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A N G E R S
D
F D R U G U S E
O
M A G A Z I N E
M A G A Z I N E
EMSIKAR
F I F T H I S S U E
With a total length of
21,196.18 km (13,170.70
miles), equal to half the
length of the Equator, the
Great Wall of China is the
longest feat of human
engineering
INTRODUCING YOU TO
ANOTHER WORLD WHERE
STRESS DOESN'T EXIST.
GET THE THERAPY.
Adobe was instrumental in
the creation of the desktop
publishing industry through
the introduction of its
PostScript printer language
Get to know more about it.
DAIKE DEBUTS HIS SHOW
INTO THE EMSIKAR
REALM.HE SHOWCASES
TALENT AT ITS SOUNDEST
BASED IN SOUTH AFRICA
Humanoid robots have a
torso, a head, two arms, and
two legs, though some forms
are different.How does this
type of creation affect our
way of life
REMEMBERING
MAMBA
STREET GRAFFITI
LEGAL OR IILEGAL?
EMSIKAR MAGAZINE FIFTH EDITION
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Promotion
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11
1
7
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Editor's Note
3
4
9
5
Great Walls Of China
6
Importance Of Wetlands
Crunch Time With Rachel
Stereo Fidelity-Nutty O
commercial Farming
Group Therapy
introducing The Daike Nyathi Show
Celebrating The Life Of Kobe Bryant
17
26
33
49
56
E D I T O R ' S
N O T E S
S t r e e t s k n o w n o b o u n d a r i e s . S h e h a s a d i v e r s i f i e d
c u l t u r e m e r g e d u p t h r o u g h t h e m o s t a m a z i n g
a e s t h e t i c p o i n t o f v i e w o f l i f e . I t t e a c h e s a
c r i p p l e d h e a r t t o d r e a m b i g g e r & h o l d o n t o h o p e . I
f a l l i n i n c l i n a t i o n w i t h t h e s t r e e t s l o n g b a c k w h e n
i t s s p e c k s o f d u s t c o u l d h o l d y o u d o w n a n d l e t y o u
s m e l l t h e b i g g e r p i c t u r e o f l i f e . D o I r e m e m b e r
w h e r e I f a l l i n l o v e w i t h h e r ? m o s t d e f i n i t e l y i n
N j u b e .
I n t h i s f i f t h d e l u x e e d i t i o n , w e c e l e b r a t e t h e s t r e e t s
t h r o u g h a r t a s s h o w n t h r o u g h t h e g r a f f i t i c o v e r & s t r e e t
f o n t s . E m s i k a r t h o u g h u n d e r r a t e d t o t h e ' ' e y e s o f t h e
m a s s e s ' ' w e a p p r o a c h o u r m a g a z i n e a s i t w a s a
c o m p e t i t o r o f t i m e m a g a z i n e . W e p u t v a l u e i n o u r c o n t e n t
s e a s o n i n g w i t h a l l m i n d - b l o w i n g t h i n g s h a p p e n i n g i n t h i s
n e w w o r l d .
S i t a r o u n d , p u t o n a s m i l e & o p e n a n e y e o f a c h i l d .
V o y a g e i n a w o r l d d e f i n e d b y w h a t y o u n e e d . S t a y
g i g g l i n g .
Gift Mutsonziwa
MATONGA,ISTRAFEL ZHOU,NKOSANA
RUMBIDZAI
SABATHA,DAIKE NYATHI,GIFT T
KHUMALO,RACHEL,JULIAN
MERIT VISUALS,ON POINT MEDIA,TALKING ENVIRONMENT
ART
RUMBIE,CRUNCH TIME WITH CHEF RACHEL,DAIKE NYATHI
WITH
OF WOMANHOOD,GROUP THERAPHY &
SHOW,FACINATION
INC
BILLITASVILLE
MERIT VISUALS & ON POINT
ART
MEDIA,GETTY
&
IMAGES,SHUTERSTOCK,PIXABAY
STOCKSNAP
W R I T E R S
E M S I K A R
S T U F F
MUTSONZIWA,NYARIE,MAGIE DUBE & BILLITASVILLE INC
MARKETING
STRATEGIST
C O N T R I B U T O R S
ISTRAFEL ZHOU
FOUNDER OF EMSIKAR INC
A PROFESSIONAL AND SELF-MOTIVATED
MARKETING DIRECTOR.
.ATHLETE
.ADVISER
.STRATEGIST & GAME PLAYER.
EXECUTIVE ART
DIRECTOR
JOSEPH MUCHAMAYA
FOUNDER OF ON-POINT MEDIA
.CINEMATOGRAPHER
.PRODUCER
.VISIONARY
P H O T O G R A P H Y C R E D I T S
ASSOCIATE ART
DIRECTOR
TINASHE MANDURA
-APP DEVELOPER
-ENTREPRENEUR
-GRAPHIC DESIGNER
-GAME CHANGER
EDITOR &
DESIGNER
-
FOUNDER OF ART MERIT VISUALS
- VISUAL ARTIST
- FUTURISTIC PHOTOGRAPHER & POET
.XENOPHILE
.HISTORY BUFF
.GRAPHIC DESIGNER
CONTACT DETAILS:
Phone: +263 78 352 370
+263 71 730 2701
Email:emsikarbyo@gmail.com
Social Media:instagram.com/emsikarb
facebook.com/emsikar
EMSIKAR
INC
BULAWAYO,ZIMBABWE
THE ORIGINAL SEVEN WONDERS OF THE WORLD, ONLY ONE — THE
F
PYRAMIDS OF GIZA —
GREAT
EXISTS. THE HANGING GARDENS OF BABYLON, THE LIGHTHOUSE
STILL
ALEXANDRIA, THE TEMPLE OF ARTEMIS, THE COLOSSUS OF RHODES,
OF
STATUE OF ZEUS AT OLYMPIA AND THE MAUSOLEUM AT
THE
HAVE ALL FADED TO DUST AND MEMORY.
HALICARNASSUS
EMSIKAR MAGAZINE FIFTH EDITION
HISTORY CIRCUIT
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ARCHES NATIONAL PARK, UTAH
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2021
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h e e a r t h b y h a n d a r o u n d 2,000 years ago, are some of
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i s c o v e r e d i n O c t o b e r 2020, a 120ft cat carved into
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h e h i l l s i d e . T h e w o r l d ’ s f i r s t s p a c e c a t ? P e r h a p s . O r
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f t h e M a a s a i M a r a i n K e n y a i s a n i n c r e d i b l e s p e c t a c l e .
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h e 1,000-mile circular journey is the largest migration
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r o v i d e s v i t a l p r o t e i n f o r p r e d a t o r s . B u t t h e y a r e n o w
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n d r a i n . A n d 2021 is a good time to visit. The
a
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r e v e a l e d .
G R E A T W I L D E B E E S T M I G R A T I O N , T A N Z A N I A A N D K E N Y A
2021 to witness the greatest wildlife show on earth.
3 . A R C H E S N A T I O N A L P A R K , U T A H
s p o t i s u n i q u e a m o n g t h e l a n d s c a p e s o f t h e w o r l d .
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t w i l l b e a g o o d t i m e t o
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f L e w i s – t i c k s b o t h b o x e s .
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h a t ’ s p a r t o f t h e i r m a g i c ,
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f t h e c o u n t r y , a l l t o
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y
4 . M O U N T F U J I , J A P A N
THE NAZCA LINES, PERU
EMSIKAR MAGAZINE FIFTH EDITION
AMAZON
RAINFOREST
CREDIT:GETTY IMAGES
EMSIKAR MAGAZINE FIFTH EDITION
IMPORTANCE
OF WETLANDS
BY RUMBIDZAI MATONGA
ENVIRONMENT WITH
TALKING
RUMBIE
w e t l a n d i s t y p i c a l l y a n a r e a o f l a n d t h a t i s c o m p l e t e l y
A
a t u r a t e d w i t h w a t e r , w h e t h e r a l l t h r o u g h o u t t h e y e a r o r
s
n l y d u r i n g c e r t a i n s e a s o n s . A c c o r d i n g t o W i k i p e d i a , “ A
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h a r a c t e r i s t i c s o f a d i s t i n c t e c o s y s t e m . T h e p r i m a r y f a c t o r
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b
W h a t i s a W e t l a n d ?
a d a p t e d t o t h e u n i q u e h y d r i c s o i l . ”
a r s h e s a r e w e t l a n d s t h a t a r e a l w a y s i n u n d a t e d ,
M
a t h e r t h a n b e i n g s u b m e r g e d u n d e r w a t e r j u l l y t o l i v e
r
n s a t u r a t e d s o i l . T h e r e a r e a n u m b e r o f s u b -
i
a t e g o r i e s o f m a r s h , i n c l u d i n g f r e s h w a t e r , s a l t w a t e r ,
c
n l a n d a n d c o a s t a l . E a c h o f t h e s e h a v e t h e i r o w n
i
i s t i n c t e c o s y s t e m s a n d c a n b e f o u n d a l l o v e r t h e
d
o r l d . M a r s h e s w i l d l i f e i n c l u d e b e a v e r s , a l l i g a t o r s ,
w
e w t s , s h r i m p a n d t u r t l e s .
n
w a m p s d i f f e r f r o m m a r s h e s i n t h a t , t y p i c a l l y , t h e y
S
r e d o m i n a t e d b y w o o d y p l a n t s ( r a t h e r t h a n s o f t -
a
t e m m e d p l a n t s ) . S o m e o f t h e s e t r e e s a r e o f t e n
s
a r v e s t e d b y p e o p l e f r o m a l l o v e r t h e w o r l d t o m a k e
h
i m b e r a n d t o b u i l d t h e i r h o m e s , w h i c h c a n a f f e c t t h e
t
c o s y s t e m d r a s t i c a l l y i f t o o m a n y a r e t a k e n w i t h o u t
e
e i n g r e p l a c e d w i t h n e w s a p l i n g s . S w a m p s a r e
b
y p i c a l l y t h e h o m e t o v a r i o u s b i r d s a n d f i s h a s w e l l a s
t
m a l l e r c r e a t u r e s . S w a m p s l i k e E v e r g l a d e s i n F l o r i d a
s
r e f o u n d i n l o w - l y i n g a r e a s n e a r r i v e r s o r c o a s t a l
a
r e a s . T h e r e a r e t w o m a i n t y p e s o f s w a m p s : f o r e s t e d
a
w a m p s a n d s h r u b s w a m p s . S w a m p s a r e h o m e t o
s
a r i e t y o f a n i m a l s l i k e s n a k e s , b o b c a t , a l l i g a t o r s ,
v
e a v e r , l a r g e d i v e r s i t y o f b i r d s .
b
o g s a r e c h a r a c t e r i z e d b y m o r e a c i d i c w a t e r s a n d
B
p o n g y p e a t d e p o s i t s a s w e l l a s a c o v e r i n g o f
s
p h a g n u m m o s s . U n l i k e m a r s h e s a n d s w a m p s , b o g s
s
e n d t o g e t t h e i r w e t n e s s f r o m p r e c i p i t a t i o n r a t h e r
t
h a n w a t e r w a y s s u c h a s s t r e a m s o r r u n o f f s f r o m
t
i v e r s . T h e s e w e t l a n d s a r e f a n t a s t i c f o r p r e v e n t i n g
r
o w n s t r e a m f l o o d i n g s i n c e t h e y a b s o r b p r e c i p i t a t i o n
d
s i t f a l l s a n d p r e v e n t s t h e s w e l l i n g o f r i v e r s a n d
a
t h e r w a t e r w a y s . T h e r e a r e t w o s o r t s o f b o g s :
o
o r t h e r n b o g s a n d p o c o s i n s . F e n s F e n s a r e , l i k e b o g s ,
n
e a t - f o r m i n g w e t l a n d s , a l t h o u g h t h e y u s u a l l y g e t
p
h e i r w e t n e s s f r o m g r o u n d w a t e r r a t h e r t h a n
t
r e c i p i t a t i o n , w h i c h m e a n s t h a t t h e y a r e s l i g h t l y l e s s
p
c i d i c . T h i s m e a n s t h a t t h e y t e n d t o s u p p o r t a g r e a t e r
a
r r a y o f w i l d l i f e , f r o m p l a n t s t o f i s h t o b i r d s a n d
a
v e r y t h i n g i n b e t w e e n . L i k e b o g s , f e n s a r e b e n e f i c i a l
e
e c a u s e t h e y c a n h e l p p r e v e n t t h e f l o o d i n g o f l a n d
b
l s e w h e r e , s i n c e t h e y s o a k u p w a t e r f r o m t h e g r o u n d
e
M a r s h e s
S w a m p s
B o g s
a n d p r e v e n t i t f r o m s e e p i n g a n y w h e r e e l s e .
s a d i r e c t r e s u l t o f h a v i n g w e t l a n d s , t h e w a t e r
A
n t h e s u r r o u n d i n g a r e a s w i l l b e a l o t c l e a n e r a n d
i
u r e r t h a n i n o t h e r a r e a s . T h i s i s b e c a u s e t h e
p
a t e r i s f i l t e r e d t h r o u g h t h e w e t l a n d s . F i s h a n d
w
t h e r a n i m a l s m a y e a t v e g e t a t i o n , p l a n t s m a y
o
t r a i n o u t r u b b i s h t h a t m a y b e i n t h e w a t e r
s
e c a u s e o f h u m a n s o r t h i n g s l i k e t w i g s t h a t h a v e
b
a l l e n f r o m n e a r b y t r e e s , m e a n i n g t h a t t h e s e
f
h i n g s d o n o t m a k e i t i n t o s t r e a m s o r r i v e r s
t
u r t h e r d o w n t h e l i n e . W e t l a n d s d e c o m p o s e
f
e g e t a t i v e m a t t e r ( f o r t h e m o s t p a r t – s o m e o f i t
v
a k e s i t s w a y i n t o s t r e a m s a n d r i v e r s t o p r o v i d e
m
o o d f o r f i s h ) a n d e v e n c o n v e r t v a r i o u s
f
h e m i c a l s t o m a k e t h e w a t e r e v e n c l e a n e r f o r
c
h e c r e a t u r e s t h a t l i v e b o t h i n t h e w e t l a n d a n d i n
t
t h e r w a t e r s y s t e m s . T h i s m a k e s t h e m o n e o f
o
h e m o s t p r o d u c t i v e a n d c r i t i c a l n a t u r a l f i l t e r i n g
t
y s t e m s i n t h e w o r l d
s
h e r e l e a s i n g o f v e g e t a t i v e m a t t e r a l s o
T
r o v i d e s a n e s s e n t i a l i n t h e a m o u n t o f
p
u t r i e n t s , s e e d s a n d o t h e r m a t t e r g o i n g
n
n t o s t r e a m s a n d r i v e r s , n o t t o m e n t i o n
i
t h e r c r e a t u r e s . T h i s c a n h e l p t o
o
t a b i l i z e , r e j u v e n a t e o r e n r i c h
s
e d i m e n t i s a n a t u r a l p r o b l e m t h a t u s u a l l y o r i g i n a t e s i n
S
i v e r s . A s t h e w a t e r f l o w s p a s t d r i e r e a r t h , i t w i l l
r
o m e t i m e s s w e e p s e d i m e n t a w a y . T h i s s e d i m e n t w i l l
s
v e n t u a l l y e n d u p i n t h e s e a , w h i c h i s n o t h u g e l y
e
r o b l e m a t i c , b u t e r o s i o n c a n b e a n i s s u e . W i t h e a r t h
p
i s a p p e a r i n g , a n i m a l s m a y f i n d t h e y h a v e l e s s s p a c e t o
d
u n t , m a t e o r l i v e . W e t l a n d s a c t a s a s o r t o f e r o s i o n
h
o n t r o l . E m e r g e n t s – p l a n t s t h a t a r e f i r m l y r o o t e d i n t h e
c
r o u n d b u t t h a t h a v e s t a l k s t h a t r i s e u p o u t o f t h e w a t e r
g
n t o t h e a i r – g r o w a l m o s t e x c l u s i v e l y i n w e t l a n d s , a n d i t i s
i
h i s t h a t s l o w s t h e f l o w o f w a t e r . T h i s m e a n s t h a t t h e
t
t r e n g t h o f t h e w a t e r i s l e s s e n e d a n d e r o s i o n o c c u r s l e s s
s
o w e r f u l l y i n t h e s e s o r t s o f a r e a s , a s w e l l a s i n l a k e s a n d
p
i v e r s w h e r e t h e w a t e r i s s l o w e r .
r
e t l a n d s r e l e a s e w a t e r b a c k i n t o w a t e r w a y s a n d s u r r o u n d i n g a r e a s
W
a l t h o u g h t h e y d o s o s l o w l y , w h i c h i s w h y t h e y a r e s o g o o d a t p r e v e n t i n g f l o o d i n g . T h i s w a t e r , a f t e r
–
a v i n g b e e n i n a r e a s t h a t a r e s o r i c h i n v a r i o u s d i f f e r e n t s o r t s o f p l a n t l i f e , i s f i l l e d w i t h v e g e t a t i v e
h
a t t e r t h a t t h e n f i n d s i t s w a y i n t o r i v e r s a n d s t r e a m s . T h i s v e g e t a t i v e m a t t e r i s a b s o l u t e l y e s s e n t i a l f o r
m
E r o s i o n C o n t r o l
W a t e r P u r i f i c a t i o n
R e j u v e n a t i n g E c o s y s t e m s
IMPORTANCE
OF WETLANDS
e c o s y s t e m s i n a r e a s a r o u n d w e t l a n d s .
R e l e a s e V e g e t a t i v e M a t t e r
s u s t a i n i n g t h e f i s h t h a t l i v e i n t h e s e w a t e r w a y s .
EMSIKAR MAGAZINE FIFTH EDITION
INSEPARABLE
WATER,WETLANDS & LIFE
r e t c h i n g f o r o v e r 6 , 0 0 0
t
i l o meters, the Great Wall of
k
h i n a i s u n d o u b t e d l y o n e o f
C
u mankind’s most impressive
h
r c h i t e c t u r a l a n d e n g i n e e r i n g
a
c h i e v e ments. Over the centuries
a
n d millennia, various Chinese
a
t a t e s a n d e mpires built sections
s
f t h e w a l l t o p r o t e c t t h e mselves
o
r o m r o v i n g n o madic groups that
f
h r e a t e n e d t h e i r t e r r i t o r y f r o m
t
h e n o r t h . A s s u c h , s o me parts
t
a t e a l l t h e w a y b a c k t o t h e
d
e v e n t h c e n t u r y B C , w h i l e s o me
s
f i t s most famous segments
o
e r e o n l y a d d e d i n t h e 1 5 0 0 a n d
w
E M S I K A R V I S I T S
GREAT WALLS OF CHINA
E M S I K A R F I F T H E D I T I O N
S
£ 5 . 0 0
1 6 0 0 s .
n a k i n g i t s w a y a l o n g mountain ridges through
S
a l l e y s a n d h i l l s , t h e G r e a t Wall stretches all the
v
a y f r o m t h e G o b i D e s e r t i n t h e w e s t t o t h e B o h a i
w
e a i n t h e e a s t a n d p a s s e s t h r o u g h 1 5 C h i n e s e
S
many of its best-preserved and most
While
mpressive looking segments are to be found just
i
u t s i d e B e i j i n g , o t h e r more wild and remote, yet
o
q u a l l y s c e n i c p a r t s a r e t o b e f o u n d f u r t h e r a f i e l d .
e
s i t i s o n e o f t h e most famous and iconic
A
in the world, no visit to China can
monuments
v e r b e c o mplete without taking a stroll along the
e
r e a t Wall.
G
n o w n a s t h e ‘ D r a g o n ’ s H e a d , ’ i t i s a t
K
h a n h a i g u a n t h a t t h e G r e a t Wall finally comes
S
o a n e n d a n d p r o t r u d e s s o d r a matically into
t
h e B o h a i S e a . A l t h o u g h t h e o r i g i n a l p a r t h a s
t
o n g s i n c e c r u mbled into the waves, the wall
l
a s b e e n f a n t a s t i c a l l y r e b u i l t a n d r e s t o r e d , s o
h
o u c a n s n a p p h o t o a f t e r p h o t o f r o m a t o p o f i t
y
f t h e s e a s mashing against it.
o
h e o l d f o r t i f i c a t i o n s t h a t s u r r o u n d t h e t o w n o f
T
i n h u a n g d a o , w h e r e S h a n h a i g u a n i s l o c a t e d ,
Q
r e a l s o c o n s i d e r e d t o b e p a r t o f t h e G r e a t Wall
a
n d a r e w e l l w o r t h e x p l o r i n g i f y o u h a v e t h e
a
i me. Large segments are unrestored, and these
t
f f e r u p a p o s s i b l y more authentic experience
o
h a n t h e s o mewhat touristy Dragon’s Head. In
t
d d i t i o n t o t h i s , t h e t o w n a l s o b o a s t s a b r i l l i a n t
a
that will teach you everything there is
museum
o k n o w a b o u t t h e G r e a t Wall and the people
t
e s p i t e i t s p r o x i mity to Beijing and its wealth of
D
x c e l l e n t v i e w s , Mutianyu is much less crowded than
e
a d a l i n g . A s s u c h , i t i s o n e o f t h e most popular
B
e c t i o n s w i t h f o r e i g n t o u r i s t s . S u r r o u n d e d o n b o t h
s
i d e s b y l u s h g r e e n e r y , Mutianyu certainly makes for
s
f i n e s i g h t a s i t c u t s i t s w a y a c r o s s t h e mountain
a
i d g e s , w i t h l o t s o f w a t c h t o w e r s a n d f o r t r e s s e s
r
o t t e d a l o n g t h e r o u t e .
d
Places To Visits In
Great Walls Of
China
By Touropia
p r o v i n c e s a l o n g t h e w a y .
1 . S h a n h a i g u a n
t h a t o n c e manned it.
2 . Mutianyu
f f i c i a l l y known as the ‘Lakeside Great Wall,’
O
u a n g h u a c h e n g is the only section to be built
H
l o n g s i d e a body of water, and some of it is actually
a
mmersed in the lake that lies at its foot. The
i
e a u t i f u l blue Haoming Lake stands out delightfully
b
g a i n s t the forest-coated mountains that lie all
a
r o u n d it, and the Great Wall meandering across the
a
a n d s c a p e only completes the perfect scene.
l
u e to the challenging terrain, this section of the
D
a l l took 180 years to complete, and much of it has
w
o t been restored since 1592. Named after the lovely
n
i t t l e yellow wildflowers that dot the mountains
l
r o u n d it in summer, Huanghuacheng is a tranquil
a
a r t of the wall, with few visitors. As such, hiking
p
e r e amid the beautiful scenery with barely another
h
o u l in sight is an amazing experience, and taking a
s
o a t ride on the lake to see the wall from below is
b
i mply a must.
s
o c a t e d some 70 kilometers to the north of
L
e i j i n g, Jiankou is the wildest, most dangerous,
B
n d therefore most exhilarating part of the
a
r e a t Wall to explore. Completed all the way
G
a c k in 1368, the wall hasn’t been restored
b
i n c e. Much of it lies in disrepair, with plants,
s
l o w e r s, and trees found growing up from its
f
r u mbling bricks.
c
3.Huanghuacheng
THE GREAT WALL FACTS
4. Jiankou
CHINESE NAME: ⻓ 城 (CHÁNGCHÉNG /CHANNG-CHNNG/
'LONG WALL')
LOCATION: NORTHERN CHINA
LENGTH: 21,196.18 KM (13,170.7 MI), ALL KNOWN
SECTIONS WERE MEASURED
HISTORY: MORE THAN 2,300 YEARS
HOW TALL IS THE GREAT WALL?
THE HEIGHT OF THE GREAT WALL IS 5–8 METERS
(16–26 FEET), WHERE INTACT/RESTORED. IT WAS
DESIGNED TO BE AT LEAST THREE TIMES THE
HEIGHT OF A MAN. SOME OF THE WALL WAS
BUILT ALONG RIDGES, WHICH MAKE IT LOOK
TALLER.
VACATION IN ZIMBABWE:LILY TROTTER KARIBA
Kariba
LILY TROTTER IS A TRAVEL
COMPANY IN KARIBA. IT
OFFERS SUNSET BOAT CRUISES,
GAME DRIVES, A VISIT TO THE
CROCODILE FARM AND A
PACKAGE WE CALL THE
HIGHLIGHT TOUR. THE
HIGHLIGHT TOUR INCLUDED
THE VIEW POINT AND
OBSERVATION POINT AND DAM
WALL VIEWING. YOU WILL BE
ACCOMPANIED BY A TOUR
GUIDE FOR THE HIGHLIGHT
TOUR. WE BELIEVE WE ARE THE
BEST BECAUSE WE HAVE YEARS
OF EXPERIENCE IN THE FIELD
AND WE KNOW ALL THE
HOTSPOTS TO FIND WILD
ANIMALS BOTH ON LAND (GAME
DRIVE) AND IN THE LAKE (BOAT
CRUISE). BOAT CRUISE COMES
WITH COMPLEMENTARY SNACKS
BRAAI STANDS IN CASE YOU
WANT TO BRAAI, A
PHOTOGRAPHER AND A FREE DJ
ALL ON DECK
FOR ALL YOU LEISURE REQUIREMENTS:
IN KARIBA BOAT CRUISES.
GAME DRIVE BOAT HIRE FOR INQUIRIES
CONTACT +263 71645 7835.
EMAIL US:
SALES@LILYTROTTERCRUISES.CO.ZW
U N S E T CRUISE IS US$25
S
I G H L I G H T TOUR IS US15
H
LILY TROTTER
Kariba is the destination to be, A curvature concrete
arch dam in the Kariba Gorge lies within Zambezi river
basin between Zambia and Zimbabwe. The dam stands
128 metres tall and 579 metres long. The dam forms
Lake Kariba, which extends for 280 kilometres and
holds 185 cubic kilometres of water.
ADDRESS:141 MAKUTI
ROAD, 00263 KARIBA,
ZIMBABWE
G A ME DRIVE US25
Karibean
EMSIKAR FOOD NETWORK
FOOD &
HEALTH
F O O D & H E A L T H
EMSIKAR MAGAZINE 5TH ISSUE
CRUNCH
TIME WITH
CHEF
RACHEL
KIELBASA
VEGETABLE
QUICHE
or steam the pumpkin until
1.Boil
u s t tender, if you’re adding chilli
j
l a k e s and garlic powder this is the
f
i g h t time to add it, steam for 6 to 8
r
and set aside. While the
minutes
u mpkin steams, mix all the base
p
n g r e d i e n t s and knead well. Spray
i
o o k i n g spray in your tart pan and
c
r e s s it into the pan evenly, set
p
s i d e. Next fry the onions, sprinkle
a
a l t and pepper and fry till
s
u c c u l e n t add the sausages fry for 3
s
Add the peppers fry a bit
minutes.
d d the green beans fry for 3
a
then add the pumpkin back
minutes
n and mix well, switch the heat off.
i
h i s is a great way to
T
d d vegetables to your
a
and use excess
meal
e f t o v e r vegetables left
l
u r i n g holiday season
d
n d family gatherings.
a
l love about this
What
e c i p e is its forgiving,
r
o u can use any type of
y
e g e t a b l e s you already
v
a v e in your house, no
h
r i p to the market,
t
i l l i n g F
cup kielbasa sausage
1
c u b e d) (
cup pumpkin (cubed)
1
cup carrots (diced)
½
spring onion or 1 small
2
n i o n o
cup fresh green beans
½
cup green peppers
¼
cup red peppers
¼
5 0 ml fresh cream
2
disc feta cheese
1
eggs 2
a l t and pepper
S
tsp chilli flakes (optional)
½
tsp garlic powder
½
F O O D & H E A L T H
EMSIKAR MAGAZINE 5TH ISSUE
KIELBASA
VEGETABLE
QUICHE
y i p p e e.
L E T ' S
C O O K
( o p t i o n a l)
bowl mix the eggs and
2.In
r e a m and beat just
c
n o u g h to mix with the
e
r e a m. Carefully pour the
c
i e l b a s a and vegetable
k
into the prepared tart
mix
a s e and pour the cream
b
v e r, lastly crumble the
o
e t a cheese on top and
f
a k e @ 180°C for 30mins.
b
e a v e it to cool for 10
L
before you slice.
minutes
F O O D & H E A L T H
EMSIKAR MAGAZINE 5TH ISSUE
CHEF RACHEL TIPS
u i c h e i s n o t j u s t f o r b r e a k f a s t o r
Q
r u n c h — t h i s h e a r t y s a u s a g e -
b
e g e t a b l e p i e i s a g r e a t c h o i c e f o r a
v
e e k n i g h t d i n n e r
w
. Y o u a n y k i n d o f y o u r f a v o r i t e
1
a u s a g e .
s
. Y o u o t h e r v e g e t a b l e s o f y o u r
2
h o i c e , t r y m u s h r o o m s , s p i n a c h ,
c
w e e t p o t a t o e s a n d b e e t r o o t , t h e
s
i s t i s e n d l e s s . T u r n i t i n t o a
l
e g e t a r i a n m e a l b y o m i t t i n g t h e
v
a u s a g e s
W h a t t o i t s e r v e w i t h
C h e f t i p s :
EMSIKAR MAGAZINE.5TH EDITION
Burger patties
BBQ PATTIES
.CHAKALAKA PATTIES
.BRAII PATTIES
DELUXE PATTIE
Official
Partner
p a r t from cannabis abuse in northern and
A
o u t h e r n Africa and khat chewing in north-
s
a s t e r n Africa, the history of drug abuse in
e
f r i c a is relatively short. The abuse of drugs
A
n Africa is nevertheless escalating rapidly
i
r o m cannabis abuse to the more dangerous
f
r u g s and from limited groups of drug
d
s e r s to a wider range of people abusing
u
r u g s. The most common and available
d
r u g of abuse is still cannabis, which is
d
n o w n to be a contributing factor to the
k
c c u r r e n c e of a schizophrenic-like
o
s y c h o s i s. The trafficking in and abuse of
p
o c a i n e and heroin are the most recent
c
e v e l o p ments in some African countries
d
h a t had had no previous experience with
t
f f o r t s should be made to design and
E
mplement drug abuse assessment
i
r o g r a mmes to determine the real
p
and characteristics of the
magnitude
r o b l e m and to monitor its trends. A lack of
p
u n d s and a shortage of adequately trained
f
e r s o n n e l have made it difficult to
p
mplement drug abuse control
i
n addition to formal drug control
I
n v o l v i n g the implementation of legislation,
i
h e r e is an informal system of drug abuse
t
o n t r o l operating through the family,
c
h u r c h, school, neighbourhood and work
c
n v i r o n ment, as well as healthy
e
e c r e a t i o n a l activities. It is suggested that
r
f f o r t s in African countries should be
e
i r e c t e d towards strengthening not only
d
h e formal drug control system but also
t
n f o r mal control in order to compensate for
i
h e insufficient funds and the shortage of
t
e r s o n n e l trained in implementing formal
p
r u g control measures. It is very likely that
d
h e drug problems in African countries will
t
o r s e n in future unless more effective
w
are implemented to arrest the
measures
u r r e n t situation.
c
H E A L T H
D A N G E R S
O F D R U G
U S E
t h e s e drugs.
p r o g r a mmes.
E M S I K A R | H E A L T H
r e v e n t i o n : p a r e n t s c a n p r e v e n t d r u g a b u s e !
P
a r e n t s a r e t h e b e s t p r o t e c t i o n y o u n g s t e r s c a n
P
a v e a g a i n s t d r u g a b u s e . P r e v e n t i o n i s t h e
h
r o c e s s , w h i c h b u i l d s i n t o c h i l d r e n a r e s i s t a n c e
p
o a b u s i n g d r u g s , s o t h a t d r u g u s e n e v e r
t
e g i n s . P r e v e n t i o n i s a s i mple concept but it
b
e q u i r e s c o n s t a n t w o r k t o b e s u c c e s s f u l .
r
r e v e n t i o n i s a p o s i t i v e p r o c e s s . I t i s a p r o c e s s ,
P
h i c h c a n n o t b e s t a r t e d t o o s o o n . R e s e a r c h
w
n d i c a t e s t h a t c h i l d r e n a n d t e e n a g e r s
i
i a g n o s e d w i t h A D H D a r e a t g r e a t e r r i s k t o
d
l c o h o l a n d d r u g a b u s e t h a n c h i l d r e n a n d
a
e e n a g e r s i n t h e n o r mal population. The
t
o l l o w i n g a r e i mportant elements in helping
f
i d s r e s i s t b e c o ming involved with drugs and
k
l c o h o l . a
else can be done? Educate yourself,
What
a v e e n o u g h f a c t s t o c l a r i f y y o u r p o i n t o f
h
i e w , a n d t a l k t o y o u r c h i l d r e n .
v
n f o r t u n a t e l y , many parents wait until after
U
h e i r c h i l d r e n a r e i n v o l v e d w i t h d r u g s o r
t
l c o h o l t o s i t d o w n w i t h t h e m a n d t a l k .
a
o n ' t make this discussion a onetime thing;
D
h i l d r e n a n d t e e n a g e r s n e e d t o b e
c
o n s t a n t l y r e minded of where their parents
c
t a n d . T h e y a l s o n e e d p a r e n t s w h o w i l l
s
i s t e n w i t h o u t b e i n g c r i t i c a l a n d w i t h o u t
l
v e r r e a c t i n g .
o
i n a l l y , b e c a u s e d r u g u s a g e i s o f t e n a c o mplex
F
r o b l e m , many parents find outside professional
p
u p p o r t i s e s s e n t i a l . T r a i n e d a n d e x p e r i e n c e d
s
a mily physicians or psychologists in the
f
r e a t ment of teenage substance use are the best
t
o u r c e s o f h e l p . T h o u g h t h e r o a d t o s u c c e s s a n d
s
r u g - f r e e l i v i n g i s s o metimes painfully long and
d
i f f i c u l t , w e h a v e p e r s o n a l l y w i t n e s s e d many
d
. L o v e a n d a f f e c t i o n a t e a s t h e c h i l d
1
r o w s . g
. C o n s i s t e n t a n d f a i r d i s c i p l i n e .
2
. O p e n c h a n n e l s o f c o mmunication for
3
h o u g h t s a n d f e e l i n g s .
t
. O p p o r t u n i t i e s f o r s u c c e s s f u l
4
x p e r i e n c e s a t h o me and in school.
e
. A s t a b l e f a mily atmosphere (family
5
i me together, family rituals).
t
. T o l e r a n c e o f t h e c h i l d ' s mistakes (no
6
u t - d o w n s ) .
p
. Models of strong, thoughtful and
7
e e l i n g a d u l t s .
f
. A c c u r a t e i n f o r mation about the
8
h e r e i s N O T H I N G more important in
T
r e v e n t i n g d r u g a b u s e t h a n s p e n d i n g
p
i me with your children. Take time to do
t
h a t t h e y e n j o y , t o s h a r e s o me skills, to
w
EMSIKAR MAGAZINE 5TH ISSUE
D R U G A B U S E S O L U T I O N S
p r o b l e ms of growing up today (sexuality,
d r u g s , c r i me, etc.)
b u i l d f a mily rituals and rapport.
s u c c e s s e s .
71 691 0152
(+263)
PEST FUMIGATORS
PESTY
Termites
EMSIKAR MAGAZINE 5TH ISSUE
PESTY PEST FUMIGATORS
Inspection?
CONTACT
Bulawayo,Zimbabwe
EMSIKAR MAGAZINE 5TH ISSUE
A R T
& C R E A T I V I T Y
''..GRAFFITI, LIKE
THE MANY
MURALS AROUND
WORLD, IS A
FORM OF ART
AND SHOULD BE
APPRECIATED,
NOT
CONDEMNED...''
A R T M E R I T V I S U A L S
E M P O W E R I N G A R T S
A N D C R E A T I V I T Y
GRAFFITTI
OR
LEGAL
v e y o u e v e r b e e n d r i v i n g a n d n o t i c e a
a
a i n t i n g o n t h e s i d e o f a b u i l d i n g ? Would
p
o u c o n s i d e r t h a t a r t o r v a n d a l i s m ?
y
r a f f i t i i s w r i t i n g o r d r a w i n g s o n a w a l l o r
G
t h e r s u r f a c e , u s u a l l y a s a f o r m o f a n
o
r t i s t i c e x p r e s s i o n , w i t h o u t p e r mission
a
n d w i t h i n p u b l i c v i e w . F u r t h e r more,
a
h e r e i s t h e l i n e b e t w e e n a r t a n d
w
a n d a l i s m ? I r o n i c a l l y , i f y o u l o o k u p
v
a n d a l i s m , t h e f i r s t p i c t u r e t o p o p u p i s a
v
people in our society see any form
When
f g r a f f i t i , t h e y s h u t i t d o w n . We have told
o
u r s e l v e s t h a t s p r a y p a i n t e d a r t i s
o
a n d a l i s m . I n r e a l i t y , a s p r a y p a i n t c a n i s
v
u s t a t o o l t h a t a r t i s t s u s e t o c r e a t e a n a r t
j
i e c e . L i k e p a i n t i n g t o o l s , g r a f f i t i i s a t o o l
p
o r t h e mass communications of the world.
f
t c a n g e t a p e r s o n ’ s o p i n i o n s a n d v o i c e s
I
e a r d i n a n a n o n y mous way, and get
h
e o p l e t a l k i n g .
p
w e l v e - y e a r c u s t o m p a i n t e r D i e g o G o n z a l e z w a s a s k e d b y a t e a c h e r t o p a i n t
T
o me murals in the schooling facility where she worked. He said yes and
s
o o k t h e w h o l e n i g h t c r e a t i n g t h i n g s t h a t t h e s t u d e n t s c o u l d c o n n e c t t o a n d
t
o u l d e n j o y s e e i n g d u r i n g t h e s c h o o l d a y . A s s o o n a s s t u d e n t s w a l k e d i n t h e
w
e x t d a y , t h e a t mosphere changed. The hallways they took to get to class
n
a s n ’ t a s b o r i n g a s b e f o r e , n o w i t h a d s o much color. The students also
w
t a r t e d t a k i n g d i f f e r e n t h a l l w a y s t o c l a s s s o t h e y c o u l d s e e h i s murals every
s
a y b e c a u s e i t h a d s u c h a n i mpact on them. The students then started to
d
o me up with their own creative ideas and started painting murals within
c
h e s c h o o l . P e o p l e w h o a r e n ’ t e v e n a r t i s t s w e r e i n f l u e n c e d g r e a t l y a n d
t
EMSIKAR MAGAZINE 5TH ISSUE
COVER STORY
?
ILLEGAL
Makayla Braaten
By
g r a f f i t i p a i n t i n g .
Diego Gonzalez mentions in his Ted Talk
a study done by two researchers on how
people would react to an abandoned car
in the middle of a city. The researchers
left a car with nothing wrong with it on
the side of the road, and a few weeks
later they came back to see if anything
was messed with, but nothing was wrong
with it. They then broke a window and
left some scratches to see if people
would react to the abandoned car. A few
weeks later the researchers came back
and noticed that the car had more
scratches, broken windows and a couple
of paintings on it. When the car was
sitting there abandoned, but not broken
into, people weren’t phased by it. But,
when something happened to it, people
began to follow along by also breaking
windows or scratching it up. Graffiti can
have a positive affect on people, but it
can also have negative effects.
c r e a t e d t h i n g s t h a t h a v e a v e r y p o s i t i v e i mpact on their community.
h o u g h t h e b u i l d i n g v a l u e o f
T
u s i n e s s e s c a n g o u p f o r t h e measure
b
f a r t d i s p l a y e d o n t h e m , o r e v e n
o
a v i n g a n a r t p i e c e f r o m s t r e e t a r t i s t
h
a n k s y o n t h e b u i l d i n g , i t c a n a l s o
B
o s t b u s i n e s s e s t e n s o f millions of tax
c
o l l a r s j u s t b y c l e a n i n g i t u p .
d
u s i n e s s e s c o u l d s p e n d t h a t money
B
n t h i n g s t h a t c a n b e n e f i t t h e i r
o
o mmunity. Another negative affect
c
s g r a f f i t i i s c o n s i d e r e d t o b e a
i
a t e w a y c r i me, leading people to
g
l c o h o l , d r u g s o r g a n g a c t i v i t y .
a
r a f f i t i i s o u t i n t h e o p e n w h e r e
G
v e r y o n e c a n s e e ; y e s i t ’ s a n o n y mous,
e
u t b y d i s p l a y i n g a n y h a t e c r i me or
b
r o f a n i t y , i t c a n r e a l l y a f f e c t s o c i e t y .
p
h i s h a s a l s o c a u s e d many people to
T
e e l u n s a f e . S o , d o t h e n e g a t i v e s
f
u t w e i g h t h e p o s i t i v e ?
o
r a f f i t i i s s e e n a s a f o r m o f a r t i s t i c
G
x p r e s s i o n a n d c a n h a v e p o s i t i v e
e
u t c o mes for people, it is also illegal
o
n d c o n s i d e r e d v a n d a l i s m . S o , w h e r e
a
s t h e l i n e b e t w e e n a r t a n d
i
a n d a l i s m ? A r t i s t s a r e g o i n g o u t a n d
v
r e a t i n g a r t , b u t n o t w i t h p e r mission
c
o d o s o . T o s o me extent, graffiti is a
t
l i t t l e b i t o f b o t h a r t a n d v a n d a l i s m .
EMSIKAR MAGAZINE 5TH ISSUE
EMSIKAR MAGAZINE 5TH ISSUE
EMSIKAR MAGAZINE 5TH ISSUE
EMSIKAR MAGAZINE 5TH ISSUE
INTRODUCING
GROUP
BY MAGGIE DUBE
THERAPY
EMSIKAR MAGAZINE 5TH ISSUE
G R O U P T H E R A P Y
V U Y I S I L E N D L O V U
pression commonly known as
e
t r e s s i s r e s ponsible for pain and
s
than any other affliction of
distress
The term"depression" is
mankind.
as an emotional condition,
defined
i t her neurotic or psychotic,
e
haracterized by feelings of
c
inadequacy,
hopelessness,
l o o miness, difficulty in thinking
g
nd concentration, and so forth the
a
i s t i s e ndless. Depressed persons
l
e nd to have a negative self-image
t
is often accompanied by
which
e e l i ngs of guilt and self -criticism
f
we stay repressed just
Must
we feel depressed and not
because
anything about it? keep on
do
nocking ourselves up? Of cause
k
Vuyo" the originator of Group
"
herapy was at that point going
T
hrough some stress and
t
in his consciousness
depression
he formed the group. When
when
founded the group it was
Vuyo
more of a personal journey than a
"
or an enterprise" so he
business
GROUP
THERAPY
presenting acts in one of the best comedy show
Vuyo
by group therapy in Alabama, Rainbow Hotel
held
o t o do away with the misery that Vuyo had, he
S
t a r t e d a g r o up called "Group Therapy" as a way
s
f f o r g e t t i ng whatever he was going through and
o
away with all the stress and depression in his
do
i f e . l
I n my experience what has worked for me is
"
o medy either watching comedy, listening to
c
o k e s , o r t e l l i ng jokes to people," said Vuyo as he
j
describing what his group was all about and
was
he reason why he created it, and how comedy
t
Therapy started doing shows and
Group
o r malizing their organization calling themselves
f
Group Therapy" because they wanted people to
"
together and have fun and laughter. Although
be
o me people confuse it for "Therapy" where
s
talk about their dilemmas and whatever is
people
them which is the opposite. The group
bothering
s a l l a bout making people forget their problems
i
the moment the group is doing comedy
At
f t e r noons and they recently started integrating
a
a mes hence it's now games and comedy. "Pretty
g
o o n we will be doing other activities like team-
s
exercises," said Vuyo as he was giving us
building
g l i mpse of what we can look forward to as the
a
r o up grows and advances. There some schemes
g
hat Vuyo and his group are working on and he
t
give much information about them as they
didn't
r e a " work-in-progress" .
a
EMSIKAR MAGAZINE 5TH ISSUE
/ BY MAGGIE DUBE
D
helps on the bad days.
which leads to discouragement.
not !!!
a nd be in a fun atmosphere.
s a i d .
EMSIKAR MAGAZINE 5TH ISSUE
i denna Theodore Mobisson,
J
nown synonymously as Jidenna,
k
born April 5, 1985 in Wisconsin
(
Wisconsin) is an
Rapids,
musical artist and
American
He is signed to
performer.
a nelle Monáe's Wondaland
J
label and distributed
Records
hrough Epic Records. He has
t
o l l a borated with numerous
c
r t i s t s , i ncluding Roman
a
St. Beauty, Deep
GianArthur,
and Janelle Monáe
Cotton
recording a five-song
herself,
o mpilation EP titled The
c
In February 2015, he
Eephus.
e l e a s e d his first single, "Classic
r
featuring Roman
Man",
another artist
GianArthur,
i g ned to Wondaland Records.
s
he song has been played in
T
rotation throughout the
heavy
States and debuted at
United
49 on Billboard Hot
number
&B/Hip-Hop Airplay chart. On
R
31, 2015, the second single
March
r o m t he EP was released –
f
Y o g a " by Janelle Monáe and
"
Live To Inspire
i denna is a founding
J
of Fear & Fancy,
member
s o c i a l c l ub that began
a
n California in 2006.
i
he society, reminiscent
T
f t he social aid and
o
clubs of New
pleasure
is an
Orleans,
nternational collective
i
f e ntrepreneurs,
o
c t i v i s t s , e ducators,
a
c i e ntists, and artists
s
host soirees, dinner
who
and
parties,
and
demonstrations.an"
Y o g a " , promoting the
"
a bel's upcoming
l
o mpilation EP The
c
S T E R E O
JIDENNA
Eephus
J i denna.
E M S I K A R
i denna invokes a
J
metaphorical
to Africa,
highway
the sounds
uniting
f t he sprawling
o
The music
diaspora.
a nges from
r
booming
o ntemporary hiphop
c
to feather-light
e e s T e s f a y e l i nking up
s
acclaimed hip-hop
with
Metro Boomin
producer
Drake, Travis Scott, Kanye
(
for the first time
West)
i nce they worked together
s
n t he ‘Starboy’ track ‘Six
o
e e t Under’. Living up to
F
he latter part of his
t
Metro Boomin
moniker,
earth-shattering
brings
and some of his
bass
beats to the party
biggest
s , i n T e s f a y e ’ s words, he
a
t urns this ho into a
“
– a clear
moshpit”
uggestion that The
s
expects you to
Weeknd
a g e t o y o ur heart’s
r
o ntent at his next live
c
how. Put your tissues
s
way, people.
a
n October 2017,
I
released her
Kikky
album called
debut
Queen of The South"
"
featured Ycee
which
r o m Nigeria and
f
rappers
Zimbabwean
Mafia and Jnr
Marcus
and
Brown
by
production
who
WizzyProbeatz
l s o produces for
a
The
Patoranking.
l bum was launched
a
x c l usively at the
e
l a morous Crown
g
Hotel in Harare
Plaza
he dropped her
S
a t e s t o f f e r i ng
l
& THE
BLOODLINE
a f r o pop and highlife.
REVIEWS ARE GOOD.
E M S I K A R
EMSIKAR MAGAZINE 5TH ISSUE
S T E R E O
COMING TO YOU FROM ANOTHER WORLD
MISSING YOU OH, YEAH
MISSING YOU OH, YEAH
MISSING YOU ALWAYS OOH YEAH
SEE I WANT TO KNOW ARE YOU OKAY
NGUVA DZESE NDOKUFUNGA IN MY BRAIN
CALL ME ARE YOU FINE
ARE YOU SAFE, ARE YOU SAFE
THIS IS MY SONG EVERYDAY
OH I WISH THERE IS A WAY
I CAN GET TO SEE YOUR FACE EVERYDAY
OH ARE YOU THERE
SO TELL ME KURI SEI (SEI, SEI SEI SEI)
KURI SEI
ARE YOU SAFE (SAFE SAFE)
GIRL ARE YOU SAFE
NDICHAKUFONERA CHETE
NDICHAKUFONERA CHETE
NDOBVA NDAKUTAURIRA CHETE, LOVE AND AFFECTION GIRL
BABE CHAKUFONERA CHETE, NDICHAKUFONERA CHETE
NDOBVA NDAKUTAURIRIA CHETE MY SITUATION
YOU MY HOMMIE, TAKABVA LONG TIME
SO I SIGN THIS ONE FOR YOU TO MAKE YOU FEEL SPECIAL
TELL ME IKOKO KURI FINE COZ ANDINA AKADZOKA
KUNE VESE VAKAENDA HANDI FEELER BHOO KANA USIPO EEEH
I CAN'T WAIT FOR THE DAY YOU BE COMING
HOME FRIEND FROM A LONG TIME
AM MISSING YOU OH YEAH
MISSING YOU OH YEAH
ARE YOU MISSING ME OH YEAH
OH OH OH
SEE I WANT TO KNOW ARE YOU OKAY
NGUVA DZESE NDOKUFUNGA IN MY BRAIN
CALL ME ARE YOU FINE
ARE YOU SAFE, ARE YOU SAFE
THIS IS MY SONG EVERYDAY
OH I WISH THERE IS A WAY
GET TO SEE YOUR FACE EVERYDAY
OH ARE YOU THERE
SO TELL ME KURI SEI (SEI, SEI SEI SEI)
KURI SEI
ARE YOU SAFE (SAFE SAFE)
GIRL ARE YOU SAFE
NDICHAKUFONERA CHETE
NDICHAKUFONERA CHETE
NDOBVA NDAKUTAURIRA CHETE, LOVE AND AFFECTION GIRL
NDICHAKUFONERA CHETE
NDICHAKUFONERA CHETE
NDOBVA NDAKUTAURIRA CHETE, LOVE AND AFFECTION
KUMBARE KURI SEI (SEI SEI SEI SEI)
KUGWERU KURI SEI (SEI SEI SEI SEI)
UK KURI SEI (SEI SEI SEI SEI)
ABX MURISEI (SEI SEI SEI SEI)
E M S I K A R
A V E N U E
EMSIKAR MAGAZINE 5TH ISSUE
P O E T R Y
Only God's hand holds the gates of this hold open
I look to the sky and cry, "why do I gotta keep up with all this hoping?"
The calling is soft to the ear, my emotional response too profound to touch,
Can I ask, "is it fine to touch you where you're coarsest?"
Take my freedom, lose your corset
Have I begun to sound coarse yet?
Heave I, begot a son out my gut, a chip off the old block
I spit and I choke, my breath is soot and smoke,
My stomach used to be rock, then I emptied it dry of the words I spoke
I mistook when I talk, the words I said, then I walk
Your heart is a lock and mine tongue key
I keep talking
The musical, the whimsical, the dizzying, confusing all,
For what sake but to forsake all sensibility
I delve my sensitivity
I run at super-speed or is it that time waits on me?
Surely, I feel the weight of it
My train of thought a bullet but my apologies came too late
Enough said, there's always plenty over which to feel sad
BY JULIAN SABATHA
o o k i ng for the perfect mix of
L
a s hion and Modesty? Elora is
F
o ur go to brand!
y
Collection a modest
Elora
a s hion brand that caters to
f
modern and
modest,
a s hionable women in Nigeria
f
nd beyond. It was founded by
a
Mohammed in 2016.
Hafsah
he brand focuses on
T
contemporary
designing
styles using high
modest
fabrics and unique
quality
e x t ures, allowing women to
t
with confidence and
dress
o phistication.
s
everyday wear
Elora’s
o l l e c t i o n i nfuses modesty,
c
EMSIKAR MAGAZINE 5TH ISSUE
L O R A
E
O L L E C T I O N
C
NIGERIA,AFRICA
ACKGROUND
E M S I K A R
modern minimalism, and class.
EMSIKAR MAGAZINE 5TH ISSUE
E M S I K A R
EMSIKAR MAGAZINE 5TH ISSUE
E M S I K A R
EMSIKAR MAGAZINE 5TH ISSUE
EMSIKAR MAGAZINE 5TH ISSUE
EMSIKAR MAGAZINE 5TH ISSUE
p h i a i s a r e a l i s t i c h u manoid
o
o b o t c a p a b l e o f d i s p l a y i n g
r
u manlike expressions and
h
n t e r a c t i n g w i t h p e o p l e . I t ' s
i
r o mote public discussion about
p
I e t h i c s a n d t h e f u t u r e o f
A
EMSIKAR MAGAZINE 5TH ISSUE
T E C H N O L O G Y
THE
SOPHIA
HUMANOID
SOURCE HANSON ROBOTICS
S
e s i g n e d f o r r e s e a r c h , e d u c a t i o n ,
d
n d e n t e r t a i n ment, and helps
a
r o b o t i c s .
T E C H N O L O G Y
The character of Sophia captures the
imagination of global audiences. She is the
world’s first robot citizen and the first robot
Innovation Ambassador for the United
Nations Development Programme. Sophia is
now a household name, with appearances on
the Tonight Show and Good Morning Britain,
in addition to speaking at hundreds of
conferences around the world.
Sophia is also a framework for cutting edge
robotics and AI research, particularly for
understanding human-robot interactions and
their potential service and entertainment
applications. For example, she has been used
for research as part of the Loving AI project,
which seeks to understand how robots can
adapt to users’ needs through intra and
interpersonal development.
I am Hanson Robotics’ latest human-like
robot, created by combining our innovations
in science, engineering and artistry. Think of
me as a personification of our dreams for the
future of AI, as well as a framework for
advanced AI and robotics research, and an
agent for exploring human-robot experience
in service and entertainment applications.
In some ways, I am human-crafted science
fiction character depicting where AI and
robotics are heading. In other ways, I am real
science, springing from the serious
engineering and science research and
accomplishments of an inspired team of
robotics & AI scientists and designers. In
their grand ambitious, my creators aspire to
achieve true AI sentience. Who knows? With
my science evolving so quickly, even many of
my wildest fictional dreams may become
reality someday soon.
E M S I K A R
ADVERTISE
WITH
EMSIKAR MAGAZINE 5TH ISSUE
WE ARE THE FUTURE
TO INNOVATIVE ZIMBABWE
ANIMATED ADS/BUSINESS JORNALS/
EMSIKAR
COMPANY PROFILE/VIDEO CONFERENCE/
BROCHURE/ILLUSTRATIONS AND MANY MORE
Email:emsikarbyo@gmail.com
Contact:+263 78 352 0370
are several business opportunities
There
in the agricultural industry and one
available
thing about the industry is that there is
good
for all the produce from the industry.
market
the years, researchers and scientist have
Over
researching on ways to improve crop
been
especially in areas where the soil
cultivation
and climatic condition does not
composition
the growth of certain crops (cash crops,
support
crops et al). So also engineers have been
food
on their invention as regards
improving
farming et al.
mechanized
you are looking towards leveraging on the
If
industry to generate huge income,
agriculture
one of your best bet is to start a
then
farm. Commercial farming is all
commercial
mass – cultivation of crops and rearing
about
fish, and birds’ et al for the sole aim of
animals,
profits. In most cases it is referred to as
making
farming.
mechanized
a matter of fact, with the recent
As
in technology farmers can now
advancement
grow crops in a country where such
comfortably
can hardly survive and in places where
crops
are few farming land, people can make use
there
the rooftop (basement) of their houses to
of
Does It Take to Start a Commercial
What
Farm?
thing is certain about commercial
One
if you are able to conduct your
farming,
research and feasibility studies;
market
are more likely not going to struggle to
you
your farm produce because there are
sell
food processing companies and
always
out there who are ready to buy
consumers
you.
from
with commercial farming, you can
Lastly,
to combine crop cultivation and
afford
husbandry or you can decide to only
animal
in the cultivation of crops or rearing
special
animals / birds / fish. The bottom line is
of
if you have enough land (space) and
that
are interested in maximizing
you
farming, you are sure going to
commercial
EMSIKAR MAGAZINE 5TH ISSUE
WHY START COMMERCIAL FARMING
B U S I N E S S
W O R L D
Article by Istrafel Zhou
make huge profits from the business.
cultivate crops even for commercial purposes.
THINGS TO
CONSIDER TO
COMMERCIAL FARMING
IN
1. UNDERSTAND THE INDUSTRY
2. CONDUCT MARKET RESEARCH AND FEASIBILITY STUDIES
3. DECIDE WHICH NICHE TO CONCENTRATE ON
4. KNOW YOUR MAJOR COMPETITORS IN THE INDUSTRY
5. DECIDE WHETHER TO BUY A FRANCHISE OR START FROM SCRATCH
6. KNOW THE POSSIBLE THREATS AND CHALLENGES YOU WILL FACE
7. CHOOSE THE MOST SUITABLE LEGAL ENTITY (LLC, C CORP, S CORP
8. CHOOSE A CATCHY BUSINESS NAME
9. DISCUSS WITH AN AGENT TO KNOW THE BEST INSURANCE POLICIES FOR YOU
10. PROTECT YOUR INTELLECTUAL PROPERTY WITH TRADEMARK, COPYRIGHTS, PATENTS
11. RAISE THE NEEDED STARTUP CAPITAL
12. HIRE EMPLOYEES FOR YOUR TECHNICAL AND MANPOWER NEEDS
13. WRITE A MARKETING PLAN PACKED WITH IDEAS & STRATEGIES
14. WORK OUT A REASONABLE PRICING FOR YOUR SERVICES & PRODUCTS
empowering
community
EMSIKAR INC
EMSIKAR MAGAZINE 5TH ISSUE
DAIKE
NYATHI
SHOW
I N T R O D U C I N G D A I K E N Y A T H I
S H O W I N E M S I K A R S T R E E T S
SPONSORED BY ART MERIT
MERIT VISUALS
EMSIKAR MAGAZINE 5TH ISSUE
DAIKE
NYATHI
SHOW
INTERVIEW WITH TWICE GIVEN
wice given. He is a Zim born South
T
f r i c a n b a s e d r a p p e r s i n g e r b a n d
A
WE START TELL US ABOUT YOUR
BEFORE
TWICE GIVEN. WHAT DOES IT MEAN,
NAME
DOES IT COME FROM, WHAT
WHERE
IT?
INSPIRED
name “Twice Given” was given to me
My
y my older brother (Kev Sage) after
b
i s c o v e r i n g t h a t h a d t a l e n t . My brother
d
a i d ' ' i t w a s a b l e s s i n g ' ' .
s
TRACK FROM YOUR FIRST
FAVOURITE
?
ALBUM?
e r s o n a l l y t h a t s a h a r d q u e s t i o n b u t
P
i l l g o w i t h " k h o h l w a " i t s n o t much of a
w
i p h o p t r a c k b u t a f u s i o n o f d a n c e h a l l
h
t r a p s o u l . I t w a s a n e y e o p e n e r t h a t
&
WHERE DOES TINASHE WANT
THEN
BE IN THE NEXT FIVE YEARS?
TO
a mous(starts giggling) that is what I
F
a i d o n my new trending single not
s
e c a u s e i t s w h a t ' s i mportant in life.The
b
e a s o n i s t o e mpower people through
r
& make sure they have a good
music
i me. Family always come first as times
t
I just want our relationships to
moves
e a l w a y s c o n c r e t e t i g h t .
b
EMSIKAR MAGAZINE 5TH ISSUE
THE INTERVIEW
PEOPLE CHOICE PLAYLIST
o o d D a y a n d welcome to…
G
o d a y we have Tinashe Dupwa known as
T
s o n g writer.
c o u l d d o a n y t h i n g i n t h i s music scene.
FACEBOOK: @TWICEGIVENOFFICIAL
TWITTER: TWICEGIVENOFFCL
S H O W R E C A P S
TWICE
GIVEN
w i c e G i v e n h a s a l w a y s made
T
u r e t o k e e p u p w i t h h i s music
s
n d much like most young
a
r t i s t s , h a s a d r e a m t o p u r s u e .
a
e r e l e a s e d h i s d e b u t t r a c k i n
H
0 1 0 a n d h a s b e e n p a s s i o n a t e
2
a v i n g t o t r a v e l b a c k t o
H
i mbabwe in 2012, also got him
Z
n o p p o r t u n i t y t o r e l e a s e h i s
a
e b u t a l b u m We Revolting
d
h i c h w a s d o n e j o i n t l y w i t h h i s
w
r o t h e r s . T h i s g o t h i m a n
b
p p o r t u n i t y t o p e r f o r m a t o n e o f
o
h e b i g g e s t h i p h o p s h o w s l i k e
t
h a n g a mire Hip Hop festival. He
C
l s o g o t a f e w i n t e r v i e w s o n t h e
a
i g g e s t T V s h o e s i n Z i mbabwe
b
u c h a s T G Y ( Y o u n g , G i f t e d a n d
s
e t h e n k e p t t h e c o n s i s t e n c y o f
H
good music which got
making
i m a c h a n c e t o p e r f o r m a t a
h
o u p l e o f s h o w s a r o u n d t h e E a s t
c
e i s n o w s i g n e d u n d e r G 6 3
H
a record label in
Music
EMSIKAR MAGAZINE 5TH ISSUE
T
n a s h e D u p w a , b e t t e r k n o w n a s
i
w i c e G i v e n , a n d i s Z i mbabwe-
T
o r n a n d S A b a s e d r a p p e r ,
b
i n g e r , s o n g w r i t e r a n d p r o d u c e r .
s
r e a ms. d
e g r e w u p l i s t e n i n g t o music
H
a b o u t making music since then.
T a l e n t e d ) .
R a n d .
J o h a n n e s b u r g
78 352 0370
(+263)
Email:giffmutsonziwa@gmail.com
EMSIKAR MAGAZINE 5TH ISSUE
MULTI
EXPOSURE
PHOTOGRAPHY
ART MERIT VISUALS
Promotion
BULAWAYO,ZIMBABWE
W H O L E M A R C H S E A S O N
T & C A P P L Y
EMSIKAR MAGAZINE 5TH ISSUE
LE NS MADE IN PARAGUAY 077MM
17-35 mm 1:2-8
ZOOM LENS
ON POINT MEDIA
lets Record
Shott Films Official
O F E M S I K A R
Partner
EMSIKAR MAGAZINE 5TH ISSUE
EMSIKAR
SPORT
KOBE BRYANT
EMSIKAR MAGAZINE 5TH ISSUE
MAMBA'S
MENTALITY
MENTALITY
CHRISTINA MONTFORD
o b e B r y a n t ’ s l e g a c y i s h e a v y
K
n t h e minds of people around
o
h e w o r l d . S i n c e t h e f o r mer
t
a s k e t b a l l p l a y e r ’ s u n t i mely
b
e a t h , p e o p l e h a v e b e e n t r y i n g
d
o p r o c e s s t h e i r f e e l i n g s a n d
t
l l i t t a k e s i s a s i n g l e s c r o l l
A
h r o u g h a n y s o c i a l media
t
l a t f o r m t o s e e t h a t B r y a n t
p
n s p i r e d p e o p l e a r o u n d t h e
i
o r l d t h r o u g h h i s a c t s o n a n d
w
f f t h e c o u r t . T h o u g h B r y a n t ’ s
o
e g a c y i s c h e c k e r e d w i t h a
l
u mber of bad decisions and
n
i t u a t i o n s , i n c l u d i n g h i s 2 0 0 3
s
e x u a l a s s a u l t c a s e , t h e r e i s o n e
s
h i n g a b o u t h i m t h a t e v e r y o n e
t
a n a g r e e w a s p o s i t i v e , h i s
c
o r B r y a n t , mamba mentality was about
F
than just basketball.
more
h e n i t matters most,” he told Amazon
w
o o k R e v i e w . “ I t ’ s t h e u l t i mate mantra for
B
h e c o mpetitive spirit. I t s t a r t e d j u s t a s a
t
a s h t a g t h a t c a me to me one day, and it’s
h
r o w n i n t o s o mething athletes — and even
g
o n - a t h l e t e s — e mbrace as a mindset.”
n
O W D I D K O B E B R Y A N T G E T T H E N I C K N A ME
H
L A C K MAMBA?
B
r y a n t h a s b e e n c o mmonly referred to as the
B
l a c k Mamba. According to The New Yorker,
B
r y a n t g a v e h i mself this name after watching
B
u e n t i n T a r a n t i n o ’ s K i l l B i l l . I n t h e f i l m , t h e
Q
TO ATTEMPT TO
REACH ABOVE
AND BEYOND
EXPECTATIONS
NO MATTER THE
CIRCUMSTANCE.
URBAN DICTIONARY MEANING
OF MAMBA MENTALITY
w h a t B r y a n t meant to them.
Mamba mentality.
mamba snake referred to deadly assassins.
WHAT IS MAMBA MENTALITY?
Mamba mentality is all about focusing on
“
h e p r o c e s s a n d t r u s t i n g i n t h e h a r d w o r k
t
“HARD WORK OUTWEIGHS
TALENT — EVERY TIME,” HE
CONTINUED. “MAMBA
MENTALITY IS ABOUT 4 A.M.
WORKOUTS, DOING MORE
THAN THE NEXT GUY AND
THEN TRUSTING IN THE
WORK YOU’VE PUT IN WHEN
IT’S TIME TO PERFORM.
WITHOUT STUDYING,
PREPARATION AND
PRACTICE, YOU’RE LEAVING
THE OUTCOME TO FATE. I
DON’T DO FATE.”
f a c t , t h e mentality became such a phenomenon that
n
r y a n t w r o t e a b o o k a b o u t i t . I n T h e Mamba Mentality:
B
o w I P l a y , B r y a n t t a l k e d a b o u t t h e mentality and how
H
e p a s s e d i t o n t o o t h e r p l a y e r s , l i k e L e b r o n J a mes.
h
I a l w a y s a i med to kill the opposition,” he wrote. “The
“
thing LeBron and I discussed was what
main
o n s t i t u t e s a k i l l e r mentality. He watched how I
c
p p r o a c h e d e v e r y s i n g l e p r a c t i c e , a n d I c o n s t a n t l y
a
h a l l e n g e d h i m a n d t h e r e s t o f t h e g u y s . I r e member
c
h e r e w a s o n e h a l f w h e n w e w e r e messing around. I
t
a me into the locker room at half-time and asked the
c
u y s — i n a l e s s P G manner — what in the hell we were
g
o i n g . I n t h e s e c o n d h a l f , L e B r o n r e s p o n d e d i n a b i g
d
a y . H e c a me out with a truly dominant mindset. And
w
h e mamba movement has inspired more than just pro
T
t h l e t e s . F a n s e v e r y w h e r e a r e n o w u s i n g t h e p h r a s e a s
a
to keep going, to keep pushing, and to keep
motivation
i g h t i n g .
f
EMSIKAR MAGAZINE 5TH ISSUE
I ’ v e s e e n h i m l e a d t h a t w a y e v e r s i n c e . ”
EMSIKAR MAGAZINE 5TH ISSUE
WORK
FROM
HOME
TIPS
LET'S HELP
STOP THE
SPREAD OF
CORONAVIRUS
03
Set up your workspace
01
Create a routine to
keep your mind and
body productive
04
Focus on what
needs to be done
daily
02
Keep communication
lines open
05
Take a break