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ARCHITECTURE PORTFOLIO // SHOKI KOH

Architecture portfolio compromising of my selected works as an architecture student.

Architecture portfolio compromising of my selected works as an architecture student.

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CONTENTS

Resume 3

One // Khia 4

Two // Musubi ( 結 び) 14

Three // Stack’D Up 25

Four // Symbiotic Village 36

Five // The Rejuvenating Afterlife 45

Six // The Jalan Tenteran Pod-kets 54

CONTENTS

2


EDUCATION

TEMASEK PRIMARY SCHOOL

Class of 2009

TEMASEK SECONDARY SCHOOL

Class of 2013

SINGAPORE POLYTECHNIC

Class of 2017 (Diploma in Architecture)

NATIONAL UNIVERSITY OF SINGAPORE

Class of 2022 (B. Hons Architecture)

WORK

INTERNSHIP - STUDIOGOTO

Mar- Jun 2016

ARCHITECTURAL ASSISTANT - STUDIOGOTO

Sep 2016, May-Jul 2017, Jun-Jul 2019

COMPETITIONS

2015/2016 BCA-CDL GREENSPARKS COMPETITION

Champion

YAC GREEN ACADEMY COMPETITION

May- Aug 2016

RESUME

3


One // Khia


Khia

The project is named after the Hokkien word for home, “khia”, as it strives to fortify and enhance the

important elements of the Commonwealth neigbourhood.

It is aimed at creating a space of a greatersocial hierarchy for the neighbourhood to gather and

experience. The contours of the buildings surrounding the site revolves around the central open area. It is

located between the two most important buildings in the neighbourhood; the market and the church.

SITE PLAN

5


The connectivity can be seen through the model by the orientation of the blocks to form voids that bond

the two buildings. The multi-leveling of the form is meant to match the topography of the site, as it

slopes upwards towards the north as well as to pair with the lower rising church and market structures.

The staggering of blocks is to create interesting voids between them that allows each form to breathe and

express itself.

The bridge makes way for greater interaction of the blocks (and residents) that creates a more unified

form. It also acts as a subtle buffer between the church and market by providing an interesting space to

experience and journey through.

In order to give residents the most complete experience of the space, the void connecting the church and

market have been made fully pedestrial. The service spaces (vehicular circulation and waste disposal)

have been organised in the northern portion of the plot.

PROCESS

6


SECTIONAL DETAIL

7


PART PLAN

8


UNIT PART PLAN

9


TOILET SECTIONAL DETAIL

10


BUILDING PLAN DRAWING

11


RENDERED PERPECTIVE

12


RENDERED PERPECTIVE

13


Two // Musubi ( 結 び)


Musubi ( 結 び)

The intent of Musubi is to create an atmosphere that fosters a highly collective and collaborative work life. This notion is in response to the lack of

interaction of the old and new practices within Chinatown; the contemporary business mostly to the southeast and north and the older ones to the west.

Hence, Musubi serves as a common ground for enterprises (within and beyond) to synergize.

The opportunity to integrate the practices would allow for the offices to engage in cross-disciplinary learning, promoting professional business growth.

This sentiment is what informs the architectural composition of the spaces, forging a collaborative passage through the building. The journey is based

on the conglomeration of the 3 nodes leading up to a series of shared spaces that weaves through the building in a linear ascension. This conceives

thresholds that ties the levels together. Within the levels itself, office spaces are arranged in clusters that share a common entry point. These grounds

serves as thresholds where the offices would fill up and make their own, animating the space according to their office culture.

15


SITE PLAN

16


RENDERED PERPECTIVE

17


RENDERED PERPECTIVE

18


SECTIONAL PERPECTIVE

19


RENDERED PERPECTIVE

20


PART PLAN

21


FACADE STRATEGY

22


SECTIONAL DETAIL

23


SECTIONAL DETAIL

24


Three // Stack’D Up


PROGRAM

26


PLAN / ELEVATION / CONSTRUCTION STRATEGY

27


CROSS VENTILATION STRATEGY

28


HEAT STACKING STRATEGY

29


FACADE DETAILING / CONSTRUCTION DETAILING

30


FURNITURE DETAILING

31


RENDERED PERPECTIVES

32


RENDERED PERPECTIVES

33


RENDERED PERPECTIVE

34


RENDERED PERPECTIVE

35


Four // Symbiotic Village


Symbiotic Village

How do you unite a people of different skillsets, ideologies and

backgrounds to work for a common goal?

Our starting point was to firstly see how the existing structure

could congregate people from all walks of life; from start-up

entrepreneurs to researchers, students and visitors. The building

will ultimately be inhabited by people, and it is up to them to

determine whether the building can become the hallmark of

ecology and technology - this will be the outcome of unification

to a common vision: a leading example of what the best training

centre could be to the world, out of a small industrial town in

Marzabotto.

MODULE STRATEGY

37


PROCESS

38


EXPLODED AXONOMETRY

39


RENDERED PERPECTIVES

40


SECTIONAL STRATEGIES

41


SECTIONAL PERPECTIVE

42


SECTIONAL PERPECTIVE

43


ENTRANCE ELEVATION

44


Five // The Rejuvenating Afterlife


The Rejuvenating Afterlife

The project aims to provide a bio-ethical death care alternative, turning deceased

into compost; to return to the Earth as nourishment instead of pollution, a

widespread occurrence in contemporary death care practices like burial and

cremation.

The coming of the recent epidemic has brought forth concerns across all industries

globally. In Balestier, specifically, it carries the threat of accelerating the death

rate of the prominently old population. This old population, aged 65 and above,

represents 20% of Balestiers’ 32,000 residences, twice that of the national average.

With the average life expectancy hovering at about 84 years, the 6,000 elderly folks

will pass on within the next 20 years at about 5 deaths a week, based on the previrus

conditions.

Looking at the highest figures of new daily cases and death probability of the

infected from the United States (October 30th and August 12 respectively), one of

the hardest hit countries, Singapore would succumb to a death a day from those

rates.

That makes 12 combined deaths a week.

The project situates itself on the defunct Communicable Disease Centre plot (now

reformed as National Centre for Infectious Diseases, NCID, within the Tan Tock

Seng Hospital Complex). It weaves itself through the seams of the existing matured

trees which then acts as the centre pieces which the compost mounds orbits

around; to push the notion of compost as a powerful methodology to help the

deceased and the loved ones transition through death.

The litters of packed trees up north create a series of pocket spaces ideal for wakes

where the loved ones gather and mourn privately. The wake, too, serves to get the

mourners involved in preparing the body for composting. This gets the mourners

to engaged in ceremonial process wetting of the body and scattering of wood chips

as part of the new death processioning. The mourners then travel with the body

to the composting rooms around the matured trees where the body remains to

compost in a six weeks long process.

It is during the six weeks where the body begins to breakdown and turn into

compost. While the composting is underway, loved ones would visit to pay their

respects in the private rooms screened off from the public. Once the body have

been fully composted, the loved ones would retrieve them and may choose to

scatter the compost around the lush greenery around and within the site or take

them away for other nourishing uses. This conclusion marks the return of the being

to the earth, looping back into the full circle of life.

EMOTIVE IMAGE

46


PROGRAM

47


PROCESS

48


PROCESS

49


SITE TREE CROWN MAPPING

50


FORM MAKING STRATEGY

51


SECTIONAL PERPECTIVE

52


FIRST STOREY PLAN / ROOF PLAN

53


Six // The Jalan Tenteran Pod-kets


SITE ANALYSIS

55


ELEVATION

56


PLAN

57


POD VARIATIONS

58


SITE LAYOUT

59


RENDERED PERPECTIVE

60


RENDERED PERPECTIVE

61


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