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VISUAL IDENTITY GUIDELINES

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table of

contents


introduction

04

06

07

08

09

10

11

12

about the designer

the logo

concept

versions

construction & space

minimum size

misuse

colour palette

typeface

03

05


introduction


about the designer

Sonia Margea is a young and creative graphic

designer whose work spans from editorial design

and branding to UI/UX and packaging.

She strated as a passionate art enthusiast. She

studied arts in high school in her Romanian

hometown and later moved to Spain in order to

learn about graphic design.

Since then she has never stopped thinking about

how could she improve her skills, learn new

things and freshen up her perspective. In this

sense, she is constantly focusing on not losing

touch with design industry trends and familiarize

herself with different research methodologies.

Consequently, today she is a highly motivated

and diligent graphic designer with a strong language

but she is also a good listener that you

can always rely on. She believes that every project

must be approached with both an open mind

and a professional attitude – and that is exactly

how she enjoys doing her work, always paying

attention to even the smallest details. As a result,

her aim and ambition are to help people communicate

their ideas by providing simple yet bold

graphic solutions that could effectively impact

the audience and impart unique experiences.


the logo


concept

It is a logo that despite its simplicity and neutralness,

it expresses strength, determination and resilience.

It makes reference to the brand’s goals

of being able to go beyond any limits and boundaries

– creative, communication and spatial one.

That is why it has such a universal and versatile

character, it presents no fear of self-expression,

but rather self-confidence, ambition and vigour. It

is a logo through which the brand is allowed to be

brave, bold, confident and strong, to be extravagant,

to be perseverant and even spontaneous

sometimes. Through which the brand can pursue,

dare and expand its limits beyond any fears

and barriers. It is a straight representation of the

designer, without any additional ornamentation.


versions

We dispose of a range of three different versions

of our logo, each one of them thought and designed

considering their easy adaptation and

application on different types of canvases of various

formats, dimensions and compositions. So

in order for us to ensure that our logo is completely

aproachable, in the first place, we propose

a more complex version that includes all

the information. A suitable option mostly for bigger

formats and/or for clear backgrounds or with

a small amount of graphic elements. On the other

hand, we also dispose of two other versions,

their use being recommendable for even smaller

dimensions than the previous one, but keeping

in mind all the other conditions.

name initials

+ info

name initials

full name


construction & space

An important aspect that has to be always kept

in mind and considered when managing the logo

is its clear space, also known as safety zone. It

is indispensable for the logo in order to avoid losing

its eligibility, as well as its visual impact. So

if the logo is used along other graphic elements,

always ensure that its safe distance is respected

so it may be easy to distinguish and recognize it.

This distance is marked using an x segment that

subsequently is being repeted twice, which corresponds

to the width of violet square – the dot.


minimum size

Another important aspect that needs to be considered

is the logo’s minimum size. In this sense,

we came up with a simplified scheme where the

minimum sizes, of all three versions, are displayed

with aproximate values, considering both

screen formats (px) and printing ones (mm).

Obviously, if the logo is way too smaller, it will

definitely lose its eligibility, not to mention its

visual impact. On the other hand, its maximum

size should not matter, as long as all the other

reglementations are respected, such as colours,

safety zone, etc. So remember to always ensure

that the logo remains visible, distinguishable and

recognizable.

9mm / 28px

3mm / 6px

2mm / 4,5px


misuse

It is important to ensure that the logo conserves

its original properties and that it is properly used.

One changed colour actually ruins the whole

concept and personality that has been given to it

in the first place. In this sense, we propose a list

with what it is not allowed to do, no matter the

circumstances.

distort, warp or flip

the logo in any way;

use a noncorporate

colour.

eliminate elements

or crop them;

replace or add

other elements.

apply any effects,

gradient or

outlines;

disrespect its safe

area (clear space).


colour palette

Our colour palette embraces all the brand’s values.

Black and white, on the first hand, capture

that image of modernity and minimalism that is

intended to divulge, but on the other hand, it is a

group of colours whose simplicity and lack of pretensions

literally makes them capable of fitting in

anywhere with no exception, conferring a universal

character to the brand. Moreover, these two

are complemented by an exuberant colour that

dazzles – violet. Because, if black and white are

neutral and steady, purple is the bold and outstanding

one in this equation.

daring violet lucid white unlimited black

pantone 2725 C

rgb=112, 89, 232

cmyk=68, 70, 0, 0

hex #7059e8

rgb=255, 255, 255

cmyk=0, 0, 0, 0

hex #ffffff

rgb=0, 0, 0

cmyk=0, 0, 0, 100

hex #000000


typeface

The brand’s identity is marked by only one typeface

that serve for both kind of communications,

online and offline as well, and that confers to the

brand a simplistic, universal but potent and modern

character – Helvetica. It is a typeface that

adapts to both headlines and large text boxes.

Moreover, all cases and weights are accepted.


sonia margea

graphic designer

editorial design

branding

packaging design

ui/ux

www. soniamargea.eu

+34 643661844

contact @soniamargea.eu

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