />

The work of <strong>Craft</strong> <strong>ACT</strong> is also supported by 207 general maker members, 44 craft + design lover members, and<br />

161 student members in <strong>2022</strong>.<br />

Exhibitions<br />

Block 1: 3 February-19 March <strong>2022</strong><br />

Emerging contemporaries<br />

Sarah Barlow | Elliane Boulton | Noel Davar | Solomon Gates | Dom Gowans | Roz Hall | Brandon Harrison | Adeline<br />

Higgins | Abbie Holbrook | Tessa Hoser | Shen-Ju Hsieh | Ronnie Jordan | Alex Khoo | Daniel Licastro | Oliver Owens<br />

| Sue Peachey | Ailish Power | Kate Rice | Bronwyn Sargeson | Lucy Stackpool | Eliza Styles | Moea Vonsy | Cathy<br />

Zhang<br />

Emerging Contemporaries is the <strong>Craft</strong> <strong>ACT</strong> National Award Exhibition for early career artists. This exhibition plays a<br />

pivotal role in supporting and transitioning artists into professional practice and placing Australian artists in view of<br />

the national cultural collecting institutions, industry, and audience.<br />

<strong>Craft</strong> <strong>ACT</strong> prides itself on nurturing emerging artists and welcoming them into our growing community. For<br />

Emerging Contemporaries, we select emerging designers and makers from numerous local institutions including<br />

the Sturt School for Wood, Canberra Potters Society, Canberra Institute of Technology, University of Canberra, the<br />

ANU School of Art + Design, University of New South Wales, and the CAPO <strong>Craft</strong> <strong>ACT</strong> Emerging Artist award.<br />

Exhibition launched by Rod Bamford, Senior Lecturer, Australian National University.<br />

6:30 Sessions<br />

Nellie Peoples | Michelle Stemm<br />

This exhibition featured the work of Brisbane-based designer-makers, Michelle Stemm and Nellie Peoples. The<br />

6:30 Sessions concept evolved out of the Covid-19 lockdowns, which cancelled the pairs income streams and<br />

creative deadlines, and more impactfully, crushed their motivation to make. By taking a small step to hold each<br />

other to account, a new home-bound schedule was developed; they decided to ‘meet’ each morning at 6:30<br />

am, in their respective backyards, to observe and draw the outside world. The exhibition is a result of the original<br />

process led, object making.<br />

Exhibition launched by Rod Bamford, Senior Lecturer, Australian National University.<br />

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You get a Rhythm about It<br />

Peter Minson<br />

In recognition of his important contribution to glass art and craft in Australia, <strong>Craft</strong> <strong>ACT</strong> presented the work of<br />

Peter Minson spanning his 60-year career as a lampworker. Coinciding with <strong>Craft</strong> <strong>ACT</strong>’s 50th Anniversary, in<br />

2021, the exhibition pays respect to the history of glassmaking in Australia and examines Minson’s work through a<br />

contemporary lens.<br />

Exhibition launched by Jodie Cunningham, CEO + Artistic Director, <strong>Craft</strong> <strong>ACT</strong> on behalf of Nola Anderson.<br />

Block 2: 24 March-14 May <strong>2022</strong><br />

Home Grown<br />

Jeremy Brown<br />

Home Grown presented new body of work by Jeremy Brown, in celebration of the beautiful street trees of<br />

Canberra, the city he was born and raised in. This exhibition invited viewers to wander the streets of our garden<br />

city and allows appreciation of some of the more hidden aspects of its natural beauty. By combining two main<br />

threads of practice, furniture making and botanical illustration, these works created a juxtaposition between the<br />

natural and built environments, bridging the disconnect between the origins of raw materials and a final product.<br />

Exhibition launched by Ashley Eriksmoen, Head of Furniture, Australian National University.<br />

Tension[s] 2020: Tamworth Textile Triennial<br />

Soraya Abidin | Mark Smith | Arts Project Australia | Del Stewart | Australian Tapestry Workshop | Gillian Bencke<br />

| Julie Briggs and Kelly Leonard | Armando Chant | Georgia Chapman | Linda Erceg | Anne Ferran | Dianne Firth |<br />

Sai-Wai Foo | Tina Fox | Erica Gray | Garth Knight | Yinarr Maramali | Julie Montgarrett | Deborah Prior | Margarita<br />

Sampson | Jane Theau | Tjanpi Desert Weavers | Elisa Markes-Young<br />

Tamworth Textile Triennial, held every three years, showcased the best of textile art from across the country,<br />

attracting artist participation from all states in Australia. The Triennial acknowledged that the world has long been<br />

a place under various Tension[s], both harmonious and dissonant. In order to bear witness to contribute to and<br />

respond to these tensions, the triennial artworks focused on the future of people and place through textile as a<br />

material and human experience as materiality.<br />

Exhibition launched by Vic McEwan, Curator, Artist, + Writer.<br />

Block 3: 19 May-2 July <strong>2022</strong><br />

Fire Country<br />

Rebecca Selleck | James Tylor<br />

Fire Country was a furniture and photography installation addressing the physical and cultural significance of<br />

fire in Australia. It drew the burnt landscape into the domestic space, revealing its intrinsic beauty as part of key<br />

environmental mechanisms. These works were representative of our contemporary relationship with fire and<br />

potential for better engagement in the future.<br />

Exhibition launched by Dr. Amanda Stuart, Curator, Writer, + Artist.<br />

Collide + Divide<br />

Erin Daniell | Mirjana Dobson | Bailey Donovan | Polly Dymond | Daria Fox | Sam Gold | Alex Hirst | David Liu |<br />

Francesca Sykes | Eloise White | Duncan Young<br />

Collide + Divide was a discipline-bending object-based exhibition featuring eleven emerging Jam Factory<br />

associates who work in various mediums. Artists collaborated in small groups on creating a body of work that<br />

celebrated interdisciplinary skill sharing, merging both contemporary art and craftsmanship.<br />

Exhibition launched by Jodie Cunningham, CEO + Artistic Director, <strong>Craft</strong> <strong>ACT</strong>.<br />

Block 4: 7 July-27 August <strong>2022</strong><br />

BEEing<br />

Dr. Julie Bartholomew | Mahala Hill<br />

This exhibition featured the work of established craft-based artist Dr. Julie Bartholomew and early-career<br />

contemporary ceramic artist Mahala Hill. BEEing bought into visibility the challenge of survival for bees through the<br />

craft practices of these artists. Both artists utlised the aesthetic power of craft practice to engage audiences and<br />

encourage critical discourse around the significance of bees and threats to biodiversity.<br />

Exhibition launched by Patsy Hely, Artist + Writer.<br />

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CONFLUENCE: 2021 Artist-in-Residence Exhibition<br />

Valerie Kirk AM | Harriet Schwarzrock<br />

The exhibition CONFLUENCE is the culmination of <strong>Craft</strong> <strong>ACT</strong>’s 2021 Artist-in-Residence program showcasing the<br />

work of Valerie Kirk and Harriet Schwarzrock which is the results of their engagement in the two-part residency<br />

project - researching at Geoscience Australia and creating in Namadji National Park.<br />

Exhibition launched by Peter Cotsell, Regional Manager Southern Parks <strong>ACT</strong>, <strong>ACT</strong> Parks & Conservation.<br />

12 July-30 September <strong>2022</strong><br />

STORYBOX public art exhibition<br />

The City Renewal Authority partnered with local and national institutions in Canberra including <strong>Craft</strong> <strong>ACT</strong> and<br />

commissioned ESEM projects to create STORYBOX Canberra, a unique digital place-making experience,<br />

showcasing the creative knowledge of the city. It centred around a four-meter digital cube in Garema place<br />

and a series of digital plinths placed throughout city west. <strong>Craft</strong> <strong>ACT</strong> digital stories of Associate and Accredited<br />

Professional Members Harriet Schwarzrock, Phoebe Porter, Kirandeep Grewal, Chris Harford, and Hiroshi<br />

Yamaguchi was featured on Storybox.<br />

Block 5: 8 September-22 October <strong>2022</strong><br />

Nurture: <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre <strong>Annual</strong> Members Exhibition<br />

Adam Dossetor | Alice van Meurs | Anita M McIntyre | Annie Trevillian | Barbara Rogers | Brenda Runnegar |<br />

Bronwyn Sargeson | Cam Michael | Caren Florance | Dianne Firth | Elliott Bastianon | Galia Shy | Gerhard Herbst<br />

| Helen Keogh | Isobel Waters | Jennifer Robertson | Jeremy Brown | Jo Victoria | Jono Everett | Judi Elliort | Julie<br />

Bradley | Kate McKay | Kirandeep Grewal | Lea Durie | Lee Leibrandt | Luke Batten | Luna Ryan | Michele Grimston |<br />

Minqui Gu | Monique van Nieuwland | Nicola Knackstredt | NOT | Rebecca Selleck | Rene Linssen | Robyn Campbell<br />

| Ruth Hingston | Sally Blake | Sharon Peoples | Sophi Suttor | Sue Peachey | Tania Vrancic | Wendy Dawes | Will<br />

Maguire | Ximena Briceno<br />

The <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre annual members exhibition showcased contemporary expressions of<br />

craft and design uniting time-honoured techniques with modern interpretations demonstrating the trends in<br />

contemporary craft and design in Australia by practitioners from the <strong>ACT</strong> and surrounding region.<br />

Exhibition launched by Meredith Hinchcliffe AM, Writer.<br />

1 October-20 November <strong>2022</strong><br />

DISCOVER: <strong>Craft</strong> + Design Trail<br />

Hannah Quinlivan | Lan Nguyen-hoan | Rose Armstrong | S.A. Adair | Sam Sheppard | Tony Burke (Studio Bud)<br />

A public art installation in partnership with Canberra Art Biennial, in six locations across City West featuring <strong>Craft</strong><br />

<strong>ACT</strong> Artist’s<br />

Block 6: 27 October-10 December <strong>2022</strong><br />

Seeing Seventies<br />

Aaron Puls | Alexa Munro | Amanda Willis | Anastasia Tzotzis | Angela McIntyre | Cathy Breen | Clare De Lune |<br />

Whitney | Daniel Morton Jones | Emily Leseberg | Fiona Bowring-Greer | Garth Kirwin | Graham Gall | Henry Buttriss<br />

| Henry Shawcross | Hilary Wardhaughl | Jakub Besedal | Jamila Gatica | Jeremy Byrnes | Kaet Lovell | Lachlan<br />

Herring | Liam Camilleri | Michael Oliver | Pam Saunders | Pamela Proestos | Priyanka Kaul | Rachel Ives | Rebecca<br />

Scouller | Richie Southerton | Sal Witchalls | Shannon Battisson | Stephen Hunter | Susanne Boag | aira Vora | Tara<br />

Edwards | Vanessa Smyth | Yi Xueqin<br />

Seeing Seventies: Photography Competition exhibition showcased the photographs of over 80 Canberra Region<br />

Photographers who entered DESIGN Canberra Festival’s 2021 photography competition. The theme for the<br />

photography Competition was ‘Design in the 70’s’, encouraging professional and amateur photographers to take<br />

photos which take a closer look at Canberra’s iconic design and architecture from the 1970s. The best of the<br />

competition, over 40 photographs, were exhibited in a signature DESIGN Canberra exhibition at <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> +<br />

Design Centre.<br />

Exhibition launched by Travis Bullock, Development Manager, <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre.<br />

Home Life<br />

Acme21 | Alcarol | Alessandro Zambelli | BIG | Claudio Larcher | Deanna Comellini | Emanuele Magini | Giulia<br />

Piovesan + Barbara Medeot | Ludovica + Roberto Palomba |Maddalena Casadei | Mandalaki Design Studio | Maria<br />

Elena Bompani | Mario Cucinella | Matteo Ragni | Michele De Lucchi | Odo Fioravanti | Studio Adriano Architetti |<br />

Studio Natural | Yack di Maio<br />

We are delighted to continue collaborating with the Embassy of Italy, a partner of DESIGN Canberra since 2018 to<br />

bring the exhibition Home Life, curated by Elisabetta Pisu from the IMF Foundation in Rome to DESIGN Canberra.<br />

This exciting exhibition of contemporary design revealed how houses will evolve in the future and showed how<br />

52


objects can enhance our enjoyment of being home.<br />

Supported by the Embassy of Italy, Italian Cultural Institute, and the Prosecco Consortium.<br />

Exhibition launched by Elisabetta Pisu, Curator, EP Studio.<br />

<strong>2022</strong> Robert Foster F!NK National Metal Prize<br />

Alison Jackson | Bic Tieu | Gretal Ferguson | Johannes Kuhnen | Jonathon Zalakos | Kirsten Haydon | Larah Nott |<br />

Lindy McSwan | Oliver Smith | Sean Booth<br />

<strong>Craft</strong> <strong>ACT</strong> was honoured to present the new Robert Foster F!NK National Metal Prize. This award celebrated the<br />

outstanding work of ten emerging and established contemporary metalworkers, designers and craftspeople.<br />

The finalists represented the value of high-quality craft making skills, sound design and innovation that we are<br />

lucky to have here in Australia. From these ten finalists, judges Brian Parkes (JamFactory) Rohan Nichols (University<br />

of Tasmania) and Ewan McGregor (National Gallery of Victoria) awarded both the main prize ($10,000) and<br />

emerging award prize ($3,000) to Gretal Ferguson, and the acquisition prize ($2000) to Larah Nott.<br />

This program is generously supported by the Tall Foundation, F!NK + Co., and <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre.<br />

Exhibition launched by Gretel Harrison, Director, F!NK + Co.<br />

Public Programs<br />

<strong>Craft</strong> <strong>ACT</strong> in-gallery public programs<br />

• Emerging Contemporaries, 6:30 Sessions, and You Get a Rhythm about It exhibition opening, 3 February <strong>2022</strong>.<br />

• 6:30 Session floor talk with artists Nellie Peoples and Michelle Stemm, 5 February <strong>2022</strong>.<br />

• You Get a Rhythm about It floor talk with artist Peter Minson, 5 March <strong>2022</strong>.<br />

• Home Grown and Tension[s]: 2020 Tamworth Textiles Triennial exhibition opening, 24 March <strong>2022</strong>.<br />

• Home Grown floor talk with artist Jeremy Brown, 2 April <strong>2022</strong>.<br />

• Fire Country and Collide + Divide exhibition opening, 19 May <strong>2022</strong>.<br />

• Collide + Divide floor talk with CEO + Artistic Director Jodie Cunningham in conversation with artist Daria Fox and<br />

Bailey Donovan, 21 May <strong>2022</strong>.<br />

• Fire Country floor talk with artist Rebecca Selleck, 18 June <strong>2022</strong>.<br />

• BEEing and CONFLUENCE exhibition opening, 7 July <strong>2022</strong>.<br />

• BEEing floor talk with artists Dr. Julie Bartholomew and Mahala Hill, 30 July <strong>2022</strong>.<br />

• CONFLUENCE floor talk with artists Valerie Kirk AM and Harriet Schwarzrock, 23 July <strong>2022</strong>.<br />

• Nurture: <strong>Craft</strong> <strong>ACT</strong> <strong>Annual</strong> Members Exhibition opening, 8 September <strong>2022</strong>.<br />

• <strong>2022</strong> Robert Foster F!NK National Metal Prize, Home Life and Seeing Seventies exhibition opening, 27 October<br />

<strong>2022</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> off-site public programs (not including DESIGN Canberra programming)<br />

• <strong>Craft</strong> <strong>ACT</strong> at DENFAIR + Interiors Australia exhibition in Melbourne featuring members Maitlan Brown, Madeline<br />

Cardone, Louis Grant, and Sam Sheppard, 10-12 February <strong>2022</strong>.<br />

• MAKE:OVER, styling master class presented by Lynsey Fryers—a professional development workshops for<br />

members, 26 February <strong>2022</strong>.<br />

• Artists-in-Residence Bev Hogg, Julie Ryder, and Mel Robson completed their research with our <strong>2022</strong> research<br />

partner the National Library of Australia and their residency at Gudgenby Ready-Cut Cottage with our program<br />

partners <strong>ACT</strong> Parks and Conservation Service and the National Library of Australia, 7–18 March <strong>2022</strong> and 25<br />

April-7 May <strong>2022</strong>.<br />

• <strong>Craft</strong> <strong>ACT</strong> at Enlighten in the City, <strong>Craft</strong> After Dark with clay-making family programs and pop-up retail stall, Civic<br />

Square, 10 March <strong>2022</strong>.<br />

• <strong>Craft</strong> <strong>ACT</strong> at Winter in the City: Felt Caterpillar Beads and Found Treasure workshop in partnership with Canberra<br />

Region Feltmakers, 9 + 16 July <strong>2022</strong>.<br />

• Indigenous Artists-in-Residence, Krystal Hurst and Jessika Spencer, conducted research at the National Library<br />

of Australia, 22–26 August <strong>2022</strong>.<br />

• Indigenous Artist-in-Residence, Jessica Spencer, conducted residency at the Ready-Cut Cottage in Namadgi<br />

National Park, 1-15 September <strong>2022</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> participation in external public programs<br />

• Jodie Cunningham attended Museums and Wellbeing Digital next Conference online, 31 January-2 February<br />

<strong>2022</strong>.<br />

• Megan Jones attended DENFAIR + Interiors Australia exhibition to support <strong>Craft</strong> <strong>ACT</strong> Artists in Melbourne, 10-12<br />

February <strong>2022</strong>.<br />

• Jodie Cunningham convened National Art, <strong>Craft</strong> and Design Network (ACDNN), Australian Museum and Galleries<br />

Association (AMAGA) meetings, 17 February <strong>2022</strong> + 18 July <strong>2022</strong>.<br />

• Justine Merrony attended Melbourne Design Week, 17-24 March <strong>2022</strong>.<br />

• Jodie Cunningham, Frances Spurgin, Rachel Byron attended Fundamentals of Arts Fundraising Creative<br />

Partnerships, 19 May <strong>2022</strong>.<br />

• Jodie Cunningham, Frances Spurgin attended Canberra Tourism Leaders Forum Conference, 6 June <strong>2022</strong>.<br />

53


• Jodie Cunningham presented paper, Nurture: Making by Hand for Wellbeing Case Study, at the AMAGA<br />

conference, 13 June <strong>2022</strong>.<br />

• Jodie Cunningham convened the National Art, <strong>Craft</strong> and Design Network (AMAGA) Session ‘Freelance Curator<br />

as Provocateur at AMAGA conference’ and arrange conference keynote presentation Sara Raza from New York,<br />

16 June <strong>2022</strong>.<br />

• Jodie Cunningham, Frances Spurgin, Rachel Byron attended Canberra Tourism Leaders Forum, 1 July, 2<br />

September, 1 November, + 6 December <strong>2022</strong>.<br />

• Frances Spurgin attended Aalto - Film Screening at the Embassy of Finland in Australia, 14 July <strong>2022</strong>.<br />

• Frances Spurgin attended Capital Arts Patrons Organisation (CAPO) Awards launch, 1 September <strong>2022</strong>.<br />

• Jodie Cunningham, Frances Spurgin attended 40th Anniversary of the National Gallery of Art at the Embassy of<br />

the United State of America, 7 October <strong>2022</strong>.<br />

• Jodie Cunningham presented <strong>Craft</strong> <strong>ACT</strong> Emerging Contemporaries awards at University of Canberra, Australian<br />

National University, and Canberra Institute of Technology, 7 November-16 December <strong>2022</strong>.<br />

• Jodie Cunningham presented <strong>Craft</strong> <strong>ACT</strong> CAPO Awards, 24 November <strong>2022</strong>.<br />

• Jodie Cunningham and Moraig Mckenna attended Cultural Leaders Collaboration Forum at Canberra Museum +<br />

Gallery, 6 December <strong>2022</strong><br />

<strong>Craft</strong> <strong>ACT</strong> staff training<br />

• Jodie Cunningham, Welly McGarry, Travis Bullock, Moraig Mckenna, Justine Merrony, Georgia Arndell, and<br />

Meagan Jones attend First Aid Training, 21 February <strong>2022</strong>.<br />

• Welly McGarry attended Elevated Work Platform Operation training, 29 September <strong>2022</strong>.<br />

• Belinda Neame attended Responsible Service of Alcohol (RSA) training, 6 December <strong>2022</strong>.<br />

DESIGN Canberra Festival events<br />

• DESIGN Canberra Program Launch, Kambri @ ANU, 17 August <strong>2022</strong>.<br />

• DESIGN Canberra <strong>Craft</strong> + Design Auction Party, Kambri @ ANU, 19 November <strong>2022</strong>.<br />

• DESIGN Canberra <strong>Craft</strong> + Design Auction, Online, 2-20 November <strong>2022</strong>.<br />

• DESIGN Canberra VIP opening, Civic Square, 1 November <strong>2022</strong>.<br />

• Abundant Wonder exhibition opening, Canberra Museum + Gallery, 3 November <strong>2022</strong><br />

• DESIGN Canberra Creative Journaling Challenge launch, Eckersley’s Art + <strong>Craft</strong>, 13 October <strong>2022</strong>.<br />

• Uruguay + Australia <strong>Craft</strong> Exchange exhibition opening launch, <strong>Craft</strong> <strong>ACT</strong> Gallery, 8 December <strong>2022</strong>.<br />

• Seeing Seventies exhibition opening, <strong>Craft</strong> <strong>ACT</strong> Gallery, 27 October <strong>2022</strong>.<br />

• Home Life exhibition opening, <strong>Craft</strong> <strong>ACT</strong> Gallery, 27 October <strong>2022</strong>.<br />

• <strong>2022</strong> Robert Foster F!NK National Metal Prize exhibition opening, <strong>Craft</strong> <strong>ACT</strong> Gallery, 27 October <strong>2022</strong>.<br />

• Dovetail exhibition opening, Canberra Centre, 4 November <strong>2022</strong>.<br />

• Shadow Lines exhibition opening, Canberra Centre, 4 November <strong>2022</strong>.<br />

• CTRL.ALT.DESIGN exhibition opening, Canberra Centre, 4 November <strong>2022</strong>.<br />

• The Stills exhibition opening, Canberra Contemporary Art Space, 6 November <strong>2022</strong>.<br />

• Aurora exhibition opening, Canberra Contemporary Art Space, 6 November <strong>2022</strong>.<br />

• HOME:MADE exhibition opening, Canberra Contemporary Art Space, 6 November <strong>2022</strong>.<br />

• Roguetopia exhibition opening, Canberra Contemporary Art Space, 6 November <strong>2022</strong>.<br />

• Friday City Session with The Pop Inn, Civic Square, 4,11, + 18 November <strong>2022</strong>.<br />

• Sunday Session with The Jetty, Commonwealth Place, 12 + 19 November <strong>2022</strong>.<br />

• Hive Mind Shift: Exploring Transformation through Spiritual Geometry exhibition closing, The Hive, 20 November<br />

<strong>2022</strong>.<br />

• Ripple Effect exhibition opening, Canberra Museum + Gallery, 3 November <strong>2022</strong>.<br />

• Ginninderry Design Library exhibition opening, The Link, 5 November <strong>2022</strong>.<br />

• PixelARTed exhibition opening, The Front, 3 November <strong>2022</strong>.<br />

• Open Studios, Canberra Region, 5, 12, + 19 November <strong>2022</strong>.<br />

DESIGN Canberra exhibitions<br />

• Ginninderry Design Library, The Link, 12 October-20 November <strong>2022</strong>.<br />

• Dark Matter, PhotoAccess, 13 October-12 November <strong>2022</strong>.<br />

• Timber Mosaics, Australian Botanical Gardens, 14 October-21 November <strong>2022</strong>.<br />

• Seeing Seventies, <strong>Craft</strong> <strong>ACT</strong> Gallery, 27 October-11 December <strong>2022</strong>.<br />

• <strong>2022</strong> Robert Foster F!NK National Metal Prize, <strong>Craft</strong> <strong>ACT</strong> Gallery, 27 October-11 December <strong>2022</strong>.<br />

• Home Life, <strong>Craft</strong> <strong>ACT</strong> Gallery, 27 October-11 December <strong>2022</strong>.<br />

• Flowers Refashioned, Hyatt, 1-6 November <strong>2022</strong>.<br />

• Dovetail, Canberra Centre, 2-20 November <strong>2022</strong>.<br />

• CTRL.ALT.DESIGN, Canberra Centre, 2-20 November <strong>2022</strong>.<br />

• Shadow Lines, Canberra Centre 2-13 November <strong>2022</strong>.<br />

• Golden Years, Canberra Museum + Gallery, 2-20 November <strong>2022</strong>.<br />

• Brutal Transformation, Canberra Theatre Centre, 2-20 November <strong>2022</strong>.<br />

• Brutalist Belconnen – Constructing the Cameron Offices, Online, 2-20 November <strong>2022</strong>.<br />

• PixelARTed, The Front, 2-20 November <strong>2022</strong>.<br />

• Canberra Low Carbon Housing, 220 London Circuit, 2-20 November <strong>2022</strong>.<br />

54


• BECOME, Stringworks Studio + Gallery, 2-20 November <strong>2022</strong>.<br />

• Phone X Stitch, Online, 2-20 November <strong>2022</strong>.<br />

• Abundant Wonder, Canberra Museum + Gallery, 3 November <strong>2022</strong>-12 February 2023<br />

• Ripple Effect, Canberra Museum + Gallery, 3 November <strong>2022</strong>-12 February 2023.<br />

• Hive Mind Shift - Exploring Transformational through Sacred Geometry, The Hive, 4-20 November <strong>2022</strong>.<br />

• Transformation with a Twist, Chiefly Wellbeing Centre, 4-5 November <strong>2022</strong>.<br />

• HOME:MADE, Canberra Contemporary Art Space, 5-27 November <strong>2022</strong>.<br />

• Aurora, Canberra Contemporary Art Space, 5-27 November <strong>2022</strong>.<br />

• The Stills, Canberra Contemporary Art Space, 5-27 November <strong>2022</strong>.<br />

• Roguetopia, Canberra Contemporary Art Space, 5-27 November <strong>2022</strong>.<br />

• Uncertain Shape of Time, M16 Artspace, 10-27 November <strong>2022</strong>.<br />

• Celebration, Kambah Scout Hall, 12 November <strong>2022</strong>.<br />

• Clean Slate, Cox Gallery, 14 November-16 December <strong>2022</strong>.<br />

• Uruguay + Australia <strong>Craft</strong> Exchange, Canberra Airport, 14 November <strong>2022</strong>-23 January 2023.<br />

• Uruguay + Australia <strong>Craft</strong> Exchange, <strong>Craft</strong> <strong>ACT</strong> Gallery, 14 November-21 December <strong>2022</strong>.<br />

• Friends in High Places, Canberra airport, 14 November <strong>2022</strong>-ongoing.<br />

DESIGN Canberra public art installation<br />

• DISCOVER: <strong>Craft</strong> + Design Trail, 1 October-20 November <strong>2022</strong>.<br />

• Becoming, Civic Square, 2-20 November <strong>2022</strong>.<br />

• Along Civic Lines, Knowles Lane, 2-20 November <strong>2022</strong>.<br />

• Geological Transformations, Commonwealth Place, 2-20 November <strong>2022</strong>.<br />

• Shift, Canberra Museum + Gallery, 2-20 November <strong>2022</strong>.<br />

• Currents, Civic Square, 2-20 November <strong>2022</strong>.<br />

• Given Conditions, Civic Square, 2-20 November <strong>2022</strong>.<br />

• BMW Car Wrap, Civic Square, 8 November <strong>2022</strong>.<br />

DESIGN Canberra talks + symposiums<br />

• DISCOVER: Public Art in Canberra Symposium in partnership with Canberra Art Biennial and Canberra Museum<br />

+ Gallery, Kambri @ANU, 29 October <strong>2022</strong>.<br />

• Design Revisited: Roger Pegrum and Phllip Goad, Shine Dome, 3 November <strong>2022</strong>.<br />

• Design Thinking, Learning and Making in Canberra: Legacies and New Initiatives, Canberra Museum + Gallery, 4<br />

November <strong>2022</strong>.<br />

• Art and Creativity- Within and Beyond Urban Public Spaces, The Link, 4 November <strong>2022</strong>.<br />

• Restoring a Palm Springs Master Work with Jessy Moss, Canberra Museum + Gallery, 4 November <strong>2022</strong>.<br />

• Transforming Canberra, Shine Dome, 5 November <strong>2022</strong>.<br />

• Tyler Jackson Artist Talk, Canberra Contemporary Art Space, 6 November <strong>2022</strong>.<br />

• Davey Barber Artist Talk, Canberra Contemporary Art Space, 6 November <strong>2022</strong>.<br />

• Lucy Irvine Artist Talk, Canberra Contemporary Art Space, 6 November <strong>2022</strong>.<br />

• From Silo to Collaboration, National Museum of Australia, 9 November <strong>2022</strong>.<br />

• Intellectual Property (IP) for Designers, Discover House, 9 + 14 November <strong>2022</strong>.<br />

• DIA Design Evening (Student Initiative), Kambri @ ANU, 10 November <strong>2022</strong>.<br />

• Design Revisited: Marita Leuver in conversation with Graham Rendoth, Shine Dome, 10 November <strong>2022</strong>.<br />

• 100 Canberra Houses Book launch, Canberra Museum + Gallery, 11 November <strong>2022</strong>.<br />

• DISCOVER: <strong>Craft</strong> + Design Trail Artists Talks, Canberra City, 13 November <strong>2022</strong>.<br />

• Medium Density Housing, Shine Dome, 13 November <strong>2022</strong>.<br />

• Canberra Low Carbon Housing Challenge, 220 London Circuit, 16 November <strong>2022</strong>.<br />

• Julie Monro-Allison Artist Talk, Civic Square, 18 November <strong>2022</strong>.<br />

• Lymesmith Artist Talk, Civic Square, 18 November <strong>2022</strong>.<br />

• Leah Brideson Artist Talk, Civic Square, 18 November <strong>2022</strong>.<br />

• Transforming your Home with Interior Designer Vanessa Hawes, Design <strong>Craft</strong>, 19 November <strong>2022</strong>.<br />

DESIGN Canberra tours<br />

• Verity Lane Contemporary Architecture Tour, Canberra City, 2 November <strong>2022</strong>.<br />

• Architecture Tour with Philip Vivian from Bates Smart, Canberra City, 4 November <strong>2022</strong>.<br />

• Around the Block on Grey St, Deakin—Walking Tour and Recollections, Deakin, 5 November <strong>2022</strong>.<br />

• Ginninderry Tracks A, Ginninderry, 5 November <strong>2022</strong>.<br />

• Ginninderry Tracks B, Ginninderry, 5 November <strong>2022</strong>.<br />

• The Roaring 20’s – A glimpse into Canberra’s early design aesthetic, Calthorpe House, 5 November <strong>2022</strong>.<br />

• Canberra Low Carbon Housing Challenge: Tour of Net-Zero/Passivhaus with Michael Tolhurst, Narrabundah, 6<br />

November <strong>2022</strong>.<br />

• KALMA House Contemporary Architecture Tour, Kaleen, 8 November <strong>2022</strong>.<br />

• Rejuvenation of a Campus: The Kambri Cultural Precinct and Hanna Neumann Building @ ANU, Australian<br />

National University, 9 November <strong>2022</strong>.<br />

• Behind the Scenes Series: National Archive Preservation Facility (x2), Mitchell, 11 + 18 November <strong>2022</strong>.<br />

• Little Loft House Contemporary Architecture Tour, Giralang, 13 November <strong>2022</strong>.<br />

• Architecture Tour with Steven Cetrtek, Griffith, 16 November <strong>2022</strong>.<br />

55


• Art and Architecture in the Parliamentary Zone, Canberra, 19 November <strong>2022</strong>.<br />

• Crace Eclectic House Contemporary Architecture Tour, Crace, 20 November <strong>2022</strong>.<br />

DESIGN Canberra workshops<br />

• Creative Journalling Challenge, online, 22 October-20 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Shift with Mariana Del Castello, Civic Square, 2 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Tending the Inner Garden with Sharon Peoples (x3), Civic Square, 2, 9, + 16 November<br />

<strong>2022</strong>.<br />

• Festival Hub Drop-In workshops (x3), Civic Square, 4, 11, + 18 November <strong>2022</strong>.<br />

• Creative kids: Ephemeral Seed Pods, Canberra Centre, 4 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Silk Scarf Painting with Kirandeep Grewal, Civic Square, 5 November <strong>2022</strong>.<br />

• Creative Kids: Design Futures (x3), Civic Square, 5, 12, + 19 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Design Bootcamp with Sharon Peoples, Civic Square, 8 November <strong>2022</strong>.<br />

• PixelARTed: Stamp and Brushes, The Front, 9 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Ephemeral Thought Vessels, Civic Square, 9 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Chemigrams with PhotoAccess, Civic Square, 10 November <strong>2022</strong>.<br />

• Creative kids: Bush Animal Weaving (x2), Canberra Centre, 11 + 18 November <strong>2022</strong>.<br />

• Queering the museum, Canberra Museum + Gallery, 11 November <strong>2022</strong>.<br />

• BECOME: Remake and Tell Your Story, Stringworks Studio + Gallery, 11 November <strong>2022</strong>.<br />

• Make Believe with Paper Giant, Canberra City, 12 November <strong>2022</strong>.<br />

• Transformation, Innovation, New from Old, Fyshwick, 12 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Spoon Carving with Fiona Glover, Civic Square, 12 November <strong>2022</strong>.<br />

• Transform your Jewellery, Wild Studio, 13 November <strong>2022</strong>.<br />

• PixelARTed: Photoplay, The Front, 16 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Catching with Julie Monro-Allison, Civic Square, 17 November <strong>2022</strong>.<br />

• Nurture Making by Hand: Clay Hand Building with Daniel Leone, Civic Square, 19 November <strong>2022</strong>.<br />

• Sip & Sketch with Sally Black, Commonwealth Place, 20 November <strong>2022</strong>.<br />

DESIGN Canberra markets<br />

• Hive Mind Shift: Exploring Transformation through Spiritual Geometry Markets, The Hive, 5 November <strong>2022</strong>.<br />

• Dairy Road Market, Dairy Road, 6 November <strong>2022</strong>.<br />

• Undercurrent Design Market, National Portrait Gallery, 25-27 November <strong>2022</strong>.<br />

Media<br />

<strong>Craft</strong> <strong>ACT</strong> media articles<br />

• There were many impressive craft shows in Canberra in 2021 with more to come in <strong>2022</strong>, Canberra Times,<br />

https://www.canberratimes.com.au/story/7540281/there-were-many-impressive-craft-shows-in-2021-withmore-to-come-in-<strong>2022</strong>/,<br />

1 January <strong>2022</strong>.<br />

• <strong>2022</strong> arts festivals and events calendar, Arts Hub, https://www.artshub.com.au/news/calendars/<strong>2022</strong>-artsfestivals-and-events-calendar-2521849/,<br />

5 January <strong>2022</strong>.<br />

• The Canberra Times' best photos of 2021: July, Canberra Times, https://www.canberratimes.com.au/<br />

story/7571260/year-in-pictures-july/, 6 January <strong>2022</strong>.<br />

• Artsday / Corks pop for artists at the Open, CityNews, https://citynews.com.au/<strong>2022</strong>/artsday-corks-pop-forartists-at-the-australian-open/,<br />

13 January <strong>2022</strong>.<br />

• 2021 Emerging Artist Award Scheme (EASS) recipients announced, ANU SOAD, https://soad.cass.anu.edu.au/<br />

news/2021-emerging-artist-award-scheme-eass-recipients-announced 20/01/<strong>2022</strong>, 20 January <strong>2022</strong>.<br />

• All the Australia Day honours for the region’s finest, Riot<strong>ACT</strong>, https://the-riotact.com/all-the-australia-dayhonours-for-the-regions-finest/528216,<br />

26 January <strong>2022</strong>.<br />

• <strong>2022</strong> design and craft calendar, ArtsHub, https://www.artshub.com.au/news/calendars/<strong>2022</strong>-design-and-craftcalendar-2526477/,<br />

27 Janurary <strong>2022</strong>.<br />

• Peter Minson and the art of lampworking | Exhibition essay, <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre, https://craftact.org.<br />

au/blogs/news/peter-minson-exhibition-essay, 2 February <strong>2022</strong>.<br />

• Emerging Contemporaries and 6:30 Sessions, <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre, https://craftact.org.au/blogs/<br />

news/emerging-contemporaries-and-6-30-sessions, 2 February <strong>2022</strong>.<br />

• What's on in Canberra February <strong>2022</strong>, Canberra Weekly, https://canberraweekly.com.au/whats-on-in-canberrafebruary-<strong>2022</strong>/,<br />

23 February <strong>2022</strong>.<br />

• Lockdown jewellery shines in exhibition, CityNews, https://citynews.com.au/<strong>2022</strong>/lockdown-jewellery-shines-inexhibition/,<br />

24 February <strong>2022</strong>.<br />

• Minson, the master of lampworking, CityNews, https://citynews.com.au/<strong>2022</strong>/minson-the-master-of-lampworking/,<br />

24 February <strong>2022</strong>.<br />

• Artsday / The Yellow House celebrates women, CityNews, https://citynews.com.au/<strong>2022</strong>/artsday-the-yellowhouse-celebrates-women/,<br />

4 March <strong>2022</strong>.<br />

• Peter Minson's glass objects shatter expectations, Canberra Times, https://www.canberratimes.com.au/<br />

story/7634675/glass-objects-shatter-expectations/, 18 March <strong>2022</strong>.<br />

• Tamworth Textile Triennial Performance, Interaction and Material Futures - Essay by Vic McEwan (supplied<br />

marketing material), <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre, 21 March <strong>2022</strong>.<br />

56


• From Paint & Sip to the Canberra Comedy Festival: 15+ things to do in Canberra this week, HerCanberra, https://<br />

hercanberra.com.au/city/whats-on/from-paint-sip-to-the-canberra-comedy-festival-15-things-to-do-incanberra-this-week/,<br />

21 March <strong>2022</strong>.<br />

• Home Grown, <strong>Craft</strong> <strong>ACT</strong> by Jeremy Brown Exhibition essay by Ashley Eriksmoen, <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design<br />

Centre, https://www.yumpu.com/en/document/view/66593194/home-grown-exhibition-catalogue, 21 March<br />

<strong>2022</strong>.<br />

• Opportunities and awards wrap, ArtsHub, https://www.artshub.com.au/news/news/opportunities-and-awardswrap-29-2533648/,<br />

23 March <strong>2022</strong>.<br />

• <strong>Craft</strong> <strong>ACT</strong> to launch inaugural Robert Foster F!NK national prize, Canberra Weekly, https://canberraweekly.com.<br />

au/craft-act-launches-inaugural-robert-foster-fnk-national-prize/, 15 April <strong>2022</strong>.<br />

• <strong>Craft</strong> <strong>ACT</strong> announces National Metal Prize in honour of Fink's Robert Foster, Canberra Times, https://www.<br />

canberratimes.com.au/story/7701014/craft-act-announces-prize-in-honour-of-finks-robert-foster/, 16 April <strong>2022</strong>.<br />

• Detailed judging by Canberra's Paul Murray and Jodie Cunningham delight Merimbula and District Arts Group<br />

Bega, District News, https://www.begadistrictnews.com.au/story/7702946/detailed-judging-by-canberras-paulmurray-and-jodie-cunningham-delight-merimbula-and-district-arts-group/,<br />

19 April <strong>2022</strong>.<br />

• Homegrown and Tension(s) at <strong>Craft</strong> <strong>ACT</strong>, The Canberra Times, https://www.canberratimes.com.au/<br />

story/7704696/socials-crafts-of-canberra/, 20 April <strong>2022</strong>.<br />

• What’s on this (long) weekend in Canberra?, HerCanberra, https://hercanberra.com.au/city/whats-on/whats-onthis-anzac-day-long-weekend-in-canberra/,<br />

22 April <strong>2022</strong>.<br />

• Review: Tension(s) at <strong>Craft</strong> <strong>ACT</strong> is thoughtful and immersive, Canberra Times, https://www.canberratimes.com.<br />

au/story/7686828/textile-triennial-explores-tension/, 23 April <strong>2022</strong>.<br />

• 40+ ways to spend this week in Canberra, HerCanberra, https://hercanberra.com.au/city/family-city/40-ways-tospend-this-week-in-canberra/,<br />

25 April <strong>2022</strong>.<br />

• 80+ things to do in Canberra this May (you’re gonna need more days), HerCanberra, https://hercanberra.com.au/<br />

city/whats-on/whats-on-may-<strong>2022</strong>-canberra/, 30 April <strong>2022</strong>.<br />

• Mother's Day, SIX and Taste Local: 50+ things to do this week in Canberra, HerCanberra, https://hercanberra.<br />

com.au/city/family-city/mothers-day-six-and-taste-local-50-things-to-do-this-week-in-canberra/, 2 May <strong>2022</strong>.<br />

• New National Metal Prize Honours Memory of Celebrated Designer, Living Arts Canberra, https://www.<br />

livingartscanberra.com.au/new-national-metal-prize-honours-memory-of-celebrated-designer/, 2 May <strong>2022</strong>.<br />

• What's on in Canberra during May <strong>2022</strong>, Canberra Weekly, https://canberraweekly.com.au/whats-on-incanberra-for-may-<strong>2022</strong>/,<br />

5 May <strong>2022</strong>.<br />

• Everything you need to know about Canberra’s arts scene, May 14, <strong>2022</strong>, Canberra Times, https://www.<br />

canberratimes.com.au/story/7737630/everything-you-need-to-know-about-canberras-arts-scene/, 21 May<br />

<strong>2022</strong>.<br />

• Fire Country' at <strong>Craft</strong> <strong>ACT</strong> explores intricate beauty of fire, Canberra Weekly, https://canberraweekly.com.au/firecountry-displays-the-intricate-beauty-of-fire/,<br />

21 May <strong>2022</strong>.<br />

• Socials: Opening night, Canberra Times, https://www.canberratimes.com.au/story/7753513/socials-openingnight/,<br />

26 May <strong>2022</strong>.<br />

• Queen's Birthday Honours: Jennifer Kemarre Martiniello awarded OAM for service to the creative and visual arts,<br />

Canberra Times, https://www.canberratimes.com.au/story/7775541/honoured-for-service-to-arts-artist-justdoing-what-feels-right/,<br />

13 June <strong>2022</strong>.<br />

• Attention art lovers: <strong>Craft</strong> <strong>ACT</strong> needs your help, HerCanberra, https://hercanberra.com.au/city/attention-artlovers-craft-act-needs-your-help/,<br />

20 June <strong>2022</strong>.<br />

• 35+ events that will have you making the most of July, HerCanberra, https://hercanberra.com.au/city/whatson/35-events-that-will-have-you-making-the-most-of-july/,<br />

30 June <strong>2022</strong>.<br />

• Geoscience Australia collections inspire Artist-in-Residence Exhibition, Miragenews, https://www.ga.gov.au/<br />

news-events/news/latest-news/geoscience-australia-collections-inspire-artist-in-residence-exhibition, 8 July<br />

<strong>2022</strong>.<br />

• Capital Life from July 9, <strong>2022</strong>: From musical theatre to Messiah, Canberra Times, https://www.canberratimes.com.<br />

au/story/7805558/from-musical-theatre-to-messiah/, 9 July <strong>2022</strong>.<br />

• Socials: Celebration of local artists, Canberra Times, https://www.canberratimes.com.au/story/7827494/socialscelebration-of-local-artists/,<br />

21 July <strong>2022</strong>.<br />

• What's on around Canberra in July <strong>2022</strong>, Canberra Weekly, https://canberraweekly.com.au/whats-on-aroundcanberra-in-july-<strong>2022</strong>/,<br />

25 July <strong>2022</strong>.<br />

• Digital stories leave our institutions and hit the streets, Riot<strong>ACT</strong>, https://the-riotact.com/digital-stories-leave-ourinstitutions-and-hit-the-streets/575015,<br />

26 July <strong>2022</strong>.<br />

• 65+ things to do in Canberra this September, HerCanberra, https://hercanberra.com.au/city/65-things-to-do-incanberra-this-september/,<br />

31 August <strong>2022</strong>.<br />

• Discover <strong>Craft</strong> & Design Trail Launch and Artist Talks, ArtsHub, https://www.artshub.com.au/event/discover-craftdesign-trail-launch-artist-talks-2583690/<br />

• Opportunities and awards wrap, ArtsHub, https://www.artshub.com.au/news/news/opportunities-and-awardswrap-27-2529969/,<br />

2 September <strong>2022</strong>.<br />

• 35+ ways to spend this week in Canberra, HerCanberra, https://hercanberra.com.au/city/film-theatre-music/35-<br />

ways-to-spend-this-week-in-canberra/, 5 September <strong>2022</strong>.<br />

• Canberra Artists transform vacant city space into creative hub, Canberra Weekly, https://canberraweekly.com.<br />

au/canberra-artists-transform-vacant-city-space-into-creative-hub/, 13 September <strong>2022</strong>.<br />

• Swapping studios for city offices, artists come to enliven Canberra's centre in Second Place program, Canberra<br />

Times, https://www.canberratimes.com.au/story/7901031/swapping-studios-for-city-offices-artists-come-to-<br />

57


enliven-canberras-centre/?cs=14229, 14 September <strong>2022</strong>.<br />

• About to get a whole lot more creative' - artists to transform Civic's vacant spaces, Riot<strong>ACT</strong>, https://theriotact.com/about-to-get-a-whole-lot-more-creative-artists-to-transform-civics-vacant-spaces/593680,<br />

14<br />

September <strong>2022</strong>.<br />

• What’s on this weekend? Here are 30+ things to do in Canberra, HerCanberra, https://hercanberra.com.au/city/<br />

whats-on-this-weekend-here-are-30-things-to-do-in-canberra/, 16 September <strong>2022</strong>.<br />

• Review: Nurture: <strong>Craft</strong> + Design Centre Members annual exhibition at <strong>Craft</strong> <strong>ACT</strong> is varied, Canberra Times, https://<br />

www.canberratimes.com.au/story/7909211/craft-act-members-show-full-of-environmental-awareness/, 27<br />

September <strong>2022</strong>.<br />

• Indigenous designs to invoke a connection to Country through Ginninderry's urban spaces, Riot<strong>ACT</strong>, https://<br />

the-riotact.com/indigenous-designs-to-invoke-a-connection-to-country-through-ginninderrys-urbanspaces/578953,<br />

27 September <strong>2022</strong>.<br />

• Opportunities and awards wrap, ArtsHub, 3 October <strong>2022</strong>.<br />

• Five things to do on (surprise, surprise) another rainy weekend, HerCanberra, https://hercanberra.com.au/city/sixthings-to-do-on-surprise-surprise-another-rainy-weekend/,<br />

6 October <strong>2022</strong>.<br />

• Spring high tea, local markets and building your own ‘air-bee-n-bee’: 40+ things to do this weekend in Canberra,<br />

HerCanberra, https://hercanberra.com.au/city/spring-high-tea-local-markets-and-building-your-own-air-bee-nbee-40-things-to-do-this-weekend-in-canberra/,<br />

14 October <strong>2022</strong>.<br />

• 45 things to do this week in Canberra (you're going to need a longer week), HerCanberra, https://hercanberra.<br />

com.au/city/45-things-to-do-this-week-in-canberra-youre-going-to-need-a-longer-week/, 17 October <strong>2022</strong>.<br />

• What’s on this weekend? 45+ things to do in Canberra, HerCanberra, https://hercanberra.com.au/city/whats-onthis-weekend-45-things-to-do-in-canberra/,<br />

28 October <strong>2022</strong>.<br />

• Dairy Road DESIGN Markets, ArtsHub, https://www.artshub.com.au/event/dairy-road-design-markets-2584179/<br />

• Art and Architecture at the Australian National University with Amy Jarvis from Canberra Modern and Deborah<br />

Clark Tour, ArtsHub, https://www.artshub.com.au/event/art-and-architecture-at-the-australian-nationaluniversity-with-amy-jarvis-from-canberra-modern-and-deborah-clark-tour-2584188/<br />

• Artist Talks with Julie Monro-Allison, Lymesmith, + Leah Brideson, ArtsHub, https://www.artshub.com.au/event/<br />

artist-talks-with-julie-monro-allison-lymesmith-leah-brideson-2584125/<br />

• 22 winners of CAPO arts grants, City News, https://citynews.com.au/<strong>2022</strong>/22-winners-of-capo-arts-grants/, 26<br />

November <strong>2022</strong>.<br />

• STORYBOX Canberra brings creative knowledge of national institutions to streets of City Centre, Mirage News,<br />

https://www.cmtedd.act.gov.au/open_government/inform/act_government_media_releases/act-city-renewalauthority-media-releases/<strong>2022</strong>/storybox-canberra-brings-the-creative-knowledge-of-national-institutions-tothe-streets-of-the-city-centre,<br />

7 December <strong>2022</strong>.<br />

<strong>Craft</strong> <strong>ACT</strong> radio<br />

• Block 1 exhibitions, Capital Radio, 5 February <strong>2022</strong>.<br />

• Jeremy Brown Home Grown, ABC, 22 March <strong>2022</strong>.<br />

• Jodie Cunnigham on <strong>Craft</strong> <strong>ACT</strong> Appeal, 2CC, 18 June <strong>2022</strong>.<br />

• Moraig McKenna, Neil Doody Artsound - for annual EOFY campaign, 20 June <strong>2022</strong>.<br />

• Genieve Jacobs Interview with Jodie Cunningham, Riot<strong>ACT</strong>, 12 August <strong>2022</strong>.<br />

• Jodie Cunnigham, Neil Doody Artsound - DESIGN Canberra Launch, Radio – Artsounds, 18 August <strong>2022</strong>.<br />

• Malcolm from ABC Canberra on Civic Square Launch, ABC Radio, 13 September <strong>2022</strong>.<br />

DESIGN Canberra media articles<br />

• Opportunities and awards wrap, ArtsHub, 16 February <strong>2022</strong>.<br />

• <strong>2022</strong> Design Canberra festival call out, Arts Hub, 22 February <strong>2022</strong>.<br />

• Opportunities and awards wrap, ArtsHub, 10 March <strong>2022</strong>.<br />

• Opportunities and awards wrap, ArtsHub, 23 March 2023.<br />

• Announcement piece sharing highlights from the program and ticket link, Canberra Weekly, https:/<br />

canberraweekly com.au/design-canberra-promises-most-ambitious-line-up-to-date/, 17 August <strong>2022</strong>.<br />

• Announcement piece sharing highlights from the program and ticket link, Windobi (online), https://windobi.com<br />

design-canberra-festival-announces-<strong>2022</strong>-program-with-the-most-ambitious-line-up-to-date/, 17 August<br />

<strong>2022</strong>.<br />

• DESIGN CANBERRA FESTIVAL ANNOUNCES <strong>2022</strong> PROGRAM WITH ITS MOST AMBITIOUS LINE-UP TO DATE,<br />

Articulate Journal, 18 August <strong>2022</strong>.<br />

• Link to City News announcement article, Australia News, 18 August <strong>2022</strong>.<br />

• DESIGN Canberra promises most ambitious line-up to date, Canberra Weekly, https://canberraweekly.com.au/<br />

design-canberra-promises-most-ambitious-line-up-to-date/, 18 August <strong>2022</strong>.<br />

• DESIGN Canberra Festival announces <strong>2022</strong> program with most ambitious line-up to date, HerCanberra, https://<br />

hercanberra.com.au/local-loves/design-canberra-festival-announces-<strong>2022</strong>-program-with-most-ambitious-lineup-to-date,<br />

18 August <strong>2022</strong>.<br />

• DESIGN CANBERRA FESTIVAL announces the <strong>2022</strong> program with the latest ambitious line-up, Tornadopix,<br />

https://tornadopix.com/design-canberra-festival-announces-<strong>2022</strong>-program-with-more-than-200-events/, 18<br />

August <strong>2022</strong>.<br />

• DESIGN Canberra Festival announces <strong>2022</strong> program with the most ambitious line-up to date, Windobi, https://<br />

windobi.com/design-canberra-festival-announces-<strong>2022</strong>-program-with-the-most-ambitious-line-up-to-date/,<br />

58


18 August <strong>2022</strong>.<br />

• Announcement piece sharing highlights from the program and ticket link, Her Canberra, https://hercanberra.com.<br />

au/local-loves/design-canberra-festival-announces-<strong>2022</strong>-program-with-most-ambitious-line-up-to-date/, 18<br />

August <strong>2022</strong>.<br />

• Announcement piece sharing highlights from the program and ticket link, Architecture & Design, https://www.<br />

architectureanddesign.com.au/news/design-canberra-festival-announces-<strong>2022</strong>-program, 19 August <strong>2022</strong>.<br />

• Included in a round-up of “The arts news you may have missed this week”, Arts Hub, https://www.artshub.com.<br />

au/news/news/the-arts-news-you-may-have-missed-this-week-6-2572726/, 19 August <strong>2022</strong>.<br />

• Announcement piece sharing highlights from the program and ticket link, Tornadopix, https://tornadopix.com/<br />

design-canberra-festival-announces-the-<strong>2022</strong>-program-with-the-latest-ambitious-lineup/<br />

• Inclusion in list of “<strong>2022</strong> events not to miss”, highlighting the Design Bootcamp workshop, Visit Canberra, https://<br />

visitcanberra.com.au/articles/<strong>2022</strong>-events-not-to-miss<br />

• Announcement piece on the return of the festival post-pandemic, CBR City News, https://citynews.com.au/<strong>2022</strong>/<br />

design-festival-returns-to-full-potential/<br />

• DESIGN Canberra Festival announces <strong>2022</strong> program with 200+ events, Architectureanddesign.com, https://www.<br />

architectureanddesign.com.au/news/design-canberra-festival-announces-<strong>2022</strong>-program, 19 August <strong>2022</strong>.<br />

• Feature announcing the return of the festival and Canberra as a ‘creative capital’ and a ‘global city of design’,<br />

Azure Magazine, https://www.azuremagazine.com/events/design-canberra-festival-<strong>2022</strong>/<br />

• Design Canberra is back, celebrating transformation, connection and the joy of making, Riot<strong>ACT</strong>, https://theriotact.com/design-canberra-is-back-celebrating-transformation-connection-and-the-joy-of-making/586255,<br />

23 August <strong>2022</strong>.<br />

• Announcement piece highlighting Lucy Irvine’s signature piece and community element of the Festival, Riotact,<br />

https://the-riotact.com/design-canberra-is-back-celebrating-transformation-connection-and-the-joy-ofmaking/586255,<br />

23 August <strong>2022</strong>.<br />

• This week’s arts news you may have missed, ArtsHub, 26 August <strong>2022</strong>.<br />

• Live your sustainable architecture dreams at Design Canberra Festival <strong>2022</strong>, Domain, https://www.domain.<br />

com.au/news/cbr-live-your-sustainable-architecture-dreams-at-design-canberra-festival-<strong>2022</strong>-1169845/, 25<br />

September <strong>2022</strong>.<br />

• Live your sustainable architecture dreams at Design Canberra Festival, All Homes, https://www.allhomes.com.<br />

au/news/cbr-live-your-sustainable-architecture-dreams-at-design-canberra-festival-<strong>2022</strong>-1169845/, 25<br />

September <strong>2022</strong>.<br />

• Feature announcing the return of the festival, highlighting architecture tours and describing Canberra as<br />

Australia’s ‘capital of design’, Domain, https://www.domain.com.au/news/cbr-live-your-sustainable-architecturedreams-at-design-canberra-festival-<strong>2022</strong>-1169845/,<br />

25 September <strong>2022</strong>.<br />

• Feature announcing the return of the festival, highlighting architecture tours and describing Canberra as<br />

Australia’s ‘capital of design’, All Homes, https://www.allhomes.com.au/news/cbr-live-your-sustainablearchitecture-dreams-at-design-canberra-festival-<strong>2022</strong>-1169845,<br />

25 September <strong>2022</strong>.<br />

• Design Canberra relaunches in-person festival, Architecture Au, https://architectureau.com/articles/designcanberra-<strong>2022</strong>/,<br />

27 September <strong>2022</strong>.<br />

• Feature announcing the return of the festival and highlights, Architecture Au, https://architectureau.com/articles/<br />

design-canberra-<strong>2022</strong>/, 27 September <strong>2022</strong>.<br />

• Feature on Indigenous artists displaying work at DESIGN Canberra, Riot Act, https://the-riotact.com/indigenousdesigns-to-invoke-a-connection-to-country-through-ginninderrys-urban-spaces/578953,<br />

27 September <strong>2022</strong>.<br />

• Canberra puts on a show as 40 new works mark the NGA’s 40th, Financial Review, https://www.afr.com/life-<br />

and-luxury/arts-and-culture/canberra-puts-on-a-show-as-40-new-works-mark-the-nga-s-40th-<strong>2022</strong>1007-<br />

p5bo1l, 12 October <strong>2022</strong>.<br />

• Inclusion in Dezeen’s events guide, Dezeen, https://www.dezeen.com/eventsguide/<strong>2022</strong>/11/design-canberrafestival-<strong>2022</strong>/,<br />

15 October <strong>2022</strong>.<br />

• Interview with Jodie Cunningham on the festival as part of a piece on the growth of Canberra’s art scene, AFR<br />

Life & Leisure<br />

• Australian Design Review, https://www.australiandesignreview.com/architecture/design-canberra-announcesfive-more-exhibitions-and-a-new-collaboration/,<br />

24 October <strong>2022</strong>.<br />

• DESIGN Canberra announces five more exhibitions and a new collaboration, Australian Design Review, ttps://<br />

www.australiandesignreview.com/architecture/design-canberra-announces-five-more-exhibitions-and-a-newcollaboration/,<br />

24 October <strong>2022</strong>.<br />

• Design Canberra set to take over the capital, Art Collector, https://artcollector.net.au/design-canberra-set-totake-over-the-capital/,<br />

25 October <strong>2022</strong>.<br />

• Article following Rosy Leake’s trip to Canberra in October, Art Collector, https://artcollector.net.au/designcanberra-set-to-take-over-the-capital/,<br />

25 October <strong>2022</strong>.<br />

• Interview with Jodie Cunningham or Georgia Stynes’ show (listen from 02.48), ABC Radio Canberra Afternoons,<br />

https://www.abc.net.au/canberra/programs/afternoons/afternoons/14089130, 26 October <strong>2022</strong>.<br />

• Article detailing ‘Seven Design Canberra Festival events you’ll want to book now’, Her Canberra, https://<br />

hercanberra.com.au/city/seven-design-canberra-festival-events-youll-want-to-book-now/, 26 October <strong>2022</strong>.<br />

• What's on around Canberra during November <strong>2022</strong>, Canberra Weekly, https://canberraweekly.com.au/whatson-around-canberra-during-november-<strong>2022</strong>/,<br />

26 October <strong>2022</strong>.<br />

• Seven Design Canberra Festival events you'll want to know, HerCanberra, https://hercanberra.com.au/city/sevendesign-canberra-festival-events-youll-want-to-book-now/,<br />

26 October <strong>2022</strong>.<br />

• Article announcing exhibitions and Forage Festival, Art Daily, https://artdaily.com/news/151132/DESIGN-Canberrafestival-announces-exhibition-program-and-inaugural-partnership-with-Forage-Festival#.Y23EhnZBxD9,<br />

27<br />

59


October <strong>2022</strong>.<br />

• Article announcing symposiums and talks, Australian Arts Review, https://artsreview.com.au/design-canberrafestival-announces-program-of-symposiums-and-talks-exploring-the-design-identity-of-australias-capital/,<br />

28<br />

October <strong>2022</strong>.<br />

• Three things you should not miss at this year's Design Canberra festival, explore, https://www.exploretravel.com.<br />

au/story/7960319/three-things-you-should-not-miss-at-this-years-design-canberra-festival/, 28 October 022.<br />

• DESIGN Canberra festival announces program of symposiums and talks exploring the design identity of<br />

Australia’s capital, Australian Arts Review, https://artsreview.com.au/design-canberra-festival-announcesprogram-of-symposiums-and-talks-exploring-the-design-identity-of-australias-capital/,<br />

28 October <strong>2022</strong>.<br />

• What makes good public art in Canberra? It's about more than giant sculptures, Riotact, https://the-riotact.com/<br />

what-makes-good-public-art-in-canberra-its-about-more-than-giant-sculptures/607023, 28 October <strong>2022</strong>.<br />

• Design Canberra, Concrete Playground, https://concreteplayground.com/canberra/event/design-canberra, 29<br />

October <strong>2022</strong>.<br />

• Design Canberra Festival <strong>2022</strong> includes public art that's right up your street, The Canberra Times, https://www.<br />

canberratimes.com.au/story/7955399/think-this-is-a-new-electricity-box-on-northbourne-heres-why-yourewrong/,<br />

29 October <strong>2022</strong>.<br />

• Full page feature on the DISCOVER trail, including interviews with Jodie Cunningham and Moraig McKenna,<br />

Canberra Times: Panorama, https://www.canberratimes.com.au/story/7955399/think-this-is-a-new-electricitybox-on-northbourne-heres-why-youre-wrong/,<br />

29 October <strong>2022</strong>.<br />

• Online version of Panorama interview with Jodie Cunningham and Moraig McKenna on the DISCOVER Trail,<br />

Canberra Times, https://www.canberratimes.com.au/story/7955399/think-this-is-a-new-electricity-box-onnorthbourne-heres-why-youre-wrong/,<br />

29 October <strong>2022</strong>.<br />

• Design Canberra Festival celebrates transformation (web), Canberra Weekly, https://canberraweekly.com.au/<br />

design-canberra-festival-celebrates-transformation/, 30 October <strong>2022</strong>.<br />

• Full page interview with Jodie Cunningham, Canberra Weekly, 30 October <strong>2022</strong>.<br />

• Online version of interview with Jodie Cunningham, Canberra Weekly, https://canberraweekly.com.au/designcanberra-festival-celebrates-transformation/,<br />

30 October <strong>2022</strong>.<br />

• Included as a weekend highlight, Out in Canberra, https://www.outincanberra.com.au/whats-on-thisweekend-153/,<br />

31 October 0222.<br />

• Included as lead event in roundup of ‘30+ things to do in Canberra’, Her Canberra, https://hercanberra.com.au/<br />

city/design-canberra-southfest-and-la-grande-fete-30-things-to-do-in-canberra/, 31 October <strong>2022</strong>.<br />

• Six architecture and design events in November from Dezeen Events Guide, dezeen, https://www.dezeen.<br />

com/<strong>2022</strong>/10/31/six-architecture-design-events-november-<strong>2022</strong>-dezeen-events-guide/, 31 October <strong>2022</strong>.<br />

• DESIGN Canberra, Burlesque, magic and fire, and La Grande Fete: 30+ things to do in Canberra, HerCanberra,<br />

https://hercanberra.com.au/city/design-canberra-southfest-and-la-grande-fete-30-things-to-do-in-canberra/,<br />

31 October <strong>2022</strong>.<br />

• Design Canberra Festival celebrates transformation (print), Canberra Weekly<br />

• Design Canberra Festival Listing, Common Times<br />

• Design Canberra Festival opens, Design Institute of Australia, https://www.design.org.au/dianews/designcanberra-festival-opens<br />

• DESIGN Canberra Festival Announces Exhibition Program & Partnership with Forage Festival, green, https://<br />

greenmagazine.com.au/design-canberra-forage-festival/<br />

• Public art: it's right up your street, Panorama<br />

• Preview piece shared on Concrete Playground Sydney’s Facebook page (247k followers), Concrete Playground,<br />

https://www.facebook.com/concreteplayground/<br />

• DESIGN Canberra included as a highlight in Art Collector’s ‘Collector’s Lunch’ newsletter, linking to piece from<br />

Rosy Leake’s Canberra visit, Art Collector<br />

• Included in ABC Arts newsletter in a roundup of festivals opening this week, ABC Arts, https://view.mail-list.abc.<br />

net.au/<br />

• Inclusion in Art Almanac newsletter, Art Almanac<br />

• Online version of interview with Jodie Cunningham on the festival as part of a piece on the growth of Canberra’s<br />

art scene, Australian Financial Review, https://www.afr.com/life-and-luxury/arts-and-culture/canberra-puts-ona-show-as-40-new-works-mark-the-nga-s-40th-<strong>2022</strong>1007-p5bo1l<br />

• 60+ events for your non-stop November, HerCanberra , https://hercanberra.com.au/city/whats-on/60-<br />

events-for-your-non-stop-november/, 31 October <strong>2022</strong>.<br />

• Design Canberra Festival, Arts Hub, https://www.artshub.com.au/event/design-canberra-festival-2588103/<br />

• All About Arts, ABC Arts<br />

• DESIGN Canberra Festival announces exhibition program and inaugural partnership with Forage Festival,<br />

Art Daily, https://artdaily.com/news/151132/DESIGN-Canberra-festival-announces-exhibition-program-andinaugural-partnership-with-Forage-Festival#.Y1tnEexBxF8<br />

• The Forage Food Festival, ArtsHub, https://www.artshub.com.au/event/the-forage-food-festival-2589940/<br />

• Design Canberra Festival <strong>2022</strong>, Azure Magazine, https://www.azuremagazine.com/events/design-canberrafestival-<strong>2022</strong>/<br />

• Write up following media briefing on 20 October on the themes of Alchemy and Transformation, with quotes<br />

from Jodie Cunningham, City News, https://citynews.com.au/<strong>2022</strong>/design-festival-enters-a-golden-age/, 1<br />

November <strong>2022</strong>.<br />

• What's on in Canberra this November, about regional, https://aboutregional.com.au/whats-on-in-canberra-thisnovember/,<br />

1 November <strong>2022</strong>.<br />

• Design festival enters a golden age, CityNews, https://citynews.com.au/<strong>2022</strong>/design-festival-enters-a-golden-<br />

60


age/, 1 November <strong>2022</strong>.<br />

• Stitching together technology and design, HerCanberra, https://hercanberra.com.au/life/people/stitchingtogether-technology-and-design/,<br />

1 November <strong>2022</strong>.<br />

• Article announcing exhibition program and Forage Festival, Green Magazine, https://greenmagazine.com.au/<br />

design-canberra-forage-festival/<br />

• Listing of Forage Festival in partnership with DESIGN Canberra, Arts Hub, https://www.artshub.com.au/event/theforage-food-festival-2589940/<br />

• Food and wine events in Canberra this week, November 1, The Canberra Times, https://www.canberratimes.com.<br />

au/story/7963080/capital-brewing-turns-five-and-youre-invited-to-the-party/, 1 November <strong>2022</strong>.<br />

• Roundup of ‘five things you can’t miss at the DESIGN Canberra Festival’, highlighting Forage, Dairy Road Design<br />

Market, The Robert Fink Prize, Shadow Lines and Seeing Seventies, Her Canberra, https://hercanberra.com.au/<br />

city/five-things-you-cant-miss-this-week-at-the-design-canberra-festival/, 2 November <strong>2022</strong>.<br />

• Article including overview of the festival, Art Almanac, https://www.art-almanac.com.au/design-canberra-<strong>2022</strong>/,<br />

2 November <strong>2022</strong>.<br />

• Editor's pick: Stands at Interiors Australia and Denfair, Architecture Au, https://architectureau.com/articles/<br />

editors-pick-stands-at-interiors-australia-and-denfair/, 2 November <strong>2022</strong>.<br />

• Design Canberra <strong>2022</strong>, Art Alamanac, https://www.art-almanac.com.au/design-canberra-<strong>2022</strong>/, 2 November<br />

<strong>2022</strong>.<br />

• Five things you can't miss this week at the DESIGN Canberra Festival, HerCanberra, https://hercanberra.com.au/<br />

city/five-things-you-cant-miss-this-week-at-the-design-canberra-festival/, 2 November <strong>2022</strong>.<br />

• DESIGN Canberra brings art and architecture to the capital, Architectureanddesign.com, https://www.<br />

architectureanddesign.com.au/news/design-canberra-brings-art-architecture-capital#, 3 November <strong>2022</strong>.<br />

• The Forage and DESIGN Canberra Festival to combine for celebration of food and design on Saturday, The<br />

Canberra Times, https://www.canberratimes.com.au/story/7968416/forage-design-canberra-combine-forcelebration-of-food-and-design/,<br />

3 November <strong>2022</strong>.<br />

• The Dairy Road Design Market is here, and your Sunday plans are sorted, HerCanberra, https://hercanberra.com.<br />

au/food-drink/the-dairy-road-design-market-is-here-and-your-sunday-plans-are-sorted/, 4 November <strong>2022</strong>.<br />

• Six foodie events for your weekend, HerCanberra, https://hercanberra.com.au/food-drink/six-foodie-events-foryour-weekend/,<br />

4 November <strong>2022</strong>.<br />

• Announcement piece on the Festival, Articulate Journal, https://articulatepr.com.au/journal/, 4 November <strong>2022</strong>.<br />

• Announcement of exhibitions and Forage Festival partnership, Articulate Journal, https://articulatepr.com.au/<br />

journal/, 4 November <strong>2022</strong>.<br />

• Announcement of talks and symposiums, Articulate Journal, https://articulatepr.com.au/journal/, 4 November<br />

<strong>2022</strong>.<br />

• Design Canberra festival launches a citywide transformation of art and ideas, Riot<strong>ACT</strong>, https://the-riotact.com/<br />

design-canberra-festival-launches-a-citywide-transformation-of-art-and-ideas/609485, 5 November <strong>2022</strong>.<br />

• Art, jewellery, wine and something for the kids: six things you can't miss this week at the DESIGN Canberra<br />

Festival, HerCanberra, https://hercanberra.com.au/city/art-jewellery-wine-and-something-for-the-kids-sixthings-you-cant-miss-this-week-at-the-design-canberra-festival/,<br />

7 November <strong>2022</strong>.<br />

• More than $9million in grants off to the arts, City News, https://citynews.com.au/<strong>2022</strong>/more-than-9million-ingrants-off-to-the-arts/,<br />

8 November <strong>2022</strong>.<br />

• The best things to do around Australia This November, Australian Traveller, https://www.australiantraveller.com/<br />

australia/all-the-best-things-to-do-in-australia-this-november/, 9 November <strong>2022</strong>.<br />

• What's on around Canberra this weekend 11-13 November, Canberra Weekly, https://canberraweekly.com.au/<br />

whats-on-around-canberra-this-weekend-11-13-november/, 9 November <strong>2022</strong>.<br />

• Article on ‘Three things not to miss at this year’s DESIGN Canberra festival’ in online version of ‘Explore’<br />

supplement, Canberra Times, 11 November <strong>2022</strong>.<br />

• Eggpicnic reveals a new installation at the Canberra airport that highlights our fragile alpine ecosystem, Canberra<br />

Times, https://www.canberratimes.com.au/story/7984566/alpine-creatures-find-a-home-at-airport/?cs=14243,<br />

17 November <strong>2022</strong>.<br />

• BMW depicting Canberra's endangered Golden Sun Moth wins car-wrap competition, Riot<strong>ACT</strong>, https://www.<br />

youtube.com/watch?v=qnez_avL3yE,What's on around Canberra this weekend, 18-20 November, Canberra<br />

Weekly, https://canberraweekly.com.au/whats-on-around-canberra-this-weekend-18-20-november/, 17<br />

November <strong>2022</strong>.<br />

• Did someone say another 40+ things to do in Canberra this weekend?, HerCanberra, https://hercanberra.com.<br />

au/city/did-someone-say-another-40-things-to-do-in-canberra-this-weekend/, 18 November <strong>2022</strong>.<br />

• 30 events for your busy week in Canberra, HerCanberra, https://hercanberra.com.au/city/30-events-for-yourbusy-week-in-canberra/,<br />

21 November <strong>2022</strong>.<br />

• BMW depicting Canberra's endangered Golden Sun Moth wins car-wrap competition, Riot<strong>ACT</strong>, https://theriotact.com/bmw-depicting-canberras-endangered-golden-sun-moth-wins-car-wrap-competition/613688,<br />

25<br />

November <strong>2022</strong>.<br />

DESIGN Canberra radio<br />

• Genevieve Jacobs Interview with Jodie Cunningham, Riot<strong>ACT</strong>, 12 August <strong>2022</strong>.<br />

• Jodie Cunningham livestream interview, HerCanberra, 17 August <strong>2022</strong>.<br />

• Canberra Weekly Interview with CEO, Canberra Weekly, October <strong>2022</strong>.<br />

• ABC Radio Canberra Afternoons, ABC Radio Canberra Afternoon, 26 October <strong>2022</strong>.<br />

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DESIGN Canberra livestreams<br />

• Creative Journalling Challenge Launch, DESIGN Canberra, https://events.humanitix.com/event-creativejournaling-challenge-launch?,<br />

Instagram, 13 October <strong>2022</strong>.<br />

• Opening Home Life + F!NK National Metal Prize, DESIGN Canberra, https://events.humanitix.com/exhibitionopening-homelife-and-fink-prize,<br />

Instagram, 27 October <strong>2022</strong>.<br />

• DISCOVER Symposium, DESIGN Canberra, https://events.humanitix.com/symposium-discover-public-art-incanberra-presented-by-canberra-art-bienale-design-canberra-and-canberra-museum-and-gallery,<br />

Instagram,<br />

29 October <strong>2022</strong>.<br />

• Hub Shop/ Media FAMIL Launch, DESIGN Canberra, https://events.humanitix.com/design-canberra-festivalpreview,<br />

Instagram, 1 November <strong>2022</strong>.<br />

• DESIGN Canberra Festival launch, DESIGN Canberra, https://events.humanitix.com/design-canberra-vip-launch,<br />

Instagram, 1 November 2021.<br />

• Design Revisted: Roger Pegrum + Phillip Goad, DESIGN Canberra, https://events.humanitix.com/design-revisitedroger-pegrum-in-conversation-with-philip-goad-83uvyn6u,<br />

Instagram, 3 November <strong>2022</strong>.<br />

• Bates Smart Tour, DESIGN Canberra, https://events.humanitix.com/architecture-tour-with-philip-vivian-frombates-smart,<br />

Instagram, 4 November <strong>2022</strong>.<br />

• Blanche Tilden + Tom Moore Symposium, DESIGN Canberra, https://events.humanitix.com/symposium-designthinking-learning-and-making-in-canberra-legacies-and-new-initiatives,<br />

Instagram, 4 November <strong>2022</strong>.<br />

• CTRL.ALT.DESIGN, Dovetail + Shadow Lines Canberra centre opening, DESIGN Canberra, https://events.humanitix.<br />

com/exhibition-opening-ctrl-alt-design-dovetail-shadow-lines, Instagram, 4 November <strong>2022</strong>.<br />

• FORAGE Festival, DESIGN Canberra, https://designcanberrafestival.com.au/highlight/the-forage-food-festival/,<br />

Instagram, 5 Novermber <strong>2022</strong>.<br />

• Transforming Canberra: Elizabeth Farrelly, DESIGN Canberra, https://events.humanitix.com/symposiumtransforming-canberra-with-keynote-elizabeth-farrelly,<br />

Instagram, 5 November <strong>2022</strong>.<br />

• BMW car wrap winner announcement, DESIGN Canberra, Instagram, 8 November <strong>2022</strong>.<br />

• Talk + Workshop: University to Employment, DESIGN Canberra, https://events.humanitix.com/workshop-diadesign-evening-with-bernadette-wilson-and-tom-skeehan,<br />

Instagram, 10 November <strong>2022</strong>.<br />

• Design Revisited: with designer's Marita Leuver in conversation with Graham Rendoth, DESIGN Canberra, https://<br />

events.humanitix.com/design-revisited-marita-leuver-in-conversation-with-graham-rendoth, Instagram, 10<br />

November <strong>2022</strong>.<br />

• 100 Canberra Houses, DESIGN Canberra, https://events.humanitix.com/100-canberra-homes, Instagram, 11<br />

November <strong>2022</strong>.<br />

• Medium Density Housing, DESIGN Canberra, https://events.humanitix.com/symposium-medium-densityhousing-with-keynote-speaker-tony-fry?_instagram,<br />

13 November <strong>2022</strong>.<br />

• Talk: Panel discussion Conviviality + Innovation - Italian Embassy, the Extraordinary Italian Taste, DESIGN<br />

Canberra, https://events.humanitix.com/talk-design-diplomacy-italian-embassy-the-extraordinary-italian-taste,<br />

Instagram, 14 November <strong>2022</strong>.<br />

• House tour with Steven Certeck, DESIGN Canberra, https://events.humanitix.com/architecture-tour-with-stevencetrtek,<br />

Instagram, 16 November <strong>2022</strong>.<br />

• University of Canberra FADX Award ceremony, DESIGN Canberra, Instagram, 16 November <strong>2022</strong>.<br />

• BMW depicting Canberra's endangered Golden Sun Moth wins car-wrap competition, Riot<strong>ACT</strong>, https://www.<br />

youtube.com/watch?v=qnez_avL3yE, 17 November <strong>2022</strong>.<br />

• Friday City Sessions, DESIGN Canberra, Instagram, 18 November <strong>2022</strong>.<br />

• Civic square Artist talks, DESIGN Canberra, https://events.humanitix.com/artist-s-talks-by-julie-monro-allisonlymesmith-and-leah-brideson,<br />

Instagram, 18 November <strong>2022</strong>.<br />

• Closing Party + auction, DESIGN Canberra, https://events.humanitix.com/craft-design-auction-party, Instagram,<br />

19 November <strong>2022</strong>.<br />

• On Country Tour with Wally Bell, DESIGN Canberra, https://events.humanitix.com/on-country-tour-of-mountmajura-with-thunderstone,<br />

Instagram, 19 November <strong>2022</strong>.<br />

• House tour: Mega Flora, DESIGN Canberra, https://events.humanitix.com/contemporary-architecture-tour-craceeclectic-house-by-megaflora,<br />

Instagram, 20 November <strong>2022</strong>.<br />

<strong>2022</strong> Emerging Contemporary installation view, <strong>2022</strong>. Photography 5foot<br />

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<strong>Craft</strong> <strong>ACT</strong> supporters and funding partners<br />

<strong>Craft</strong> <strong>ACT</strong> is thankful for the ongoing support and funding given by the <strong>ACT</strong> and Australian governments,<br />

through the Australia Council for the Arts and the Visual Arts and <strong>Craft</strong> Strategy<br />

DESIGN Canberra sponsors and partners<br />

DESIGN Canberra is the primary outreach activity for <strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> and Design Centre. <strong>Craft</strong> <strong>ACT</strong> gratefully<br />

acknowledges the generous support of our partners and sponsors for the festival.<br />

Government: The Australia Council for the Arts, arts<strong>ACT</strong>, City Renewal Authority, Cultural Facilities Corporation.<br />

Platinum: Alastair Swayn Foundation, Canberra BMW, Canberra Centre, Capital Airport Group, Embassy of Italy<br />

in Australia, Home by Holly, Sellecks Consultants, The Tall Foundation, University of Canberra and their Faculty of<br />

Arts and Design.<br />

Exclusive: A by Adina (Hotel), Capital Brewing (Beer), Eckersley’s Art and <strong>Craft</strong> (Art supplies), Lake George<br />

Winery (Wine), Prosecco Consortium (Sparkling wine).<br />

Media: ArtsHub, Architecture AU, Dezeen, Her Canberra, Region Media (Riot<strong>ACT</strong>)<br />

Gold: F!NK + Co.<br />

Silver: Australian Academy of Science, Design Institute of Australia, Embassy of Uruguay in Australia, Embassy<br />

of Finland in Canberra, Institute of Italian Culture, Australian National University - Kambri, Molonglo, National<br />

Museum Australia, ROJO Customs.<br />

Bronze: Canberra Art Biennial, Complete Constructions Australia, Graham Humphries, Light House Architecture<br />

& Science, Meredith Hinchliffe, Norton Rose Fulbright, The Pop Inn by Wine Bar Co., Thinkplace.<br />

Foundation and trusts<br />

The Humphries Family Fund<br />

Circle of Hands<br />

Design <strong>Craft</strong> | The Humphries Family Fund | Jenny Edwards | Peta Furnell | Phillip Keir<br />

Future craft ($500-2,000 donations)<br />

David Williams | Harriet Elvin | Jenny Edwards | Rebecca Coronel | Richard Baz | Sue Ranford<br />

<strong>Craft</strong> family ($1-499 donations)<br />

Alberto Florez | Annie Trevillian | Benedict Laffan | Cat Vignando | Fiona Hooton | Frances Spurgin | Helen Ennis<br />

| Helen Keogh | Jodie Cunningham | Justine Merrony | Kayannie Denigan | Kerry-Anne Cousins | Laura Crick |<br />

Llewellyn McGarry | Madisyn Zabel | Margy Burn | Marylou Pooley | Moraig McKenna | Rachel Skeehan<br />

DESIGN Canberra X Forage Food Festival, <strong>2022</strong>. Photography 5foot<br />

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65


Thank you<br />

I extend my heartfelt thanks to everyone who supports <strong>Craft</strong> <strong>ACT</strong> in our mission to embed contemporary craft,<br />

making and design at the centre of everyday life in Australia’s capital, a global city of design and who supports<br />

us to embed our values of inclusivity, creativity, and wellbeing into our programming.<br />

I am especially grateful to our artist members who are at the heart of everything that we do. I am continually<br />

in awe of our member artist’s innovation, skill, and dedication to the championing of contemporary craft and<br />

design in Australia. With shared passion and commitment, we connect the Canberra region’s high-quality<br />

studio practice to the world. We foster innovation, build collaboration and champion a secure future for the<br />

valued, creative, and essential community of contemporary craftspeople, designers, and audiences.<br />

I thank the many supporters, funding partners, sponsors, members, donors, collectors, and audience members<br />

for their contribution to the incredible achievements of <strong>2022</strong> (full list of supporters at page 64). This generous<br />

and engaged support has ensured that <strong>Craft</strong> <strong>ACT</strong> is in a strong position artistically, financially, professionally,<br />

and collaboratively to continue to build our capacity into the future ensuring that the value of contemporary<br />

craft and design in nurturing our community, shaping our identity and touching our souls is embedded in our<br />

culture.<br />

I thank our board of management, advisory and committee group members and, especially, our hardworking<br />

staff for their dedication, creativity, flexibility, and tenacity. As a CEO in my second year with the organisation I<br />

am so grateful to work collaboratively with the <strong>Craft</strong> <strong>ACT</strong> community as we continue to grow into an optimistic<br />

future building on the significant legacy of 51 years of innovation and creative endeavour.<br />

Jodie Cunningham<br />

CEO + Artistic Director<br />

<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> + Design Centre<br />

Left: Lucy Irvine + Davey Barber, Roguetopia, Clem Cummings bus shelter, 1975, DESIGN Canberra Festival, <strong>2022</strong>. Photography 5foot<br />

Right: Gretal Ferguson, Out of Frame, <strong>2022</strong>. Photography Tim Bean Photography.<br />

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<strong>Craft</strong> <strong>ACT</strong> certifies that all information provided above is true<br />

and correct to the best of our knowledge and belief.<br />

All statistics compared to the pre-pandemic DESIGN Canberra<br />

Festival in 2019 unless otherwise stated.<br />

Minister for the Arts Tara Cheyne, Launching DESIGN Canberra Festival, <strong>2022</strong>. Photography 5foot<br />

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