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Untold Stories: Poetry at English Heritage

Untold Stories – Poetry at English Heritage took place in the autumn of 2020. Through new commissions, a poetry exchange and a public competition the programme allowed us to experience English Heritage sites in new ways and offered opportunities for everyone to explore our past through poetry. The programme was co-curated by Jacob Sam-La Rose, English Heritage’s Poet in Residence. This digital anthology brings together a collection of works written as part of the programme. It features poems written in Shout Out Loud workshops led by Malika Booker; as part of the Untold Stories Poetry Competition; and by commissioned poets Esme Allman, Nii Ayikwei Parkes, Jay Bernard, Malika Booker, Safiya Kamaria Kinshasa and Jacob Sam-La Rose. english-heritage.org.uk/untold-stories

Untold Stories – Poetry at English Heritage took place in the autumn of 2020. Through new commissions, a poetry exchange and a public competition the programme allowed us to experience English Heritage sites in new ways and offered opportunities for everyone to explore our past through poetry. The programme was co-curated by Jacob Sam-La Rose, English Heritage’s Poet in Residence.

This digital anthology brings together a collection of works written as part of the programme. It features poems written in Shout Out Loud workshops led by Malika Booker; as part of the Untold Stories Poetry Competition; and by commissioned poets Esme Allman, Nii Ayikwei Parkes, Jay Bernard, Malika Booker, Safiya Kamaria Kinshasa and Jacob Sam-La Rose.

english-heritage.org.uk/untold-stories

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Safiya Kamaria<br />

Kinshasa<br />

Iimmedi<strong>at</strong>ely came up with the idea<br />

of MTV Cribs: Farleigh Hungerford,<br />

as I walked among the ruins of the<br />

castle. I became enthusiastic about the<br />

idea of restoring and inhabiting it with<br />

an imagined owner from a completely<br />

different walk of life. I wanted to reflect<br />

on: home, safety and mortality.<br />

Limbo, written after my visit to Down<br />

House, was perhaps one of the most<br />

difficult poems I have ever had to write. I<br />

walked into wh<strong>at</strong> seemed to be a quaint<br />

British country home, past a living room<br />

with a grand piano but then saw a West-<br />

Indian map. My experience of viewing an<br />

orderly exhibition rapidly evolved into a<br />

pursuit of heritage and vindic<strong>at</strong>ion for a<br />

Guyanese ex-slave, John Edmonstone. I<br />

sought to articul<strong>at</strong>e my honest feelings<br />

about my discoveries while grappling with<br />

the reality of present trauma. I felt it was<br />

my duty to illumin<strong>at</strong>e unknown stories in<br />

the hope of provoking others to question<br />

the framing of British history and who and<br />

wh<strong>at</strong> our history educ<strong>at</strong>ion excludes.

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