Volume 26 Issue 1 - September 2020
Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more. Online in flip through here, and on stands commencing Tues SEP 1.
Choral Scene: Uncharted territory: three choirs finding paths forward; Music Theatre: Loose Tea on the boil with Alaina Viau’s Dead Reckoning; In with the New: what happens to soundart when climate change meets COVID-19; Call to action: diversity, accountability, and reform in post-secondary jazz studies; 9th Annual TIFF Tips: a filmfest like no other; Remembering: Leon Fleisher; DISCoveries: a NY state of mind; 25th anniversary stroll-through; and more.
Online in flip through here, and on stands commencing Tues SEP 1.
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Titled “Inti Ukana: A Latin American Tapestry” it includes<br />
guests Laura Fernandez, Antonio Mata and Bernardo Padrón.<br />
“We just couldn’t give up! And have been working intently<br />
over the summer through Zoom practice sessions,” says<br />
conductor Fraser. “And we expect this October performance<br />
to be every bit as exciting as if we were all in one place.” The<br />
main highlight is Misa Criolla by the Argentine composer<br />
Ariel Ramírez, and Cantemos will perform Apamuy<br />
Shungo, a traditional yumbo from Ecuador – a style named<br />
after the Yumbo people who came to live in the Sacred Valley<br />
of Tulipe around 800 B.C.E. It is sung in Quichua, one of<br />
the indigenous languages spoken in Ecuador. As well, the<br />
ensemble offers the Venezuelan number Mare-Mare, which,<br />
while not indigenous, tells about the nomadic Kariña<br />
tribe that travelled through what is now Venezuela and the<br />
Caribbean. “Digital Performance, free, donations welcome”<br />
the announcement says. Definitely a sign of the times.<br />
.<br />
Reaching Out<br />
Reaching Out Through Music (ROTM) executive director Virginia<br />
Gallop Evoy provided some thoughts by email to me about the adaptations<br />
the music program has made over the last few months. ROTM<br />
is an accessible music program run out of St. James Town, in Toronto’s<br />
downtown core. Normally, this super-dense neighbourhood full of<br />
high-rises brings kids together to learn out of The Church of St Peter<br />
and St Simon-the-Apostle. The pandemic shutdown didn’t mean a<br />
shutdown of their programming. “Our private instrumental lessons<br />
carried on with minimal interruption,” she shares. The St. James Town<br />
Children’s Choir and ukulele group followed with online rehearsals<br />
starting in May. “Our overriding goal was to keep our children and<br />
families engaged, musically and socially.” Using technology and video,<br />
the talented teachers of the program have kept the music going. And<br />
there’s more to come with new connections and collaborations.<br />
Early in July, ROTM was able to put together a virtual recital. “With<br />
some coaching and guidance, our choristers and music students<br />
learned how to record themselves, and the various pieces were<br />
synchronized and assembled by a fabulous video editor,” shares<br />
Gallop Evoy. The charming visual of a group of kids strumming away<br />
on their ukuleles on video makes it hard not to smile. The added<br />
advantage to more performances moving to a digital sphere is that<br />
they are recorded and available for enjoyment time and time again<br />
and can even reach audiences not usually accessible.<br />
ROTM is also reaching out into their local community to collaborate<br />
with visual arts programs in St. James Town. Gallop Evoy says, “The<br />
plan is for the sounds of our choir to be combined with their children’s<br />
related artwork to create an arresting video performance. We<br />
hope this initial collaboration will be the beginning of many fruitful<br />
collaborative endeavours in the community.”<br />
For a taste of how ROTM is accomplishing this, catch the Reaching<br />
Out Through Music virtual recital on YouTube. The St. James Town<br />
Choir, ukulele students, vocal students and piano students perform with<br />
appearances by special guests including tenor Asitha Tennekoon, ukulele<br />
teacher Tom Collins, pianist Jean-Luc Therrien, jazz performer and<br />
choir conductor Jacqueline Teh, pianist John Sheard and much more!<br />
The collaborative effort has been really important to Upper Canada<br />
Choristers as well. “The biggest challenge for us in preparing for this<br />
new format is technological,” Evan Fraser said. “We are blessed by<br />
our longtime affiliation with Grace Church on-the-Hill. They too are<br />
committed to community service and have agreed to be our partners<br />
moving forward to provide a place for us to connect to community<br />
venues through Zoom and share pre-recorded performances as well<br />
as do live, interactive sing-alongs.” The upcoming digital performance<br />
that UCC has planned will incorporate pre-recorded video and some<br />
livestreaming. UCC even plans to have some singers and instrumentalists<br />
in person, masked and socially distant at the church.<br />
Creating Community<br />
More choirs may turn to this hybrid model in the coming season.<br />
Shawn Grenke, artistic director of the Achill Choral Society, shares<br />
a bit about what he has planned for Christmas: “We are going to be<br />
Reaching Out Through Music's virtual recital, in early July - which you can still enjoy online!<br />
doing an online concert with past archival repertoire. We will have<br />
a number of choir members do video introductions to the pieces<br />
from their home, and as well, if allowed, record a few pieces in small<br />
groups, wearing masks and socially distant.”<br />
The loss of the community element of music is a reminder that<br />
these organizations aren’t just internally focused, every performing<br />
arts organization exists to create community. “The singers in Achill<br />
desperately miss the community of music making,” shares Grenke,<br />
“and as well, the social element that is such a huge part of being in a<br />
choir and sharing the love of choral music.”<br />
But between now and the next set of digital/hybrid performances<br />
they will be figuring a way back into the communal sharing,<br />
rehearsals and creation of music. “I’m also deeply aware of the loneliness<br />
COVID-19 has caused our Achill Choir community,” says Grenke.<br />
“It was a major part of the singers’ weekly routine – and it still will be<br />
in <strong>September</strong>… it will just look different.”<br />
Achill and every other choir across the region is having to grapple<br />
with these same concerns in order to forge ahead.<br />
“We have to be creative and willing to try new things if we are to<br />
survive” Evan Fraser says. “We don’t have the option of putting our<br />
operations on hold until the situation improves,” states Gallop Evoy.<br />
“The community needs us now more than ever… the prospects for the<br />
future of our organization seem bright.”<br />
So off we go to the start of the <strong>2020</strong>/2021 season … just a bit different.<br />
Follow Brian on Twitter @bjchang.<br />
Send info/media/tips to choralscene@thewholenote.com.<br />
Dear Friends and Supporters of the Tallis Choir,<br />
Normally at this time of year we would be gearing<br />
up for our new season and sharing the details of<br />
our concert series with you. As we all know, things<br />
are different this year. However, we want you to<br />
know that we, the Tallis Choir, are looking forward<br />
to getting back to singing and sharing our music<br />
with all of you.<br />
Until that time, we offer you, and also our friends at<br />
The WholeNote Magazine, our very best wishes for<br />
your continued safety and good health. Stay well.<br />
Peter Mahon<br />
Artistic Director<br />
22 | <strong>September</strong> <strong>2020</strong> thewholenote.com