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pride – the riders of Bordeaux, alarmed at reports the cycling<br />

clubs of Grenoble and Lyon were about to adopt the English model<br />

of endurance time trialling, jumped the gun and opted for a less<br />

logistically challenging point-to-point race. The pacing came later –<br />

the 1899 race was paced by motorcar, the raffishly knickerbockered<br />

figure of Josef Fischer tucked in the slipstream of an elegant<br />

automobile. The familiar profile of the smelly little Derny would be<br />

introduced in the 1930s.<br />

The UVF had always been open about attracting professional riders<br />

to their ranks and allowing them to compete in their races. But one of<br />

France’s elite riders, Charles Terront, would not be at the start line in<br />

1891. In order to attract British riders to the race, Le Véloce-sport was<br />

forced to accept the diktat of the National Cycling Union that the race<br />

be strictly amateur. Which meant that the shamateur Mills, riding for<br />

his North Road club but heavily sponsored by Humber bicycles, was<br />

free to be paced by a professional and beat the peloton of French club<br />

riders. Ironically, the British had turned what was dreamed of as a<br />

randonnée into a proper road race.<br />

The debate over where Paris-Bordeaux could and would lead the<br />

sport of bike racing would rage on over the next decade. By the late<br />

1890s the race had been taken over by Giffard’s Le Vélo and the 1902<br />

edition was won by Édouard Wattelier, who had already finished<br />

second in that year’s Paris-Roubaix.<br />

But there was another Bordeaux-Paris race that year, where the<br />

winning rider smashed the winning time by over 4 hours. It was<br />

unpaced because the organiser despised anything that might impede<br />

on the Spartan cruelty of long-distance riding. That second race was<br />

won by a rider known variously as the White Bulldog and le petit<br />

ramoneur and was organised by the new kid on the sports journalism<br />

block – L’Auto-Vélo under the editorship of Henri Desgrange.<br />

92

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