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in touch Intercontinental Sculpture

Quarterly magazine showcasing the work of Intercontinental Sculpture Inc. Give your world more dimension and enrich your life through sculpture.

Quarterly magazine showcasing the work of Intercontinental Sculpture Inc.
Give your world more dimension and enrich your life through sculpture.

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Shields and horns are means for protection.

They offer a place of security, but

they make you mobile, too, as they become

extensions of the self.

The Shield is freestanding, unlike those

that lean against a block of material, a

column or part of an edifice. It turns on

the custom hardware, not easily, but with

some low torque when pushed by hand.

The surface is rough, like broken skin,

revealing a pattern of the mechanical

movement that carved its very being out

of this large block of marble. Up close I

can engage with the surface as a soft entity,

stepping away its circumference is a

large embrace. The measure of woman as

I spread my wings.

I have been pondering the

meaning of art and am hoping that in

post pandemic times there will be

a need for work that taps into

humanist values, work that is not

reactionary but has optimism radiating

from within.

(Vanessa Paschakarnis)

I do engage with Bestia Umana in a very

similar way. This new horned creature is

standing high and its smoothly finished

head is pulling out of a tall, grey block of

marble.

I would like you to look with your

knees, feel with your eyes

and see with your elbows.

Sculpture is a catalyst for all our

senses and it exists in order

to question who we are next to it.

(Vanessa Paschakarnis)

The horns lift up like arms in a creamy rose

coloured marble with salmon coloured

tips. You don’t know how far you can fly

if you don’t spread your wings. This new

horned being is alive and stoic in the presence

with the horns rising like arms, like

wings, but halting, resting, before daring

to take off.

Both sculptures are a metaphor for the human

spirit as a wild young thing that needs

to be protected and tamed.

Detail of Bestia Romana, 2009;

Travertine, Statuario Marble,

96cm x 100cm x 183cm;

The object based sculpture by Vanessa

Paschakarnis seeks to confront the viewer

literally on a one to one level, physically

responding to our platform for action and

the viewer becomes the other, feeling her

way through a new surrounding full of

positive potential. Feeling grounded. vip

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