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IRAN 2020

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IRAN

SPRING-SUMMER 2020


Iran is a collection of 11 pieces of kilim tapestry,

cushions and table runner woven in only one

edition by Soudabeh Farahani.

This collection is presented in three subcollections:

Entirety, Division and Integrity.

All the rights are reserved for her.

Integrity

Entirety

Division



In this collection tassels are used to imply

different things; as in this piece they are

used to convey the feeling of turbulence in

the sea. Tassels are replacing a woven sea to

imply the agitation.

Integrity

Iran’s map is woven as a tapestry in three separate pieces in sizes 200 x 165 cm.

The color theme emphasizes on the dynamic nature of the entire land.

Since the creator of the artwork believes that

art, as a means of communication, in any

form does not deserve to deprive any rights;

in the texture of this collection, natural and

recyclable fibers have been used.



In this artwork, a weaving technique is used

that leads to the reaction of the texture to

different lights and creates a different visual

experience in different exposures.

Here, two different pieces of the work are

displayed with several different exposures.

Looking at the artwork from different angles

also creates a different visual experience in

terms of visual content.



Division

Division, as part of a larger whole, mentions ethnic and individual diversity.

Two pieces of these six pieces are smaller samples

of the large and original designs, and the rest are

designed and woven to convey separate concepts

based on individual and ethnic characteristics.

The dimensions of these cushions are 47 x 47 cm.



In “division”, tassels are used to suggest

the role of people who unite to create a

cohesive whole.

A total of 270 tassels are used in the

collection.

In two pieces of “division”, the colors used in the arrangement of the

tassels are referring to the dispersion of the Iranian tribes in different

parts of this land.

The same colors are also used in the texture of the whole collection.

(Empty spaces refer to Fars people.)



Entirety

The purpose of naming these pieces of the collection as “entirety” is in fact a warning, pointing out that the

overall image created in any level or quality is the juxtaposition of individual lines.

Color scheme and line spacing designed

in these pieces provide different visual

content depending on the viewing angle and

distance.

The table runner of this collection are

designed and woven in a width of 50 cm and

different lengths of 130 and 100 cm, which

can be used both as a table runner and a

sofa throw.



Soudaaaaaa

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