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Sri Sripadaraja Theertharu

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<strong>Sri</strong> <strong>Sri</strong>padaraja <strong>Theertharu</strong><br />

(Around A.D. 1412 – 1502)<br />

"namah sripAdarAjAya namastE vyAsa yOgine<br />

namah purandarAryAya vijayAryAya te namaha"<br />

Seva by: V. Prabhakar Rao, Singapore, June ‘09


<strong>Sri</strong> Gurubyo Namaha<br />

It is my humble intention to write about the life and works<br />

of <strong>Sri</strong> <strong>Sri</strong>padarajaru, as the aradhana of this Yathiraja is<br />

around the corner (June 6 th ). I seek the blessings of my<br />

Guru <strong>Sri</strong> Raghavendra Rayaru in this endeavour.


<strong>Sri</strong> <strong>Sri</strong>padaraja <strong>Theertharu</strong><br />

<strong>Sri</strong> <strong>Sri</strong>padarajaru was one of the outstanding Yathis<br />

of the Madhwa Parampara. It is believed that he is<br />

the incarnation of Dhruva. His contributions to the<br />

spread of madhva siddhantha and to haridAsa<br />

sAhitya are considerable. He was also the<br />

vidyAguru of <strong>Sri</strong> Vyasaraja <strong>Theertharu</strong>.<br />

<strong>Sri</strong> <strong>Sri</strong>padarajaru is considered to be the originator<br />

of Dasakuta. That is why his name stands first in<br />

the following stotra which is sung at the beginning<br />

of any traditional Harikatha discourse<br />

"namah sripAdarAjAya namastE vyAsa yOgine<br />

namah purandarAryAya vijayAryAya te namaha"<br />

He is also referred to as ‘Dasa Pitamaha'<br />

(Grandfather of Dasas). He spread the message of<br />

Bhagavatha Dharma through his devarunamas.<br />

<strong>Sri</strong> <strong>Sri</strong>padaraja <strong>Theertharu</strong> Brindavana


<strong>Sri</strong> Lakshmi Narayana – Early Days<br />

Born in Abbur, a picturesque village about<br />

60 kms from Bangalore, to a poor couple<br />

Abbur <strong>Sri</strong> Seshagiri Achar and Smt<br />

Giriamma, the young boy Lakshmi<br />

Narayana was to become the highly<br />

revered <strong>Sri</strong> <strong>Sri</strong>padarajaru later on in his<br />

life.<br />

He had his aksharabyasa from his father.<br />

As a boy he was used to taking care of<br />

cattle herd during the daytime to help his<br />

family. Even at that young age he had a<br />

dignified appearance and leadership<br />

qualities. He will organise and stage<br />

Dasavathara plays, along with his friends,<br />

and invariably he will play the main<br />

character in these plays.


<strong>Sri</strong> Lakshmi Narayana - Destiny<br />

<strong>Sri</strong> Swarnavarna <strong>Theertharu</strong> was on his way to<br />

Abbur. The young Lakshminarayana was taking<br />

care of his herd. <strong>Sri</strong> Swarnavarna theertharu,<br />

anxious to know the distance of the village, made<br />

an enquiry with the boy. Lakshminarayana<br />

answered the question intelligently by saying "see<br />

me, see my herd, gaze at the sky and realize the<br />

distance" and stood calmly. Swamiji was<br />

wonderstruck at his intelligence and was pleased<br />

with his presence of mind. He asked him to lead<br />

him to the ashram of <strong>Sri</strong> Purushoththama<br />

<strong>Theertharu</strong>. There the Swamiji was also highly<br />

impressed with <strong>Sri</strong> Brahmanya Theertha, the<br />

disciple of <strong>Sri</strong> Purushoththama <strong>Theertharu</strong>. After<br />

conferring with <strong>Sri</strong> Purushoththama <strong>Theertharu</strong>,<br />

<strong>Sri</strong> Swarnavarna <strong>Theertharu</strong> decided to take the<br />

young Lakshminarayana under his wings.


<strong>Sri</strong> Lakshmi Narayana Yogi<br />

Very soon the young man Lakshmi Narayana became a very scholarly pandit. Impressed by the prowess of<br />

his sishya, <strong>Sri</strong> Swarnavarna <strong>Theertharu</strong>, in his old age, decided to make him his successor. After taking<br />

the consent of his parents, he gave him sanyasa and named him <strong>Sri</strong> Lakshmi Narayana Yogi. For<br />

sometime <strong>Sri</strong> Swarnavarna theertharu was with <strong>Sri</strong> Lakshmi Narayana, as he was engaged in<br />

pravachana, japa tapa, guruseva .... Reposing full confidence in his shishya, Swarnavarna muni handed<br />

over to him his samsthana with all its grandeur and entered the brindavana there at <strong>Sri</strong>rangam. Thus <strong>Sri</strong><br />

Lakshmi Narayana Yogi occupied the peeta.<br />

Brindavana of <strong>Sri</strong> Swarnavarna <strong>Theertharu</strong> at <strong>Sri</strong>rangam


<strong>Sri</strong> <strong>Sri</strong>padarajaru – How come the name?<br />

Once he occupied the peeta, his lustre grew manyfold. He went<br />

on theerthayatra with <strong>Sri</strong> Vibhudendra <strong>Theertharu</strong> (the purva<br />

peetathipathi of <strong>Sri</strong> Rayaru Mutt) and <strong>Sri</strong> Raghunatha<br />

<strong>Theertharu</strong> of Uttaradi Mutt. <strong>Sri</strong> Raghunatha <strong>Theertharu</strong> was<br />

far senior to <strong>Sri</strong> Lakshmi Narayana Yogi and a highly respected<br />

yathi in the madhwa parampara. <strong>Sri</strong> Lakshmi Narayana Yogi<br />

showed all due respects to him. <strong>Sri</strong> Raghunatha <strong>Theertharu</strong><br />

wanted to test his pandithya. <strong>Sri</strong> Lakshmi Narayana impressed<br />

him hugely with a flowing commentary on a difficult phrase<br />

from the famous grantha “Nyayasudha”.<br />

The extremely happy <strong>Sri</strong> Raghunatha <strong>Theertharu</strong> said “If we are<br />

all <strong>Sri</strong>padarus (sanyasis) you are truly <strong>Sri</strong>padaraja (King of<br />

Sanyasis)”. And he blessed him that he will be as famous as<br />

<strong>Sri</strong>mad Acharya and <strong>Sri</strong> Teekacharya.<br />

Since then <strong>Sri</strong> Lakshmi Narayana Yogi became known as<br />

<strong>Sri</strong> <strong>Sri</strong>padarajaru


<strong>Sri</strong>padaraja Mutt<br />

Sometime after he became the Pontiff of the Mutt, he set out on travel. He came to<br />

Mulubagilu and made up his mind to stay there knowing well its Historical, Educational and<br />

Dharmic background. At that time Mulubagilu was under the control of Vijayanagar kings.<br />

<strong>Sri</strong>padarajaru comes in the divine parampara of Padmanabhatheertha Mutt. <strong>Sri</strong> Padamanabha<br />

theertharu was the direct disciple of Shri Madhwacharya. He was the first to write notes<br />

(Sanyayarathnavali & sattarkadeepavali) on Madhwacharya's great works. He paved the way<br />

for dwaitha sidhanta to scale new heights. Narayana pandithacharya has lot of praise for <strong>Sri</strong><br />

Padmanabha theertharu as a lion critic . <strong>Sri</strong> Jayatheertharu has described him as a pure person<br />

who lived in the ocean of chaste knowledge.<br />

<strong>Sri</strong> Padmanabha muni saw to it that his monastic order remained wedded to propagation of<br />

dharma. This mutt was called as Padmanabhatheertha mutt before <strong>Sri</strong>padarajaru, and after<br />

him, because of the alluring personality of <strong>Sri</strong>padarajaru it became famous as <strong>Sri</strong>padarja mutt.<br />

Ref: www.sripadarajamutt.org


<strong>Sri</strong> Ranga Vittala<br />

Having spent considerable time at <strong>Sri</strong>rangam, <strong>Sri</strong> <strong>Sri</strong>padarajaru observed the tradition at <strong>Sri</strong>rangam temple<br />

and recognised the divine power of music to carry bhakthi and dharma to common people. Furthermore he<br />

was conscious of the fact that if the lines are kept simple and in the native language, they can be understood<br />

by even simple folks. With these inspirations he started composing many devarunamas in kannada and<br />

started the tradition of singing them during the puja. On the banks of Bhimarathi nadhi, as indicated in his<br />

dream, he found buried a golden box which contained the lovely vigraha of <strong>Sri</strong> Ranga Vittala. It became his<br />

ankitha (signature) in his devarunamas.<br />

His Bhramaragita, Venugita, Gopigita are said to be beautiful and full of the essence of<br />

<strong>Sri</strong>mad Bhagavatham<br />

Ref: <strong>Sri</strong> Haridasa Vijayam compiled by Smt Padma <strong>Sri</strong>nivasan


“Mahime Saladhe”<br />

In A.D. 1471, King Chaluva Narasimhan of Chandragiri took refuge under <strong>Sri</strong> <strong>Sri</strong>padarajaru<br />

to get rid of the dosha due to his wrong deeds. <strong>Sri</strong> <strong>Sri</strong>padarajaru saved him through his tapas<br />

sakthi. In gratitude he seated him on his simhasana and conducted kanakabishekha. On that<br />

occasion his sishya <strong>Sri</strong> Vyasaraja <strong>Theertharu</strong> composed and sang the famous devarunama<br />

“Mahime Saladhe”.<br />

The king of Vijayanagara continuously requested <strong>Sri</strong>padaraja to settle down in his kingdom, and become<br />

his Raja-Guru. <strong>Sri</strong>padaraja declined to do so due to old age, but agreed to send his beloved disciple Shri<br />

Vyasaraja instead. Thus Shri Vyasaraja became the Raja-Guru of the Vijayanagara empire.


<strong>Sri</strong> Madhvanama<br />

“<strong>Sri</strong> Madhvanama” is a legendary composition of <strong>Sri</strong> <strong>Sri</strong>padarajaru, which extols<br />

the greatness of Hanuma, Bhima, Madhva “avatharatraya”. The phalastuthi of<br />

this great work was written by <strong>Sri</strong> Jagannatha Dasaru three hundred years later.<br />

“jaya jaya jagatrANa, jagadoLage sutrANa<br />

akhila guNa sadhdhAma madhvanAma”


<strong>Sri</strong> <strong>Sri</strong>padarajaru’s Devarunamas<br />

"Ne ittahange iruvEno hariye ...", "Kangalidyathako kAveri rangana nOdada..", "BhUshanake<br />

BhUshana ...“ are some of the most inspiring devarunamas of <strong>Sri</strong> <strong>Sri</strong>padarajaru. Of these,<br />

“Bhushanake Bhushana” has a tremendous personal impact on me. Everytime I listen to it, it<br />

never fails to lift me up.


“Nyayasudhopanyasa – Vagvajra”<br />

This is a literary work ascribed to <strong>Sri</strong> <strong>Sri</strong>padarajaru. It is a<br />

commentary on <strong>Sri</strong>man Nyayasudha. It is a lucid and attractive<br />

commentary in 3500 slokas. The exposition is exhaustive and the<br />

style graceful.<br />

Ref: “History of the Dvaita school of vedanta and its literature”<br />

by Dr. B.N.K.Sharma


<strong>Sri</strong> <strong>Sri</strong>padarajaru’s Brindavana<br />

Narasimha Theertha<br />

<strong>Sri</strong> <strong>Sri</strong>padarajaru has his brindavana at a place called<br />

Narasimha Theertha, about a mile from Mulabagilu, on the<br />

Bangalore and Madras national highway. There is an<br />

interesting anecdote about Narasimha Theertha which goes<br />

as follows: It is said that when he was in his old age, he<br />

wanted to have Ganga-snana, but could not travel all the<br />

way up north. Ganga then appeared before him and said<br />

that she herself would come to Narasimha Theertha and<br />

stay there for ever. From then on, a dip in Narasimha<br />

Theertha is considered to be equivalent to a dip in Ganga.<br />

The following stotra in honor of <strong>Sri</strong> <strong>Sri</strong>padarajaru was<br />

composed by <strong>Sri</strong> Vyasarayaru:<br />

Tham vande narasimha theertha nilayam <strong>Sri</strong> vyasaraja poojitham<br />

Dhayantham manasa nrusimha charanam SrIpadarajaram gurum.<br />

Pada Vakya Pramatabhyam Vikreedana Visharadam<br />

LakshmiNarayana Muneem Vande Vidya Gurunmama.


<strong>Sri</strong> Yoga Narasimha<br />

At Narasimha theertha near Mulubagilu, <strong>Sri</strong> Akshobhya theertharu,<br />

using angaara sketched Lord Narasimha and later on the murthy was<br />

formed on its own.


BrahmanyaPura Mukhyapranadevaru Temple<br />

It is said that <strong>Sri</strong> Brahmanya Teertharu, <strong>Sri</strong> Vyasarayaru and <strong>Sri</strong> <strong>Sri</strong>padarajaru installed this<br />

moorthy. The idol of Pranadevaru represents the three avatara of Mukhyapranadevaru viz.,<br />

Hanuma, Bhima and Madhwa. The “Shika” of the pranadevaru represents the Madhwa avatara.<br />

The Saugandhika pushpa in hand represents the Bhimavathara. It’s a very beautiful murthi.<br />

Ref: Jignaasa – Madhwa Youth Forum – Web page


<strong>Sri</strong> Brahmanya <strong>Theertharu</strong><br />

According to a tradition, recorded in the<br />

Brahmanya Tiirtha Vijaya, <strong>Sri</strong> Brahmanya<br />

<strong>Theertharu</strong> and <strong>Sri</strong> <strong>Sri</strong>padarajaru were<br />

cousins and were roughly of the same age.<br />

It is remarkable that both renounced the<br />

world and devoted themselves to the cause<br />

of their faith and played a conspicuous part<br />

in the spiritual development of their gifted<br />

disciple <strong>Sri</strong> Vyaasa <strong>Theertharu</strong>.<br />

Ref: www.dvaita.org<br />

Brindavana of <strong>Sri</strong> Brahmanya <strong>Theertharu</strong><br />

(at Abbur, about 60kms from Bangalore)


Namaskara to Guru <strong>Sri</strong> <strong>Sri</strong>padaraja <strong>Theertharu</strong><br />

"namah sripAdarAjAya namastE vyAsa yOgine<br />

namah purandarAryAya vijayAryAya te namaha"<br />

<strong>Sri</strong> Krishnarpanamasthu


Dharma brings happiness<br />

<strong>Sri</strong> Krishnarpanamasthu

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