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JISC Design Competition 2020 Book

Jinkai Initiative Shelter Competition Report and Proposals This is a campaign enlisting and unleashing the creative talents of Nigerian Architecture students to empower, up skill and rehouse internally displaced person (IDPs). Published by Jinkai Initiative

Jinkai Initiative Shelter Competition Report and Proposals

This is a campaign enlisting and unleashing the creative talents of Nigerian Architecture students to empower, up skill and rehouse internally displaced person (IDPs).

Published by Jinkai Initiative

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Jos, Plateau State, Nigeria

Honourable Mention

Team Maestro

SABON FARAWA

At the core of our design proposal is the belief that

no one deserves not to have a home. Shelter, apart from

being a basic human need, is also a fundamental human

right. Faced with the challenge of designing a home for the

resettlement of displaced individuals, we decided that a key

factor to the success of this project was to fully understand

the essential special configurations that these people

recognize as their own so we can ensure its continuity

through a carefully thought out design and construction

Chuka Uwakwe

process, hence the decision to choose “RESTART “as the

concept. Inspiration for this project is drawn from the

restart icon. Two arrows, one starting where the other stops were literally inscribed as the building forms as a

way of literally symbolizing the theme of the project. SABON FARAWA literally translates to ‘a fresh start’, and

to achieve the intent of this project, we chose elements that will provide an initial frame that can be further

developed by the families, at their own pace and that are based on a simple construction detail that is easy to

replicate.

After thorough research into the life and culture of these areas, we were able to provide a response to

the housing need by ensuring that important aspects of their lifestyle (occupation, religious affiliations, privacy

and security) are all accommodated within the design. We started by properly zoning the spaces with regards

to cultural appropriation and the spaces were tailored to meet specific needs. The public zone (for guests and

the head of the family), the intermediate zone (the courtyard and some other unifying spaces) and then the

private zone reserved basically for women and the children. Visitors are received either at the entrance foyer

of the house (dakali) or in the visitor reception room (zaure) away from the actual living room occupied by

the family. The last part of the public zone is the unit of the head of the family (Turaka) which is most times

a small sitting area that precedes the main bedroom. The remaining spaces are organized around a central

courtyard which serves as the central activity zone of the family. The courtyard is also some sort of a healing

space for traumatized individuals, as it offers an open yet secure space to contemplate, as well as perform group

activities with the entire family. A common shed (rumfa) is also provided as a common space for women and

children, and also for activities like prayers and rituals. The bedrooms are designed such that the occupants

have the freedom to introduce design elements that appeal to them. From the locally made cane furniture, to

the colorful hand sewn traditional carpets and fabrics used to adorn the walls and beautify the interior and

JINKAI Initiative Shelter Competition

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