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READ [EBOOK] Hilma af Klint: Paintings for the Future Free Book


READ [EBOOK] Hilma af Klint: Paintings for the Future Free Book

READ [EBOOK] Hilma

af Klint: Paintings for

the Future Free Book

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The project of Hilma af Klint and her female colleagues was the result of great maturity, of

confidence and collective efforts, performed both in work and in life. (Women's Art Journal)The

concentrated spirituality- egoless consciousness- that is delivered by the best pictures here, so

fresh that they might have been made this morning or tomorrow or decades from now, feels like

news that is new again. (Peter Schjedahl New Yorker)The current celebration of af Klint's paintings

suggests the primacy of visual communication should be backdated. The retrospective also

underscores the important role that women played in its emergence. (Nancy Princenthal Art in

America)The Guggenheim Museum offers a revisionary chapter about the start of modern

abstraction in its current headliner, “Hilma af Klint: Paintings for the Future,― introducing

works that this Swedish artist and mystic made in 1906-7. (Roberta Smith New York Times)af

Klint's contribution, arrayed here in all its abundant originality, threatens to reduce to a footnote the

mostly male history of esoteric abstraction. (Artforum)Af Klint's ascendancy feels inevitable: She

could be viewed as a heroine for our current moment, an artist who rejected commercial success,

resisted the pull of self-publicity, and challanged the myth of individual authorship. (Julia Bryan-

Wilson Bookforum)The concentrated spirituality- egoless consciousness- that is delivered by the

best pictures here, so fresh that they might have been made this morning or tomorrow or decades

from now, feels like news that is new again. (Peter Schjeldahl New Yorker)The mother of all

revisionist shows of Modernism. (New York Times)Profoundly moving. ... It is as though, in our

apocalyptic time, we need af Klintâ€s work now more than ever, and the purity of vision and

intent it represents. (Ann McCoy Brooklyn Rail)A week after I saw [af Klint's paintings], their

pulsing loveliness remains undimmed in my mind, like a self-replenishing sense memory of

summer. (Sebastian Smee Washington Post) Tracey Bashkoff is Director of Collections and

Senior Curator at the Solomon R. Guggenheim Museum, New York. Bashkoff joined the

Guggenheim in 1993 and has contributed to over 15 special exhibitions covering a range of 20thcentury

subjects. She completed her graduate studies at Northwestern University where she

received a Mellon Fellowship in Art Objects. In 2014, she was a fellow for the Center for Curatorial

Leadership.Tessel M. Bauduin is a postdoctoral researcher and lecturer in the Department of

Cultural Studies of the Faculty of Arts at Radboud University, Nijmegen, Netherlands. Her

postdoctorate project funded by The Netherlands Organization for Scientific Research, brings

together medieval art and the modern avant-garde, focusing on the reception of and the

construction of medieval art in modernity, specifically in Surrealism.Daniel Birnbaum is the


Director of the Moderna Museet, Stockholm. He has a doctorate in

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