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**October 2012 Focus - Focus Magazine

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“Land Use Application”<br />

nancy ruhl<br />

Paintings of houses & urban landscapes<br />

At Madrona Gallery (View St)<br />

www.nancyruhl.ca • nancyruhl.blogspot.com<br />

250-514-1524<br />

the arts in october<br />

October 20<br />

DIEMAHLER CHAMBER MUSIC SERIES<br />

St Mary the Virgin Church<br />

VIOLINIST PABLO DIEMECKE HAS ENJOYED AN ECLECTIC<br />

career that has seen him embrace the great masterworks of his instrument<br />

and the Latin musical traditions of his native Mexico. His parents<br />

are classically trained musicians who nurtured the nascent musical<br />

abilities of their eight children with their expert instruction. Diemecke<br />

in fact jokes that even now his mother “has not finished telling us how<br />

much we still need to practise!” The Diemecke children began performing<br />

together at a very early age. In fact, as soon as there were enough of<br />

them to form a string quartet, their father began showing them off.<br />

By age 26, Diemecke had achieved the pinnacle of musical success<br />

in Mexico by securing the coveted position of concertmaster with the<br />

National Symphony Orchestra of Mexico. It was surprisingly disheartening<br />

for him. Says Diemecke,<br />

“So now I’m the concertmaster<br />

of the National Symphony, and<br />

I thought ‘No no no!’ I want<br />

something better. I want to go<br />

other places!” So, he travelled<br />

to Washington DC, where he<br />

was the concertmaster of the<br />

Washington Chamber Orchestra<br />

and studied with Henryk<br />

Szeryng, whom Diemecke<br />

considers “one of the greatest<br />

violinists in the world.”<br />

Following this, Diemecke<br />

Pablo Diemecke<br />

auditioned and won the concertmaster<br />

position with the Victoria Symphony Orchestra, where he served<br />

for 20 years, retiring in 2006. He has won numerous awards and honours<br />

over the years, including a nomination for a Latin Grammy Award for<br />

a live recording with the National Symphony Orchestra of Mexico,<br />

conducted by his brother in 2002. The nomination carried with it a<br />

certificate and a medallion, which was to be sent to Diemecke, who<br />

couldn’t attend the ceremony. But, there was a snag. “It was lost for<br />

ten years,” he explains, “I just got my medallion a year ago!”<br />

He is now taking on the challenge of chamber work with his DieMahler<br />

String Quartet, performing with the Macpherson Trio, and working<br />

with his own orchestra, Orchestre des Concerts Diemecke, as well as<br />

teaching and mentoring young musicians. One wonders how one man<br />

can take on so much, but for Diemecke it’s all about the music:<br />

“When I’m playing, I forget about technique. I think about the music<br />

first. So if we risk and we are being emotional inside of ourselves, we<br />

can project our music better. If we are thinking about being perfect…we’re<br />

not thinking about sending a message to the public.”<br />

On October 20, the DieMahler String Quartet (with Diemecke,<br />

Martine DenBok, Elizabeth Massi, and Lawrence Skaggs) will include<br />

present “Three B’s, Revolutionaries” with Brahm’s Hungarian Dances.<br />

On November 17, the quartet will perform Mozart’s “Dissonance”<br />

Quartet and Schubert’s “Death and the Maiden” in a concert entitled<br />

“The Spirit of the 18th Century.” December 8’s “Traditional Christmas<br />

Favourites” will be the finale of this year’s series.<br />

All concerts are at St Mary the Virgin, 1701 Elgin Road in Oak Bay.<br />

$25/22.50 at 250-386-6121, Ivy’s Books, Cadboro Bay Books. See<br />

www.diemahlerenterprises.com. —Lisa Szeker-Madden<br />

30 October <strong>2012</strong> • FOCUS

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