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The works of Gudjon Bjarnason

The works of Gudjon Bjarnason

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A Viking in Pondicherry

by Sebastian Cortes

Meeting Gudjon at a rooftop party in the heart of South

India was the start of an interesting journey. His Viking-like

features and his cowboy swagger, off set by a decidedly

unique and never trite conversation, added to his “original

persona”. Our initial topic of conversation was prompted

by my admiration for the Icelandic government’s courage

and resolve during the last financial disaster of 2008. His

response to my favorable comment made it clear to me that

he was not as impressed as I was and he proceeded to outline

in detail the many shortcomings. His critical analyses and

honest detailing of the facts was a refreshing change from

the superficial party chatting. He proceeded to charm me by

commenting favorably on my last book on Pondicherry and

to suggest that maybe he, as an architect/artist, interested in

conservation, could offer some support to my mini crusade to

bring new life to the many heritage and abandoned buildings

in Pondicherry.

The next time Gudjon and I hooked up, he presented me

with an exhaustive study of the abandoned distillery in

Pondicherry, a massive and potentially interesting structure,

which sits unattended and unused on one of the best

stretches of the Pondicherry coastline. I was not only taken

aback by his detailed effort, which gave rise to some very deep

discussions about heritage and architecture but I was also

pleasantly stunned by his forward looking energy – certainly

a residue of his New York years at Columbia – a very pleasant

change from the excessively laidback approach to the future

that reigns in South India.

Over the next couple of years Gudjon would dedicate time,

energy and many personal contacts to the endless initiatives

needed to awaken the slumber around the question of

Pondicherry’s heritage. Meetings with INTACH, where his

innovative and sometimes overly advanced restructuring

proposals caused a few eyes to roll, would always produce a

vibrant air of possibility but the mechanisms of politics and

interest seemed always to anchor the forward momentum,

leaving everything stuck in the doldrums of unfinished

business. Amazingly, Gudjon was never demotivated and

between trips around the world and other commissions,

he always found the time to check in on the Pondicherry

situation.

The results are yet to be seen and maybe years are still

needed for both of us to witness the heritage and cultural

revival that we both wish for Pondicherry but Gudjon’s efforts

and energy have certainly proved that his creative spirit,

which he celebrates in many ways, may also find a source of

confirmation in his concern for the future of the Indo-French

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