02.12.2020 Views

Volume 26 Issue 4 - December 2020 / January 2021

In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.

In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Feature<br />

Shelter from the storm<br />

The IMAGINE project offers a safe space for artists to develop bold new works<br />

CATHY RICHES<br />

When it became apparent that the pandemic was not going<br />

to be a two-month event and was in fact going to be with<br />

us for many months, Tricia Baldwin asked herself, “What<br />

can we do to amplify the voices and creativity of artists, students,<br />

creators and educators?” As the director of the Isabel Bader Centre for<br />

Performing Arts in Kingston, Ontario (known simply as “The Isabel”),<br />

Baldwin, and her colleagues, recognized not just a need, but an<br />

opportunity. The result is the IMAGINE project.<br />

“This COVID-19 period is an excellent time for artists to immerse<br />

themselves in artistic ‘R&D’ to explore new collaborations, styles,<br />

concepts and performance practices and come out of the pandemic<br />

with enriched artistic voices,” Baldwin told me. With performance<br />

demands severely curtailed, many artists have time now to dig into<br />

projects and ideas that they might not normally have the energy and<br />

brain space to pursue. As well, performing has taken on new dimensions,<br />

hastened by the pandemic, with online presentations and<br />

streaming increasingly becoming the norm.<br />

Baldwin and her colleagues wanted to offer The Isabel, with its stateof-the-art<br />

lighting, video and audio equipment – along with the<br />

acoustical beauty the hall is renowned for – to artists so they could<br />

learn new skills and ways of presenting their works. “We see this as an<br />

incubator, not only for new works but for new performance practices<br />

and processes,” said Baldwin. “We want to give people a safe space to<br />

work in so they can take artistic risks and try out different media.”<br />

When the call for applications went out via getacceptd.com,<br />

The Isabel was initially planning to offer five or six spots in the<br />

program. However, they got such an enthusiastic response from the<br />

artistic community, receiving applications from a range of musicians,<br />

performers and educators with interesting ideas, that Baldwin<br />

approached the Kingston-based Ballytobin Foundation to increase the<br />

funding. Ballytobin willingly stepped up, and the result was that The<br />

Isabel was able to offer spots to 20 different groups/artists.<br />

“The entire arts world is undertaking a giant metamorphosis<br />

during the pandemic, and we are very pleased to support initiatives<br />

that prepare artists for the multi-platform world while growing their<br />

connections with audiences and presenters with such interesting<br />

work,” stated Joan Tobin, founder of the Ballytobin Foundation.<br />

IMAGINE attracted an eclectic range of projects and applicants. We<br />

chatted briefly to two of them to get a better sense of things.<br />

Sadaf Amini is an Iranian-Canadian musician, specializing in the<br />

santur, an instrument typically played in traditional Iranian music.<br />

She will be participating in two projects as part of the IMAGINE<br />

project; the one dearest to her heart is an elegy to Flight 752 that<br />

was shot down by the Iranian government in <strong>January</strong> <strong>2020</strong>, killing<br />

everyone on board.<br />

“I was deeply saddened<br />

by the news,” said Amini.<br />

“And I wanted to do something<br />

to commemorate the<br />

innocent people who were<br />

lost.” The work, being<br />

written by renowned<br />

composer John Burge for<br />

santur and choir, although<br />

still in the writing process,<br />

is planned to be a sevenmovement<br />

piece using<br />

poetry by the great Iranian<br />

poet, Rumi. It will also<br />

Sadaf Amini<br />

IMAGINE Project: successful applications<br />

! The Palenai Duo (Joy Innis and Adrienne Shannon, piano):<br />

audio recording of two works, by Saint-Saëns and Dvořák as part<br />

of new multi-media project.<br />

! Alex Mundy (singer, songwriter, storyteller): audio recording of<br />

debut album.<br />

! DUOver (Jennifer Routhier, mezzo-soprano, Natasha Fransblow,<br />

piano): audio recording of “full length collaborative audio/visual<br />

experience album.”<br />

! Movement Market Collective (Kay Kenney Johnson, dancer/<br />

choreographer, Rachel Shaen, creator/lighting designer, Josh Lyon,<br />

videographer): performance video of a new work.<br />

! Isabel String Quartet (Laura Andriani, Julia McFarlane, Caitlin<br />

Boyle and Wolf Tormann): residency/research: conversations<br />

and performance streaming of works by Black and Indigenous<br />

composers.<br />

! Julia Wedman, Baroque violin; Brian Solomon, choreographer;<br />

Mariana Medellin, Mestizo dancer: residency and performance<br />

video.<br />

! Sadaf Amini, santur; John Burge, composer; Darrel Christie/<br />

Kingston Chamber Choir: video streaming for virtual performance<br />

of new work.<br />

! Emilie Steele & The Deal (guitar trio): audio/video recording<br />

of new song.<br />

! Chantal Thompson, vocal artist (with Rich Bannard, Michael<br />

Occhipinti,George Koller, Chris Alfano, Katie Legere): audio<br />

recording of new album.<br />

AMIN POURBARGHI<br />

64 | <strong>December</strong> <strong>2020</strong> / <strong>January</strong> <strong>2021</strong> thewholenote.com

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!