**October 2012 Focus - Focus Magazine
**October 2012 Focus - Focus Magazine
**October 2012 Focus - Focus Magazine
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“Land Use Application”<br />
nancy ruhl<br />
Paintings of houses & urban landscapes<br />
At Madrona Gallery (View St)<br />
www.nancyruhl.ca • nancyruhl.blogspot.com<br />
250-514-1524<br />
the arts in october<br />
October 20<br />
DIEMAHLER CHAMBER MUSIC SERIES<br />
St Mary the Virgin Church<br />
VIOLINIST PABLO DIEMECKE HAS ENJOYED AN ECLECTIC<br />
career that has seen him embrace the great masterworks of his instrument<br />
and the Latin musical traditions of his native Mexico. His parents<br />
are classically trained musicians who nurtured the nascent musical<br />
abilities of their eight children with their expert instruction. Diemecke<br />
in fact jokes that even now his mother “has not finished telling us how<br />
much we still need to practise!” The Diemecke children began performing<br />
together at a very early age. In fact, as soon as there were enough of<br />
them to form a string quartet, their father began showing them off.<br />
By age 26, Diemecke had achieved the pinnacle of musical success<br />
in Mexico by securing the coveted position of concertmaster with the<br />
National Symphony Orchestra of Mexico. It was surprisingly disheartening<br />
for him. Says Diemecke,<br />
“So now I’m the concertmaster<br />
of the National Symphony, and<br />
I thought ‘No no no!’ I want<br />
something better. I want to go<br />
other places!” So, he travelled<br />
to Washington DC, where he<br />
was the concertmaster of the<br />
Washington Chamber Orchestra<br />
and studied with Henryk<br />
Szeryng, whom Diemecke<br />
considers “one of the greatest<br />
violinists in the world.”<br />
Following this, Diemecke<br />
Pablo Diemecke<br />
auditioned and won the concertmaster<br />
position with the Victoria Symphony Orchestra, where he served<br />
for 20 years, retiring in 2006. He has won numerous awards and honours<br />
over the years, including a nomination for a Latin Grammy Award for<br />
a live recording with the National Symphony Orchestra of Mexico,<br />
conducted by his brother in 2002. The nomination carried with it a<br />
certificate and a medallion, which was to be sent to Diemecke, who<br />
couldn’t attend the ceremony. But, there was a snag. “It was lost for<br />
ten years,” he explains, “I just got my medallion a year ago!”<br />
He is now taking on the challenge of chamber work with his DieMahler<br />
String Quartet, performing with the Macpherson Trio, and working<br />
with his own orchestra, Orchestre des Concerts Diemecke, as well as<br />
teaching and mentoring young musicians. One wonders how one man<br />
can take on so much, but for Diemecke it’s all about the music:<br />
“When I’m playing, I forget about technique. I think about the music<br />
first. So if we risk and we are being emotional inside of ourselves, we<br />
can project our music better. If we are thinking about being perfect…we’re<br />
not thinking about sending a message to the public.”<br />
On October 20, the DieMahler String Quartet (with Diemecke,<br />
Martine DenBok, Elizabeth Massi, and Lawrence Skaggs) will include<br />
present “Three B’s, Revolutionaries” with Brahm’s Hungarian Dances.<br />
On November 17, the quartet will perform Mozart’s “Dissonance”<br />
Quartet and Schubert’s “Death and the Maiden” in a concert entitled<br />
“The Spirit of the 18th Century.” December 8’s “Traditional Christmas<br />
Favourites” will be the finale of this year’s series.<br />
All concerts are at St Mary the Virgin, 1701 Elgin Road in Oak Bay.<br />
$25/22.50 at 250-386-6121, Ivy’s Books, Cadboro Bay Books. See<br />
www.diemahlerenterprises.com. —Lisa Szeker-Madden<br />
30 October <strong>2012</strong> • FOCUS