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Image Courtesy

of Jayne Parker.


www.bodies-and-boundaries.com

Online Film Screening Programme

supported by cinenova.org.

31st May - 1st June 2021

Acknowledgments and thanks to:

Artquest

World on a Wire

Special thanks to Anna Clegg.

Eliza Brady: elizabrady@hotmail.co.uk / elizabrady.com

Anna Clegg: aclegg98@yahoo.co.uk / relevant-confluences.com

2


Bodies & Boundaries is a two day online screening event curated by Eliza Brady.

Eliza is a practicing artist who worked with Cinenova as Distribution Intern

between 2019-2020.

Six films from the Cinenova collection were shown, each linked by their

investigatory considerations of womxns’ bodily autonomy or the lack thereof.

The selection uses experimental, documentary, autobiographical, animation &

fiction filmmaking techniques that render womxn’s bodies and work against the

disciplining of gender conformity.

Bodies & Boundaries probes binary categories of innocence and cruelty, purity

and contamination, desire and repulsion, subversion and obedience, life and

death. The programme aims to uphold the unceasing importance of providing a

platform for working/living womxn artists in a realm that has under-served them

throughout history. Eliza is delighted to take on the role of caretaker, mindfully

moving artists’ work from private to public territory..

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31st May 2021

1. AGAINST THE CURRENT

1985, UK. 16mins.

Directed By Linda Flint,

Hildur Gladwin, Jane Harris.

2. BIRTHRITES

1977, UK. 53mins.

Directed By Robina Rose.

3. I DISH

1982, UK. 16mins.

Directed By Jayne Parker.

FILM

SCHE

DULE

1st June 2021

4. RASH

1990, UK. 7mins.

Directed by Vicky Smith.

5. WORMCHARMER

1998, UK. 8mins.

Directed by Roz Mortimer.

6. YOU BE MOTHER

1991, UK. 8mins.

Directed by Sarah Pucill.

5

Image Courtesy of Sarah Pucill.


1.

AGAINST THE

CURRENT

1985, UK. 16mins.

Directed By

Hildur Gladwin, Jane Harris & Linda Flint.

6


Against The Current is an experimental documentary

which takes both a historical and a contemporary look

at the lack of control women have over their own

bodies, focusing mainly on childbirth and

developments in reproductive technologies.

Written by Hrafnhildur Gladwin, Jane Harris & Linda

Flint.

7

Image Courtesy of Artists.


8

Images Courtesy of Artist.


2.

1977, UK. 53mins

Directed By Robina Rose.

Birthrites is a film about 'natural'

childbirth.

It presents one woman's

experience of giving birth as

filmed by another woman, without

any insistence on simple

answers.

Fertility is seen as a form of

liberation and autonomy over a

woman’s body.

'With contraception and abortion

readily available today, the

consequence of childbirth is no

longer automatic. Women whose

role is thus more in question,

must nevertheless confront this

aspect of their potentiality.

Whether or not they opt to

embrace it, they must weigh up

what childbirth is. As a woman of

25, it became an issue I felt it

important to deal with. The result

of this involvement is the film'.

(Robina Rose)

BIR

TH

RIT

ES

Edited by Eliza Brady

9

Images Courtesy of Artist.


10


I DISH

3.

1982, UK. 16mins.

Directed By Jayne Parker.

Following the narrative the protagonist is looking very hard. She

isn't looking in the usual places. Sifting, searching, sorting, she

removes the hooks that baited her, all the claims made on her.

She is moving towards autonomy.

Definition to dish: to frustrate, disappoint or defeat. I Dish

explores the physical body, objects and acts of performance

through the unique possibilities of film.

Jayne Parker comments: "In my work I try to see and

understand what the body can do... Inanimate objects can also

be the body. I like the physicality of film and its precision; I like

the sense of space within the frame - filmmaking allows me to

make connections between seemingly unconnected images of

events."

Edited by Eliza Brady

11

Images Courtesy of Artist.


RASH

4.

1990, UK. 7mins.

Directed by Vicky Smith.

12


The hand drawn animated film

Rash presents us with an insight

into female sexual fetishism

through an imaginary voyage

around the body.

Drawing with immediacy and

pressure, monstrous portraits

evolve. Erasing images through

destructive processes.

Written by Vicky Smith.

13

Images Courtesy of Artist.


WO

RMC

HAR

MER

5.

UK, 1998. 8mins.

Directed by Roz Mortimer.

14

Images Courtesy of Artist.


Roz Mortimer’s Wormcharmer presents us with a

dichotomy between a housewife and worms.

We are told in an anatomical report about the life of

worms and forced into making comparisons to what we

see and what we hear. The narration holds its form as

documentary while the melancholic fantasy tells us

otherwise. The housewife and her surroundings are

used as a metaphor for containment, alienation and the

reproductive discourse is shared between worm and

wife.

Written by Eliza Brady.

15


YOU BE

MOTHER

6.

UK, 1991. 8mins.

Directed by Sarah Pucill.

16

Images Courtesy of Artist.


You Be Mother uses stop-frame animation to disrupt the traditional

orders of animate and inanimate, the fluid and the solid. An

hallucinatory space is set up when a frozen image of the artist’s

face is projected onto weighty pieces of crockery atop a table. Ears,

eyes, nose and mouth, all become spatially dislocated as a

determined hand begins to reposition, decant and mix. Events

unfold to the amplified sounds of grinding, pouring and stirring.

Written By Sarah Pucill.

17


Further Reading:

Antrum, H., 2018. CINENOVA: NOW SHOWING. [ebook] London: Cinenova. Available at:

<http://hollyantrum.com/wp-content/uploads/2014/11/Cinenova-Now-Showing-Holly-

Antrum.pdf> [Accessed 2 April 2021].

Balsamo, A., 1996. Technologies of the Gendered Body. Durham, North Carolina: Duke

University Press.

Corea, G., 1985. The Mother Machine. Reproductive Technologies from Artificial

Insemination to Artificial Wombs. London: TheWomen ś Press.

Martin, E., 1992. The Woman In The Body. Boston, Massachusetts: Beacon Press Books.

Phillips, A., 2013. Our Bodies Whose Property?. Princeton and Oxford: Princeton

University Press.

Satz, A., 2017. The International Journal of Screendance. 3rd ed. Ohio: The Ohio State

University Libraries, pp.120 - 127. Available at: <https://www.researchgate.net/publication/

316751965_Touching_Sound_An_Interview_with_Jayne_Parker_by_Aura_Satz>

[Accessed 2 April 2021].

Shaw, J., 2014. World Worm Charming Championship 2013. [online] Vimeo. Available at:

<https://vimeo.com/74295160> [Accessed 1 May 2021].

Unwurah, N., 1990. Watch The Body Beautiful - BFI Player. [online] BFI Player. Available

at: <<https://player.bfi.org.uk/free/film/watch-the-body-beautiful-1990-online>

[Accessed 1 April 2021].

List of QR Codes:

Audio Recording of Q&A with Hrafnhildur Gladwin (via Soundcloud)

Audio Recording of Q&A with Vicky Smith (via Soundcloud)

Audio Recording of Q&A with Roz Mortimer (via Soundcloud)

Audio Recording of Q&A with Sarah Pucill (via Soundcloud)

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