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Ovi Magazine Issue #24: Nationalism - Published: 2013-01-31

In this thematic issue of the Ovi magazine we are not giving answers about “nationalism.” We simply express opinions. We also start a dialogue with only aim to understand better.

In this thematic issue of the Ovi magazine we are not giving answers about “nationalism.” We simply express opinions. We also start a dialogue with only aim to understand better.

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Tate Modern London, Lichtenstein: A Retrospective

21 February – 27 May 2013 Tate Modern London,

is proud to present a retrospective of one of the

great American artists of the twentieth century.

Lichtenstein: A Retrospective is the first full-scale

retrospective of this important artist in over twenty

years. Co-organised by The Art Institute of Chicago

and Tate Modern, this momentous show brings

together 125 of his most definitive paintings and

sculptures and will reassess his enduring legacy.

Lichtenstein is renowned for his works based on

comic strips and advertising imagery, coloured

with his signature hand-painted Benday dots. The

exhibition showcases such key paintings as Look

Mickey 1961 lent from the National Gallery Art,

Washington and his monumental Artist’s Studio

series of 1973–4. Other noteworthy highlights

include Whaam! 1963 – a signature work in Tate’s

collection – and Drowning Girl 1963 on loan from

the Museum of Modern Art, New York.

Berlin Museum of Modern Art, Art in Berlin 1880-1980

The Berlinische Galerie collects art produced in

Berlin since 1870. From now on, the museum will

be presenting internationally acclaimed works

from the fields of painting, graphic art, sculpture,

photography and architecture in exhibition architecture

designed by the Berlin architectural office

of David Saik. The chronological presentation of

our masterpieces in an area of 1,500 square metres

reflects the interdisciplinary orientation of the

collection and communicates an exciting dialogue

among different artistic styles: Art around 1900,

Expressionism, Berlin Dada, the Eastern European

Avant-Garde, New Objectivity, Art in the National

Socialist Era, the New Beginning after 1945 and

Positions of the 1950s.

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