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Blues and Gospel Records: 1890-1943

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Amazon Business : For business-only pricing, quantity discounts and FREE Shipping. Register a free

business account Series: BLUES AND GOSPEL RECORDS Hardcover: 1424 pages Publisher: Oxford

University Press; 4 edition (October 30, 1997) Language: English ISBN-10: 0198162391 ISBN-13: 978-

0198162391 Product Dimensions: 9.3 x 2.5 x 6.8 inches

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Book Description

Since its first edition in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed

"the bible" for collectors of pre-war African American music. It provides an exhaustive listing of

all recordings made up to the end of 1943 in a distinctively African American style, excluding

those customarily classed as jazz (which are the subject of separate discographies). The book

covers recordings made for the commercial market (whether issued at the time or not) and also

recordings made for the Library of Congress Archive of Folk Song and similar bodies--about

20,000 titles in all, by more than 3,000 artists. For each recording session, full details are given of:

· artist credit · accompaniment · place and date of recording · titles · issuing company and

catalogue numbers · matrix numbers · alternative takes There are also short accounts of the major

"race labels" that recorded blues and gospel material, and a complete list of field trips to the south

by travelling recording units. Howard Rye has joined the original compilers for this thoroughly

revised, enlarged, and reset fourth edition. The scope has been widened by the addition of about

150 new artists in addition to newly discovered recordings by other artists. The compilation now

includes recordings by groups such as the Fisk Jubilee Singers, the Pace Jubilee Singers, and the

Tuskegee Institute Singers, who, although they employed African American materials and

musical devices, were designed to appeal to a predominantly white audience. Early cylinder

recordings of gospel music from the 1890s are included for the first time. Previous editions of this

work are applauded for their completeness, accuracy, and reliability. This has now been enhanced

by the addition of new information from record labels and from record company files, and by

listening to a wide selection of titles, and detailed cross checking.


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