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- Page 3 and 4: Others simply cannot take the burde
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- Page 9 and 10: Whether the graffiti on the metalli
- Page 11 and 12: The moment we are leaving the frame
- Page 13 and 14: All and all I am spending a long ti
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- Page 17 and 18: In Udai's images it is the reading
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- Page 21 and 22: For a moment I was sure that thecon
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- Page 29 and 30: And she was doing it in the most ho
- Page 31 and 32: And my haunting question is: Why on
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- Page 37 and 38: There is a third presence which all
- Page 39 and 40: “The rules of composition do not
- Page 41 and 42: But it is the whole of the image wh
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- Page 45 and 46: And the temporal hallucination offe
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- Page 53 and 54: This human portrait has the power o
- Page 55 and 56: It may sound like a cheap "animal l
- Page 57 and 58: Inevitably a psychologic portrait a
- Page 59 and 60: Grace is the message, the intent an
- Page 61 and 62: The abstraction of the shattered gl
- Page 63 and 64: Nevertheless, and happily, there ar
- Page 65 and 66: "I’m an eye. A mechanical eye. I,
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- Page 71 and 72: "This is symmetric". No, it is not,
- Page 73 and 74: The fact that the individual sees a
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Our own stolen, granted or missedch
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The author claims wanting to grasp
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If any of the shapes, subjects or o
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Try to close your eyes when looking
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Admire the bent legs and pipes, and
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The author grasps the smell of the
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The author knows the difficulty (no
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Why the author was there? Simply to
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© magali kermaidic________________
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