70s Catalogue

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“BOY HUNTER,” photographic print, 12 1/2” x 18 1/2” C H R I S T I A N G. S U N D E Born: 1939 Selected Exhibitions: 2002-2008 “Faculty Show,” University of Maine, Machias, Maine 1982-1990 Syracuse University, Syracuse, New York 1971, 1984 Rochester Institute of Technology, Rochester, New York 1970 Pratt Institute, Brooklyn, New York 1969 San Francisco Art Institute, San Francisco, California Published Work: “Documentary Photography,” Time, Inc., Library of Congress 1998 “Contact Sheet 97,” Light Work Visual Studies, Inc. Grants: 1990 LIght Work Grant 1985 Artist Grant, New York State Teaching: Pratt Institute, Brooklyn, New York San Francisco Institute of Art, San Francisco, California Rochester Institute of Technology, Rochester, New York University of Maine, Machias, Machias, Maine 28
“THE VIEW FROM MERT’S,” oil on panel, 1972, 22” x 27 1/2.” L E E S U T A Born: 1943 Scotch Plains, New Jersey Education: Studied painting and drawing with Frank Reilly, Scenic Design with Lester Polakov 1961-1963 Scenic design assistant to Albert A. Ostrander 1966-1999 Scenic Artist, United Scenic Artists New York, working at the Metropolitan Opera, Broadway Theaters, Films and Television Selected Exhibitions: 2009 Calais Free Library, Calais, Maine 2009 Knotts Gallery, Eastport, Maine 2006-1992 Eastport Art Gallery, Eastport, Maine 1984-1990 Swains Gallery, Plainfield, New Jersey 1984 Frost Gully Gallery, Portland, Maine 1982 “For Real With Beal,” Katona Gallery, Katona, New York 1973 “The New York Group,” Bank Square Gallery, Eastport, Maine 1972 “The Sunspot Show,” University of Maine, Augusta, Maine Grant: 1990 Maine Arts Commission, Perry School, Perry, Maine Publications: Illustrations for a series of books published for Wabnaki Bilingual Education Program, 1976 29
Page 1 and 2: The ’70s: Art & Place at Passamaq
Page 3 and 4: The ’70s: Art & Place at Passamaq
Page 5 and 6: Sunspot in Eastport. Photograph by
Page 7 and 8: films or museums or practice carpen
Page 9: If I pine and croon I am no woman i
Page 12 and 13: Mani Feniger in her studio in Eastp
Page 14 and 15: when hard ass abstract artists, suc
Page 16 and 17: “THE DRAWING,” acrylic on canva
Page 18 and 19: “UNTITLED,” oil/canvas, 1976, 3
Page 20 and 21: “UNTITLED,” oil on canvas, 1978
Page 22 and 23: “HELICOIDAL,” earrings, 18 cara
Page 24 and 25: “RING ROSIE UP,” watercolor on
Page 26 and 27: “LA MER,” Fiber, 1976, 96” x
Page 28 and 29: “EARTH DANCER,” unglazed cerami
Page 32 and 33: “RED BADGE,” fiberglass resin,
Page 34 and 35: ”UNTITLED,“ watercolor on paper
Page 36 and 37: ”LIKE SKIN,” Vermont Marble, 19
Page 38 and 39: 36 Above: Bible Box by Elliot Fishb
Page 40 and 41: A R C H I T E C T U R A L W O R K S
Page 42 and 43: W O R K S I N E X H I B I T I O N 1
Page 44 and 45: A C K N O W L E D G E M E N T S The

70s Catalogue

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