Download Now I've Seen the Future and I'm Not Going: The Art Scene and Downtown New York in the 1980s
A memoir of New York in the 1980s and 1990s--a time of both enormous creativity and decadence--told by an artist who was at the center of it all, including the AIDS epidemic, and survived to tell the story. Peter McGough--half of the team of McDermott & McGough, artists known for their painting, photography, sculpture, and film--writes about the trauma of growing up gay in 1950s suburbia; about the East Village art scene of the 1980s when he knew Keith Haring, Jean-Michel Basquiat, Andy Warhol, Jeff Koons and Julian Schnabel; and about his meeting David McDermott who would profoundly change his life by insisting they dress, live, and work like men in the Victorian era. From then on, wherever they lived--in New York City or in upstate New York--they lived without electricity or any other modern conveniences. Their art, called "Time Maps" was concerned with sexuality, bigotry, and AIDS, and their photography--using cyanotypes and platinum plates--had great success at major Get Books in : https://site.bookstaph.com/?book=B07M5R1YTS #BESTSELLERS, #PDB, #BESTSELLERBOOK2020
A memoir of New York in the 1980s and 1990s--a time of both enormous creativity and decadence--told by an artist who was at the center of it all, including the AIDS epidemic, and survived to tell the story.
Peter McGough--half of the team of McDermott & McGough, artists known for their painting, photography, sculpture, and film--writes about the trauma of growing up gay in 1950s suburbia; about the East Village art scene of the 1980s when he knew Keith Haring, Jean-Michel Basquiat, Andy Warhol, Jeff Koons and Julian Schnabel; and about his meeting David McDermott who would profoundly change his life by insisting they dress, live, and work like men in the Victorian era. From then on, wherever they lived--in New York City or in upstate New York--they lived without electricity or any other modern conveniences. Their art, called "Time Maps" was concerned with sexuality, bigotry, and AIDS, and their photography--using cyanotypes and platinum plates--had great success at major
Get Books in : https://site.bookstaph.com/?book=B07M5R1YTS
#BESTSELLERS, #PDB, #BESTSELLERBOOK2020
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Download Now I've Seen the Future and
I'm Not Going: The Art Scene and
Downtown New York in the 1980s
Details
●
●
Author : Peter McGough
● Pages : pages
● Publisher :
● Language :
ISBN-10 : B07M5R1YTS
● ISBN-13 :
About Books
A memoir of New York in the 1980s and 1990s--a time of
both enormous creativity and decadence--told by an artist
who was at the center of it all, including the AIDS
epidemic, and survived to tell the story. Peter McGough--
half of the team of McDermott & McGough, artists known
for their painting, photography, sculpture, and film--
writes about the trauma of growing up gay in 1950s
suburbia; about the East Village art scene of the 1980s
when he knew Keith Haring, Jean-Michel Basquiat, Andy
Warhol, Jeff Koons and Julian Schnabel; and about his
meeting David McDermott who would profoundly change
his life by insisting they dress, live, and work like men in
the Victorian era. From then on, wherever they lived--in
New York City or in upstate New York--they lived without
electricity or any other modern conveniences. Their art,
called "Time Maps" was concerned with sexuality, bigotry,
and AIDS, and their photography--using cyanotypes and
platinum plates--had great success at major
![Download [eBook] Her Rival Cowboy (Brothers of Miller Ranch, #3)](https://documents.yumpu.com/000/063/354/097/a5dcbc5d1453a76687961d2b7e1160f064704445/665976545533496d53785530716f66694637685868673d3d/476330725955415434424c4e7647335a584a33485a673d3d.jpg?AWSAccessKeyId=AKIAICNEWSPSEKTJ5M3Q&Expires=1714190400&Signature=G74%2F%2BjfTTP%2BxE0PvKsL60NhhrgA%3D)
Change language