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What the Eye Hears: A History of Tap Dancing
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File Size: 7369 KB Print Length: 624 pages Publisher: Farrar, Straus and Giroux (November 17, 2015)
Publication Date: November 17, 2015 Sold by: Macmillan Language: English ASIN: B00WRICIVM Textto-Speech:
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Book Description
Magisterial, revelatory, and-most suitably-entertaining, What the Eye Hears offers an
authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for
The New York Times, begins by exploring tap's origins as a hybrid of the jig and clog dancing
from the British Isles and dances brought from Africa by slaves. He tracks tap's transfer to the
stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville
circuits and nightclubs of the early twentieth century. Seibert chronicles tap's spread to ubiquity
on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its
rediscovery and reinvention by new generations of American and international performers. In the
process, we discover how the history of tap dancing is central to any meaningful account of
American popular culture. This is a story with a huge cast of characters, from Master Juba (it was
probably a performance of his in a Five Points cellar that Charles Dickens described in American
Notes for General Circulation) through Bill Robinson and Shirley Temple, Fred Astaire and
Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert
traces the stylistic development of tap through individual practitioners, vividly depicting dancers
both well remembered and now obscure. And he illuminates the cultural exchange between blacks
and whites over centuries, the interplay of imitation and theft, as well as the moving story of
African-Americans in show business, wielding enormous influence as they grapple with the pain
and pride of a complicated legacy.What the Eye Hears teaches us to see and hear the entire history
of tap in its every step.

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