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16 | November 11, 2020 | MALIBU SURFSIDE NEWS LIFE & ARTS

malibusurfsidenews.com

John Struloeff: Meet the third Malibu Poet Laureate

BARBARA BURKE

Staff Reporter

Pepperdine University

Professor John Struloeff was

appointed as the third Malibu

Poet Laureate by the Malibu

City Council on Oct. 12. The

director of the university’s

Creative Writing Program,

Struloeff is an associate professor

of creative writing and

English. His appointment

expires June 1, 2021.

Mayor Mikke Pierson

congratulated Struloeff and

discussed poetry’s unique

role in salving weary spirits

during challenging

times. “Poetry can serve as

a soothing, healing, understanding

voice of the community,”

Pierson said, adding

he commends the Poet

Laureate Committee and the

city’s first two poets laureate,

Ricardo Means Ybarra

and Ellen Reich, who, Pierson

stated, “have turned the

program into a valuable

educational and cultural enrichment

for Malibu.”

Malibu Surfside News

chatted with Struloeff about

his life, his distinguished career

and his plans for serving

Malibu as poet laureate.

“I grew up in northwestern

Oregon, near Fort Clatsop,

where Lewis and Clark

spent their (in)famous winter,”

he said. “Much of my

writing has been set in that

part of Oregon, but in my

recent years, my writing

has become historical and

biographical, set in other

parts of the world.”

An avid traveler, Struloeff

realizes that to write

about the world, one must

get to know the world.

“I have traveled internationally

on many occasions

to write and conduct research

for poetry and fiction

projects, trips to England,

Poland, Austria, Germany,

Prague, Bulgaria, Russia,

and Switzerland, among

other places, including

spending several weeks on

Leo Tolstoy’s estate near

Tula, Russia,” Struloeff

said. “I spent the 2017-18

academic year teaching in

Pepperdine’s Lausanne program

in Switzerland, where

I conducted extensive research

on Albert Einstein,

culminating in a book of

poems about the life of Einstein,

‘The Work of a Genius,’

which is scheduled for

release in February 2021.”

Stuloeff has been honored

with numerous literary

awards, including being

appointed as both a Stegner

Fellow (2005-2007) at

Stanford University and a

(National Endowment for

the Arts) NEA Literature

Fellow (2009). He has received

distinguished honors

worldwide, including

being the recipient of a

Sozopol Fiction Fellowship

from the Elizabeth

Kostova Foundation (Bulgaria),

and the Tennessee

Williams Scholarship from

the Sewanee Writers’ Conference.

Additionally, more

than 50 literary journals

and magazines have published

his works.

Struloeff’s first poetry

teacher and mentor was Ted

Kooser, the 13th Poet Laureate

of the United States,

serving 2004-06.

“He had a profound effect

on shaping my sense of what

poems were and how they

were crafted,” said Struloeff.

“My second mentor was Eavan

Boland, the internationally

renowned Irish poet who

directed the creative writing

program at Stanford University

for many years.”

Struloeff will host a series

of free monthly poetry

programs.

All programs will take

John Struloeff, above, says

his first poetry teacher and

mentor, Ted Kooser, the

U.S. Poet Laureate from

2004-06, “had a profound

effect on shaping my sense

of what poems were and

how they were crafted.”

SUBMITTED PHOTO

place virtually over Zoom

video conferencing and RS-

VPs are required. To make a

reservation or for more information,

go to malibuartsandculture.org/poetry.

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John Struloeff’s first published poem, “Knee-Deep in the Pacific,” is about his father, who

served in the 1st Marine Division during the Korean War. “He survived the war,” Struloeff

says, “but friends of his didn’t, and he brought that home with him. These wars carry on in

us children.”

Twenty years ago

my father described a picture

he’d taken in Korea,

the forests burning,

the crackling of gunfire

like branches popping in the wind.

He did not want to forget

the day so many friends had died.

But he had forgotten

the film, left it to burn

in the pocket of his uniform

in a fire meant to kill lice and disease.

Now he sees things he can’t describe,

no picture to show, or explain.

Thirty years after Korea,

he liked to split wood for days alone,

and he would try to answer

questions of a ten year-old son,

wanting to give

something I could hold onto

when he was gone.

Now I return this Christmas

from years away,

and he is old

and thinks he will take me

clamming once,

one thing he has never shown me.

KNEE-DEEP IN THE PACIFIC

He describes clams as big as

my forearm

as we drive onto the sand

and as we wade out into the ocean.

But my father has forgotten the lantern,

and the sun has just set,

the roiling water

calm for a moment, the sand

darkening like a blackened highway.

Our jackets flap in the wind,

our knees bend against

the drawing surf.

He purses his lips and shakes his head,

saying without words for

the hundredth time:

he has forgotten.

So when we can no longer see our truck

or our feet beneath us,

we still stand in the ocean.

A city of lights scatters

along the surf-break,

men, families, all waiting

for the surf to recede

so they can begin searching

this darkness

for life.

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