22.04.2020 Views

Pattern Translation: Al Munro

11 July – 31 August 2019 Solo exhibition by Al Munro* which draws from her recent body of work. The exhibition consists of five pairs of dresses sewn from digitally printed fabrics and paintings. The process by which these pairs of works were produced involved translating textile patterns into painted forms, translating and manipulating these via the conventions of repeat fabric design to create digitally printed textiles/paintings, and then translating back to traditional painted form. Pattern Translation continues Munro's interest in translating and distorting mathematical patterns to explore relationships between textile patterning and painted abstraction and begins a new focus on the aberrations and slippages that can occur as a pattern, like a spoken message, is translated from one ‘language’ to another.

11 July – 31 August 2019

Solo exhibition by Al Munro* which draws from her recent body of work. The exhibition consists of five pairs of dresses sewn from digitally printed fabrics and paintings. The process by which these pairs of works were produced involved translating textile patterns into painted forms, translating and manipulating these via the conventions of repeat fabric design to create digitally printed textiles/paintings, and then translating back to traditional painted form.

Pattern Translation continues Munro's interest in translating and distorting mathematical patterns to explore relationships between textile patterning and painted abstraction and begins a new focus on the aberrations and slippages that can occur as a pattern, like a spoken message, is translated from one ‘language’ to another.

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Artist Statement<br />

<strong>Al</strong> <strong>Munro</strong><br />

The work in the exhibition continues my interest in translating and distorting<br />

mathematical patterns to explore relationships between textile patterning and painted<br />

abstraction, and begins a new focus on the aberrations and slippages that can occur<br />

as a pattern, like a a spoken message, is translated from one ‘language’ to another.<br />

This process is somewhat like the child’s game of Whisper down the lane or Chinese<br />

Whispers in which a message is whispered from one person to the next; the joy of the<br />

game comes from the unexpected changes to the message that have occurred in the<br />

process of communication.<br />

The exhibition consists of four pairs of dresses sewn from digitally printed fabrics<br />

and paintings. The process by which these pairs of works were produced involved<br />

translating textile patterns into painted forms, translating and manipulating these via<br />

the conventions of repeat fabric design to create digitally printed textiles/paintings,<br />

and then translating back back to traditional painted form. This created a series of<br />

opportunities for the patterns to be distorted, either by the conventions of the media<br />

(e.g the opportunity to undertake reflections and rotations to create a repeat pattern<br />

for textile printing) or through the natural slippages and changes that ossified through<br />

each iteration.<br />

<strong>Al</strong> <strong>Munro</strong> is represented in Australia by May Space, Sydney<br />

5

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