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The Typography Idea Book: Inspiration from 50 Masters

(Type, Fonts, Graphic Design)

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Paperback: 128 pages Publisher: Laurence King Publishing (August 23, 2016) Language: English ISBN-10:

1780678495 ISBN-13: 978-1780678498 Product Dimensions: 6.2 x 0.6 x 8.7 inches Shipping Weight: 9.9

ounces (View shipping rates and policies)

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Book Description

"This book is a short read, perfectly pitched at those looking to take their first step into the world

of typography" CreativeBloq "Geared towards helping you evolve different typographic styles,

the book […] is packed with practical techniques and iconic examples" – Creative Boom Playing

with typographic puzzle pieces is one of the joys of graphic design and typographers have many

entertaining, esoteric, and eccentric options at their disposal. The Typography Idea Book presents

50 of the most inspiring approaches used by masters of the field from across the world, visible in

all areas of popular culture. Beautifully illustrated, this book presents images from leading

designers who use fonts, lettering, illustrations and digital media in all fields of the visual arts,

including web design, logo design and branding. Geared towards helping you evolve different

typographic styles, The Typography Idea Book contains none of the technical jargon or tired old

rules found in traditional tutorials but is packed with practical techniques and iconic examples.

From type transformation to abstraction, via overlapping, hand–lettering, vectorizing, novelty

typefaces, and puns, discover all the brilliant ideas you could be bringing to your own designs.

From the introduction: "Not every designer is a good, much less a great, typographer. Actually, to

be a great typographer you have to be a highly skilled graphic designer in the first place.

Typography is, arguably, the most important component of graphic design. It requires a distinct

ability to make readable messages while expressing, emoting and projecting concepts to

audiences, large and small. Typography can be copied and, therefore, it can be taught. Like the

classical painting student learning to perfect the rendering of human form by repeatedly drawing

from the same plaster cast, the best way to learn typography is to do it over and over again.

Theory is fine, but practice is necessary in order to develop a visceral feeling about the way letters

sit on a page or screen. You must know if they are in harmony, or unsuited to marriage. Playing

with typographic puzzle pieces is one of the joys of typography. While the end result must be

understandable – though please note that doesn't necessarily mean legible, for illegibility is

relative and what is illegible can often be deciphered – the process can be intuitive. What you see

is more than what you get: playing with type is an opportunity to create typographic personalities

both for yourself and for your clients. This book is geared towards helping you evolve different

typographic characters or styles, or perhaps even your specific design signature. What this book is

not is a tutorial in typographic basics – kerning, spacing, selecting, and so on. There are many

excellent existing volumes that will give you that essential knowledge. Our intention here is to lay

out many of the fun, esoteric and eccentric options a typographer has at his or her disposal. These

'commonly uncommon' approaches include type transformation and mutation, as well as puns and

metaphors, and typographic pastiche and quotation. In other words if typographic basics are the

'main course' in your typographic feeding frenzy, the ideas herein are the dessert. It's time to

indulge yourself in what is offered on the menu of typographic confections." – Steven Heller and

Gail Anderson


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