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Craft ACT: Craft + Design Centre: 2005 Annual Report

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CURATORIAL PROGRAM AND PROMOTING EMERGING ARTISTS<br />

The <strong>Craft</strong> <strong>ACT</strong> Exhibition Program meets key objectives of the <strong>Craft</strong> <strong>ACT</strong> Business Plan:<br />

• to promote contemporary craft and design , individual craft and design artists and<br />

<strong>Craft</strong> <strong>ACT</strong>;<br />

• to encourage and develop professionalism and excellence in craft and design<br />

practice;<br />

• to encourage a dynamic and responsive climate for the presentation of contemporary<br />

craft and design practice that fosters innovation.<br />

<strong>Craft</strong> <strong>ACT</strong>: <strong>Craft</strong> and <strong>Design</strong> <strong>Centre</strong> is an organisation that sets the benchmark for professional<br />

contemporary craft and design presentation in Canberra and beyond. It strives to present a<br />

program that celebrates individual practice, new ideas and technologies and to challenge<br />

perceived ideas of contemporary craft and design through curatorial investigation. The exhibition<br />

program is a response to the <strong>Craft</strong> <strong>ACT</strong> business plan and is the flagship of the regions best<br />

contemporary craft and design. The program is enhanced by <strong>Craft</strong> <strong>ACT</strong>’s publication program<br />

offering quality informative texts and graphic material to complement each exhibition.<br />

Gallery 1 presented a range of professional exhibitions touching upon a range of media and<br />

concepts. The year began with <strong>Craft</strong> <strong>ACT</strong>’s selection for the National Multicultural Festival, Hoop<br />

of the World a ceramic exhibition by American Australian artist Merrill Orr. <strong>Craft</strong> <strong>ACT</strong> and Object<br />

Gallery presented the joint project Geometry Rhythm Light: glass and the everyday, curated by<br />

David Sequeira and which toured to Sydney, Canberra and Hong Kong. Gardenesque was<br />

toured to <strong>Craft</strong> <strong>ACT</strong> from the Ballarat Fine Art Gallery and reflected upon domestic objects and<br />

nostalgia. Dimensions Variable: Festival of Contemporary Sculpture was an exciting new venture<br />

demonstrating the strength of Canberra’s arts organisations to present a festival of national<br />

significance and recognised the strong position of contemporary craft and design within current<br />

sculpture practice. Ranamok Glass Prize <strong>2005</strong> was launched and the winner announced at <strong>Craft</strong><br />

<strong>ACT</strong>, a first for the organisation. Memories in Place: art in high country huts was a unique<br />

exhibition incorporating major offsite installations and public programs and demonstrated the<br />

value of art and the artist to play a significant role in the reinterpretation of heritage and to<br />

explore environmental issues. Chora, 24:7 Dwell was a highlight of the year as <strong>Craft</strong> <strong>ACT</strong><br />

brought Canadian artist Penelope Stewart to Canberra to take part in the remarkable temporary<br />

public art projects 24:7, initiated by the <strong>ACT</strong> Government through its agency arts<strong>ACT</strong>. The final<br />

exhibition for the year and always a favourite with <strong>Craft</strong> <strong>ACT</strong> audiences and staff was the <strong>Craft</strong><br />

for Xmas exhibition of members work.<br />

Gallery 2 emphasized the individual strengths of artists Ian Jones, Alan Swanson, and Gerry<br />

Wedd. Steve Harkin a <strong>Craft</strong> <strong>ACT</strong> Accredited Professional Member travelled to Canberra from the<br />

UK where he currently resides to present an exhibition of his handmade bags from a period of<br />

over ten years and which was an extraordinary vision of design and fashion. Alina Jay presented<br />

new work that she created in response to her experience in the Here and There Project, an<br />

international exchange of jewellers between the UK and Australia. Jay’s jewellery work was<br />

created from a meticulous and unique technical process of ceramic slip casting. Madeline Gisz a<br />

graduate of the ANU School of Art Wood Workshop was the recipient of the Australia Council<br />

Mentorship program. She worked with Ben Puglisi at his violin and cello atelier. The Gallery 2<br />

program is made up from individual proposals and <strong>Craft</strong> <strong>ACT</strong> programming and in <strong>2005</strong> brought<br />

together a great selection of <strong>Craft</strong> <strong>ACT</strong> Accredited Professional Membership, emerging artists<br />

and interstate artists.<br />

<strong>Craft</strong> <strong>ACT</strong> provides many further exhibition and presentation opportunities for artists through a<br />

series of specialised showcases. A purpose built showcase, Crucible, at <strong>Craft</strong> <strong>ACT</strong>’s entrance,<br />

which was part of a public art design brief to lead audiences into <strong>Craft</strong> <strong>ACT</strong> which is located on<br />

the first floor of the North Building has been enjoying more focussed presentations by local<br />

emerging and established artists. The <strong>Craft</strong> <strong>ACT</strong> Front Counter is a small and intimate showcase<br />

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