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Eagle News Jan 2012 - Bedford Modern School

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Returning to BMS after eleven years, to attend and speak at a<br />

dinner on 18 June 2011 for leaving staff, I was shocked by the<br />

signs of ageing among former colleagues still employed there, not<br />

yet rejuvenated by retirement. But as for Monica Hetherington,<br />

Shakespeare put it best:<br />

"Age cannot wither her, nor custom stale<br />

Her infinite variety..."<br />

As the gloriously long-flowering career of our Cleopatra of the<br />

classroom drew to a close, I could reveal in my speech how I had<br />

feared it would be nipped in the bud... In 1977 Peter Hetherington<br />

had a calling: to give up his position as Head of English at BMS and<br />

follow the great Romantic poets, Byron, Shelley and Keats, setting<br />

sail for the Mediterranean. But before he did so, I was appointed<br />

his successor, and Monica Simons was summoned for interview.<br />

Now I am sure that at this first meeting between Monica and Peter<br />

a spark was struck, although full ignition would be delayed. And<br />

what a combustion it was! The Headmaster was Brian Kemball-<br />

Cook, known as K-C. An eminent classical scholar with a Double<br />

First from Balliol College, Oxford, he was approaching the end of a<br />

distinguished career. Misguidedly, I imagined that Monica's<br />

appointment would be problematic. There seemed to me to be<br />

three weighty objections, apart from the fact that George Cullen,<br />

the formidable Head of Games, had made it clear that he expected<br />

a rugby player to be appointed. Firstly, Monica had graduated from<br />

a place famous not for its dreaming spires, but for its fish dock. I<br />

therefore spoke up as follows: ‘Headmaster, we Oxonians should<br />

perhaps bear in mind that the University Librarian at Hull is the<br />

acclaimed modern poet, Philip Larkin. His most celebrated poem<br />

has a Latin title, to understand which, you sir, a scholar of Balliol,<br />

need no translation. Allow me to quote from Annus Mirabilis:<br />

Sexual intercourse began<br />

In nineteen sixty-three<br />

(Which was rather late for me) -<br />

Between the end of the Chatterley ban<br />

And the Beatles’ first LP.’<br />

K-C did not speak, no doubt moved beyond words by this sad poem<br />

of missed opportunities.<br />

The second difficulty I anticipated was that Monica had no<br />

postgraduate professional qualification as a teacher. Again, I spoke<br />

up, emboldened by my previous success: ‘Headmaster, may I<br />

remind you that the outgoing Head of English, Peter Hetherington,<br />

is no more qualified than Miss Simons. Furthermore, his<br />

predecessor, Norman Frost, was academically unqualified, and yet<br />

How Monica was appointed<br />

How Monica was appointed<br />

(with a little help from Philip Larkin)<br />

by Richard Claridge (1953-61, Staff 1967-2000)<br />

he was promoted to Vice Master.’ I<br />

pressed on: ‘Headmaster, surely<br />

there is a case for the amateur<br />

approach – “amateur” from the<br />

Latin “amare, to love,” a verb, as you<br />

yourself, a scholar of Balliol, will<br />

surely know, which conjugates in<br />

the present tense “amo, amas,<br />

amat.” K-C looked at me in<br />

amazement. I was sure I had again<br />

won my point.<br />

Monica Hetherington directing<br />

Troilus and Cressida in 1982<br />

(photo: Stuart Buxton, 1978-83)<br />

The third difficulty I foresaw was the weightiest, and I had no<br />

arguments to counter it. K-C was on his own this time. For her<br />

interview (as nostalgia recalls it, though Monica herself and Peter<br />

believe she had a frizzy perm), Monica wore her hair not in a tight<br />

bun but in a pony-tail which, from time to time, she would toss in a<br />

winsome way, like those young American women in Friends. She<br />

wore a pair of long, sleek, chestnut-brown, leather boots. I thought<br />

that K-C's customary composure had slipped. The mettle of the<br />

man who had climbed the Matterhorn, translated Homer, and been<br />

awarded the Croix de Guerre avec Palme was being tested as<br />

never before. I held my breath. Then it happened: serenity suffused<br />

K-C's countenance, and he made the appointment.<br />

And what an appointment it proved to be, although, to be frank,<br />

Monica did absolutely nothing for BMS rugby. But in all her varied<br />

roles - in the classroom, in her direction of superb school plays -<br />

Waiting for Godot, and The Tempest are outstanding memories for<br />

me - in her management of the English Department and the Sixth<br />

Form, in her careers and tutorial work, Monica set the benchmark<br />

for professional excellence. An amateur too, in the best sense of<br />

the word, loving her subject and caring for her students, Monica will<br />

always be remembered fondly by hundreds of OBMs, for the quality<br />

of her teaching, for her kindness and encouragement, and for the<br />

cheerful, positive outlook which she imparts. And then there is her<br />

tact, her intuitive sense of the right word or gesture, whatever the<br />

occasion, a quality that springs from her sensitivity to the feelings<br />

of others, and one that has endeared her to colleagues and friends.<br />

So let everyone give praise to Brian Kemball-Cook for his<br />

courageous judgement, and to Monica, for all the charming ways in<br />

which she has enriched the life of BMS, students and colleagues,<br />

past and present, surely give their thanks and their love.<br />

75

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