From an untouched landscape exhibition
Artist James Tylor highlights the contemporary absence of Aboriginal culture within the Australian landscape and how this phenomenon is a direct result of the impact of European colonisation in From An Untouched Landscape. As Tylor explains, the first European colonists forced the local Aboriginal people off their traditional lands and into small Christian missions and government reserves. This allowed the new European arrivals free access to clear the land for settlements, forestry and agriculture. This clearing of Aboriginal people from the landscape resulted in the removal of Indigenous cultural artifacts and identity from the Australian landscape.
Artist James Tylor highlights the contemporary absence of Aboriginal culture within the Australian landscape and how this phenomenon is a direct result of the impact of European colonisation in From An Untouched Landscape.
As Tylor explains, the first European colonists forced the local Aboriginal people off their traditional lands and into small Christian missions and government reserves. This allowed the new European arrivals free access to clear the land for settlements, forestry and agriculture. This clearing of Aboriginal people from the landscape resulted in the removal of Indigenous cultural artifacts and identity from the Australian landscape.
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11 Removed Scenes <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 11, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$2,500<br />
16 V<strong>an</strong>ished <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 4, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$1,500<br />
12 Removed Scenes <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 12, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$2,500<br />
17 V<strong>an</strong>ished <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 5, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$1,500<br />
13 V<strong>an</strong>ished <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 1, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$1,500<br />
18 V<strong>an</strong>ished <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 6, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$1,500<br />
14 V<strong>an</strong>ished <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 2, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$1,500<br />
19 V<strong>an</strong>ished <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 7, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$1,500<br />
15 V<strong>an</strong>ished <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 3, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$1,500<br />
20 V<strong>an</strong>ished <strong>From</strong> <strong>an</strong><br />
Untouched L<strong>an</strong>dscape 8, 2018,<br />
inkjet print on hahnemuhle<br />
paper with hole removed to a<br />
black velvet void , 50x50cm<br />
$1,500<br />
19
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