Volume 26 Issue 4 - December 2020 / January 2021
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
In this issue: Beautiful Exceptions, Sing-Alone Messiahs, Livingston’s Vocal Pleasures, Chamber Beethoven, Online Opera (Plexiglass & All), Playlist for the Winter of our Discontent, The Oud & the Fuzz, Who is Alex Trebek? All this and more available in flipthrough HERE, and in print Friday December 4.
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Feature<br />
Shelter from the storm<br />
The IMAGINE project offers a safe space for artists to develop bold new works<br />
CATHY RICHES<br />
When it became apparent that the pandemic was not going<br />
to be a two-month event and was in fact going to be with<br />
us for many months, Tricia Baldwin asked herself, “What<br />
can we do to amplify the voices and creativity of artists, students,<br />
creators and educators?” As the director of the Isabel Bader Centre for<br />
Performing Arts in Kingston, Ontario (known simply as “The Isabel”),<br />
Baldwin, and her colleagues, recognized not just a need, but an<br />
opportunity. The result is the IMAGINE project.<br />
“This COVID-19 period is an excellent time for artists to immerse<br />
themselves in artistic ‘R&D’ to explore new collaborations, styles,<br />
concepts and performance practices and come out of the pandemic<br />
with enriched artistic voices,” Baldwin told me. With performance<br />
demands severely curtailed, many artists have time now to dig into<br />
projects and ideas that they might not normally have the energy and<br />
brain space to pursue. As well, performing has taken on new dimensions,<br />
hastened by the pandemic, with online presentations and<br />
streaming increasingly becoming the norm.<br />
Baldwin and her colleagues wanted to offer The Isabel, with its stateof-the-art<br />
lighting, video and audio equipment – along with the<br />
acoustical beauty the hall is renowned for – to artists so they could<br />
learn new skills and ways of presenting their works. “We see this as an<br />
incubator, not only for new works but for new performance practices<br />
and processes,” said Baldwin. “We want to give people a safe space to<br />
work in so they can take artistic risks and try out different media.”<br />
When the call for applications went out via getacceptd.com,<br />
The Isabel was initially planning to offer five or six spots in the<br />
program. However, they got such an enthusiastic response from the<br />
artistic community, receiving applications from a range of musicians,<br />
performers and educators with interesting ideas, that Baldwin<br />
approached the Kingston-based Ballytobin Foundation to increase the<br />
funding. Ballytobin willingly stepped up, and the result was that The<br />
Isabel was able to offer spots to 20 different groups/artists.<br />
“The entire arts world is undertaking a giant metamorphosis<br />
during the pandemic, and we are very pleased to support initiatives<br />
that prepare artists for the multi-platform world while growing their<br />
connections with audiences and presenters with such interesting<br />
work,” stated Joan Tobin, founder of the Ballytobin Foundation.<br />
IMAGINE attracted an eclectic range of projects and applicants. We<br />
chatted briefly to two of them to get a better sense of things.<br />
Sadaf Amini is an Iranian-Canadian musician, specializing in the<br />
santur, an instrument typically played in traditional Iranian music.<br />
She will be participating in two projects as part of the IMAGINE<br />
project; the one dearest to her heart is an elegy to Flight 752 that<br />
was shot down by the Iranian government in <strong>January</strong> <strong>2020</strong>, killing<br />
everyone on board.<br />
“I was deeply saddened<br />
by the news,” said Amini.<br />
“And I wanted to do something<br />
to commemorate the<br />
innocent people who were<br />
lost.” The work, being<br />
written by renowned<br />
composer John Burge for<br />
santur and choir, although<br />
still in the writing process,<br />
is planned to be a sevenmovement<br />
piece using<br />
poetry by the great Iranian<br />
poet, Rumi. It will also<br />
Sadaf Amini<br />
IMAGINE Project: successful applications<br />
! The Palenai Duo (Joy Innis and Adrienne Shannon, piano):<br />
audio recording of two works, by Saint-Saëns and Dvořák as part<br />
of new multi-media project.<br />
! Alex Mundy (singer, songwriter, storyteller): audio recording of<br />
debut album.<br />
! DUOver (Jennifer Routhier, mezzo-soprano, Natasha Fransblow,<br />
piano): audio recording of “full length collaborative audio/visual<br />
experience album.”<br />
! Movement Market Collective (Kay Kenney Johnson, dancer/<br />
choreographer, Rachel Shaen, creator/lighting designer, Josh Lyon,<br />
videographer): performance video of a new work.<br />
! Isabel String Quartet (Laura Andriani, Julia McFarlane, Caitlin<br />
Boyle and Wolf Tormann): residency/research: conversations<br />
and performance streaming of works by Black and Indigenous<br />
composers.<br />
! Julia Wedman, Baroque violin; Brian Solomon, choreographer;<br />
Mariana Medellin, Mestizo dancer: residency and performance<br />
video.<br />
! Sadaf Amini, santur; John Burge, composer; Darrel Christie/<br />
Kingston Chamber Choir: video streaming for virtual performance<br />
of new work.<br />
! Emilie Steele & The Deal (guitar trio): audio/video recording<br />
of new song.<br />
! Chantal Thompson, vocal artist (with Rich Bannard, Michael<br />
Occhipinti,George Koller, Chris Alfano, Katie Legere): audio<br />
recording of new album.<br />
AMIN POURBARGHI<br />
64 | <strong>December</strong> <strong>2020</strong> / <strong>January</strong> <strong>2021</strong> thewholenote.com