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THE COLONIES

a Continuing Commitment

by Bobby Frazier

Woodstock School of Art, March, 2020

Woodstock, New York is a small township, quiet in the

winter months of 2020 save for the Bread Alone Bakery

breakfast stop. By the first days of March, any hint of

snow cover was gone. The air felt crisp, skies sunny.

And the Covid pandemic seemed far away, though it

literally had just been declared an official emergency.

So elbow bumps - yes, hand washing – yes; but no

masks visible as yet, little sense of distancing.

Woodstock and Nantucket printmakers concentrated

on the monoprint technique, which produces a

singular print, though there is the potential for a

second, ghost print. The inky ghost of the first print

survives on the plate and offers a repeat image in a

light shade that can be added to for another unique

image. We worked in bootcamp style from morning to

later afternoon, with dinners hosted by one or another

of our Woodstock compatriots.

Initially, the AAN artists who participated were Julija

Mostykanova Feeney, Miki Lovett, and myself. Mary

Emery Lacoursiere and Meghan Weeks joined us a

Julija inspects

the inking of her

monoprint plate.

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