Untold Stories: Poetry at English Heritage
Untold Stories – Poetry at English Heritage took place in the autumn of 2020. Through new commissions, a poetry exchange and a public competition the programme allowed us to experience English Heritage sites in new ways and offered opportunities for everyone to explore our past through poetry. The programme was co-curated by Jacob Sam-La Rose, English Heritage’s Poet in Residence. This digital anthology brings together a collection of works written as part of the programme. It features poems written in Shout Out Loud workshops led by Malika Booker; as part of the Untold Stories Poetry Competition; and by commissioned poets Esme Allman, Nii Ayikwei Parkes, Jay Bernard, Malika Booker, Safiya Kamaria Kinshasa and Jacob Sam-La Rose. english-heritage.org.uk/untold-stories
Untold Stories – Poetry at English Heritage took place in the autumn of 2020. Through new commissions, a poetry exchange and a public competition the programme allowed us to experience English Heritage sites in new ways and offered opportunities for everyone to explore our past through poetry. The programme was co-curated by Jacob Sam-La Rose, English Heritage’s Poet in Residence.
This digital anthology brings together a collection of works written as part of the programme. It features poems written in Shout Out Loud workshops led by Malika Booker; as part of the Untold Stories Poetry Competition; and by commissioned poets Esme Allman, Nii Ayikwei Parkes, Jay Bernard, Malika Booker, Safiya Kamaria Kinshasa and Jacob Sam-La Rose.
english-heritage.org.uk/untold-stories
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Safiya Kamaria<br />
Kinshasa<br />
Iimmedi<strong>at</strong>ely came up with the idea<br />
of MTV Cribs: Farleigh Hungerford,<br />
as I walked among the ruins of the<br />
castle. I became enthusiastic about the<br />
idea of restoring and inhabiting it with<br />
an imagined owner from a completely<br />
different walk of life. I wanted to reflect<br />
on: home, safety and mortality.<br />
Limbo, written after my visit to Down<br />
House, was perhaps one of the most<br />
difficult poems I have ever had to write. I<br />
walked into wh<strong>at</strong> seemed to be a quaint<br />
British country home, past a living room<br />
with a grand piano but then saw a West-<br />
Indian map. My experience of viewing an<br />
orderly exhibition rapidly evolved into a<br />
pursuit of heritage and vindic<strong>at</strong>ion for a<br />
Guyanese ex-slave, John Edmonstone. I<br />
sought to articul<strong>at</strong>e my honest feelings<br />
about my discoveries while grappling with<br />
the reality of present trauma. I felt it was<br />
my duty to illumin<strong>at</strong>e unknown stories in<br />
the hope of provoking others to question<br />
the framing of British history and who and<br />
wh<strong>at</strong> our history educ<strong>at</strong>ion excludes.