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STARS OF<br />

WRITING<br />

NEBULA<br />

Ezine<br />

The best work of American’s<br />

senior writers


Millard Johnson<br />

Producer<br />

Welcome to the<br />

demonstration<br />

issue of<br />

Nebula Ezine.<br />

When I began thinking<br />

of how WLOV could best help<br />

writers in The Villages along<br />

their writing journeys, one of<br />

the first things I thought of<br />

was how nice it would be to<br />

have a way for writers of<br />

short stories and poems to<br />

get their writings to an<br />

audience of readers.<br />

The Love Story Reading<br />

program I produced for three<br />

years had helped dozens of<br />

writers get their works to an audience of hundreds, but I wanted<br />

more. I wanted more authors to be able to get their creative<br />

output to a larger audience.<br />

My first thought was to create ebooks of short story<br />

collections on Amazon, but every ebook has to be marketed<br />

separately from the one that preceded it. Amazon has no<br />

subscription model.<br />

My second thought was the literary magazine. But paper<br />

magazines are enormously expensive to create and distribute.<br />

The Nebula is the best solution I could come up with. Easy<br />

to create and inexpensive to both produce and distribute. And<br />

once we have readers, we put them into a Simplelists subscriber<br />

file so we can send subsequent issues at no cost.<br />

The only issue is — Nebula must be a top quality zine. It<br />

must be something YOU are proud to host your best writing.<br />

Tell me what you think. If this is worth doing, we will find a<br />

way to do it.


Forbitten<br />

Love<br />

by<br />

Barbara Rein<br />

Mora flicked out her tongue to lick the corners of her<br />

red-stained lips, savoring every drop of the sweet<br />

nectar. The vessel she drank from had more<br />

wrinkles than she would have liked, but vintage blood had that<br />

exquisite taste of honey. Delectable. Come morning, a retired<br />

attorney would wake in his Royal Caribbean stateroom with a<br />

vicious hangover. But he’d have no memory of being the main<br />

course at a lady vampire’s midnight buffet.<br />

Satisfying the hunger left Mora exhausted. She dragged<br />

herself to the suite she shared with her dwarf maidservant, Anya,<br />

and slipped out of her red off-the-shoulder silk dress. One of a<br />

wardrobe of red dresses chosen for its forgiving color. Letting it<br />

puddle to the floor, she yawned.<br />

“I’m sorry, Anya. I’m too tired to hand it to you.”<br />

Though the bed bezckoned, Mora never availed herself of<br />

the ship’s luxurious linens. Instead, as she had done nightly for<br />

over a hundred years, she raised the lid of an oversized steamer<br />

trunk and climbed in. Securing the vault from inside, she settled<br />

in and slept the sleep of the undead till the next sunset.


Cruising on one mega ship after another offered Mora a<br />

freedom she’d seldom had in her long past. Though the<br />

Caribbean was her first excursion on waters beyond Europe, her<br />

design remained the same: to join the throng of passengers after<br />

dark when those searching for amusement filled the cocktail<br />

lounges and casinos. There she’d have her choice from a menu<br />

of handsome morsels. Though fawning men bored her, she<br />

pretended attraction to those begging to kiss her full red lips, to<br />

hold and caress her seductive curves, to run their fingertips over<br />

high cheekbones hinting at Slavic royalty. Yet no one got close.<br />

Mora’s piercing green eyes held her chosen prey captive and<br />

immobile long enough to drink her fill. The spell always took<br />

place in the victim’s cabin where he’d collapse in a trance upon<br />

his berth. Her swift getaways rivaled those of a quick-change<br />

artist as she shape-shifted into the victim’s likeness. Some may<br />

have seen her arrive, but no one ever saw her leave.<br />

The glittering lights of Curacao greeted Mora when she<br />

woke the next evening. Donning a vermillion robe, she stepped<br />

out onto her private balcony, a chilled flute of Dom Perignon in<br />

hand as she called for her maidservant.<br />

A minion, a human slave taken into service centuries ago,<br />

Anya existed through the bite and benevolence of her mistress.<br />

The old dwarf approached, her steps shuffling.<br />

“Anya, what is wrong with you? You move as if slogging<br />

through mud.”<br />

The maidservant lowered her head, hands turning one over<br />

the other. “M’lady, I’m in need of your service. My movements<br />

weaken. My body shrinks. My skin sloughs off. If you would be<br />

so kind as to spare an elixir for one who swiftly fades.”<br />

“Please don’t grovel. We’ve never denied our need for each<br />

other—me for your omniscient visions, and you for my infusions<br />

of life. Come closer.”


With mincing steps Anya approached, easing back the<br />

hood of her shapeless frock to expose her neck. Mora bit gently,<br />

as she had done countless times before—a small nip of blood in<br />

exchange for a trickle of saliva. The vampire’s fluid coursed<br />

through Anya’s diminished figure. Recovery was swift; the<br />

intimacy fleeting. The two stood at the railing—one tall and<br />

imperious in hues of blood, the other squat and all seeing,<br />

forever garbed in black.<br />

“Look at the island, Anya. Darkness hides a beauty I’ll<br />

never see. I envy your freedom, able to walk those quaint streets<br />

by daylight. I wish I could stop hiding from the sun and drink in<br />

the sights instead of a mortal’s blood.”<br />

“Only since boarding this ship have you talked of being<br />

dissatisfied. I fear for you, M’lady. Do not wish for what cannot<br />

be.”<br />

Mora took a thoughtful sip of champagne. “I know I can’t go<br />

back to my worldly existence. But tell me, is the future so bleak<br />

that a woman can’t dream?”<br />

The clairvoyant dwarf took her time, staring out to the island<br />

lights. “I see explosion. Brilliance.”<br />

“Your vision must be of this evening’s fireworks. They’re of<br />

no concern to me. Now help me into the red strapless chiffon. I’ll<br />

dine from the casino tonight.”<br />

***<br />

Admiring eyes followed Mora as she sashayed her<br />

way through the maze of gaming tables, her focus<br />

undeterred by the blare of slot machines and<br />

boisterous crowd. Money meant little to her, having amassed<br />

fortunes through the ages. But the casino attracted a crop of<br />

eligible men ripe for the harvesting. She lusted for a heartyveined<br />

gambler to slake her thirst.<br />

Finding a seat at Baccarat, she bet modestly, careful to lose<br />

more than she won, putting on a demure pout when wagers and


cards turned against her. To her left, a raven-haired gentleman<br />

in a red-vested tuxedo bet heavily, winning often. His hushed,<br />

accented jests about their rotund dealer kept her laughing.<br />

“Look at the spread of waist. I wonder, if laid flat, would he<br />

spin like a roulette wheel?”<br />

“If he did, I’d bet on zero. The only place the ball could<br />

drop would be his navel.”<br />

Her tablemate’s eyes crinkled in delight at her witty<br />

comebacks and she relished the repartee. Yet she had no thirst<br />

for this player. Her desired meal sat across the table—a strongjawed<br />

high roller whose pulse throbbed at his neck each time<br />

he raked in his chips. Mora licked her lips, fangs aching to<br />

emerge. But her quest came to a halt when a spilled cocktail on<br />

the felted surface ran onto her mark’s lap. She sighed when he<br />

fled to change his trousers.<br />

The gentleman at her side misread her distress.<br />

“Bet along with me and you will not despair your losses.<br />

Let us find another game to play. Allow me to introduce myself.<br />

I am Striga.”<br />

Though disinclined to mingle with the unappetizing, Mora<br />

found this foreigner with a biting sense of humor intriguing. The<br />

two traversed the glitz and gold room, Striga pausing at a game<br />

of craps where a gaggle of women in décolletage cheered the<br />

rolling dice. He smacked his lips, brushing the back of his hand<br />

across his mouth, a knuckle slipping between his teeth.<br />

Mora followed his gaze.<br />

“They’re not to my taste. I mean, the game is not to my<br />

liking.”<br />

Though she enjoyed Striga’s company, her urgent craving<br />

had her searching the crowd for the return of her anticipated<br />

meal.<br />

The gentleman made a small departing bow.


“It was a pleasure to share our moments. But forgive me, I<br />

must partake in the feast. The gambling feast”<br />

He took Mora’s hand to bestow a kiss. But he jolted erect at<br />

their touch, his face registering shock. Mora sucked in her<br />

breath. Attuned to the warmth of blood flowing through a body,<br />

she detected none. He stirred no hunger within her. Yet a spark<br />

ignited, a longing from a far distant past.<br />

“Come. You must stroll the deck with me,” Striga insisted,<br />

gripping her elbow and drawing her through the crowd.<br />

Stunned by the current surging into her, she allowed him to<br />

lead her outside. At a desolate stretch of handrail, he at last<br />

released his hold.<br />

He whispered, “I know you.”<br />

Mora gasped. Was this a past mark unremembered? A<br />

vampire hunter who’d escaped detection? She turned to flee. He<br />

caught her wrist.<br />

“Do not leave,” he said, his voice husky. “I know you.<br />

Because we are the same, thriving in the dark on the blood of<br />

others.”<br />

Again, Striga’s touch burned through her, heating the cold<br />

flesh of the undead and igniting a flicker of life and lust left<br />

dormant for centuries. She shivered in the soft Caribbean air.<br />

“This can’t be happening to me. My feelings died centuries<br />

ago.”<br />

Striga stepped closer. He cupped her chin, bringing an<br />

unnatural flush to her pale skin.<br />

“In all my years of thirsting for blood, I have never<br />

considered the soul I once was. Yet since embarking upon this<br />

cruise, I have had a sense of disquiet. Now your touch incites an<br />

awakening in me for what has been long lost. I see in your eyes<br />

that you, too, have been stirred.”<br />

Entranced by his silvery voice and penetrating stare, she<br />

uttered the secret shared only with Anya.


“Ever since boarding this cruise, I’ve also yearned for the life<br />

I used to have.”<br />

“Ah, the brines of the Caribbean have caused many an<br />

undead to veer from their destiny. We would be wise for the<br />

knowing. Come. Let me show you these fickle seas from on high.”<br />

Before she could protest, Striga flared his evening jacket<br />

around them and took off into the night sky.<br />

They soared as one above the cruise ship. Circling wider<br />

over the Lesser Antilles isles, Striga filled Mora with tales of<br />

vampires lost to the whims of the salty mist. Locked in Striga’s<br />

arms, her senses heightened with exquisite pleasures that should<br />

have remained buried: the kiss of wind teasing her raven locks;<br />

the ocean’s tang and fragrance assailing her face. Never before<br />

had she flown in human form, the sensation erotic as a whisper of<br />

silk on bare skin. Her eyes, long barren of emotion, splashed tears<br />

into the sea below. What made her ache for what she’d once<br />

been? Was it the swells shimmered with moonlight, the vast spray<br />

of stars, or this kindred spirit who held her close?<br />

A hint of brightening sky had them hasten back to the ship.<br />

Mora hesitated, reluctant to leave Striga’s arms. His eyes held his<br />

own sorrow.<br />

“For many decades I have plied these waters, feasting well<br />

from this mode of existence, secure in my lidded berth. Never<br />

before has the Caribbean played its siren song for me. Now I fear<br />

it calls. I should never have held you to what was once my heart,<br />

for I am doomed by the sea to have it throb again. I will seek you<br />

out tomorrow night. Till then, it will be agony.”<br />

Stunned by their intimate journey, a dazed Mora stumbled to<br />

her suite to share the encounter with Anya.<br />

“What were you thinking? Did you even feed? Hurry, get into<br />

the trunk before full sunrise.”


Throwing off her dress, Mora paused. “I can’t explain what<br />

happened. Our connection was powerful. Intense. Unbearably<br />

so. You see into minds. Do you have any idea who he is?”<br />

“Sleep now. I will look deep to discern his roots.”<br />

The next evening, as the minion swept her mistress’s ebony<br />

hair into a nape-clinging nt Striga Vlonsky, a Romanian vampire<br />

of heinous tastes. He is said to do more than drink the blood of<br />

his victim. He sometimes ingests the heart.”<br />

“Well, I find him captivating. I’m meeting him later this<br />

evening after I feed.”<br />

“Be wary, M’lady.”<br />

But the loyal maid’s warning was lost as Mora rushed out<br />

the door.<br />

For her meal, Mora chose a young medical intern from<br />

Philadelphia. She toyed with him at a lively poolside bar, willing<br />

him to drink only Perrier so as not to dilute his blood. Her green<br />

eyes mesmerized him into taking her to his stateroom where he<br />

obeyed without thought, unbuttoning his white dress shirt so she<br />

could drink her fill. His blood had that zest of youth—fresh and<br />

bracing. Sated, she shape-shifted into the intern’s likeness and<br />

emerged from the cabin just as a young blonde in stilettos<br />

swayed by.<br />

“Follow me,” said the blonde in Striga’s voice.<br />

The two rushed outside as a thunderstorm abated. Lone<br />

passengers on the deck, they huddled under a canopy, laughing<br />

as they reverted to their own human forms. Mora’s smile fell<br />

away though, when Striga took her by the shoulders, his<br />

penetrating stare boring into her with alarming ferocity.<br />

“The ice in my veins is heated by a hundred fires. In all the<br />

ages I cannot remember a hunger as powerful as my attraction<br />

to you.”<br />

His hands lit a craving in Mora, a wild yearning resurrected<br />

from a life forgotten. Her breath came shallow and fast.


“Don’t let go. Your touch makes me feel alive again.”<br />

Obsidian eyes devoured hers. “My hands ache to caress<br />

you. My lips seek to consume you. But there is danger. The<br />

ancients warned of this when two vampires come together in<br />

passion. Our thirst will no longer be for blood, but for the light we<br />

now shun. We will be altered, existing in a way we have never<br />

known.”<br />

Her green eyes beseeched him. “I don’t care. As long as I’m<br />

with you.”<br />

“You must care. We will be inseparable yet transformed.<br />

The change will take but a moment, yet a moment so sublime<br />

even mortals would give life for it.”<br />

Mora felt faint, her words coming from a heart that ceased<br />

beating long ago. “I think I’ll die all over again if you don’t kiss<br />

me.”<br />

Striga took her in a gentle embrace, his lips a whisper away.<br />

“Are you sure?”<br />

“Oh yes,” she breathed, her lips rising to his.<br />

***<br />

The crew on the bridge told of seeing St. Elmo’s fire that<br />

night. But Anya, standing inside the doorway of the deck,<br />

watched in tears as Mora and Striga burst into flames, their<br />

entwined images spiraling into the sky. The cold ashes of<br />

centuries fused in the tropical air. Transformed into crystal, the<br />

embracing pair descended back to the ship, settling as a small,<br />

translucent figurehead onto the prow. The black-clad creature<br />

scurried away in the dark, returning with a bottle of champagne<br />

to christen the diminutive statue, “Due Vampiri Amore.”<br />

***<br />

Without Mora’s fluid to extend existence, Anya<br />

withered to dust. Yet her shadow haunts the decks<br />

at daybreak, guardian to the sheer sculpture<br />

clinging to the bow: two vampires locked in eternal pose,<br />

devouring each other with their eyes, their crystal faces etched


with passion. An endless Caribbean sun shines through them,<br />

fulfilling the ancient prophecy—Mora and Striga, once trapped<br />

by the thirst of night, now forever drink in the light.<br />

Barbara Rein debuted<br />

her first book series in<br />

fourth grade, The<br />

Adventures of Cassandra<br />

McGillicuddy in Outer Space,<br />

complete with stick figures<br />

drawings. Admonished by her<br />

teacher for doing book reports on<br />

her own books (and didn't she have<br />

chutzpah), she put writing aside for<br />

years while stories piled up in her<br />

head. One day she opened her<br />

laptop and out they poured. She's now an award-winning and<br />

Amazon-best-selling author. She lives with her husband and<br />

dachshund, traveling with a well-packed suitcase between New<br />

York and Florida.<br />

Barbara writes strange, fantastical, and downright weird<br />

short stories. Darkly brilliant tales that teeter on the edge of reality.<br />

Reimagined nightmares concocted from a childhood diet of<br />

macabre fairytales and endless episodes of Twilight Zone.<br />

"Forbitten Love" is one of twenty-two stories in her book, Tales<br />

from the Eerie Canal," available at Amazon.<br />

She also writes chuckle-inducing personal essays inspired<br />

by the quirks and oddities that bounce her way.


There were years I thought our story<br />

had as much to do with timing as with love,<br />

years I thought we’d never make it through.<br />

Then, of course, there are<br />

the years now entirely lost unless<br />

I’m drifting through scrapbooks.<br />

Pam O’Brian<br />

But lately I’ve been thinking<br />

about you--<br />

how your hand holds the coffee mug<br />

how the edges of your eyes crinkle when you drive<br />

how we still lie in bed at night<br />

wrapped around each other like Smoky Mountain quilts,<br />

marvel over the boy and girl who<br />

put together the high school yearbook,<br />

laugh remembering the Easter you scared<br />

the children with that pink insulation bunny,<br />

wonder how we’ll do<br />

when these aging limbs stop working,<br />

when the terrifying disease hits.<br />

I don’t know.<br />

Perhaps the children were the reason we stayed<br />

through the careless summer days.<br />

But now, now<br />

you are the reason I will still be there<br />

when winter ices in<br />

and you are the map<br />

to those few things<br />

I do know about love.


Click the icon to play the story:<br />

Social Handicap<br />

by<br />

Millard Johnson<br />

read by<br />

Tony Oteri<br />

Iam the moderator of The Writers of the Villages critique<br />

group, which meets every Tuesday morning in The Villages,<br />

Florida. Our group is always a joy to attend. People come<br />

and go. The dynamic is in constant flux. And although we have<br />

been meeting for years, I never fail to learn something or relearn<br />

something I have forgotten.<br />

In 2002, our meeting was on February 14th, Valentine's Day.<br />

In honor of the day, I pulled out a love story written years ago and<br />

polished it up. While it was not a particularly remarkable love<br />

story, reading it on Valentine's Day had a kind of magic. The next<br />

year, as Valentine's Day approached, I challenged everyone to put<br />

aside their novel, or whatever they were working on and write a<br />

sappy love story. They did. Our critique day was like a kids’ party!<br />

It was so successful that I took the idea of the Love Story<br />

Public Reading to the Writers League, and it has been Valentine's<br />

staple ever since. The Valentine’s evening is filled with sugary<br />

hearts, ice cream sundaes, and maybe a tear or two.<br />

In Social Handicap, read by Toni Oteri, I wanted to write a<br />

story of love between everyday people, people like you and me.<br />

Only not as beautiful and sophisticated as we are.


The Golden Calf<br />

The Golden Calf<br />

by<br />

Clay Gish<br />

Glaring, a massive bison bull strutted toward me while<br />

I snapped photo after photo. “Roll up the window!”<br />

my spouse yelled. Reluctantly, I did as told. The bull<br />

snorted and turned to threaten the next human. Around me,<br />

other drivers faced off against a squad of equally fearsome<br />

bulls. The line of cars lengthened on either side of the road,


stuck in a bison traffic jam. No one dared honk a horn for fear of<br />

setting off the giant, shaggy guards. In the center of it all,<br />

gazing around with curiosity and wonder, stood a small fuzzy<br />

golden calf.<br />

Who knows how long the face-off would have endured?<br />

Finally, the calf’s mother took the situation into her own hands<br />

(hooves, that is); she walked into the road and nudged her little<br />

one to a grassy area on the side. On spindly legs, the calf<br />

trotted after her,<br />

oblivious to the problem<br />

he had caused. The<br />

team of bulls<br />

swaggered after them,<br />

releasing the cars to<br />

continue on their way.<br />

Theodore Roosevelt<br />

National Park in<br />

Medora, North Dakota<br />

may well be the most<br />

exciting, unusual place<br />

in the national park<br />

system. Home to roaming herds of bison, the park bursts with a<br />

vitality befitting its namesake. Though set in a region known as<br />

“the badlands,” I encountered a landscape that conjured up<br />

fairy castles more than outlaws. A labyrinth of candy-colored<br />

mountains — ribbons of creamy sandstone with stripes of pink<br />

and green sediment — created a magical backdrop for wild<br />

west adventures.<br />

My first stop of the day was at the South Unit Visitor<br />

Center just inside the park perimeter. Rangers armed me with<br />

maps and information about the local flora and fauna. A small<br />

museum featured exhibits on the history, nature, and geology of<br />

the region.


Theodore Roosevelt’s first home in the West, a small<br />

hunting lodge called Maltese Cross Cabin, sits just behind the<br />

visitor center. With no one around, I spent some time exploring<br />

the cabin; I walked where Roosevelt once walked and enjoyed<br />

the views as he once did. Before arriving at the park, I knew<br />

nothing of Theodore Roosevelt’s time in the West and the<br />

important influence his experiences here would have on him<br />

and the nation. He later said, "I would not have been president<br />

had it not been for my experience in North Dakota."<br />

Roosevelt first came to the Dakota Territory in 1883 to hunt<br />

bison. The skinny, bespectacled young man became enamored<br />

with the cowboy life and bought a small ranch. He hired a ranch<br />

manager, constructed this one-and-a-half story cabin of<br />

ponderosa pine logs, and bought a herd of cattle. His ranch


ecame known by the cattle brand, an eight-pointed Maltese<br />

Cross. For a while, he split his time between his home in New<br />

York and the Dakotas.<br />

On Valentine’s Day 1884, Roosevelt tragically lost both his<br />

young wife, Alice, and his mother. Heartbroken, he sought solace<br />

in the Dakota wilderness. He even considered making ranching<br />

his sole career. Roosevelt bought a second, larger ranch, which<br />

he named Elkhorn, and added a thousand head of cattle.<br />

Eventually, politics beckoned. He sold the ranch in 1890 to his<br />

managers and returned to New York and public life.<br />

While in the Dakotas, Roosevelt wrote three books about<br />

his adventures in the West. They became his treatise on<br />

conservation. Though an avid hunter, Roosevelt bemoaned the<br />

loss of habitat and wildlife he witnessed. He predicted a collapse<br />

of the cattle industry because of ranchers’ unsustainable<br />

practices, particularly overgrazing.<br />

In the Dakotas, he helped form the Boone and Crockett<br />

Club, one of the first fair-hunting organizations, and established<br />

a stockmen's association to help preserve the region’s natural<br />

resources. As Governor of New York and President of the United<br />

States, Roosevelt made conservation a key policy. During his<br />

presidency, he protected nearly 230 million acres of land as<br />

national forests, parks, monuments, and reserves. Small wonder<br />

this national park bears his name.<br />

A 36-mile loop drive through the park, with plenty of pull-offs<br />

for wildlife and scenery photo-ops, brought me closer to nature.<br />

The bison traffic jam occurred about two-thirds of the way<br />

through my journey. Along most of the drive, I passed small<br />

bands of bison grazing safely in the distance. At one dramatic<br />

junction, a large herd grazed high on a mountain ridge with a<br />

magnificent overlord bull standing on the peak. I foolishly thought<br />

this glorious moment would be my bison highlight!<br />

Small wildlife colonies abounded as well. Rabbits hid in<br />

shadows and hopped across the plains as my car approached. I


encountered several elaborate prairie dog towns, whose<br />

residents posed for photos far more happily than the bison — at<br />

least as long as I remained in my car. When I got out of the car<br />

trying for close-ups, they quickly scooted into the nearest burrow.<br />

Hiking trails twined through the park. I chose one that<br />

traveled along the Little Missouri River. From atop a bluff, I<br />

looked out at the river winding its way through the painted<br />

desert. The river had carved a deep valley in the candy-colored<br />

mountains. The sand along its banks glittered in pinks and<br />

greens. As I contemplated the beauty, a scene right out of the<br />

Old West materialized. Across the river, a herd of wild horses<br />

rose majestically over the crest of a bluff. Their dark outlines<br />

contrasted sharply with the pale blue sky.<br />

Here at this moment, I felt Roosevelt’s presence far more<br />

strongly than in his hunting lodge. Gratitude flooded me. His<br />

foresight preserved this land and the stunning wildlife it supports<br />

for me and for all the generations of Americans to come.


For 25+ years Clay Gish worked as an exhibit designer,<br />

developing the vision, educational goals, and scripts<br />

for museums around the world. A historian and<br />

educator, she wrote about child labor and taught American<br />

history and government. Currently, Clay is a travel writer and live<br />

in Florida.


Dancing<br />

by<br />

Allen Watkins<br />

While dancing on the moon at night<br />

At least in thought my love I see<br />

We glide across the treeless height<br />

While dancing on the moon at night<br />

Bathed forever in silver light<br />

As hand in hand you waltz with me<br />

While dancing on the moon at night<br />

At least in thought my love I see<br />

Allen Watkins was born and raised in Neodesha,<br />

Kansas. After graduating from East High School, in<br />

Wichita, Kansas, Allen worked for the Boeing Aircraft<br />

Corporation for twenty-four years. In 1985, Allen and his<br />

wife Pearl moved to St. Augustine, FL. where they both<br />

worked for Northrop Grumman Corporation until<br />

retirement. They moved The Villages Florida in<br />

November 2002. Allen joined numerous writing groups<br />

as well as the Poetry Workshop. The written word,<br />

stories and poetry, is very important to Allen.


Abba Gee 1940<br />

by<br />

Linda Dickson<br />

Got no right? Eli Fox, I have every right to know where<br />

you have been. I haven’t left this house for fifteen<br />

minutes in the last fifteen days—somebody has to<br />

be here every minute of every day and since that somebody is


always me—it’s 1940 and I have all the rights I need to ask you<br />

where your butt has been for the last twenty four hours.”<br />

Mama sat on the porch all night waiting on Daddy to come<br />

home. She hadn’t known I was asleep on the floor just inside the<br />

front window. I heard her get up and go out. I was afraid she was<br />

leaving … leaving all of us. Her yelling at Daddy woke me up<br />

from a sound sleep. I’m twelve and a half years old and I wish I<br />

had a nickel for every time their yelling and arguing has woke me<br />

up in the middle of the night.<br />

Mama didn’t get to find out where Daddy had been all night<br />

cause he just came in the house and changed his shirt. Then he<br />

left again without a word. Daddy don’t come home most nights.<br />

Sometimes he’s gone for a week. That’s usually the week the<br />

rent is due and we have moved in the middle of the night many a<br />

time cause we couldn’t pay. One time, Daddy was gone so long<br />

Mama had to go to Uncle Luke and tell him we had nowhere to<br />

live. He’s Daddy’s older brother and has a good job as a fireman<br />

now that the Depression has run him off his farm. Uncle Luke got<br />

the other brothers to go in with him and rent us the house we live<br />

in now which is right across the street from the fire hall. Me and<br />

my two brothers get to go over and play in the fire hall any time<br />

we want to unless, of course, they get a call there is a fire<br />

somewhere and then we have to run for home. The bad news<br />

about getting to live here is he moved Pop and Grandma in with


us. They lost their farm to “Mr. Hoover’s depression” and had no<br />

place to stay neither. Daddy was so mad when he came home<br />

and found out Pop was living with us, he vowed to leave and<br />

never come back.<br />

Mama says the Depression didn’t make much difference to<br />

folks like us. We never had nothing anyway, but I remember<br />

when she used to get all dressed up in her suede high heels<br />

and dangling ear bobs to go dancing with Daddy. We seemed<br />

like we had a lot back in them days. I’m the oldest and I can<br />

remember more than either of my brothers about the good old<br />

days before we lived with Pop and Grandma. Willy, my oldest<br />

brother, is just barely eleven and Bud, the baby, is near about<br />

eight years old now. Boys don’t seem to pay near as much<br />

attention to stuff as girls do. I asked Willy one time if he thought<br />

Mama was pretty and he said he didn’t know; she was just<br />

Mama. But I think about stuff like that.<br />

Mama is prettier than anybody in the movies. Her hair is<br />

long and wavy when she takes it down out of them rag rollers<br />

and it’s the exact same color as sorghum molasses in the<br />

sunshine. I want to look just like her and some folks say I do, but<br />

I can’t see it. She named me after her own self. Her full name is<br />

Elizabeth Abigail Fox but everybody calls her Queenie. I don’t<br />

know why. She says she always wanted a baby girl so when I<br />

was born, she just decided to name me Elizabeth Abigail, too.


She meant to call me Abigail but when Willy come along, he<br />

couldn’t say it right. It come out Abba Gee and that has stuck.<br />

She’s back sitting on the porch, alone, waiting on the sun to<br />

come up, I reckon. If Mama and Daddy ain’t yelling and arguing,<br />

then Mama and Pop are. Our whole house smells like pee. Pop<br />

has taken to marking his territory since Mama got rid of the slop<br />

jar and demanded he go to the indoor toilet. He got so mad he<br />

raised his hand to backhand her.<br />

But this time she stood her ground, “Go on ... go on and hit<br />

me, old man. Go on … cut off the only hand that feeds you. I’ll<br />

be happy as a hog to watch you starve to death. Hit me. An’ I<br />

swear … I swear to Jesus, I’ll never turn another hand to see<br />

after you … EVER.”<br />

Pop backed down. Even he knew she meant it. That’s<br />

when he decided to pee all over the house. He said if she<br />

wanted him to go in the house, by God, that’s exactly what he<br />

would do. Pop likes to set fires, too. I seen him do it one time but<br />

I didn’t tell on him. I ask him why he did it and he says it’s the<br />

quickest way to get Uncle Luke to come. Mama says Pop didn’t<br />

just go crazy. She says he’s still himself only more so.<br />

God help him if she catches him—<br />

God help us all if she leaves us—<br />

I like living in this house though. Me, Willy and Bud not only<br />

have the fire hall; we also have the back alley. The grownups


have the big house and the front porch but the kids rule the<br />

alley. Well, the kids and the vagabonds, the drunks and the<br />

stray dogs that is. Our alley is a good one because there are<br />

busy streets on both ends of our block. The backside of the<br />

houses on our street, Holly Street, and the houses on Russell<br />

Street all share a common alley. Every house has a three-sided<br />

cinder-block pit for burning trash. The city gives us metal<br />

trashcans and they send somebody out to pick them up and<br />

empty them into a big truck every week.<br />

Pick up days are our favorites. Sometimes they send<br />

convicts with wide striped shirts, guilty of Lord knows what all.<br />

And other times its men folks in fairly nice clothes that come<br />

after the trash; nicer clothes than the men that live on Holly


Street. Mama says they probably made the wrong person mad<br />

or they been running around with the wrong crowd. This only<br />

served to prove Mama’s theory that you are whoever you<br />

associate with. Whatever the reason, the well-dressed pick up<br />

men keep their heads down and work careful. Look like to me<br />

they trying to preserve their shined shoes as best they can.<br />

Willy loves to fill our leaky metal can with soured milk just to<br />

hear them cuss.<br />

The “hobos”, as Pop calls them, are kind a sad. Like<br />

walking scarecrows, they barely able to lift the metal cans. Willy<br />

calls them “zombies”. He’s been obsessed with zombies ever<br />

since he saw a picture show at the Roxy about them. Mama<br />

said they were “alkies” trying to drink themselves to death.<br />

At least once a day we make a run through the alley to<br />

check out every fire pit and bin. Willy and Bud found a quarter<br />

once and spent the whole day at the Roxy. I found a diamond<br />

ring without no diamond. The rings empty prongs made a great<br />

weapon for threatening Willy. Aside from the fire pits and trash<br />

bins, every house had a alley house. Some are barely standing<br />

with giant holes in their roofs, but others are kept up nice<br />

because they are rented out to relatives or boarders.<br />

I wished I could live in ours all by myself. No Mama to<br />

make me watch after Grandma … no Willy or Bud to tear the<br />

heads off my baby dolls and no crazy old Pop peeing all over<br />

the place. Every time I asked Mama if I could move into the


alley house, she said the Gypsies would get me if I lived out<br />

there all alone. Mama has been talking about Gypsies ever<br />

since I can remember. How they were out hunting for little girls<br />

just like me. But, after all the times Mama warned us to look out<br />

for them, they still almost got us.<br />

We were playing cowboys and Indians and didn’t even<br />

hear them coming. I was just about to shoot Bud dead when his<br />

eyes got big and he let loose a blood-curdling scream. I knew<br />

he didn’t want to get shot by no cowgirl but his scream caught<br />

me by surprise and I dropped my stick that I was playing like<br />

was a six-shooter. Bud kept screaming and I was about to tell<br />

him to hush (after all my gun was just a Sycamore stick) when I<br />

noticed he wasn’t looking at me. He was looking behind me.<br />

So, I turned to look over my shoulder and I know I lost five<br />

years growth once I did. My heart came right up into my throat,<br />

which explains why I couldn’t even scream. Bud was still doing<br />

the job for both of us. Look like the blood vessels in his throat,<br />

which were turning blue, would burst and kill him any minute.<br />

I had no power to stop him, I couldn’t move. I was froze<br />

right in the middle of July … froze right where I stood. And I<br />

was standing less than an arm’s length from a bonafide Gypsy<br />

woman. She was an old Gypsy woman and they were the worst<br />

kind. They stole little children on account they couldn’t have<br />

none of their own. Stole them and sometimes they cooked


them and ate them. Or they raised them to be Gypsies and steal<br />

more little children. The men Gypsies just robbed you blind. I’d a<br />

whole lot rather be robbed blind than eat up dead.<br />

I swear I don’t know how the old woman slipped up on me.<br />

She had little bells sewed into the hem of her long skirt and more<br />

tiny bells slipped on giant hoops that hung from her ears. Her skirt<br />

was every color there is and even in the heat of July, she had a<br />

shawl around her shoulders (probably a good place to hide stolen<br />

babies). She was as broad as she was tall and covered every<br />

inch of the ground she stood on. Her hair was black as coal and<br />

hung lose all around her shoulders and her back. I couldn’t tell<br />

which was nastier, her hair or that old shawl.<br />

She didn’t say a thing but directly, she curled her upper lip<br />

into what was a smile, I reckon. I couldn’t stop staring at her front<br />

tooth (she only had one). The lone surviving tooth was made of<br />

gold. No wonder the other teeth were missing. She probably<br />

pulled them out and sold them. I could smell a strange odor on<br />

her breath, like the musty smell of the basement with pepper all<br />

over it. I can remember it better than I can tell it.<br />

Bud finally ran out of air and stopped his high-pitched<br />

screaming. In the silence, the Gypsy woman said something to<br />

me but I couldn’t make out a word she said. Her knarly hands<br />

looked something like Grandma’s except she had rings on every<br />

finger and bracelets stacked on both arms. I knew it wadn’t good


jewelry because it had all turned green on her. She reached out<br />

and touched my hair. I was still too scared to move and<br />

wondered if she meant to snatch me bald headed.<br />

A younger giant Gypsy man stepped out of our alley house<br />

and spoke sharply to the old woman. She jerked her hand away<br />

from my hair and turned. When she did, I could see the Gypsy<br />

man had Willy. He was hanging like a sack of potatoes over the<br />

man’s arm as he turned to walk back down the alley. The old<br />

woman was following him with bells tingling and bracelets<br />

clanging.<br />

My Lord to Jesus! They were stealing Willy! Bud was no<br />

help- he’d sunk all down inside himself and fell to the ground.<br />

Mama’d kill me if I let them steal Willy.<br />

I ran after the Gypsy man and tried to pull Willy free. But<br />

the man was strong and had a good hold around Willy’s waist.<br />

With his other arm he snatched me off the ground and held me<br />

so hard against his side I lost my breath. Soon as I could<br />

breathe again, I kicked and beat at him, tried to bite him, but all<br />

to no use. He had us. Me and Willy both was gonna be a Gypsy<br />

stew.<br />

I was about give out when I heard the old woman yelling in<br />

her foreign tongue. My captor turned and I could see Mama had<br />

the old woman by her hair with a butcher knife at her throat.


“Put my babies down you nasty thieving son of a bitch. I’ll<br />

kill her … I’ll kill her dead.” Mama had the old woman’s hair<br />

pulled so tight she couldn’t move her head.<br />

Pop was coming fast as he was able behind Mama. He had<br />

a piece of brick in his hand that must have been the only<br />

weapon he could find. “Put ’em down. Put them babies down<br />

afore I hit you in the head with this brick,” Pop yelled shaking his<br />

fist in the air.<br />

I knew right then my Mama could do anything … knew it in<br />

my soul. Knew she could save me from anything on earth.<br />

The Gypsy man dropped me and Willy both and began<br />

pleading with Mama not to kill the old woman. I reckon even<br />

Gypsies love each other cause the man had tears running down<br />

his face as he continued to beg Mama to let her loose.<br />

Mama yelled for me and Willy to get up and come to her,<br />

which I was well on my way to doing. But Willy wasn’t moving.<br />

Mama kept yelling his name but he was laying just as he fell. I<br />

ran back to him even though I was scared the Gypsy man would<br />

grab me again. Willy didn’t look hurt, no blood anywhere that I<br />

could see. Still, he wouldn’t wake up so I drug him by his arm<br />

toward Mama.<br />

Everybody was yelling. Pop threw his brick, but it didn’t hit<br />

nobody. Mama was losing her hold on the old woman cause she<br />

was trying to sink to her knees. Soon as I got Willy in reach,<br />

Mama let go and pushed the old woman down. She told Pop to


go to the fire hall and get Luke but Pop was too busy looking for<br />

another brick to throw at the Gypsies. He wasn’t listening to<br />

nobody cause he was so excited to have somebody to fight<br />

with.<br />

Mama grabbed Willy and we all crawled backed up against<br />

the alley house wall while the Gypsies ran off toward the street.<br />

Mama started to cry as she looked over Willy trying to<br />

determine what was the matter with him. He just looked like he<br />

was asleep to me. Mama picked him up and headed for the<br />

house. Pop was still looking all around for something to throw<br />

and didn’t seem to notice the Gypsies were gone and Mama<br />

was carrying Willy all by herself. He was all riled up and I was<br />

just as afraid of him as I had been the Gypsies. I thought it was<br />

a shame Gypsies didn’t go around stealing crazy old men cause<br />

we could’ve sure let them have Pop.<br />

“Get in the house, Abba Gee. Find me the ammonia. Lord<br />

God. What have they done to this baby? Run find your Uncle<br />

Luke … tell him to come get Pop out of the alley!”<br />

I started shaking all over. My teeth rattled in my head like I<br />

was still freezing cold but I did what Mama said. I took off for the<br />

fire hall. Seemed like the ground was moving under my feet. I<br />

was running and yelling, but I wasn’t getting nowhere nor<br />

making any sound. When I did get to the fire hall, I couldn’t<br />

make no words come out my mouth. I was trying to explain what


happened but I was shaking so hard all I got out was “Gypsies”<br />

and “Willy”.<br />

I don’t remember much after that cause I just laid down on<br />

the concrete floor of the fire hall and passed out. Least that’s<br />

what Mama said I did, which worried me quite a bit until Mama<br />

explained the difference between passing out and passing on.<br />

We never did find out what happened to Willy. To this very day he<br />

won’t even begin to talk about it.<br />

I know this much for truth. Don’t never let nobody tell you<br />

that gypsies don’t come and try to steal the children for I was<br />

almost one of them right out there in the back alley. Safe for my<br />

Mama, I could a been graveyard dead then and there.<br />

Linda R. Dickson, born 1950 in<br />

Nashville. Tennessee and a<br />

Tennessee resident until<br />

retirement in 2010. I do not<br />

consider myself a writer. I am a<br />

storyteller. Compelled to write<br />

down some of the stories else they<br />

die with me. There are no lists of<br />

credits, accomplishments, nor<br />

educational hints at talents<br />

undiscovered. In the great tradition<br />

of storytelling, I lie, embellish and steal stories of my ancestors<br />

whose names are lost even to me.<br />

Believing every life is a story, I am grateful for a small voice to<br />

record part of mine.


Click to play Outrun Forever:<br />

Words: Billy Wells<br />

Singer: ???????<br />

Producer: Wil Mouches


Freedom and Dignity<br />

(the day I went to prison)<br />

by<br />

Paul Lewin<br />

I was a college student. Mathematics. Some say the<br />

highest rung on the ladder of intelligence. Next to God. It was<br />

Sunday, my day to relax. Away from topology, a branch of<br />

mathematics studying Mobius strips, Kline bottles, and string<br />

theory.<br />

To relax and leisurely journey through the pages of The<br />

Sunday New York Times. Coffee and schmeered bagel in my<br />

hand. I was sitting on a blanket, at the water's edge overlooking<br />

Watson and Crick's idyllic Cold Spring Harbor.<br />

With pen in hand, as was my custom, to circle the words<br />

and ideas 'fit to print.' At least that was the promise of the Times<br />

first page masthead.<br />

I was the smartest and best, one word at a time. Left to<br />

right. I was blessed.<br />

And then it happened. I could not read the next word. It<br />

was terribly blurred. Were my eyes failing? I could not make


out a single letter. My mind's journey towards yet more superior<br />

intelligence was interrupted. How long would my disability last?<br />

And then I realized it was a tiny insect sitting on the next<br />

word! Blocking my ability to comprehend the next great idea of<br />

the day. At least, it was not my eyesight. As I focused, the<br />

insect started to crawl to the right. Soon it would block yet<br />

another word. That insect could stymie my ability to read. Pen in<br />

hand, I casually drew a line to the insect's right. The insect<br />

approached the ink line, stopped, and reversed its direction.<br />

Why? Could the insect sense the odor of the ink? I decided to<br />

experiment. I drew another line to the left of the insect. Again,<br />

the insect changed direction and began crawling toward the top<br />

of the page. Then I had a devilish idea. Why not draw a circle<br />

around the insect? Would that be the insect's ink prison? Sure<br />

enough, the insect refused to crawl across the circle of ink.<br />

Would it spend the rest of its life in the ink prison I had created?<br />

How clever I was to have been able to confine the dumb,<br />

annoying insect to a place where my superior reading efforts<br />

would not be disturbed.<br />

I suddenly was haunted by thoughts of my cruelty. That<br />

insect would perish in my prison. I felt sad. And then it<br />

happened. Miracle of miracles. I never noticed the flat insect had<br />

tiny folded wings. Unfolded, that annoying, stupid creature


turned into a flying ladybug. Up and away, it flew. Pausing briefly<br />

at my head, and then soaring to a place far above me. I wish I<br />

were that ladybug. It was me that was confined to live in prison,<br />

never to soar up and away. The letters of the ink of the printed<br />

New York Times' words were my prison bars.<br />

Paul Lewin is a retired mathematician. A National Merit<br />

Scholar, he attended The University of Rochester where he<br />

majored in Mathematics. At the University of Waterloo, Canada, he<br />

taught Computer Science.<br />

His blog, “It occurs to me” utube.com/divaannfisher, on the<br />

channel he created has 1,574,147 views.<br />

Paul is working on a self-help book to be called "How To<br />

Learn Patience Quickly."


Credits<br />

Larry Martin — consultation and initial input for a proof of<br />

concept test of Yumpu software<br />

Mark Newhouse –– consultation<br />

Paul Lewin –– consultation, content<br />

Barbara Rein –– content and consultation<br />

Pam O’Brian –– content<br />

Tony Oteri –– content<br />

Phil Walker –– content<br />

Linda Dickson –– content<br />

John Mellon –– consultation<br />

Dick Walsh –– editing<br />

The following people graciously offered content that was<br />

not used in this sample issue: Mark Newhouse, Jim<br />

Stark, Patrick Miller<br />

Layout software –– pages by Apple, PDF by Adobe<br />

Photos –– Unsplash<br />

Photos –– Shutterstock

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