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Seraph Designs Branding Guidelines

Branding guidelines created for Seraph Designs which contains information on the styling, look and feel of the brand.

Branding guidelines created for Seraph Designs which contains information on the styling, look and feel of the brand.

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BRAND GUIDELINES


CONTENTS

CONTENTS 2

Inspiration & Philosophy 4

LOGO 6

Logo Usage 8

White Space 10

Do’s and Don’t’s 11

BRAND COLOURS 12

Primary Colours 14

Secondary Colours 15

TYPOGRAPHY 16

Headings & Sub-Headings 18

Body text & Referencing 20

ICONOGRAPHY 22

General icons 24

Icon usage 25

STATIONERY 26

Application 28

2

3



THE INSPIRATION

The Seraph Design logo is inspired by the wings of angels. Specifically, the Seraphim, which are the highest

order of angels in Heaven.

This symbolism of the angel wings in the context of design is the strive for the highest quality in design.

The wings of the logo are also represetative of the priciples in design, which make up the wings

themselves.

The wings comes together to create 4 distinct diamonds which in themselves are representative of the

results when the priciples are used to their fullest. The diamonds represent - Innovation, usefulness,

aesthetics and understandability.

THE PHILOSOPHY

The Seraph Designs logo is based on angel wings, which signifies flying to the highest reaches.

Like Seraphs, the logo is made up of 3 pairs of wings, each signifying the design priciples in which

great design is built from. These priciples are;

1. Balance: the visual weight distribution of objects, colours and space in a design.

2. Contrast: the accentuation of the differences between elements such as rough vs

smooth in textures, large vs small in objects, and thick vs thin in lines.

3. Proximity: the relationship of how objects fit together in a composition

4. Repetition: the repeating of elements throughout a composition, creating consistency

and continuity.

5. White Space: also known as negative space, white space is the absence of text and graphics

between elements, which creates visual breathing room for the eye and

making the page feel less cramped.

6. Alignment: helps unify the elements on a page by creating a visual connection between

them, creating a sharper and well organised design.

4 5



LOGO

Its usage and application

6 7



LOGO

LOGO USAGE AGAISNT LIGHT & COLOUR BACKGROUNDS

Black version of the logo to be used against white and light

backgrounds. This includes when the logo is used agaisnt

imagery. Care should also be taken to make sure the logo is

never obstracted, and it is placed where it is clear with high

contrast agaisnt the background.

LOGO USAGE AGAISNT BLACK & DARK BACKGROUNDS

The Seraph design logo has 3 alternate logo colours, which

consist of white, red and gold. These versions of the logo are

only to be used agaisnt black or dark backgrounds, taking

into consideration its best application for the brief,

placement and usage.

8 9



LOGO

WHITE SPACE

DO’S AND DON’T’S

The diagram below illustrates the amount of negative space

ideally, which should be allowed surrounding the logo.

In order to calculate the amount of space needed, the logo

should be visually ‘divided’ into 3, with a 1/3 to be the space

which surrounds the logo.

Do not alter the logo in anyway.

The symbol should never be

displayed without the name.

Logo should never be obstracted and always

be displayed clearly. See previous page on

white space.

Never rotate the logo.

Logo may be displayed in other brand colours,

as long as contrast is high and logo

is displayed clearly.

Do not mix and match colours in the logo.

10 11



BRAND COLOURS

Primary & Secondary brand colours and

their values.

12 13



BRAND COLOURS

PRIMARY COLOURS

Primary colours for the brand is black and white.

These 2 colours coupled with the secondary colours

allows for flexibilty and choice. These 2 colours were

chosen to represent the foundation of simplicity and

style Seraphim Designs stands for.

SECONDARY COLOURS

The secondary colours for Seraphim Designs are Red and

Gold. These colours were chosen for their high contrast

agaisnt each other, but also agaisn’t the primary colours.

These 2 colours both represent passion, strength, quality,

and prestige.

14

CMYK: 0/0/0/0

RGB: 255/255/255

Hex: fffff

Pantone: -

CMYK: 0/0/0/100

RGB: 0/0/0

Hex: 000000

Pantone: -

CMYK: 0/100/100/0

RGB: 252/5/5

Hex: fc0505

Pantone: 2347 C

CMYK: 22/41/100/2

RGB: 200/148/3

Hex: C89403

Pantone: 10123 C

15



TYPOGRAPHY

Primary and Secondary fonts and

their uses.

16 17



TYPOGRAPHY

PRIMARY HEADING FONT

AGLET SANS

To be used for headings and sub-headings.

ALTERNATE HEADING FONT

PROXIMA NOVA

To be used for headings and sub-headings.

BOLD

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

BOLD

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

REGULAR

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

REGULAR

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

PAGE NUMERATION

• 6 mm space after for headings

• 3 mm space after for sub-headings

• 1.5 mm space after for paragraphs

• 3.5 mm gutter width

• 3 mm bleed for all printed materials

(to be adjusted to size requirements)

• 8 mm margin

18 19



TYPOGRAPHY

PRIMARY BODY FONT

ADELLE

To be used for body copy, footers, page numbering and referencing.

ALTERNATE BODY FONT

BASKERVILLE

To be used for body copy, footers and page numbering and referencing.

BOLD

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

BOLD

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

REGULAR

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

SEMI

BOLD

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

THIN

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

REGULAR

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz

1234567890~!@#$%^&*()

20 21



ICONOGRAPHY

Style of icons, their usage and non-usage

22

23



ICONOGRAPHY

GENERAL ICONS

General icons need to conform to the overall styling

of Seraph Design’s branding. Icons need to be simple,

conservative and suggestive of the function they represent.

When creating new icons, there is 2 main styles which can

be used within the branding.

USAGE

Icons may be displayed within containers or without,

depending on the requirement of the design. Below are

some examples of how to and how not to use icons.

DUAL COLOUR

Dual colour icons, as the name suggests, consist of 2 colours

- black which makes up the outline of the icon, and either

red or gold mixed in to the design of the icon. This styling

should be used as the default option in most designs.

Icons should be clearly visible with

contrast emphasising the image.

SOLID COLOUR BLACK

Solid colour icons are made up of solid black, however

should still be consistent in the look and feel as the dual

colour icons. They are made up of a black outline with the

‘body’ of the icon made up of solid black.

Icon style should be consistent with

the current library. Icons should be

flat, simple and easy to understand.

24 25



STATIONERY

Look and feel of forms, letterheads and

other materials which are used within

the business

26 27



STATIONERY

APPLICATION

Stationery is simplistic and minimal in its design for

maximum clarity. Colour is used to highlight important

information such as total amounts on invoices and contact

information on business cards.

Invoice Letterheads Business

cards

I N V O I C E

ABN: 58 516 470 892

Invoice # : 0000000001

Date: 14/01/2021

Date

TO

Customer name

Company Name

Company Address

DESCRIPTION TIME PRICE

Graphic design services

including logo creation,

brand guidelines and

document layouts

20 hours $50 p/h

GRAND TOTAL:

TOTAL: $1000

GST: $100

$1100 AUD

To:

Customer name

Company Name

Company Address

Dear Valued Customer,

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qui ut accupta et mo denda quassusam as cus num fugia et di con pere et at.

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laborio ssunt, et, odis ea del ima es perum etus expliatinis dolorum re dolut eici torporeperum

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ma sum eum quossit iandiam re, quid ut volente pres untem qui dolut as etus eat.

Vel est, ut ut quatur, sim qui sit el expellupta secte doluptas di dolo occabo. Evenihi

liquis aperatinim ut hitem ad eatemol uptatur aut omniende que volupiet aut ut

laborio ssunt, et, odis ea del ima es perum etus expliatinis dolorum re dolut eici torporeperum

etum, neceaquam, cum quaecto doluptat ut re voluptibus.

Vel est, ut ut quatur, sim qui sit el expellupta secte doluptas di dolo occabo. Evenihi

liquis aperatinim ut hitem ad eatemol uptatur aut omniende que volupiet aut ut

laborio ssunt, et, odis ea del ima es perum etus expliatinis dolorum re dolut eici tor

Gerson Chevez

Graphic Designer

P: 0413 508 145

I: Seraph_Designs

E: gerson.chevez@gmail.com

Gerson Chevez

Graphic Designer

P: 0413 508 145

I: Seraph_Designs

E: gerson.chevez@gmail.com

PAYMENT OPTIONS:

Bank transfer:

Paypal:

BSB: 923100

email: gerson.chevez@gmail.com

ACC: 35980147 Ph: 0413 508 145

Regards,

TERMS AND CONDITIONS:

• Invoice to be paid within 7 days of receiving invoice

• Overdue fees may apply if invoice is not paid on time with no prior warning.

• If there is any error listed on this invoice or any issues you may have,

please contact 0413 508 145 to discuss.

Gerson Chevez

24/58 Meadow Crescent

Phone | 0413 508 145

24/58 Meadow Crescent

Phone | 0413 508 145

Meadowbank, 2114

Email | gerson.chevez@gmail.com

Meadowbank, 2114

Email | gerson.chevez@gmail.com

28 29



“Imagination is more important than knowledge.

For knowledge is limited, whereas imagination embraces the

entire world, stimulating progress, giving birth to evolution.”

- Albert Einstein

30 31


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