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STARS OF<br />
WRITING<br />
NEBULA<br />
Ezine<br />
The best work of American’s<br />
senior writers
Millard Johnson<br />
Producer<br />
Welcome to the<br />
demonstration<br />
issue of<br />
Nebula Ezine.<br />
When I began thinking<br />
of how WLOV could best help<br />
writers in The Villages along<br />
their writing journeys, one of<br />
the first things I thought of<br />
was how nice it would be to<br />
have a way for writers of<br />
short stories and poems to<br />
get their writings to an<br />
audience of readers.<br />
The Love Story Reading<br />
program I produced for three<br />
years had helped dozens of<br />
writers get their works to an audience of hundreds, but I wanted<br />
more. I wanted more authors to be able to get their creative<br />
output to a larger audience.<br />
My first thought was to create ebooks of short story<br />
collections on Amazon, but every ebook has to be marketed<br />
separately from the one that preceded it. Amazon has no<br />
subscription model.<br />
My second thought was the literary magazine. But paper<br />
magazines are enormously expensive to create and distribute.<br />
The Nebula is the best solution I could come up with. Easy<br />
to create and inexpensive to both produce and distribute. And<br />
once we have readers, we put them into a Simplelists subscriber<br />
file so we can send subsequent issues at no cost.<br />
The only issue is — Nebula must be a top quality zine. It<br />
must be something YOU are proud to host your best writing.<br />
Tell me what you think. If this is worth doing, we will find a<br />
way to do it.
Forbitten<br />
Love<br />
by<br />
Barbara Rein<br />
Mora flicked out her tongue to lick the corners of her<br />
red-stained lips, savoring every drop of the sweet<br />
nectar. The vessel she drank from had more<br />
wrinkles than she would have liked, but vintage blood had that<br />
exquisite taste of honey. Delectable. Come morning, a retired<br />
attorney would wake in his Royal Caribbean stateroom with a<br />
vicious hangover. But he’d have no memory of being the main<br />
course at a lady vampire’s midnight buffet.<br />
Satisfying the hunger left Mora exhausted. She dragged<br />
herself to the suite she shared with her dwarf maidservant, Anya,<br />
and slipped out of her red off-the-shoulder silk dress. One of a<br />
wardrobe of red dresses chosen for its forgiving color. Letting it<br />
puddle to the floor, she yawned.<br />
“I’m sorry, Anya. I’m too tired to hand it to you.”<br />
Though the bed bezckoned, Mora never availed herself of<br />
the ship’s luxurious linens. Instead, as she had done nightly for<br />
over a hundred years, she raised the lid of an oversized steamer<br />
trunk and climbed in. Securing the vault from inside, she settled<br />
in and slept the sleep of the undead till the next sunset.
Cruising on one mega ship after another offered Mora a<br />
freedom she’d seldom had in her long past. Though the<br />
Caribbean was her first excursion on waters beyond Europe, her<br />
design remained the same: to join the throng of passengers after<br />
dark when those searching for amusement filled the cocktail<br />
lounges and casinos. There she’d have her choice from a menu<br />
of handsome morsels. Though fawning men bored her, she<br />
pretended attraction to those begging to kiss her full red lips, to<br />
hold and caress her seductive curves, to run their fingertips over<br />
high cheekbones hinting at Slavic royalty. Yet no one got close.<br />
Mora’s piercing green eyes held her chosen prey captive and<br />
immobile long enough to drink her fill. The spell always took<br />
place in the victim’s cabin where he’d collapse in a trance upon<br />
his berth. Her swift getaways rivaled those of a quick-change<br />
artist as she shape-shifted into the victim’s likeness. Some may<br />
have seen her arrive, but no one ever saw her leave.<br />
The glittering lights of Curacao greeted Mora when she<br />
woke the next evening. Donning a vermillion robe, she stepped<br />
out onto her private balcony, a chilled flute of Dom Perignon in<br />
hand as she called for her maidservant.<br />
A minion, a human slave taken into service centuries ago,<br />
Anya existed through the bite and benevolence of her mistress.<br />
The old dwarf approached, her steps shuffling.<br />
“Anya, what is wrong with you? You move as if slogging<br />
through mud.”<br />
The maidservant lowered her head, hands turning one over<br />
the other. “M’lady, I’m in need of your service. My movements<br />
weaken. My body shrinks. My skin sloughs off. If you would be<br />
so kind as to spare an elixir for one who swiftly fades.”<br />
“Please don’t grovel. We’ve never denied our need for each<br />
other—me for your omniscient visions, and you for my infusions<br />
of life. Come closer.”
With mincing steps Anya approached, easing back the<br />
hood of her shapeless frock to expose her neck. Mora bit gently,<br />
as she had done countless times before—a small nip of blood in<br />
exchange for a trickle of saliva. The vampire’s fluid coursed<br />
through Anya’s diminished figure. Recovery was swift; the<br />
intimacy fleeting. The two stood at the railing—one tall and<br />
imperious in hues of blood, the other squat and all seeing,<br />
forever garbed in black.<br />
“Look at the island, Anya. Darkness hides a beauty I’ll<br />
never see. I envy your freedom, able to walk those quaint streets<br />
by daylight. I wish I could stop hiding from the sun and drink in<br />
the sights instead of a mortal’s blood.”<br />
“Only since boarding this ship have you talked of being<br />
dissatisfied. I fear for you, M’lady. Do not wish for what cannot<br />
be.”<br />
Mora took a thoughtful sip of champagne. “I know I can’t go<br />
back to my worldly existence. But tell me, is the future so bleak<br />
that a woman can’t dream?”<br />
The clairvoyant dwarf took her time, staring out to the island<br />
lights. “I see explosion. Brilliance.”<br />
“Your vision must be of this evening’s fireworks. They’re of<br />
no concern to me. Now help me into the red strapless chiffon. I’ll<br />
dine from the casino tonight.”<br />
***<br />
Admiring eyes followed Mora as she sashayed her<br />
way through the maze of gaming tables, her focus<br />
undeterred by the blare of slot machines and<br />
boisterous crowd. Money meant little to her, having amassed<br />
fortunes through the ages. But the casino attracted a crop of<br />
eligible men ripe for the harvesting. She lusted for a heartyveined<br />
gambler to slake her thirst.<br />
Finding a seat at Baccarat, she bet modestly, careful to lose<br />
more than she won, putting on a demure pout when wagers and
cards turned against her. To her left, a raven-haired gentleman<br />
in a red-vested tuxedo bet heavily, winning often. His hushed,<br />
accented jests about their rotund dealer kept her laughing.<br />
“Look at the spread of waist. I wonder, if laid flat, would he<br />
spin like a roulette wheel?”<br />
“If he did, I’d bet on zero. The only place the ball could<br />
drop would be his navel.”<br />
Her tablemate’s eyes crinkled in delight at her witty<br />
comebacks and she relished the repartee. Yet she had no thirst<br />
for this player. Her desired meal sat across the table—a strongjawed<br />
high roller whose pulse throbbed at his neck each time<br />
he raked in his chips. Mora licked her lips, fangs aching to<br />
emerge. But her quest came to a halt when a spilled cocktail on<br />
the felted surface ran onto her mark’s lap. She sighed when he<br />
fled to change his trousers.<br />
The gentleman at her side misread her distress.<br />
“Bet along with me and you will not despair your losses.<br />
Let us find another game to play. Allow me to introduce myself.<br />
I am Striga.”<br />
Though disinclined to mingle with the unappetizing, Mora<br />
found this foreigner with a biting sense of humor intriguing. The<br />
two traversed the glitz and gold room, Striga pausing at a game<br />
of craps where a gaggle of women in décolletage cheered the<br />
rolling dice. He smacked his lips, brushing the back of his hand<br />
across his mouth, a knuckle slipping between his teeth.<br />
Mora followed his gaze.<br />
“They’re not to my taste. I mean, the game is not to my<br />
liking.”<br />
Though she enjoyed Striga’s company, her urgent craving<br />
had her searching the crowd for the return of her anticipated<br />
meal.<br />
The gentleman made a small departing bow.
“It was a pleasure to share our moments. But forgive me, I<br />
must partake in the feast. The gambling feast”<br />
He took Mora’s hand to bestow a kiss. But he jolted erect at<br />
their touch, his face registering shock. Mora sucked in her<br />
breath. Attuned to the warmth of blood flowing through a body,<br />
she detected none. He stirred no hunger within her. Yet a spark<br />
ignited, a longing from a far distant past.<br />
“Come. You must stroll the deck with me,” Striga insisted,<br />
gripping her elbow and drawing her through the crowd.<br />
Stunned by the current surging into her, she allowed him to<br />
lead her outside. At a desolate stretch of handrail, he at last<br />
released his hold.<br />
He whispered, “I know you.”<br />
Mora gasped. Was this a past mark unremembered? A<br />
vampire hunter who’d escaped detection? She turned to flee. He<br />
caught her wrist.<br />
“Do not leave,” he said, his voice husky. “I know you.<br />
Because we are the same, thriving in the dark on the blood of<br />
others.”<br />
Again, Striga’s touch burned through her, heating the cold<br />
flesh of the undead and igniting a flicker of life and lust left<br />
dormant for centuries. She shivered in the soft Caribbean air.<br />
“This can’t be happening to me. My feelings died centuries<br />
ago.”<br />
Striga stepped closer. He cupped her chin, bringing an<br />
unnatural flush to her pale skin.<br />
“In all my years of thirsting for blood, I have never<br />
considered the soul I once was. Yet since embarking upon this<br />
cruise, I have had a sense of disquiet. Now your touch incites an<br />
awakening in me for what has been long lost. I see in your eyes<br />
that you, too, have been stirred.”<br />
Entranced by his silvery voice and penetrating stare, she<br />
uttered the secret shared only with Anya.
“Ever since boarding this cruise, I’ve also yearned for the life<br />
I used to have.”<br />
“Ah, the brines of the Caribbean have caused many an<br />
undead to veer from their destiny. We would be wise for the<br />
knowing. Come. Let me show you these fickle seas from on high.”<br />
Before she could protest, Striga flared his evening jacket<br />
around them and took off into the night sky.<br />
They soared as one above the cruise ship. Circling wider<br />
over the Lesser Antilles isles, Striga filled Mora with tales of<br />
vampires lost to the whims of the salty mist. Locked in Striga’s<br />
arms, her senses heightened with exquisite pleasures that should<br />
have remained buried: the kiss of wind teasing her raven locks;<br />
the ocean’s tang and fragrance assailing her face. Never before<br />
had she flown in human form, the sensation erotic as a whisper of<br />
silk on bare skin. Her eyes, long barren of emotion, splashed tears<br />
into the sea below. What made her ache for what she’d once<br />
been? Was it the swells shimmered with moonlight, the vast spray<br />
of stars, or this kindred spirit who held her close?<br />
A hint of brightening sky had them hasten back to the ship.<br />
Mora hesitated, reluctant to leave Striga’s arms. His eyes held his<br />
own sorrow.<br />
“For many decades I have plied these waters, feasting well<br />
from this mode of existence, secure in my lidded berth. Never<br />
before has the Caribbean played its siren song for me. Now I fear<br />
it calls. I should never have held you to what was once my heart,<br />
for I am doomed by the sea to have it throb again. I will seek you<br />
out tomorrow night. Till then, it will be agony.”<br />
Stunned by their intimate journey, a dazed Mora stumbled to<br />
her suite to share the encounter with Anya.<br />
“What were you thinking? Did you even feed? Hurry, get into<br />
the trunk before full sunrise.”
Throwing off her dress, Mora paused. “I can’t explain what<br />
happened. Our connection was powerful. Intense. Unbearably<br />
so. You see into minds. Do you have any idea who he is?”<br />
“Sleep now. I will look deep to discern his roots.”<br />
The next evening, as the minion swept her mistress’s ebony<br />
hair into a nape-clinging nt Striga Vlonsky, a Romanian vampire<br />
of heinous tastes. He is said to do more than drink the blood of<br />
his victim. He sometimes ingests the heart.”<br />
“Well, I find him captivating. I’m meeting him later this<br />
evening after I feed.”<br />
“Be wary, M’lady.”<br />
But the loyal maid’s warning was lost as Mora rushed out<br />
the door.<br />
For her meal, Mora chose a young medical intern from<br />
Philadelphia. She toyed with him at a lively poolside bar, willing<br />
him to drink only Perrier so as not to dilute his blood. Her green<br />
eyes mesmerized him into taking her to his stateroom where he<br />
obeyed without thought, unbuttoning his white dress shirt so she<br />
could drink her fill. His blood had that zest of youth—fresh and<br />
bracing. Sated, she shape-shifted into the intern’s likeness and<br />
emerged from the cabin just as a young blonde in stilettos<br />
swayed by.<br />
“Follow me,” said the blonde in Striga’s voice.<br />
The two rushed outside as a thunderstorm abated. Lone<br />
passengers on the deck, they huddled under a canopy, laughing<br />
as they reverted to their own human forms. Mora’s smile fell<br />
away though, when Striga took her by the shoulders, his<br />
penetrating stare boring into her with alarming ferocity.<br />
“The ice in my veins is heated by a hundred fires. In all the<br />
ages I cannot remember a hunger as powerful as my attraction<br />
to you.”<br />
His hands lit a craving in Mora, a wild yearning resurrected<br />
from a life forgotten. Her breath came shallow and fast.
“Don’t let go. Your touch makes me feel alive again.”<br />
Obsidian eyes devoured hers. “My hands ache to caress<br />
you. My lips seek to consume you. But there is danger. The<br />
ancients warned of this when two vampires come together in<br />
passion. Our thirst will no longer be for blood, but for the light we<br />
now shun. We will be altered, existing in a way we have never<br />
known.”<br />
Her green eyes beseeched him. “I don’t care. As long as I’m<br />
with you.”<br />
“You must care. We will be inseparable yet transformed.<br />
The change will take but a moment, yet a moment so sublime<br />
even mortals would give life for it.”<br />
Mora felt faint, her words coming from a heart that ceased<br />
beating long ago. “I think I’ll die all over again if you don’t kiss<br />
me.”<br />
Striga took her in a gentle embrace, his lips a whisper away.<br />
“Are you sure?”<br />
“Oh yes,” she breathed, her lips rising to his.<br />
***<br />
The crew on the bridge told of seeing St. Elmo’s fire that<br />
night. But Anya, standing inside the doorway of the deck,<br />
watched in tears as Mora and Striga burst into flames, their<br />
entwined images spiraling into the sky. The cold ashes of<br />
centuries fused in the tropical air. Transformed into crystal, the<br />
embracing pair descended back to the ship, settling as a small,<br />
translucent figurehead onto the prow. The black-clad creature<br />
scurried away in the dark, returning with a bottle of champagne<br />
to christen the diminutive statue, “Due Vampiri Amore.”<br />
***<br />
Without Mora’s fluid to extend existence, Anya<br />
withered to dust. Yet her shadow haunts the decks<br />
at daybreak, guardian to the sheer sculpture<br />
clinging to the bow: two vampires locked in eternal pose,<br />
devouring each other with their eyes, their crystal faces etched
with passion. An endless Caribbean sun shines through them,<br />
fulfilling the ancient prophecy—Mora and Striga, once trapped<br />
by the thirst of night, now forever drink in the light.<br />
Barbara Rein debuted<br />
her first book series in<br />
fourth grade, The<br />
Adventures of Cassandra<br />
McGillicuddy in Outer Space,<br />
complete with stick figures<br />
drawings. Admonished by her<br />
teacher for doing book reports on<br />
her own books (and didn't she have<br />
chutzpah), she put writing aside for<br />
years while stories piled up in her<br />
head. One day she opened her<br />
laptop and out they poured. She's now an award-winning and<br />
Amazon-best-selling author. She lives with her husband and<br />
dachshund, traveling with a well-packed suitcase between New<br />
York and Florida.<br />
Barbara writes strange, fantastical, and downright weird<br />
short stories. Darkly brilliant tales that teeter on the edge of reality.<br />
Reimagined nightmares concocted from a childhood diet of<br />
macabre fairytales and endless episodes of Twilight Zone.<br />
"Forbitten Love" is one of twenty-two stories in her book, Tales<br />
from the Eerie Canal," available at Amazon.<br />
She also writes chuckle-inducing personal essays inspired<br />
by the quirks and oddities that bounce her way.
There were years I thought our story<br />
had as much to do with timing as with love,<br />
years I thought we’d never make it through.<br />
Then, of course, there are<br />
the years now entirely lost unless<br />
I’m drifting through scrapbooks.<br />
Pam O’Brian<br />
But lately I’ve been thinking<br />
about you--<br />
how your hand holds the coffee mug<br />
how the edges of your eyes crinkle when you drive<br />
how we still lie in bed at night<br />
wrapped around each other like Smoky Mountain quilts,<br />
marvel over the boy and girl who<br />
put together the high school yearbook,<br />
laugh remembering the Easter you scared<br />
the children with that pink insulation bunny,<br />
wonder how we’ll do<br />
when these aging limbs stop working,<br />
when the terrifying disease hits.<br />
I don’t know.<br />
Perhaps the children were the reason we stayed<br />
through the careless summer days.<br />
But now, now<br />
you are the reason I will still be there<br />
when winter ices in<br />
and you are the map<br />
to those few things<br />
I do know about love.
Click the icon to play the story:<br />
Social Handicap<br />
by<br />
Millard Johnson<br />
read by<br />
Tony Oteri<br />
Iam the moderator of The Writers of the Villages critique<br />
group, which meets every Tuesday morning in The Villages,<br />
Florida. Our group is always a joy to attend. People come<br />
and go. The dynamic is in constant flux. And although we have<br />
been meeting for years, I never fail to learn something or relearn<br />
something I have forgotten.<br />
In 2002, our meeting was on February 14th, Valentine's Day.<br />
In honor of the day, I pulled out a love story written years ago and<br />
polished it up. While it was not a particularly remarkable love<br />
story, reading it on Valentine's Day had a kind of magic. The next<br />
year, as Valentine's Day approached, I challenged everyone to put<br />
aside their novel, or whatever they were working on and write a<br />
sappy love story. They did. Our critique day was like a kids’ party!<br />
It was so successful that I took the idea of the Love Story<br />
Public Reading to the Writers League, and it has been Valentine's<br />
staple ever since. The Valentine’s evening is filled with sugary<br />
hearts, ice cream sundaes, and maybe a tear or two.<br />
In Social Handicap, read by Toni Oteri, I wanted to write a<br />
story of love between everyday people, people like you and me.<br />
Only not as beautiful and sophisticated as we are.
The Golden Calf<br />
The Golden Calf<br />
by<br />
Clay Gish<br />
Glaring, a massive bison bull strutted toward me while<br />
I snapped photo after photo. “Roll up the window!”<br />
my spouse yelled. Reluctantly, I did as told. The bull<br />
snorted and turned to threaten the next human. Around me,<br />
other drivers faced off against a squad of equally fearsome<br />
bulls. The line of cars lengthened on either side of the road,
stuck in a bison traffic jam. No one dared honk a horn for fear of<br />
setting off the giant, shaggy guards. In the center of it all,<br />
gazing around with curiosity and wonder, stood a small fuzzy<br />
golden calf.<br />
Who knows how long the face-off would have endured?<br />
Finally, the calf’s mother took the situation into her own hands<br />
(hooves, that is); she walked into the road and nudged her little<br />
one to a grassy area on the side. On spindly legs, the calf<br />
trotted after her,<br />
oblivious to the problem<br />
he had caused. The<br />
team of bulls<br />
swaggered after them,<br />
releasing the cars to<br />
continue on their way.<br />
Theodore Roosevelt<br />
National Park in<br />
Medora, North Dakota<br />
may well be the most<br />
exciting, unusual place<br />
in the national park<br />
system. Home to roaming herds of bison, the park bursts with a<br />
vitality befitting its namesake. Though set in a region known as<br />
“the badlands,” I encountered a landscape that conjured up<br />
fairy castles more than outlaws. A labyrinth of candy-colored<br />
mountains — ribbons of creamy sandstone with stripes of pink<br />
and green sediment — created a magical backdrop for wild<br />
west adventures.<br />
My first stop of the day was at the South Unit Visitor<br />
Center just inside the park perimeter. Rangers armed me with<br />
maps and information about the local flora and fauna. A small<br />
museum featured exhibits on the history, nature, and geology of<br />
the region.
Theodore Roosevelt’s first home in the West, a small<br />
hunting lodge called Maltese Cross Cabin, sits just behind the<br />
visitor center. With no one around, I spent some time exploring<br />
the cabin; I walked where Roosevelt once walked and enjoyed<br />
the views as he once did. Before arriving at the park, I knew<br />
nothing of Theodore Roosevelt’s time in the West and the<br />
important influence his experiences here would have on him<br />
and the nation. He later said, "I would not have been president<br />
had it not been for my experience in North Dakota."<br />
Roosevelt first came to the Dakota Territory in 1883 to hunt<br />
bison. The skinny, bespectacled young man became enamored<br />
with the cowboy life and bought a small ranch. He hired a ranch<br />
manager, constructed this one-and-a-half story cabin of<br />
ponderosa pine logs, and bought a herd of cattle. His ranch
ecame known by the cattle brand, an eight-pointed Maltese<br />
Cross. For a while, he split his time between his home in New<br />
York and the Dakotas.<br />
On Valentine’s Day 1884, Roosevelt tragically lost both his<br />
young wife, Alice, and his mother. Heartbroken, he sought solace<br />
in the Dakota wilderness. He even considered making ranching<br />
his sole career. Roosevelt bought a second, larger ranch, which<br />
he named Elkhorn, and added a thousand head of cattle.<br />
Eventually, politics beckoned. He sold the ranch in 1890 to his<br />
managers and returned to New York and public life.<br />
While in the Dakotas, Roosevelt wrote three books about<br />
his adventures in the West. They became his treatise on<br />
conservation. Though an avid hunter, Roosevelt bemoaned the<br />
loss of habitat and wildlife he witnessed. He predicted a collapse<br />
of the cattle industry because of ranchers’ unsustainable<br />
practices, particularly overgrazing.<br />
In the Dakotas, he helped form the Boone and Crockett<br />
Club, one of the first fair-hunting organizations, and established<br />
a stockmen's association to help preserve the region’s natural<br />
resources. As Governor of New York and President of the United<br />
States, Roosevelt made conservation a key policy. During his<br />
presidency, he protected nearly 230 million acres of land as<br />
national forests, parks, monuments, and reserves. Small wonder<br />
this national park bears his name.<br />
A 36-mile loop drive through the park, with plenty of pull-offs<br />
for wildlife and scenery photo-ops, brought me closer to nature.<br />
The bison traffic jam occurred about two-thirds of the way<br />
through my journey. Along most of the drive, I passed small<br />
bands of bison grazing safely in the distance. At one dramatic<br />
junction, a large herd grazed high on a mountain ridge with a<br />
magnificent overlord bull standing on the peak. I foolishly thought<br />
this glorious moment would be my bison highlight!<br />
Small wildlife colonies abounded as well. Rabbits hid in<br />
shadows and hopped across the plains as my car approached. I
encountered several elaborate prairie dog towns, whose<br />
residents posed for photos far more happily than the bison — at<br />
least as long as I remained in my car. When I got out of the car<br />
trying for close-ups, they quickly scooted into the nearest burrow.<br />
Hiking trails twined through the park. I chose one that<br />
traveled along the Little Missouri River. From atop a bluff, I<br />
looked out at the river winding its way through the painted<br />
desert. The river had carved a deep valley in the candy-colored<br />
mountains. The sand along its banks glittered in pinks and<br />
greens. As I contemplated the beauty, a scene right out of the<br />
Old West materialized. Across the river, a herd of wild horses<br />
rose majestically over the crest of a bluff. Their dark outlines<br />
contrasted sharply with the pale blue sky.<br />
Here at this moment, I felt Roosevelt’s presence far more<br />
strongly than in his hunting lodge. Gratitude flooded me. His<br />
foresight preserved this land and the stunning wildlife it supports<br />
for me and for all the generations of Americans to come.
For 25+ years Clay Gish worked as an exhibit designer,<br />
developing the vision, educational goals, and scripts<br />
for museums around the world. A historian and<br />
educator, she wrote about child labor and taught American<br />
history and government. Currently, Clay is a travel writer and live<br />
in Florida.
Dancing<br />
by<br />
Allen Watkins<br />
While dancing on the moon at night<br />
At least in thought my love I see<br />
We glide across the treeless height<br />
While dancing on the moon at night<br />
Bathed forever in silver light<br />
As hand in hand you waltz with me<br />
While dancing on the moon at night<br />
At least in thought my love I see<br />
Allen Watkins was born and raised in Neodesha,<br />
Kansas. After graduating from East High School, in<br />
Wichita, Kansas, Allen worked for the Boeing Aircraft<br />
Corporation for twenty-four years. In 1985, Allen and his<br />
wife Pearl moved to St. Augustine, FL. where they both<br />
worked for Northrop Grumman Corporation until<br />
retirement. They moved The Villages Florida in<br />
November 2002. Allen joined numerous writing groups<br />
as well as the Poetry Workshop. The written word,<br />
stories and poetry, is very important to Allen.
Abba Gee 1940<br />
by<br />
Linda Dickson<br />
Got no right? Eli Fox, I have every right to know where<br />
you have been. I haven’t left this house for fifteen<br />
minutes in the last fifteen days—somebody has to<br />
be here every minute of every day and since that somebody is
always me—it’s 1940 and I have all the rights I need to ask you<br />
where your butt has been for the last twenty four hours.”<br />
Mama sat on the porch all night waiting on Daddy to come<br />
home. She hadn’t known I was asleep on the floor just inside the<br />
front window. I heard her get up and go out. I was afraid she was<br />
leaving … leaving all of us. Her yelling at Daddy woke me up<br />
from a sound sleep. I’m twelve and a half years old and I wish I<br />
had a nickel for every time their yelling and arguing has woke me<br />
up in the middle of the night.<br />
Mama didn’t get to find out where Daddy had been all night<br />
cause he just came in the house and changed his shirt. Then he<br />
left again without a word. Daddy don’t come home most nights.<br />
Sometimes he’s gone for a week. That’s usually the week the<br />
rent is due and we have moved in the middle of the night many a<br />
time cause we couldn’t pay. One time, Daddy was gone so long<br />
Mama had to go to Uncle Luke and tell him we had nowhere to<br />
live. He’s Daddy’s older brother and has a good job as a fireman<br />
now that the Depression has run him off his farm. Uncle Luke got<br />
the other brothers to go in with him and rent us the house we live<br />
in now which is right across the street from the fire hall. Me and<br />
my two brothers get to go over and play in the fire hall any time<br />
we want to unless, of course, they get a call there is a fire<br />
somewhere and then we have to run for home. The bad news<br />
about getting to live here is he moved Pop and Grandma in with
us. They lost their farm to “Mr. Hoover’s depression” and had no<br />
place to stay neither. Daddy was so mad when he came home<br />
and found out Pop was living with us, he vowed to leave and<br />
never come back.<br />
Mama says the Depression didn’t make much difference to<br />
folks like us. We never had nothing anyway, but I remember<br />
when she used to get all dressed up in her suede high heels<br />
and dangling ear bobs to go dancing with Daddy. We seemed<br />
like we had a lot back in them days. I’m the oldest and I can<br />
remember more than either of my brothers about the good old<br />
days before we lived with Pop and Grandma. Willy, my oldest<br />
brother, is just barely eleven and Bud, the baby, is near about<br />
eight years old now. Boys don’t seem to pay near as much<br />
attention to stuff as girls do. I asked Willy one time if he thought<br />
Mama was pretty and he said he didn’t know; she was just<br />
Mama. But I think about stuff like that.<br />
Mama is prettier than anybody in the movies. Her hair is<br />
long and wavy when she takes it down out of them rag rollers<br />
and it’s the exact same color as sorghum molasses in the<br />
sunshine. I want to look just like her and some folks say I do, but<br />
I can’t see it. She named me after her own self. Her full name is<br />
Elizabeth Abigail Fox but everybody calls her Queenie. I don’t<br />
know why. She says she always wanted a baby girl so when I<br />
was born, she just decided to name me Elizabeth Abigail, too.
She meant to call me Abigail but when Willy come along, he<br />
couldn’t say it right. It come out Abba Gee and that has stuck.<br />
She’s back sitting on the porch, alone, waiting on the sun to<br />
come up, I reckon. If Mama and Daddy ain’t yelling and arguing,<br />
then Mama and Pop are. Our whole house smells like pee. Pop<br />
has taken to marking his territory since Mama got rid of the slop<br />
jar and demanded he go to the indoor toilet. He got so mad he<br />
raised his hand to backhand her.<br />
But this time she stood her ground, “Go on ... go on and hit<br />
me, old man. Go on … cut off the only hand that feeds you. I’ll<br />
be happy as a hog to watch you starve to death. Hit me. An’ I<br />
swear … I swear to Jesus, I’ll never turn another hand to see<br />
after you … EVER.”<br />
Pop backed down. Even he knew she meant it. That’s<br />
when he decided to pee all over the house. He said if she<br />
wanted him to go in the house, by God, that’s exactly what he<br />
would do. Pop likes to set fires, too. I seen him do it one time but<br />
I didn’t tell on him. I ask him why he did it and he says it’s the<br />
quickest way to get Uncle Luke to come. Mama says Pop didn’t<br />
just go crazy. She says he’s still himself only more so.<br />
God help him if she catches him—<br />
God help us all if she leaves us—<br />
I like living in this house though. Me, Willy and Bud not only<br />
have the fire hall; we also have the back alley. The grownups
have the big house and the front porch but the kids rule the<br />
alley. Well, the kids and the vagabonds, the drunks and the<br />
stray dogs that is. Our alley is a good one because there are<br />
busy streets on both ends of our block. The backside of the<br />
houses on our street, Holly Street, and the houses on Russell<br />
Street all share a common alley. Every house has a three-sided<br />
cinder-block pit for burning trash. The city gives us metal<br />
trashcans and they send somebody out to pick them up and<br />
empty them into a big truck every week.<br />
Pick up days are our favorites. Sometimes they send<br />
convicts with wide striped shirts, guilty of Lord knows what all.<br />
And other times its men folks in fairly nice clothes that come<br />
after the trash; nicer clothes than the men that live on Holly
Street. Mama says they probably made the wrong person mad<br />
or they been running around with the wrong crowd. This only<br />
served to prove Mama’s theory that you are whoever you<br />
associate with. Whatever the reason, the well-dressed pick up<br />
men keep their heads down and work careful. Look like to me<br />
they trying to preserve their shined shoes as best they can.<br />
Willy loves to fill our leaky metal can with soured milk just to<br />
hear them cuss.<br />
The “hobos”, as Pop calls them, are kind a sad. Like<br />
walking scarecrows, they barely able to lift the metal cans. Willy<br />
calls them “zombies”. He’s been obsessed with zombies ever<br />
since he saw a picture show at the Roxy about them. Mama<br />
said they were “alkies” trying to drink themselves to death.<br />
At least once a day we make a run through the alley to<br />
check out every fire pit and bin. Willy and Bud found a quarter<br />
once and spent the whole day at the Roxy. I found a diamond<br />
ring without no diamond. The rings empty prongs made a great<br />
weapon for threatening Willy. Aside from the fire pits and trash<br />
bins, every house had a alley house. Some are barely standing<br />
with giant holes in their roofs, but others are kept up nice<br />
because they are rented out to relatives or boarders.<br />
I wished I could live in ours all by myself. No Mama to<br />
make me watch after Grandma … no Willy or Bud to tear the<br />
heads off my baby dolls and no crazy old Pop peeing all over<br />
the place. Every time I asked Mama if I could move into the
alley house, she said the Gypsies would get me if I lived out<br />
there all alone. Mama has been talking about Gypsies ever<br />
since I can remember. How they were out hunting for little girls<br />
just like me. But, after all the times Mama warned us to look out<br />
for them, they still almost got us.<br />
We were playing cowboys and Indians and didn’t even<br />
hear them coming. I was just about to shoot Bud dead when his<br />
eyes got big and he let loose a blood-curdling scream. I knew<br />
he didn’t want to get shot by no cowgirl but his scream caught<br />
me by surprise and I dropped my stick that I was playing like<br />
was a six-shooter. Bud kept screaming and I was about to tell<br />
him to hush (after all my gun was just a Sycamore stick) when I<br />
noticed he wasn’t looking at me. He was looking behind me.<br />
So, I turned to look over my shoulder and I know I lost five<br />
years growth once I did. My heart came right up into my throat,<br />
which explains why I couldn’t even scream. Bud was still doing<br />
the job for both of us. Look like the blood vessels in his throat,<br />
which were turning blue, would burst and kill him any minute.<br />
I had no power to stop him, I couldn’t move. I was froze<br />
right in the middle of July … froze right where I stood. And I<br />
was standing less than an arm’s length from a bonafide Gypsy<br />
woman. She was an old Gypsy woman and they were the worst<br />
kind. They stole little children on account they couldn’t have<br />
none of their own. Stole them and sometimes they cooked
them and ate them. Or they raised them to be Gypsies and steal<br />
more little children. The men Gypsies just robbed you blind. I’d a<br />
whole lot rather be robbed blind than eat up dead.<br />
I swear I don’t know how the old woman slipped up on me.<br />
She had little bells sewed into the hem of her long skirt and more<br />
tiny bells slipped on giant hoops that hung from her ears. Her skirt<br />
was every color there is and even in the heat of July, she had a<br />
shawl around her shoulders (probably a good place to hide stolen<br />
babies). She was as broad as she was tall and covered every<br />
inch of the ground she stood on. Her hair was black as coal and<br />
hung lose all around her shoulders and her back. I couldn’t tell<br />
which was nastier, her hair or that old shawl.<br />
She didn’t say a thing but directly, she curled her upper lip<br />
into what was a smile, I reckon. I couldn’t stop staring at her front<br />
tooth (she only had one). The lone surviving tooth was made of<br />
gold. No wonder the other teeth were missing. She probably<br />
pulled them out and sold them. I could smell a strange odor on<br />
her breath, like the musty smell of the basement with pepper all<br />
over it. I can remember it better than I can tell it.<br />
Bud finally ran out of air and stopped his high-pitched<br />
screaming. In the silence, the Gypsy woman said something to<br />
me but I couldn’t make out a word she said. Her knarly hands<br />
looked something like Grandma’s except she had rings on every<br />
finger and bracelets stacked on both arms. I knew it wadn’t good
jewelry because it had all turned green on her. She reached out<br />
and touched my hair. I was still too scared to move and<br />
wondered if she meant to snatch me bald headed.<br />
A younger giant Gypsy man stepped out of our alley house<br />
and spoke sharply to the old woman. She jerked her hand away<br />
from my hair and turned. When she did, I could see the Gypsy<br />
man had Willy. He was hanging like a sack of potatoes over the<br />
man’s arm as he turned to walk back down the alley. The old<br />
woman was following him with bells tingling and bracelets<br />
clanging.<br />
My Lord to Jesus! They were stealing Willy! Bud was no<br />
help- he’d sunk all down inside himself and fell to the ground.<br />
Mama’d kill me if I let them steal Willy.<br />
I ran after the Gypsy man and tried to pull Willy free. But<br />
the man was strong and had a good hold around Willy’s waist.<br />
With his other arm he snatched me off the ground and held me<br />
so hard against his side I lost my breath. Soon as I could<br />
breathe again, I kicked and beat at him, tried to bite him, but all<br />
to no use. He had us. Me and Willy both was gonna be a Gypsy<br />
stew.<br />
I was about give out when I heard the old woman yelling in<br />
her foreign tongue. My captor turned and I could see Mama had<br />
the old woman by her hair with a butcher knife at her throat.
“Put my babies down you nasty thieving son of a bitch. I’ll<br />
kill her … I’ll kill her dead.” Mama had the old woman’s hair<br />
pulled so tight she couldn’t move her head.<br />
Pop was coming fast as he was able behind Mama. He had<br />
a piece of brick in his hand that must have been the only<br />
weapon he could find. “Put ’em down. Put them babies down<br />
afore I hit you in the head with this brick,” Pop yelled shaking his<br />
fist in the air.<br />
I knew right then my Mama could do anything … knew it in<br />
my soul. Knew she could save me from anything on earth.<br />
The Gypsy man dropped me and Willy both and began<br />
pleading with Mama not to kill the old woman. I reckon even<br />
Gypsies love each other cause the man had tears running down<br />
his face as he continued to beg Mama to let her loose.<br />
Mama yelled for me and Willy to get up and come to her,<br />
which I was well on my way to doing. But Willy wasn’t moving.<br />
Mama kept yelling his name but he was laying just as he fell. I<br />
ran back to him even though I was scared the Gypsy man would<br />
grab me again. Willy didn’t look hurt, no blood anywhere that I<br />
could see. Still, he wouldn’t wake up so I drug him by his arm<br />
toward Mama.<br />
Everybody was yelling. Pop threw his brick, but it didn’t hit<br />
nobody. Mama was losing her hold on the old woman cause she<br />
was trying to sink to her knees. Soon as I got Willy in reach,<br />
Mama let go and pushed the old woman down. She told Pop to
go to the fire hall and get Luke but Pop was too busy looking for<br />
another brick to throw at the Gypsies. He wasn’t listening to<br />
nobody cause he was so excited to have somebody to fight<br />
with.<br />
Mama grabbed Willy and we all crawled backed up against<br />
the alley house wall while the Gypsies ran off toward the street.<br />
Mama started to cry as she looked over Willy trying to<br />
determine what was the matter with him. He just looked like he<br />
was asleep to me. Mama picked him up and headed for the<br />
house. Pop was still looking all around for something to throw<br />
and didn’t seem to notice the Gypsies were gone and Mama<br />
was carrying Willy all by herself. He was all riled up and I was<br />
just as afraid of him as I had been the Gypsies. I thought it was<br />
a shame Gypsies didn’t go around stealing crazy old men cause<br />
we could’ve sure let them have Pop.<br />
“Get in the house, Abba Gee. Find me the ammonia. Lord<br />
God. What have they done to this baby? Run find your Uncle<br />
Luke … tell him to come get Pop out of the alley!”<br />
I started shaking all over. My teeth rattled in my head like I<br />
was still freezing cold but I did what Mama said. I took off for the<br />
fire hall. Seemed like the ground was moving under my feet. I<br />
was running and yelling, but I wasn’t getting nowhere nor<br />
making any sound. When I did get to the fire hall, I couldn’t<br />
make no words come out my mouth. I was trying to explain what
happened but I was shaking so hard all I got out was “Gypsies”<br />
and “Willy”.<br />
I don’t remember much after that cause I just laid down on<br />
the concrete floor of the fire hall and passed out. Least that’s<br />
what Mama said I did, which worried me quite a bit until Mama<br />
explained the difference between passing out and passing on.<br />
We never did find out what happened to Willy. To this very day he<br />
won’t even begin to talk about it.<br />
I know this much for truth. Don’t never let nobody tell you<br />
that gypsies don’t come and try to steal the children for I was<br />
almost one of them right out there in the back alley. Safe for my<br />
Mama, I could a been graveyard dead then and there.<br />
Linda R. Dickson, born 1950 in<br />
Nashville. Tennessee and a<br />
Tennessee resident until<br />
retirement in 2010. I do not<br />
consider myself a writer. I am a<br />
storyteller. Compelled to write<br />
down some of the stories else they<br />
die with me. There are no lists of<br />
credits, accomplishments, nor<br />
educational hints at talents<br />
undiscovered. In the great tradition<br />
of storytelling, I lie, embellish and steal stories of my ancestors<br />
whose names are lost even to me.<br />
Believing every life is a story, I am grateful for a small voice to<br />
record part of mine.
Click to play Outrun Forever:<br />
Words: Billy Wells<br />
Singer: ???????<br />
Producer: Wil Mouches
Freedom and Dignity<br />
(the day I went to prison)<br />
by<br />
Paul Lewin<br />
I was a college student. Mathematics. Some say the<br />
highest rung on the ladder of intelligence. Next to God. It was<br />
Sunday, my day to relax. Away from topology, a branch of<br />
mathematics studying Mobius strips, Kline bottles, and string<br />
theory.<br />
To relax and leisurely journey through the pages of The<br />
Sunday New York Times. Coffee and schmeered bagel in my<br />
hand. I was sitting on a blanket, at the water's edge overlooking<br />
Watson and Crick's idyllic Cold Spring Harbor.<br />
With pen in hand, as was my custom, to circle the words<br />
and ideas 'fit to print.' At least that was the promise of the Times<br />
first page masthead.<br />
I was the smartest and best, one word at a time. Left to<br />
right. I was blessed.<br />
And then it happened. I could not read the next word. It<br />
was terribly blurred. Were my eyes failing? I could not make
out a single letter. My mind's journey towards yet more superior<br />
intelligence was interrupted. How long would my disability last?<br />
And then I realized it was a tiny insect sitting on the next<br />
word! Blocking my ability to comprehend the next great idea of<br />
the day. At least, it was not my eyesight. As I focused, the<br />
insect started to crawl to the right. Soon it would block yet<br />
another word. That insect could stymie my ability to read. Pen in<br />
hand, I casually drew a line to the insect's right. The insect<br />
approached the ink line, stopped, and reversed its direction.<br />
Why? Could the insect sense the odor of the ink? I decided to<br />
experiment. I drew another line to the left of the insect. Again,<br />
the insect changed direction and began crawling toward the top<br />
of the page. Then I had a devilish idea. Why not draw a circle<br />
around the insect? Would that be the insect's ink prison? Sure<br />
enough, the insect refused to crawl across the circle of ink.<br />
Would it spend the rest of its life in the ink prison I had created?<br />
How clever I was to have been able to confine the dumb,<br />
annoying insect to a place where my superior reading efforts<br />
would not be disturbed.<br />
I suddenly was haunted by thoughts of my cruelty. That<br />
insect would perish in my prison. I felt sad. And then it<br />
happened. Miracle of miracles. I never noticed the flat insect had<br />
tiny folded wings. Unfolded, that annoying, stupid creature
turned into a flying ladybug. Up and away, it flew. Pausing briefly<br />
at my head, and then soaring to a place far above me. I wish I<br />
were that ladybug. It was me that was confined to live in prison,<br />
never to soar up and away. The letters of the ink of the printed<br />
New York Times' words were my prison bars.<br />
Paul Lewin is a retired mathematician. A National Merit<br />
Scholar, he attended The University of Rochester where he<br />
majored in Mathematics. At the University of Waterloo, Canada, he<br />
taught Computer Science.<br />
His blog, “It occurs to me” utube.com/divaannfisher, on the<br />
channel he created has 1,574,147 views.<br />
Paul is working on a self-help book to be called "How To<br />
Learn Patience Quickly."
Credits<br />
Larry Martin — consultation and initial input for a proof of<br />
concept test of Yumpu software<br />
Mark Newhouse –– consultation<br />
Paul Lewin –– consultation, content<br />
Barbara Rein –– content and consultation<br />
Pam O’Brian –– content<br />
Tony Oteri –– content<br />
Phil Walker –– content<br />
Linda Dickson –– content<br />
John Mellon –– consultation<br />
Dick Walsh –– editing<br />
The following people graciously offered content that was<br />
not used in this sample issue: Mark Newhouse, Jim<br />
Stark, Patrick Miller<br />
Layout software –– pages by Apple, PDF by Adobe<br />
Photos –– Unsplash<br />
Photos –– Shutterstock