NURJ Print Vol. 16
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The staff of the Northwestern Undergraduate Research
Journal would like to express our appreciation for all
those who recognize and contribute to our endeavors.
Without their support, we would be unable to produce
this edition of the Journal.
We would like to thank Morton Schapiro, President of
Northwestern University, along with Provost Kathleen
Hagerty and Associate Provost for Undergraduate
Education Miriam Sherin for their generous patronage.
We are especially appreciative of our late faculty adviser,
Allen Taflove of the Electrical and Computer Engineering
Department, for his unwavering dedication to the NURJ
as a whole. His direction and guidance has allowed us
to create the best version of the Journal as possible.
Cover by Abby Hsiao and Sarah Tani.
Published June 2021.
ISSN 2689-1034
MASTHEAD
vol. 16 | 2020–2021
EDITORS-IN-CHIEF
Maia Brown & Shreya Sriram
FACULTY ADVISER
Allen Taflove
MANAGING EDITORS
Leslie Bonilla, Sung Yeon Sally Hong,
Niva Razin
ART DIRECTOR
Sarah Tani
DIRECTOR OF OUTREACH
Joy Zheng
DEVELOPMENT DIRECTORS
Kevin Bai, John Cao
CONTRIBUTING EDITOR
Samantha Smith
EDITORS
Catherine Campusano, Rachel Chiu,
Clare Hardiman, Hannah Jiang,
Vibhusha Kolli, Andrew Laeuger,
Grace Lee, Jada Morgan, Prerita Pandya,
Joni Rosenberg, Clare Zhang, Joy Zhao,
Kallista Zhuang
DESIGNERS
Kelly Cloonan, Abby Hsiao, Siying Luo,
Nancy Qian, Bryan Sanchez, Anthony Tam,
Fiona Wang, Catherine Wu
ASSOCIATE DIRECTORS OF OUTREACH
Khaled Abughoush, Alex Solivan
DEVELOPMENT TEAM
Clarissa Brill-Forman, Jenna Greenzaid, Katie He,
Soumya Jhaveri, Tiffany Lou, Eleanor Pope, Carrie Zeng
TABLE OF CONTENTS
04
Letters and Dedication
Opening letters and dedication in honor of Faculty Adviser Allen Taflove
08
Social Policy
Opinions in Flux: An Exploration of the Perceptions of Concussions in
Youth Sports
28
24 Feature
Student Researcher Madeline Baxter on Researching Public Health
and Race
African American Studies
What is Political Ontology
42 Feature
Professor Jesús Escobar on Studying Art During the COVID-19 Pandemic
44 Sociology
Networking for Gender Justice: Women’s Arts Organizations as Facilitators
of Gender Equity in the Arts Industry
60 Feature
Professor Patricia Moreno on Therapy-Related Research During the
COVID-19 Pandemic
62 Anthropology
Swimming Upstream: Decreasing Salmon Populations in the Columbia River
Basin Through Infrastructure and Its Impacts on Indigenous Welfare
76 Feature
Dr. Robert L. Murphy on Vaccine Development
80 Psychology
Stories of Regret in Late Midlife and Their Relation to Psychosocial Adaptation
92 Feature
A Brief History of the Dearborn Observatory
95
Legal Studies
“Territory Folks Should Stick Together”: The Role of the Law
and the “Other” in Daniel Fish’s Oklahoma!
Feature
Graduate Student Ryan Serrano on His Academic Journey
110
Performance Studies, Art History
Knowledge and Wonder’s Place, Policy, and Publics: Kerry James
Marshall and the Henry E. Legler Library’s Percent-for-Art Commission
114
American Studies
A Reckoning with Medicine’s Past
129
Feature
Professor Beth Redbird on the CoronaData U.S. Project
133
Sociology
Designing Equity: Stakeholders’ Perceptions of an Equity Initiative in
a California School District
136
Feature
Portrait of the Child Language Lab
153
Sociology
Developments or Division? The Role Large Public Investment
Projects Play in Gentrification: A Case Study on Chicago’s 606
Bloomingdale Bike Trail
Anthropology
Hungry Thirsty Roots: Imagining and Constructing Ethnic Otherness
in 1800s England
164
Feature
Student Researcher Morgan Gass on Work Study Labs
177
188
Psychology
Knowing What You Want: Sexual Self-Insight and Attachment Style in
Romantic Relationships
Feature
2020 Research Award Winners
192
205
Contributors
Biographies and Interviews of Thesis Contributors
208
LETTER FROM THE
ADVISER
Welcome to Volume 16 (the 2020-21 issue) of the Northwestern Undergraduate Research
Journal! NURJ is an annual student-produced print and web-based publication funded by the
Offices of the President and the Associate Provost.
We are very grateful to President Morty Schapiro and Associate Provost Miriam Sherin for
their continuing generous support, especially during these challenging times.
During the past three years, NURJ has been led by an extraordinary group of student Editors
whose dynamism and vision has been breathtaking. Using the successful print edition of
NURJ as the foundation, our Editors have greatly expanded the reach of NURJ to generate a
multiplicity of online and print publications, far beyond what was conceived at the beginning of
this journal in 2003. The NURJ staff now exceeds 70 undergraduate students.
Our NURJ Editors have even taken a leading role in organizing a new national organization of
undergraduate collegiate publications, the Society of Undergraduate Humanities Publications
(SUHP). From January 7-10, 2021, NURJ hosted the 2nd Annual SUHP Conference. This
conference took place entirely on Zoom with feature panels open to any student, anywhere,
interested in research journalism. Panels organized by our Editors included noted academics
and professionals having deep and diverse experiences in research publication and using
research and journalism to catalyze change in their communities.
Please note that all of these developments originated with our Editors, not me. The wonderful
growth of NURJ has been completely organic!
As readers of NURJ Volume 16 and as online visitors to thenurj.com, you will experience the
results of the Editors’ year-long efforts: excellent Northwestern undergraduate student research
published in a professional manner.
This is my final “From the Adviser” letter, since after 37 years on Northwestern faculty’s and
18 years as NURJ’s founding faculty adviser, I am retiring. I relinquish the adviser role with the
assurance that the dynamism of NURJ and its excellent positive impact upon the Northwestern
community and beyond will continue.
Best regards,
Allen Taflove, Professor
Department of Electrical and Computer Engineering
McCormick School of Engineering
Northwestern University
LETTER FROM THE
EDITORS
Dear readers:
The NURJ started the 2020–2021 academic year riding a wave of immense growth from
the previous year. Our work in the fall began with an online publication highlighting
undergraduate research in global health — apt for the current climate. With it, the goal was
clear for the next three quarters: to shatter any glass ceiling set for student publications. In
addition to adding a multimedia component to the recently established NURJ Online, we saw
the creation of the NURJ Talks podcast, NURJ Archives Special Edition, and both The 1851
Project online and Of Many Strands print collaborations with The Yale Historical Review. We
also expanded the reach of our social media and hosted events for the broader undergraduate
research community, including the Society of Undergraduate Humanities Publications
international conference. We continued projects close to our heart, such as NURJ x EXPO and
NURJ x CAURS. These were made possible by our long-time partnership with the Office of
Undergraduate Research (OUR) and our newest Northwestern collaborators at the University
Archives and Libraries.
Even in such tumultuous times, the intellect and vigor that each of the 70 NURJ members
brings to the table continues to be apparent. The journal you currently hold in your hands
is a product of their, and our, commitment to uplifting some of the brightest voices of
undergraduate research in the nation. Here, we present a selection of honors and departmentrecommended
senior theses from 10 different fields, many sharing ever-pertinent themes
of equity and justice. This volume also includes nine feature stories that reflect the diversity
of research at Northwestern. In addition to this publication, we invite you to explore
Northwestern University’s archives through the NURJ Archives Special Edition. You can also
learn more about Northwestern and Yale’s histories of racial (in)justice through the Of Many
Strands collaboration (available in print and online at thenurj.com).
As always, we would like to thank President Morton Schapiro and Associate Provost Miriam
Sherin for their generous sponsorship and continued guidance. We would also like to thank
Dean Sarah Pritchard, Dr. Peter Civetta, Dr. Megan Wood, Liz Hamilton, Chris Diaz, and
numerous other faculty, staff, and student researchers at Northwestern University for all their
support. Lastly, we want to extend our deepest gratitude to our exceptional faculty adviser
Professor Taflove. Since he founded the Journal 18 years ago, Professor Taflove has guided
scores of NURJ journalists in the pursuit of scholastic excellence. We would not be where we
are today without his guidance, wisdom, or generosity. Although Maia will be graduating this
Spring 2021, Shreya will return as Editor-in-Chief alongside Jenna Greenzaid, who is certain to
continue elevating the NURJ and with it, undergraduate research.
Sincerely,
Maia Brown and Shreya Sriram
Editors-in-Chief
This — and every — edition of the NURJ would not have been possible without the guidance
of our beloved, late faculty adviser, Dr. Allen Taflove. Professor Taflove passed away in April
2021 after 18 years of leading the NURJ with unparalleled wisdom, kindness, and grace.
Professor Taflove was unwavering in his passion for and dedication to both Northwestern and
research. After receiving his bachelor’s, master’s, and doctoral degrees from N.U., he became
a professor at the University in the Department of Electrical and Computer Engineering.
In his 37 years of teaching, he pioneered numerous approaches, methods, and algorithms
in computational electrodynamics. He was also recognized by the Institute of Electrical and
Electronics Engineers (IEEE) and the Amateur Radio Hall of Fame, among many others.
He was an author of more than 27 articles or chapters in books and 152 journal papers. His
book, “Computational Electrodynamics: The Finite-Difference Time-Domain Method,” is the
seventh-most cited book in physics.
Professor Taflove recognized the ups and downs but overwhelmingly “great good fortune”
of his prolific career. In April 2020, he told the NURJ that, “I would call myself extremely
fortunate to have attained tenure at Northwestern University, which has allowed me to …
pursue long-term advancements in solving Maxwell’s equations and supercomputers, even
when initially that was thought to be silly and unproductive. I have lived to see the day when
these techniques are used everywhere.”
But above all, Professor Taflove will be remembered for his immeasurable care and compassion
for students. In addition to advising budding journalists at the NURJ, he advised 24 doctoral
students, five postdoctoral fellows, and many generations of undergraduate students.
“These former students were a huge, huge highlight of my career,” he recalled. “I would
have told a 26-year-old Allen [that] … you will leave a legacy, not only in research, but also
of students who you have mentored and instructed who will go on and start to instruct and
mentor their own students.”
Professor Taflove’s wonderful mentorship was pivotal to the NURJ from the very beginning.
He was the one who proposed the establishment of the NURJ to the Office of the President,
which has funded our organization ever since. As the organization continues to grow, we will
fondly remember Professor Taflove as an incredible source of sagacity, support, and guidance.
We were incredibly lucky to have had him advise and mentor us for years, and will work to
hold his memory with the NURJ for years to come.
With gratitude,
The students of the NURJ
Department of Social Policy
Faculty Adviser: Prof. Diane Schanzenbach, Ph.D.
Opinions in Flux:
An Exploration of the
Perceptions of Concussions
in Youth Sports
by Andrew Wayne
8
Introduction
In 2015, it was estimated that over 1.23
million youth ages 6 to 12 regularly
participated in tackle football in the
United States. 1 A dangerous narrative
emerges,given that the annual concussion
rates among football players ages 5 to 14
are just above 5%. 2 Thus, youth football
has become a breeding ground for head
trauma. While many see football as a
particularly contact-intensive and violent
sport, concussion-related issues are not
limited to football. Indeed, there are
many sports played by myriad youth that
involve the head as a point of contact,
such as rugby, soccer, mixed martial arts,
and baseball. Recent statistics indicate that
in youth football roughly 3–5% of players
per season suffer a concussion — the rates
are virtually identical in other sports,
such as soccer, hockey, lacrosse, and flag
football. 3 In the U.S. alone approximately
1.6 million to 3.8 million sports-related
concussions occur each year across all age
groups. 4 Sports and recreational activities
comprise a significant portion of annual
concussions; at the high school level alone,
organized sports are responsible for over
62,000 concussions annually. 5
The proliferation and rampant nature
of concussions in youth sporting
leagues show that this injury is an issue
that reaches far beyond football and professional
leagues. The abundance and
increasing evidence of risk and both shortand
long-term health consequences seen
in youth sports raises questions about the
decision-making processes that go into enrolling
a child in youth sports. The present
study asks:
1 Farrey, T. (2016, April 17). Youth football participation increases in 2015; teen involvement down, data shows. Retrieved from
http://www.espn.com/espn/otl/story/_/id/15210245/slight-one-year-increase-number-youth-playing-football-data-shows
2 Kurs, L. (2018, December 13). New Findings on Concussion in Football’s Youngest Players. Retrieved from https://pulse.seattlechildrens.org/new-findings-on-concussion-in-footballs-youngest-players/
3 LaBella, C. (2019, April 01). Youth Tackle Football: Perception and Reality. Retrieved from https://pediatrics.aappublications.
org/content/early/2019/03/28/peds.2019-0519
4 Sandel, Natalie & Henry, Luke & French, Jonathan & Lovell, Mark. (2014). Parent Perceptions of Their Adolescent Athlete’s
Concussion: A Preliminary Retrospective Study. Applied neuropsychology. Child. 4. 1-6. 10.1080/21622965.2013.850692.
5 Guilmette TJ, Malia LA, McQuiggan MD. Concussion understanding and management among New England high school football
coaches. Brain Inj. 2007;21(10):1039-1047.
“
The proliferation and rampant nature of
concussions in youth sporting leagues show that
this injury is an issue that reaches far beyond
football and professional leagues.
(1) How has the emergence and
proliferation of popular arenas for youth
sports shaped instances of and narratives
surrounding head trauma?
(2) How do parents frame and understand
their child’s involvement in a sport that
could potentially result in head trauma?
(3) How and to what extent do parents
process and operationalize the medical
knowledge and messaging from the healthcare
industry?
Methods
Data was collected using an online survey
of parents of children who participate
in youth sports (see Appendix). These
parents were chosen to be survey takers
because of their proximity to the issues
investigated and their authority over their
child’s activities. The survey captured the
depth and breadth of parents’ perspectives
regarding their child’s involvement in a
sport. It also allowed for textual answers
T Figure 1. Sports represented in survey.
”
that enabled the research team to avoid
limiting participants’ responses to a set
of predetermined answers. The survey
covered topics such as the parent’s beliefs
about concussions generally, the risk associated
with their child’s sport, whether the
sport is safe or can be made safe, the safety
of different sports, and how they are or
are not using medical data released by the
healthcare industry. The survey also asked
about their child’s specific concussion
treatment and recovery and their plans
for sending their child back into the sport
when applicable.
The research team collected 115
surveys to better understand the decisionmaking
process associated with youth
participation in sports. To identify and
recruit potential participants, the research
team sent surveys to select patient and
employee populations at Lurie Children’s
Hospital (LCH), a large academic, freestanding
pediatric hospital in Chicago,
9
S Figure 2. Concussion occurrence among respondents’ children.
Illinois. The research team also contacted
various Chicagoland and national sporting
leagues that have connections to LCH for
assistance with disseminating the survey to
relevant populations.
Results
Participants
We collected 115 surveys. Of the 115 surveys,
59 respondents identified as female
and 56 respondents identified as male.
Seventy of the 115 respondents indicated
that they have one child, 27 indicated that
they have two children, 13 indicated that
they have three children, four indicated
that they have four children, and one
indicated that they have six children. The
115 surveys captured 186 children in total
with an average age of approximately 11.8
years. The youngest and oldest children
represented by this survey were 5 and 29.
The survey included 18 sports: baseball,
tee-ball, softball, football, hockey, field
hockey, soccer, track & field, volleyball,
basketball, tennis, golf, swimming, wrestling,
competitive cheerleading, lacrosse,
dance, and figure skating (Figure 1).
Analysis
When asked about concussion history, 29
respondents indicated that their child had
suffered a diagnosed concussion as a direct
result of a sport that they played, and 86
respondents answered that their child had
not suffered a concussion as a result of
playing organized sports (Figure 2).
Thus, approximately one-quarter
(25.22%) of all respondents captured by
the survey have a child that suffered a
diagnosed concussion as a result of participating
in organized sports. Out of the
29 participants who have a child with a
history of concussion, 20 answered that
the concussion occurred within the past
12 months. Hence, roughly 17.39% of respondents’
children suffered a concussion
within the last season of play. This rate of
concussion per season was far higher than
estimates from the medical industry. Recent
statistics indicate that in youth football
and many other youth sports, roughly
3–5% of players per season suffer a concussion.
6 The rate of concussions uncovered
from the study is particularly worrisome as
many concussions go unreported. Experts
at the University of Pittsburgh Medical
Center argue that 50% of all concussions go
6 LaBella, C. (2019, April 01). Youth Tackle Football: Perception and Reality. Retrieved from https://pediatrics.aappublications.
org/content/early/2019/03/28/peds.2019-0519
10
S Figure 3. Mechanism of concussion occurrence among respondents’ children.
undetected and thus unreported. 7 Concussion
rates appear to be much higher in the
contemporary world compared to figures
distributed by the medical industry.
Respondents with a child who suffered
a diagnosed concussion as a result
of participating in organized sports were
asked in the survey about the mechanism
of injury (Figure 3). Nine respondents indicated
that the concussion was the result
of a collision during a game. Five indicated
the concussion was due to a collision
during practice. Four indicated that the
concussion was caused by a fall during a
game. Another four indicated that the concussion
was due to the subject being struck
by an object during practice. Three indicated
that the concussion was the result
of a fall during practice. Three others indicated
that the concussion was due to the
subject being struck by an object during a
game. Lastly, one concussion was labeled
as “other.”
Overall, 17 concussions occurred in
a game setting, while 12 occurred during
a practice for the sport. When comparing
statistics on practice and concussion rates
from the survey, an increase in practices
per week appears to be positively correlated
with the occurrence of concussions. For
respondents with a child who suffered
a diagnosed concussion as a result of
participating in organized sports, the child
who suffered the concussion went to, on
average, 3.69 practices per week. Children
who did not suffer a concussion went to
approximately 2.80 practices per week.
The p-value between the two practice
groups was less than 0.0001, confirming
the difference in responses between groups
is statistically significant. Playing any
organized sport carries risk of concussion.
However, leagues with multiple practices
per week may act as a mechanism enabling
additional concussions and driving up
the rate of concussions in youth sports.
This finding has also been shown in
other studies. According to the American
Academy of Pediatrics, 62% of sportsrelated
child injuries occur during practice. 8
Given that concussions are more prevalent
with higher numbers of practices per week
and that 178 out of 186, or 95.69%, of
respondents’ children attend at least one
7 UPMC Staff. (2019). Concussion Statistics and Facts | UPMC | Pittsburgh. Retrieved from https://www.upmc.com/services/
sports-medicine/services/concussion/facts-statistics
8 National SAFE KIDS Campaign, & American Academy of Pediatrics. (2019, April 17). Sports Injury Statistics. Retrieved from
https://www.stanfordchildrens.org/en/topic/default?id=sports-injury-statistics-90-P02787
11
S Figure 4. Parents report which sport they believe has the highest concussion rate.
practice per week, incorporating additional
practices has a clear risk in relation to
concussion rates.
Despite the impacts that concussions
may have later in life, parents in this study
seemed unlikely to take extreme action
when their child suffered a concussion.
Respondents with a child who suffered a
diagnosed concussion as a result of participating
in organized sports were asked how
their child’s concussion(s) has impacted
their decision to let their child continue the
sport. The question was answered with a
numerical value between zero and 10, with
zero representing no effect on continued
participation in the sport, five representing
some thought about discontinuing participation
in the sport, and 10 representing
a definitive decision to discontinue the
sport. The average response from parents
was 4.31, with a standard deviation of 2.12.
That is, 95% of the data was centered between
0.07 and 8.55. Despite first-hand exposure
to the symptoms and the potential
long-term effects of concussions, no parent
reported intending to remove their child
from the sport in which they were injured.
This finding may be explained by a subsequent
question in the survey. Respondents
were asked about the effect of their child’s
wants and/or desires on the child’s selection
of and/or participation in sports. This
question was answered using a numerical
scale between zero and 10, with zero representing
no effect, and 10 representing
the ultimate driving factor in the decision
regarding sport participation. The average
recorded response to this question was 8.07
with a standard deviation of 0.96. Thus,
95% of the data was between 6.15 and 9.99
and 99.7% of the data is in the upper half
of the numerical scale used to answer the
question. This highlights how influential
children are in driving decisions regarding
sport participation, potentially explaining
why some parents may not make extreme
decisions about their child’s participation
in sports following a concussion.
Misconceptions about the risk of
concussion in various sports exist among
parents who have children actively participating
in organized sports. In the survey,
parents were asked what sport they
believed has the highest concussion rate;
92 parents answered football, eight answered
soccer, six answered hockey, three
answered baseball, three answered basketball,
and three answered “other” (Figure 4).
12
“An increase in
practices per week
appears to be
positively correlated
with the occurrence
of concussions.”
Contemporary data indicate that ice
hockey has the highest concussion rate, at
0.91 concussions per 1000 athlete-exposures
for females and 0.41 concussions per
1000 athlete-exposures for males. 9 These
values of 0.91 and 0.41 are higher than the
concussion rate for sports like football,
which has a concussion rate of 0.37 per
1000 athlete-exposures. Thus, six out of
115 participants — or 5.21% of all participants
— were able to identify the correct
answer. Approximately 95% of participants
answered the question incorrectly, showing
how misconceptions regarding sport
concussion rates have become entrenched
in contemporary society. Misconceptions
and incorrect narratives around youth
sports can lead to increased injury rates
and long-term health consequences.
Respondents were asked to rate the
safety of their child’s primary sport compared
to other youth sports in terms of
concussions. This question was answered
with a numerical value between zero and
10 with Zero representing that the primary
sport the child plays is the safest option
available, and 10 representing that the
sport the child plays is the riskiest option
available. Parents with a child who suffered
a diagnosed concussion differed from other
respondents in a multitude of ways. For
example, parents of children who suffered
a concussion recorded an average value of
5.82, while parents of children who did not
suffer a concussion had an average value of
2.90 (Table 1). When a two-tailed test was
applied to compare the means of the two
groups, the p-value was less than 0.0001,
confirming the difference in responses
between groups is statistically significant.
This indicates that parents of children who
suffered a concussion perceive a higher
risk of concussion from their child’s participation
in a primary youth sport than
parents of children who did not experience
a concussion.
Another question asks about the effects
of four factors on the parent’s decision
involving their child’s/children’s participation
in and/or selection of a sport. These
four factors were popular media, social
media, the child’s wants/desires, and the
safety of the sport. These questions were
answered with a numerical value between
zero and 10, with zero representeing no effect
and 10 representing an ultimate driving
factor in the decision regarding sport participation.
The responses to this question
highlight a significant divide between parents
who have a child who suffered a concussion
and parents who do not (Table 1).
For the first factor, popular media
(i.e., news, journals, online news), parents
of children who suffered a concussion recorded
an average response of 4.43, while
parents of children who did not suffer a
concussion recorded an average response
of 1.86. A two-tailed test revealed a p-value
less than 0.0001, showing the difference
in responses between groups is statistically
significant. Parents of children who suffered
a concussion appear to place a higher
value on the information obtained from
9 Hootman, J. M., Dick, R., & Agel, J. (2007). Epidemiology of collegiate injuries for 15 sports: Summary and recommendations for
injury prevention initiatives. Retrieved from https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1941297/
13
popular media when selecting a sport than
parents of children who did not experience
a concussion.
For the second factor, social media,
parents of children who suffered a concussion
recorded an average response of
4.85, while parents of children who did not
suffer a concussion recorded an average
response of 2.83. The p-value comparing
the means of the two groups was less than
0.0001, confirming the gap in responses
between groups is statistically significant.
Parents of children who suffered a concussion
appear to place a higher value on the
information obtained from social media, in
addition to popular media, when selecting
a sport than parents of children who did
not experience a concussion.
The third factor evaluated by parents
was the effect of the child’s wants and desires
on the sport selection process. Parents
of children who suffered a concussion recorded
an average response of 6.78, while
parents of children who did not suffer a
concussion recorded an average response
of 8.38. When a two-tailed test was applied
to compare the means of the two groups,
the p-value was less than 0.0001, confirming
the difference in responses between
groups is statistically significant. Parents of
children who suffered a concussion appear
to value their child’s desires less in the sport
selection process than parents of children
who did not experience a concussion.
The last factor evaluated by parents
was the effect of perceived safety on sport
selection. Parents of children who suffered
a concussion recorded an average response
of 6.26, while parents of children who did
not suffer a concussion recorded an average
response of 4.07. A two-tailed test and
a p-value of less than 0.0001 confirmed the
difference in responses between groups is
statistically significant. Parents of children
who suffered a concussion appear to value
the perceived safety of a sport more in
the sport selection process than parents of
children who did not experience a concussion.
Overall, this survey shows that many
differences exist in how a parent navigates
the sport selection process when comparing
parents of children who did not experi-
T Table 1. Parent evaluation of various factors related to sport safety compared by child’s concussion history.
Questions (Scale 0-10)
Parents of children who
suffered a concussion
Parents of children who
did not suffer a concussion
Two-tailed t-test
Perceived safety of primary
sport
μ = 5.82 μ = 2.90 p < 0.0001
Effect of popular media on
sport participation
μ = 4.43 μ = 1.86 p < 0.0001
Effect of social media on
sport participation
μ = 4.85 μ = 2.83 p < 0.0001
Effect of child’s desires on
sport participation
μ =6.78 μ = 8.38 p < 0.0001
Effect of perceived safety on
sport selection
μ = 6.26 μ =4.07 p < 0.0001
14
“Misconceptions
and incorrect
narratives around
youth sports can
lead to increased
injury rates and
long-term health
consequences.”
ence a concussion and parents of children
who did suffer a concussion.
An additional finding of this study
is that there is a large difference between
male and female parents in the way in
which they select sports for their children.
When asked about the impact of four different
factors — popular media, social media,
the child’s wants/desires, and the safety
of the sport — males and females provided
far different responses. These questions
were answered with a numerical value between
zero and 10, with zero represening
no effect and 10 representing an ultimate
driving factor in the decision regarding
sport participation. The responses to this
question highlight a significant divide between
male and female parents (Table 2).
For the first factor, popular media,
female respondents recorded an average
response of 5.16, while males recorded an
average response of 3.44. When a twotailed
test was applied to compare the
means of the two groups, the p-value was
less than 0.0001, confirming the difference
in responses between groups is statistically
significant. This finding signifies that female
respondents place a higher value on
the information obtained from popular
media when selecting a sport for their child
than male respondents.
The second factor that parents were
asked to evaluate was social media. When
evaluating the effect of social media on the
sport selection process, females recorded
an average value of 4.71, while males
recorded an average value of 1.56. The
p-value between males and females for this
question was less than 0.0001, confirming
the difference in responses between
groups is statistically significant. This finding
suggests that male survey respondents
rarely use information from social media
to aid in selecting a sport for their child,
while female survey respondents rely on
it to some extent. Interestingly, despite
the widespread use of social media today,
popular media still has a greater impact on
the decision-making of parents regarding
sports selection for their children.
The third factor in this question is
the effect of the child’s wants and desires.
Female parents recorded an average value
of 8.05, while male parents recorded an
average value of 7.81. For both males and
females, the child’s wants and desires seem
to be a driving factor in the sports selection
process, and the average response for this
question is the highest numerically, for
both males and females, of the four factors.
Lastly, the fourth factor gauges the
effect of the perceived safety of the sport.
For female respondents, the average value
was 6.06, while males recorded an average
value of 3.92. The p-value between males
and females for this question was less
than 0.0001, confirming the difference in
responses between groups is statistically
significant. When parents select a sport
for their child, it seems that female respondents
value the perceived safety of the
sport more than their male counterparts.
15
Questions (Scale 0-10) Male Female Two-tailed t-test
Effect of popular media on
sport participation
μ = 3.44 μ = 5.16 p < 0.0001
Effect of social media on
sport participation
μ = 1.56 μ = 4.71 p < 0.0001
Effect of child’s desires on
sport participation
μ = 7.81 μ = 8.05 p = 0.4862
Perceived safety of primary
sport
μ =3.92 μ = 6.06 p < 0.0001
S Table 2. Parent evaluation of various factors related to sport safety compared by parent gender.
Discussion
This study of parents of children in youth
sports has highlighted new information
about how parents perceive sport safety,
what information parents use to make
decisions about their child’s participation
in youth sports, and how these factors
differ by the parent’s gender. Specifically,
the results of the survey outline many
key findings about the perception of concussions
in contemporary youth sports.
When divided into different groups and
compared against one another, parents
seemed to hold vastly different ideas regarding
concussions and sport selection.
When compared by their gender or the
concussion history of their children,
parents displayed statistically significant
differences in factors, such as social/popular
media influence when deciding a sport,
perception of the safety of different sports,
and how much their child’s wants and
desires affect the sport selection process.
This study also shows an alarming disconnect
between concussion rate estimates
from the medical industry and real-world
rates. Recent statistics indicate that in
many youth sports approximately 3–5%
of players per season suffer a concussion. 10
The survey population reflected a much
higher rate with 17.39% of respondents reporting
a child who suffered a concussion
within the last season of play. This study
also demonstrated a correlation between
increased numbers of practices per week
and concussion occurrences. Finally, the
survey showed that many parents are not
aware of the concussion rates across various
youth sports.
While the results are promising, the
study has limitations. Concussions and
parent perceptions are global issues, and
this study was only able to capture under
200 children in the Chicagoland area. The
survey data may also not be more representative
of a larger population because the
sample was partially recruited through the
connections between LCH and sporting
leagues and is, therefore, not truly random.
Additionally, parent opinion is a fluid variable
that can change substantially at any
given moment. These surveys only captured
parents’ opinions at one point in time.
However, the greatest limitation of
10 LaBella, C. (2019, April 01). Youth Tackle Football: Perception and Reality. Retrieved from https://pediatrics.aappublications.
org/content/early/2019/03/28/peds.2019-0519
16
“This study also shows an alarming disconnect between
concussion rate estimates from the medical industry and
real-world rates.”
this study is the sample collection procedure.
Due to the study method employed,
the team was unable to capture information
about parents who removed their
children from sports due to concussions.
As the team only surveyed parents who
have a child who actively participates in
sports, parents who removed their children
from sports due to concussion could
not be assessed. Furthermore, children
drop out of sports for a multitude of other
reasons, such as their performance in the
sport, their lack of desire to continue, or
costs associated with the sport. This study
was unable to capture these parents who
no longer have children participating in
sports. Finally, the high rate of concussions
found in this study may reflect selection
bias. It is possible that parents of children
with recent concussions were more inclined
to complete the survey.
Conclusion
There is still much to learn regarding
traumatic brain injuries and associated
conditions, such as chronic traumatic
encephalopathy. In addition, concussions
are difficult to diagnose, as many of the
symptoms can be invisible or connect to a
plethora of other illnesses. 11 Compounding
the issue further is the fact that an objective
test to diagnose concussions does not exist.
Instead, medical professionals must rely on
symptoms and patient history to make the
diagnosis. 12 The lack of general knowledge
on concussions leads to misinformation
and false narratives. These misconceptions
and incorrect narratives regarding youth
sports can lead to increased injury rates
and long-term health consequences.
Further research regarding education
and evaluation could reduce these misconceptions.
Providing parents with contemporary
statistics regarding concussion rates
and examining how misconceptions persist
could allow for more information on how
parents of athletes digest information and
select and/or avoid various sports. Further
research could also examine how concussion
rates are impacted by additional training
and knowledge on concussion symptoms
and recognition among coaches and
parents. Lastly, additional research could
estimate the effects of concussion-related
legislation and how adherence to current
legislation affects youth sport participation
and concussion rates. Regardless of the exact
approach used, it is clear that additional
reliable information is needed in order
for parents to make the most informed
decisions regarding participation in youth
sports and associated concussion risk. ■
11 American Association of Neurological Surgeons. (2019). Sports-related Head Injury. Retrieved from https://www.aans.org/
Patients/Neurosurgical-Conditions-and-Treatments/Sports-related-Head-Injury
12 Choe, M. C., MD, & Giza, C. C., MD. (2015). Diagnosis and Management of Acute Concussion. Seminars in Neurology, 35(1),
29-41. Retrieved from https://www.medscape.com/viewarticle/840665_4.
17
Appendix
Data Collection Instrument
IRB 2019-3043 - Parental Opinion on Concussions in Youth Sports
PI: Dr. Cynthia LaBella
Research Coordinators/Primary Contacts:
1. Andrew Wayne, Orthopaedics, andrewwayne2020@u.northwestern.edu
2. Sina Malekian, Department of Surgery, smalekian@luriechildrens.org
3. Carly Strohbach, Department of Surgery, cstrohbach@luriechildrens.org
4. Jamie Burgess, Department of Surgery, jburgess@luriechildrens.org
5. Gina Johnson, Department of Surgery, ginajohnson2020@u.northwestern.edu
Survey Questions to be Asked
1. Please indicate your preferred gender identity
a. Answered via a textbox that the participant will fill
2. How many children do you have?
a. Answered via multiple choice selections:
i. 1
ii. 2
iii. 3
iv. 4
v. 5 or more
3. Please list the age (s) of your child/children. What was the purpose of this training? What did it focus on?
a. Answered via a textbox that the participant will fill
4. What sport (s) do/does your child/children play? (Please select more than one if applicable.)
a. Answered via multiple choice selections:
i. Basketball
ii. Baseball/tee-ball/softball
iii. Football
iv. Soccer
v. Volleyball
vi. Track & field
vii. Hockey/field hockey
viii. Tennis
ix. Golf
x. Other (please list)
5. Please identify the primary sport your child/children plays. (For “primary sport” please identify the sport that your child/you
put the most effort or time into.)
a. Answered via multiple choice selections:
i. Basketball
ii. Baseball/tee-ball/softball
iii. Football
iv. Soccer
v. Volleyball
vi. Track & field
vii. Hockey/field hockey
viii. Tennis
ix. Golf
x. Other (please list)
6. How long has your child/children played in their primary sport? Please list the number of years or months
a. Answered via multiple choice selections:
i. 0-3 Months
ii. 3-6 Months
iii. 6-9 months
iv. 9-12 Months
v. 1-3 Years
vi. 3-5 Years
vii. 5-7 Years
viii. 7+ Years
7. Identify the closest match to your child’s future expectations in their primary sport
a. Answered via multiple choice selections:
i. Playing for exercise
ii. Playing for recreational purposes
18
iii. Playing to make social connections
iv. Aiming to play/currently playing at a high school level
v. Aiming to play at the university level
vi. Aiming to play professionally
8. Has your child/have any of your children suffered a concussion, that was diagnosed by a medical professional, as a result of the
sport (s) they play? A concussion is defined as: an injury to the brain or spinal cord due to jarring from a blow, fall, or other
impact that results in a temporary impairment of brain function.
a. Answered via multiple choice selections:
i. Yes
ii. No
9. What was the treatment plan prescribed for the head injury/injuries suffered? (Medication, time out of the sport/school, etc.)
Please describe the treatment plans for each head injury suffered
a. Answered via a textbox that the participant will fill
10. How long ago did the head injury occur? (If multiple head injuries occurred, please select the most recent head injury.)
a. Answered via multiple choice selections:
i. In the last 3 months
ii. 3-6 months ago
iii. 6-12 months ago
iv. 1-2 years ago
v. 2+ years ago
11. How long did your child experience symptoms following the head injury?
a. Answered via multiple choice selections:
i. 1-7 days post injury
ii. 7-14 days post injury
iii. 2-6 weeks post injury
iv. 6-12 weeks post injury
v. 12+ weeks post injury
12. What specifically caused the head injury?
a. Answered via multiple choice selections:
i. A fall in game
ii. A fall in game
iii. A collision in practice
iv. A collision in game
v. Being struck by an object in game
vi. Being struck by an object in practice
vii. Other (please list)
13. How have your child’s injury/injuries impacted your child’s participation in their primary sport?
a. Answered on a sliding scale from 0 to 4 with the labels:
i. 0: No change in participation in the sport
ii. 1: Slight decrease in participation in the sport
iii. 2: Moderate decrease in participation in the sport
iv. 3: Significant decrease in participation in the sport
v. 100: Discontinued participation in the sport
14. How have your child’s injury/injuries impacted your decision to let your child participate in their primary sport?
a. Answered on a sliding scale from 0 to 10 with the labels:
i. 0 - No effect on continued participation in the sport
ii. 5 - Some thought about discontinuing participation in the sport
iii. 10 - definitive decision on discontinuing the sport
15. Do you believe the primary sport your child plays is safe for youth?
a. Answered via multiple choice selections:
i. Yes
ii. No
16. What changes could make the primary sport your child plays safer in terms of head trauma? (You may select more than one
option.)
a. Answered via multiple choice selections:
i. Rule Changes (i.e. removing elements of contact)
ii. Additional training for coaches/supervisors
iii. Presence of an athletic trainer at each game/practice
iv. Redesign of equipment
v. Redesign of concussion screening equipment
vi. Better coaching of proper techniques
vii. Safer actions conducted by the players
viii. Other (Please List)
17. What factor, in your eyes, is the biggest roadblock to implementing changes to improve the safety in the primary sport your
child plays?
a. Answered via multiple choice selections:
i. Cost
ii. Difference of opinion from involved parties
iii. Resistance to change from involved parties
iv. Time
19
v. Lack of other resources
vi. Difficulty enforcing changes
vii. Other (please list)
18. For all the sports your child plays combined, how many practices do they attend per week?
a. Answered via multiple choice selections:
i. 0 Practices Per Week
ii. 1 Practice Per Week
iii. 2 Practices Per Week
iv. 3 Practices Per Week
v. 4 Practices Per Week
vi. 5 Practices Per Week
vii. 6 Practices Per Week
viii. 7+ Practices Per Week
19. What specifically do you think contributes the most to head injury in the primary sport your child plays?
a. Answered via multiple choice selections:
i. Nature of the sport
ii. How the game is played
iii. How practices are run
iv. Lack of supervision of coaches
v. Lack of training/knowledge on head injury amongst players and coaches
vi. Faulty equipment
vii. Rules of the game
viii. Other (Please List)
20. In comparison to other youth sports, how safe do you believe the primary sport your child plays is in terms of concussions?
a. Answered on a sliding scale from 0 to 10 with the labels:
i. 0- The primary sport my child plays is the SAFEST opinion available
ii. 5- The primary sport my child plays is about average in terms of safety
iii. 10 - The primary sport my child plays is the RISKIEST sport available to youth
21. How much of an effect have the following factors had on your decision involving your child’s/children’s participation and/or
selection in sport?
a. Answered via 2 sliding scales from 0-10:
i. The first scale asks: please indicate the extent of the effect popular media (i.e. news, Facebook, Twitter) has had on
your child’s selection and/or participation in sport
ii. The second scale asks: Please indicate the extent of the effect social media (i.e. Facebook, Twitter) has had on your
child selection and/or participation in sport
iii. The third scale asks: please indicate the extent of the effect the desire/wants of your child/children has had on your
child’s selection and/or participation in sport
iv. Please indicate the extent of the effect the safety of the sport has had on your child’s selection and/or participation
in sport
b. The 2 scales have the labels:
iii. 0 - My child’s participation and/or selection in sports was not impacted at all by this factor
iv. 5 - My child’s participation and/or selection in sports was somewhat impacted by this factor
v. 10 - My child’s participation and/or selection in sports was impacted greatly by this factor
22. Which sport (amongst youth) do you believe has the highest concussion rate?
a. Answered via multiple choice selections:
i. Basketball
ii. Baseball/tee-ball/softball
iii. Football
iv. Soccer
v. Volleyball
vi. Track & field
vii. Hockey/field hockey
viii. Tennis
ix. Golf
x. Other (please list)
20
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Potteiger, K. L., Ph.D., ATC, Potteiger,
A. J., MS, ATC, Pitney, W., Ed.D.,
ATC, FNATA, & Wright, P. M.,
Ph.D. (2018). An Examination of
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nova.edu/ijahsp
Rowson, S., & Duma, S. M. (2011, May
07). Development of the STAR Evaluation
System for Football Helmets:
Integrating Player Head Impact
Exposure and Risk of Concussion.
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com/article/10.1007/s10439-011-
0322-5
Rueb, E. S. (2019, March 01). Massachusetts
Bill Would Ban Tackle Football
Until After Seventh Grade. Retrieved
from https://www.nytimes.
com/2019/03/01/sports/youth-tackle-football-ban.html
Sandel, Natalie & Henry, Luke &
French, Jonathan & Lovell, Mark.
(2014). Parent Perceptions of Their
Adolescent Athlete’s Concussion:
A Preliminary Retrospective Study.
Applied neuropsychology. Child. 4.
1-6. 10.1080/21622965.2013.850692.
Schutt Sports. (2019). Retrieved from
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Shepherd Center Staff. (2018).
Leading Causes and Statistics
for Traumatic Brain Injuries.
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myshepherdconnection.org/abi/
Introduction-to-Brain-Injury/Statistics-and-Causes
Skiver, K. (2017, August 21). The safest
helmet in football: What’s inside the
NFL’s newest headgear. Retrieved
from https://www.cbssports.com/
nfl/news/the-safest-helmet-in-football-whats-inside-the-nfls-newestheadgear/
Solomon, J., & Farrey, T. (2018, October
26). 10 Charts that Show Progress,
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23
Q
&
A
Being the Change
We Wish to See:
Madeline Baxter
By Rachel Chiu and Jada Morgan
Madeline Baxter is a third-year undergraduate pursuing majors
in global health and in learning and organizational change as
well as a minor in business institutions. Baxter is passionate
about social impact work and learning about the healthcare
system and its intersections with the social determinants of
health. The Journal sat down with Baxter to learn more about
her experience with social justice research.
24 FEATURE
[This interview has been edited for clarity
and brevity.]
Why did you decide to pursue
research specifically addressing
social justice work?
A lot of my interests right now revolve
around global health. I’m greatly
influenced by the content of the courses
in the global health department as well
as my experiences as a Black woman. It
feels very superficial to say, “I have all this
knowledge, but I’m just going to sit with
it and wait for four years and then maybe
decide to do something about it.” I have a
really hard time learning about disparities
and not doing anything to actively mitigate
those disparities.
However, I don’t know that doing social
justice work has ever been my ultimate life
goal. It’s always been something that I’ve
been passionate about in order to give back
to the community from which I’ve come.
It’s just who I am, what I care about doing,
and what I want to do with the education
that I’m getting right now.
Give us an overview of your
research experience.
For nine months in 2020, I worked with
the Northwestern Global Health Institute
in their Department of Education. I
worked on producing a descriptive analysis
which is a type of statistical modeling. I
helped translate qualitative data and make
it quantitative in order to advocate for
more funding and really show the success
of the Institute. It was really exciting to
be a part of something so tangible and see
immediate effects of it all.
Right now, I’m getting ready to work with
the Chicago Public Health Department
“I have a really
hard time learning
about disparities
and not doing
anything to actively
mitigate those
disparities.”
(CPHD). I’m helping them lead some
research in East Garfield Park, which
is a neighborhood of Chicago with the
worst African American female maternal
mortality statistics. We’re researching in
the area more and helping to support the
community and citizens.
How has it been working on
these large, multifaceted projects
as an undergraduate?
I was the only undergraduate with the
Global Health Institute for the first
six months. That was definitely really
difficult because we went through the
shift with COVID-19; it was really tough
to get the lay of the land. I had a hard
time understanding how the organization
was run and what was expected of me. I
was never meeting anybody face-to-face
besides my boss, so trying to find my
place in the organization was definitely
more difficult.
How did you go about
finding these social justice
research opportunities?
I spent a lot of time researching different
organizations in Chicago and began coldemailing
people. For example, to get in
FEATURE
25
“What I contribute
in the long run is a
sense of optimism
[by] being a new
person who says,
‘I care about this
work; I’m willing to
do whatever it takes
to help [make] it
happen.’”
touch with the brilliant woman who I’m
working for right now, I messaged her
on LinkedIn. She’s the medical director of
the CPHD, and she got back to me almost
immediately. We were able to coordinate
a time to talk, and seeing as our interests
aligned, they put me in their HR system —
the rest is history.
What do you think these
organizations really value about
undergraduate students and
specifically you? What do you think
you contribute in the long run?
I would hope that what I contribute in
the long run is a sense of optimism [by]
being a new person that says, “I care about
this work; I’m willing to do whatever it
takes to help [make] it happen.” There’s
so much work that needs to be done,
especially in the context of Chicago.
It’s really hard to take part in all that
work by yourself; I hope to equalize
the burden they’re carrying right now
to start to work against these disparities.
I’ve been trying to act on the things
that I find the most important and help
alleviate the racial, economic, and health
disparities that we spend so much time
talking about in the classroom.
What is the most rewarding
aspect of doing handson
social justice work?
The biggest things that I’ve gained are
the out-of-the-classroom knowledge
and the mentors. I can learn more about
these disparities and how to work against
them while also gaining connections with
people who care about me getting the right
experience and education. My supervisors
in both of those research positions have
really been ahead of the game in terms of
being women in the global health field.
They’ve helped lead me through the process
and also connect me with the right people.
How has getting involved in this
type of research during your
undergraduate years impacted
your desire to get involved in
research after you graduate?
Getting involved in social justice research
has shown me what I don’t want to do as
well as the research that I’d be interested
in doing in the future. My first experience
with the Global Health Institute was a lot
of data analysis. I realized that it’s one thing
to learn about global health disparities in
classrooms and another to just write down
numbers pertaining to grants. Those
are two very different things in terms of
quantifying the work.
My current research interests are in
quantifying the disparities along racial
lines in cities like Chicago and other urban
26 FEATURE
areas. I’m interested in breaking that down
further and understanding the function
of the neighborhood and where these
arbitrary neighborhood lines are as well
as how that impacts people for the rest of
their lives. I’d like to focus on interacting
with the individuals that these disparities
impact and working hands-on with
these communities rather than simply
quantifying the research on the back end.
Do you have any advice for
undergraduates who want to
get involved in the field but
are intimidated by the amount
of opportunities or needing
to reach out to independent
organizations on their own?
My biggest advice is always to just ask. The
worst thing that can happen is that they
don’t email you back. In terms of mitigating
that fear and intimidation, I think that
there’s so much work to be done, and social
justice workers and researchers are really
excited to see young people who care so
much and have the tactical skills to impact
the work.
How do you balance social
justice research work with onthe-ground
activism work?
In terms of balancing them, I spend more
time on the research right now than on
on-the-ground activism just because
that’s how I am. Currently, it’s really hard
to engage in activism because it’s hard to
meet people as a result of the COVID-19
pandemic, so I think my answer is skewed
in terms of what facilities I have access to.
Both research and activism actionably
impact the world and make it a better
place. I think as long as we’re intentional
in the way in which we walk through life
and interact with people, we can create
the positive change that we want to make.
Madeline Baxter’s success in finding and pursuing research demonstrates
how important it is that students continue to seek out opportunities
to gain knowledge and create tangible change in our communities.
Baxter encourages students to be bold in reaching out to individuals
in the professional world who share their research interests, as they
are waiting for undergraduates to share their insights as much as
the undergraduates are hoping to learn from the professionals in
the field. Through participating in social justice research, one can
develop valuable skills and connections that will carry throughout the
remainder of one’s professional career. ■
FEATURE
27
Department of African American Studies
Faculty Adviser: Prof. Marquis Bey, Ph.D.
What is Political Ontology
by John Sweeney
Preface
As I have progressed in this paper, I have
asked myself, and been pushed to seriously
think by my partner, about the ethicality
of writing such a large work on matters of
incredible violence to which I am not subject.
I especially need to take into account
how my discussions of race are entering
predominantly Black discourses, since my
presence in these spaces may contribute
violence toward Black people. 1 As my partner
has reminded me, it is white fragility
that orders me to remain silent on these
questions, and so I take inspiration from
her and Jennifer Nash, in her elaboration
of bravery, to address this directly.
As Barbara Christian, in her groundbreaking
article “The Race for Theory,”
asks white academics and herself, “For
whom are we doing what we are doing
when we do literary criticism?” 2 I write for
my partner, because the theory that I encounter
that does not broadly engage with
Black theory excludes her and her experience.
I cannot leave that be, so I must act,
even if I may not have an impact.
I also recognize that I have privilege
as a white cisgender straight male in this
racial cisheteropatriarchy, and when I
speak, I am not giving space for those
who are actually subjected to these systems
to speak. Additionally, there is the
great risk of liberal intentions that are in
reality voyeurism, which will always lead
to an unempathetic engagement, as the
theory turns into another game. If I am
guilty of this, I deserve to be called on it.
I hope to move through this entire paper
in an ethical manner — that is, with
humility, respect, deep engagement, intention
toward dialogue, and realizing
that I am no one’s savior and that this is
not an intellectual exercise. I write about
violence because this violence continues,
and I cannot turn away.
1 While this is not the purpose of this paper, extremely important work on the intramural dimensions
of race and ideology within the Black community and with other people of color has been created. See
Michelle (2020).
2 See Christain (1988, pg 77).
28
“
The terms of political ontology are opened up by
a robust engagement between different traditions
that all maintain a certain critical attitude towards
the current political ontology.
Introduction
This paper aims to enter into a complex
and ongoing conversation among critical
theorists regarding Black sociality, antiblackness,
and political ontology. 3 Black
studies has participated in an “ontological
turn,” often expressed in the afropessimist
versus Black optimist debates. This paper
will first engage with Black nihilist and
afropessimist works to tease out what
is actually being discussed. Then, it will
engage their work in conversations with
progressive critical theorists — particularly
Oliver Marchart, Fred Moten, and Enrique
Dussel — to open up the philosophical
terrain of political ontology.
This paper critically analyzes the
work of political ontology produced in
recent years, and it heeds a warning from
one of Calvin Warren’s recent articles:
Most Black studies “neglect the ontological
dimension of antiblackness, in order to
provide resolution and resolvability of the
tension between blackness and being.” 4 In
order to avoid this pitfall, this paper sets
out to center the ontological dimension
of antiblackness, in the post-Heideggerian
sense that Warren has in mind. It is more
than possible that this paper sets out to do
much more than one paper can coherently
accomplish, but I believe these moving
parts are all essential and mutually sup-
porting. This paper argues that the terms of
political ontology are opened up by a robust
engagement between different traditions
that all maintain a certain critical attitude
towards the current political ontology.
To begin, since this is a work of political
ontology that hopes to make the topic
more accessible and decipher some of the
jargon, we shall start with a brief overview
of the afropessimists Frank Wilderson and
Jared Sexton. Unfortunately, this deciphering
will not be simple, as, “‘Ontology’
as an analytical category is used in different
ways by different authors.” 5 We could
easily add metaphysics, race, and gender
to that description.
Brief Overview of Wilderson
and Sexton
This section will unpack some of the
grammar Warren and afropessimists use
for those of us who do not have as much
familiarity with it.
First, we can begin by noting that the
similarities Wilderson and Sexton bring
as afropessimists are the focus on social
death, the centering on the political production
of ontology, the orientation to fully
be with antiblackness, and the emphasis
on world-ending practices as the only
3 I am profoundly influenced by the work of scholar Christina Sharpe, and I follow her notations of
Black, blackness, and antiblackness. See Sharpe (2016).
4 See Warren (2017c, pg 272).
5 See Burman (2016, pg 7).
”
29
solution. On social death, they are very
impacted by the work of sociologist Orlando
Patterson, notably quite the conservative.
Patterson developed his notion
of social death to define the position of
enslavement, which has three factors to it:
(1) natal alienation, which means removal
from the community in which one is born;
(2) general dishonor, which refers to quite
literally a status of constant disrespect and
devaluement; and (3) permanent violence
and domination. 6 Wilderson and Sexton
argue that social death is the constitutive
feature of blackness, and is the crucial foil
to the ontological production of the Human
in modernity. This leaves Wilderson
and Sexton to separate gender and other
categories, such as class, out from race.
They label race as the most fundamental
category. 7 As Warren succinctly puts
it, Wilderson and Sexton “would argue
for the non-ontology of blackness. For Afro-Pessimists,
the grammar of bio-futurity
and political programs will do very little
to bring blacks into the fold of humanity;
in fact, this grammar is the source of black
suffering and dread.” 8 The abjection of
Blackness preconditions and foils the Human
for afropessimists.
Afropessimists also focus on the political
production of ontology, which is
what we should understand the concept of
political ontology to be doing. That is, to
use the prefix “political” is to mark the contingent,
9 contested, and historical nature
of that which we are labelling ontology.
Warren again helpfully puts it, “Afro-pessimists
demystify ontology, stripping it of
its assumed ‘purity’ in the Western tradition,
and expose ontology as the product of
political processes.” 10 The dominant order
presents itself as natural, but afropessimists
point out that it is naturalized through politics.
Thirdly, afropessimists insist on fully
confronting the whole terror of antiblackness.
As Sexton writes, “For the immediate
question facing such judgment is:
resistance or survival in the face of what,
precisely?” 11 This intense focus on thematizing
the structures of abjection through
antiblackness has misled some into believing
afropessimists do not believe in Black
social life. However, this is a mischaracterization,
as Sexton explains, “Nothing
in afro-pessimism suggests that there is
no black (social) life, only that black life
is not social life in the universe formed by
the codes of state and … the modern world
system.” 12 In the dominant world system,
which has been constituted by colonialism,
13 antiblackness does not recognize Black
life as social life at all.
Lastly, afropessimists explicitly contend
that in a world sutured by antiblack-
6 See Patterson (1982, pg 13).
7 See Wilderson (2010, pg 23).
8 See Warren (2017a, pg 220). Afropessimists sometimes use language like “the non-ontology of blackness.”
While I of course got the gist, at another level I felt this is a very different usage of the concept of
ontology than even other places in their work. I would say that “non-ontology” can be roughly translated
as non-being, as imposed by the being of whiteness.
9 I want to clarify that when I say contingent, I do not mean it in contradiction with afropessimists who
say anti-Blackness is non-contingent and necessary in a world that is invested in the Human. Rather I
simply mean that this ontology is not ‘natural’ or divine, and instead the product of human struggle.
10 See Warren (2017a, pg 223).
11 See Sexton (2016a, pg 19).
12 See Sexton (2016b, 29); also see Ziyad (2016) for real world application of this perspective. Thank you,
Dr. Marquis Bey for sending me this.
13 See, Silva (2016).
30
ness, only world-destroying measures are
fundamentally worth pursuing. As Wilderson
writes: “Frantz Fanon came closest to
the only image of sowing and harvesting
that befits this book. Quoting Aimé Césaire,
he urged his readers to start ‘the end
of the world,’ the ‘only thing … worth the
effort of starting,’ a shift from horticulture
to pyrotechnics.” 14 As he makes clear, the
only thing worth pursuing is the destruction
of the world, not piecemeal reforms
or anything else, literally, an investment
in pyrotechnics.
Afropessimists have had a strong
effect on many thinkers over the years,
so this will help us transition to delving
more deeply into the language/grammar
of political ontology.
Brief Introduction to the
Language/Grammar
of Warren
Brief Notes
This paper hopes to avoid the potential
pitfalls that others may have encountered
in attempting to engage with Warren’s
work, specifically: (a) engaging Warren’s
work on Warren’s terms, which is to say,
post-Heideggerian ontological terms; and
(b) conceding without argument that,
compared to other racial categories, Blackness
is unique in its constitution under
colonialism as absolute abjection. In order
to allow greater dialogue, with (a), I hope
to avoid a potential counterargument that
Warren may deploy against those who
do not start from a strictly (post-)Heideggarian
perspective, which is that a given
engagement relies on the antiblack structure
of metaphysics. For many not steeped
in white philosophical background, and
even those of us who are, the distinction
between metaphysics and ontology is
either fundamentally unclear or wholly
non-existent, and their definitions are
often vague and unelaborated. 15 However,
Martin Heidegger has a fundamentally different
understanding of metaphysics that
is pejorative in nature; in fact, he argues
metaphysics is properly understood as
domination and violence. While Warren
does not uncritically engage with Heidegger,
Warren does agree that metaphysics is
violent. This paper is an attempt to tease
out how we could take this seriously and
move forward in dialogue.
With (b), Warren takes as a key point
for him, as do other afropessimists, that
blackness is uniquely placed as abjection in
relation to whiteness and that all other racial
locations are able to take recourse from
gratuitous violence and towards ontology.
Some have taken issue with this, particularly
those in critical settler colonial studies
who argue for a more complicated organization
of race where Native peoples are in
a different relation but are not necessarily
privileged in this difference. However, this
position is not one I am fundamentally
wedded to. I think to argue for it would
warrant an entire paper in its own right
and would result in a failed dialogue in the
other ontological parts of the discourse in
which I want to engage.
Before proceeding much further,
it is relevant to note another thing, as a
signpost. Frantz Fanon has been a central
thinker for afropessimism, and as a
Black psychoanalytic thinker (the larger
discourse I will not take up here 16 ), Fanon
has an important impact on my thinking.
14 See Wilderson (2010, pg 337).
15 See Wiley (2016, pg 20).
16 Psychoanalysis has been seen as a crucial site of academic engagement for those in the afropessimist
31
However, I have chosen to elide focusing
on Fanon, and therefore I hope to avoid
engaging with the Fanon wars, to borrow a
frame from Jennifer Nash. 17 In my analysis,
the Fanon wars describe the “discursive,
political, and theoretical battles” marked by
an affective posture of defensiveness that
emerge over divergent readings of Fanon’s
work. 18 Part of this defensive posture is
created by the elevation of Fanon’s work
to, borrowing another phrase from Nash, 19
the status of directed by the Holy Spirit.
That is, if Fanon says it, it is the fundamental
truth. To be clear, I think of Fanon
as an important philosopher. But, I also
believe that scholars like David Marriott,
Frank Willderson III, Jared Sexton, and
Calvin Warren are vastly beyond my level
of studying Fanon, and in their intense investment,
Fanon as a figure in some ways
has become overdetermined. Thus, I believe
it would cause more obstruction than
care for dialogue were this paper to invest
in a different reading of Fanon over these
thoughtful scholars.
Key Terms: Metaphysics, Ontological
Difference, Ontics, Ontological
With those disclaimers out of the way,
we can begin to unpack the key terms in
Warren’s thought. Calvin Warren relies
crucially on German philosopher Martin
Heidegger to help develop his understanding
of ontology. Warren even goes
as far as to say Heidegger “more than any
“To use the prefix
‘political’ is to mark
the contingent,
contested, and
historical nature of
that which we are
labelling ontology.”
philosopher understood the violence of
metaphysics.” 20 With the ontological turn
on Black study, which is to say study, Warren’s
mediation is a relevant and unique
point in this trajectory, and thus, I believe
it should be engaged. However, I am worried
the obscurity of Warren’s reliance on
technical philosophical language primarily
derived from Heidegger has made any engagement
on equal terms difficult.
Unfortunately, as in all languages,
words can only be understood with
reference to other words in that language,
and so it is impossible to coherently define
one concept at a time. Instead, we must
attempt to explore one ensemble of related
concepts at a time.
The first ensemble of concepts to be
unpacked are (1) metaphysics and (2) the
ontological difference between (3) ontics 21
(beings) and (4) the ontological (Being),
tradition. However, I must confess I know next to nothing about the white psychoanalytic tradition of
Lacan, Zizek, and Freud, and I have (perhaps, ironically) an aversion to it. Regardless, my fundamental
lack – pun intended – of understanding of psychoanalysis has led me to exclude it almost entirely. However,
Black psychoanalysis, such as through Fanon, has much more sway for me, and so we might have
some throughout the work.
17 See Nash (2019, pg 35) regarding the intersectionality wars.
18 See Nash (2019, pg 36).
19 See Nash (2018).
20 See Warren (2016b, pg 58).
21 I use “ontics” instead of “ontic” because it does not follow for me that ontic is supposed to be the same
as beings and politics and doesn’t have an “s” at the end.
32
because this is the origin of Heidegger’s
project and his continued relevance to
Warren. Heidegger, and therefore Warren,
is very precise in his understanding of
metaphysics, and we should first note that
for Heidegger, metaphysics and ontology
are absolutely not interchangeable.
Heidegger introduces (2) the ontological
difference, to distinguish what he calls the
ontological and ontics. (3) Ontics is not a
common word at all. It roughly translates
to a focus on empirical references — which
is to say that which can be measured or
standardized objectively, 22 with beings then
referring to actual wholes in their material
sense — and is the study of being-quaunderstanding.
23 In contradistinction with
this idea of ontics, (4) the ontological refers
to the level of Being, a transcendental level,
being-qua-being, and ground. 24 Ontics and
the ontological are related but different
levels from each other, as the ontological
difference signifies. Put another way,
the “Ontological difference marks a
distinction between Being (capitalized) as
event, happening, or opening and being
(lowercase) as a metaphysical object, a
grounding, and representation.” 25
Metaphysics can be understood as
a system that attempts to get at Being
through ontics, the empirical, and forgets
the level of the ontological. Metaphysics,
because it only thinks in the register of ontics,
can only think through things that are
objects; in this way, metaphysics requires
objectification and schematization of everything
in order to explain the world. To
understand this, I find the saying, “when
you’re a hammer, everything looks like a
nail,” a helpful metaphor. This objectification
is understood by Heidegger and those
that have followed him as violent, and since
the main tool of metaphysics is objectification,
therefore, “The aim of metaphysics is
domination.” 26 Warren succinctly defines
it: Metaphysics should be understood “as
constituting a particularly violent episteme,
one that reduces the grandeur of
being into a scientific plaything — an object
of rationality, calculation, instrumentalization,
and schematization.” 27 Metaphysics
reproduces violence, and ontology moves
away from this objectification (ontology
will be problematized later).
While we have a brief summary of
key terms in Warren, I still think that
we are at a disadvantage in being able to
robustly engage in this post-Heideggerian
discourse. This paper hopes to remedy
this by discussing three broad thinkers,
who are themselves post-Heideggerians
and deeply invested in political ontology,
to give us a literature review so that we
can see what moves are possible while
being faithful to a post-Heideggerian
ontological theory. First, I will cover postfoundational
political thought, specifically
Oliver Marchart, 28 who are white
theorists who are explicitly motivated by
Heidegger’s work but want to rehabilitate
it to move against his Nazism and make
it more explicitly political. Second, I will
cover philosopher Enrique Dussel, who
is a landmark philosopher of liberation in
Latin America and who himself is deeply
invested in Heidegger and ontology but
22 See Marchart (2007, pg 15).
23 See Marchart (2018, pg 9).
24 See Marchart (2018, pg 9).
25 See Warren (2019, pg 48).
26 See Warren (2016b, pg 56).
27 See Warren (2016b, pg 56).
28 Who is explicitly interested in Ernesto Laclau’s political ontology in his book Thinking Antagonism.
33
is explicitly decolonial in purpose. And
lastly, I will cover the philosophy of the
eminent Fred Moten, who again is deeply
impacted by Heidegger and works to
revitalize ontology.
Organizing Definitions
In reviewing literature, I have felt that
different authors employ different
meanings of ontology. I have delineated
three different meanings of the word
below. This format is regrettably sharp
in its format; however, it is important to
be specific in the meanings of ontology
throughout this paper:
• Ontology (1): dominant ontology, and
therefore usually unmarked as such
since it is hegemonic, which produces
white people as having Being and
Black people as having non-Being
• Ontology (2): the ontology produced
outside the dominant ontology
• Ontology (3): the (meta?) ontology
that contains both ontology (1) and
ontology (2)
Literature Review: Post-
Foundational Political Thought
Post-foundational political thought offers
three key tools for helping us think
through an ontological theory invested
in thinking through Blackness and anti-
blackness: 29 (1) demonstrating how the
“nothing” can be thought through, (2)
elaborating that at the ontological level all
grounds are politically produced, and (3)
giving an account of how grounding unfolds,
through their conception of politics.
(1) The ontological ground of the
social is founded upon contingent, temporary,
and malleable grounds that are
ultimately founded upon nothing. 30 As
Warren explains, post-foundationalism
centers on a “lack of an absolute ground
for society. This is not to suggest that there
is no ground or that one can offer no claim
to a foundation; rather, the ground of the
social, the foundation, is weak, contingent,
and not absolute.” 31 Taking this thought
seriously, there is no recourse to some
ground that itself does not require grounding.
This provides a fruitful orientation for
understanding the social (society), not as
eternally the same throughout all historical
conjunctures, but rather continuously constructed
through action.
Post-foundationalists argue that
the nothing can be properly incorporated
into a political theory by placing the
nothing in an interplay with the ground
itself because the ground is founded upon
nothing. 32 The nothing and the ground are
constantly in play with each other, chasing
each other away and back again. Because
there is no absolute ground as in meta-
29 Post-foundational political thought is not meant to describe beyond all foundation similar to anti-foundationalism
but also to denote a movement away from strong foundationalism.The anti-foundationalist
position is mostly self-explanatory; literally, there is no ontological ground whatsoever that can
explain how things are. Conversely, strong foundationalists believe in an absolute ground, which can
account for everything, and that itself requires no additional ground. Examples include God, Reason, and
dialectical idealism/materialism.
30 The social means society and is at the ontic level.
31 See Warren (2010, pg 14).
32 This recognition of the nothing is relevant because metaphysics, as discussed earlier, strives to objectify
everything, and the nothing always escapes objectification and thus threatens the episteme of metaphysics
with collapse by exposing its limitations. In this way, metaphysics hates the nothing, so to speak,
and as Warren argues, projects it onto Blackness in order to control and neutralize it (Ontological Terror
5).
34
physics, post-Heideggerians argue that
there is in fact nothing upon which the
ground of society is founded because that
would become the absolute ground, and
again we are back at metaphysics. Therefore,
if we take seriously the idea that an
absolute ground is a metaphysical illusion,
then there can be no deeper level that fully
grounds the previous ground; put another
way, the essential metaphysical quest is to
desperately disprove that the social is not
in reality founded, in the end, upon literally
nothing. 33 Therefore, the post-foundationalist
embraces this which terrifies so many
metaphysical theorists, which is that there
is no fundamental logic or foundation for
the social.
(2) However, as aforementioned,
unlike anti-foundationalists, who argue
that there is no foundation whatsoever,
post-foundationalists argue that there is
no absolute, final ground, but there are
contingent, temporary grounds constructed.
This is the essence of why they
are identified as post-foundationalists; according
to them, there is a foundation, but
it is founded about an abyss, and so it is
necessarily contingent, and importantly,
this contingent ground can never assume
a total, absolute, or final ground status. 34
So, grounds are real, which is self-evident
to those of us who seek to understand
the colonial nature of our present
world, but these grounds are contingent,
which is to say created through politics. But
what is politics from a post-Heideggerian
perspective?
(3) Politics is understood as the social
actions that either sediment or unsettle
the ontological order, 35 which is to
mean, that which functions to stabilize
or destabilize part of the current hegemonic
distribution. The hegemonic order
in this case is meant to delineate the link
from ontics to the ontological; “Grounds
emerge from hegemonic paradigm shifts-
,” 36 which is to mean grounds “emerge
from … political struggle.” 37 In the register
of ontics, hegemonic distribution refers
to the “terrain of sedimented practices.” 38
When this paper speaks to sedimentation,
it is referring to the condition of routinized
repetition, where there can be more
or less sedimentation of a given practice,
and the more sedimented it is, the less it is
questioned, or even able to be questioned,
and vice versa; “sedimentation emerges
from repetition.” 39 Post-foundational political
thought creates an important link
for political ontology by labeling the link
from ontics to the ontological, via intense
sedimentation as the grounding or instantiating
of the social world. 40 Grounding is
the level of the ontological, and “politics
should be seen as an attempt at instantiating
the [ontological].” 41 Politics is nothing
33 See Warren (2010, pg 15).
34 See Marchart (2018, pg 26).
35 These thinkers believed that there is a usefulness in creating a distinction for clarity purposes between
the term “politics” and the term “the political,” which follows the distinction of the term “ontics” and
the term “the ontological.” Oliver Marchart helps elucidate this position by labelling this separation the
political difference, a deliberate homage to Heidegger’s “ontological difference” (Post-Foundational Political
Thought 4).
36 See Marchart (2018, pg 172).
37 See Marchart (2018, pg 171).
38 See Marchart (2018, pg 91).
39 See Marchart (2018, pg 94).
40 See Marchart (2018, pg 91).
41 See Marchart (2018, pg 238).
35
“
Politics is understood as the social actions that
either sediment or unsettle the ontological
order, which is to mean, that which functions
to stabilize or destabilize part of the current
hegemonic distribution.
other than “ontic struggles” that prevent
the closure of the social, which is to mean
prevent an ultimate ground; 42 these ontic
struggles (politics) attempt to produce
one reality which by definition excludes
other possible realities, which is what is
meant by attempts at grounding. Therefore,
our social world is in a constant cycle
of grounding and de-grounding, then
grounding and de-grounding again, 43 and
“politics” is the name of the concept that
describes the actions that produce this cycle
of grounding.
While the ontological institutes
ontics, post-foundationalist thought recenters
that ontics (politics) produces the ontological.
Beyond some interesting exercise
of post-Heideggerian thought, I go over
this first and foremost to give us the tools
to analyze political ontological thought
that borrows from these same thinkers.
The above overview allows us to answer
the question: But what creates ontology? I
believe Marchart’s work, for all its failings,
creates an essential intervention. The play
of difference does not make the ontological
subordinate to ontics, and so too does
it not make ontics subordinate to the onto-
”
logical: They create each other, 44 so yes, the
ontological institutes ontics, but ontics is
what creates the ontological. 45 As Marchart
puts it, “every form of ontological institution
must be ontically mediated via action
and agency.” 46 Ontics is what determines
the ontological. 47
To put it succinctly, so long as the
field of ontics (the social) cannot be closed
(which is to say all conflict/change ends),
so too can the ontological not be closed.
We can never make claims that the order
we live under, at the ontological level or at
ontics, cannot be closed because politics is
what creates the ontological, and politics is
always present.
In this section, we covered the three
tools we might gain from post-foundational
political thought for theorizing political
ontology, namely: (1) how the nothing can
be thought through, (2) the contingent nature
of the ontological, and (3) an explanation
of how ontics produces the ontological
ground, through its conception of politics.
In this next section, we will go over
the philosophy of Enrique Dussel and
discover what tools we might glean from
his work.
42 See Marchart (2018, pg 151).
43 See Marchart (2018, pg 234).
44 Through an eternal interplay of difference.
45 See Marchart (2018, pg 145), Maldenado-Torres (2008, 221); See also, Maldenado-Torres (2007).
46 See Marchart (2018, pg 145).
47 See Warren (2010, pg 56).
36
Literature Review:
Enrique Dussel
The philosophy of Enrique Dussel gives
us two additional insights into political
ontology: 48 (1) the concept of the totalizing
system (or totality), and (2) the concept of
the trans-ontological.
A quick note: Dussel’s work is profoundly
marked by an anticolonial posture,
which is an improvement on post-foundationalist
thought, but a major weakness is
his refusal to thoroughly engage with race
and gender. Additionally, when he does,
he tends to collapse all non-white races in
a similar structural position of subjection.
As I laid out in the beginning, this paper
is operating with the assumption that the
structural position of Blackness under
colonialism is uniquely subjected, and so
Dussel’s collapse is inappropriate. I would
argue that this point of view of Dussel does
affect his work, but we can still easily translate
his work to our current assumption,
and when Dussel claims the domination
of non-white (or more often in his words,
dominated) people, for the purposes of this
paper I will read this as Black people.
(1) The concept of a totalizing system,
or totality, refers to the dominant ontological
order that attempts to institute complete
control but ultimately never succeeds.
Dussel’s totalizing system links well with
the post-foundational notion of the impossibility
of a final ground so that the totalizing
system never ultimately can close.
The totality (which is just a shorthand for
totalizing system), attempts to annihilate
opposition, but the colonial world never
completes its impulse toward complete
closure, which is just another way of saying
what we discussed earlier, that the final
ground can never be reached. 49 Marchart
writes, “The social is laden with conflict
on the ontic plane, because society cannot
be concluded into a totality.” 50 Dussel and
post-foundationalists agree; the social can
never be closed into a totality, can never
reach a final ground. I want to spell out this
implication a bit clearer.
To say that the totalizing system never
closes, that there is never a final ground,
means (a) that the dominant order does
not control all possible actions/possibilities/futures,
and (b) there exists something
outside this control. We can speak of the
internal lives of the oppressed as not totally
being controlled by nor ultimately reducible
to the colonial situation. This can be
seen through the revolutionary struggle,
the intramural, and the social life (even if)
within the social death of blackness and
Black people. 51
(2) The analytic of the trans-ontological
describes how there exists something
beyond the dominant ontological order. Dussel
introduces the transontological by defining
it in relation to the dominant order, writing,
“the transontological level, that is, beyond
the dominating totality.” 52 Since the totality
of the dominant ontological system is
fundamentally exclusionary of some people
and their politics, there are people outside,
48 Philosopher Enrique Dussel is extensively influenced by Heidegger’s work and is without a doubt within
the post-metaphysical tradition (Ethics of Liberation 376-377, 593).
49 See Mills (2018, pg 22).
50 See Marchart (2018, pg 150).
51 See Mills (2018, pg 37).
52 See Dussel (2013, pg 337).
37
though not totally, 53 this totality. 54 The two
fundamental interventions I then take from
Dussel, is that (a) there exists material (ontic)
content beyond the dominant ontology,
and (b) these people have an ontological
being that escapes the directive of the totality.
55 According to the dominant system, the
colonized are other, and “as other than the
system, … one is beyond Being. Inasmuch as
Being is and non-Being is not, the other is
not.” 56 Dussel’s elaboration of the relation of
non-being and the system of dominant ontology
makes clear that the statuses of Being
and non-Being are politically constructed
and imposed upon existents. 57
Dussel’s analytic of the transontological
argues that not only is there social
life, but this very sociality constitutes the
Being of blackness, which is not reducible
to the imposition of antiblackness by the
colonial order. As Dussel explains, he uses
the prefix “trans-” to get across there is a
passing beyond the ontology of the dominant
system (ontology (1)), and since the
dominant order is de facto hegemonic, this
ontology invisibilizes other ontological
systems. Nevertheless, in reality, the place
that the transontological attempts to go to,
which is produced by the oppressed, is itself
ontological in a genuine way, by which
I mean not an illusion of the dominant
system. 58 This, I believe, already gives us
powerful tools in working with Warren,
who reflects about Moten’s mysticism:
“What Black mysticism offers is a lexical
imagination that aims to take us outside of
political ontology and into the metaphysical
(or the spiritual).” 59 Dussel often refers
to the transontological as the metaphysical
(breaking with Heidegger and Warren),
which makes Dussel’s work appear to
follow Warren’s praise of the language
of metaphysics to escape ontology: “It is
precisely this mysticism that provides our
fugitive escape from the confines of ontology.
… Thus, mysticism is not inimical to
freedom; it is the only aspect of existence
that provides hope.” 60 Dussel’s philosophy
gives us the emphasis on the Black ontic
and ontological experience that (1) exceeds
the totalizing system, which we find in the
(2) transontological level, outside of the
dominant ontology.
Warren’s praise leads us to our next
thinker, Fred Moten.
Literature Review: Fred Moten
One final addendum to create a somewhat
accessible ontological language is the brilliant
work of Fred Moten. 61 Moten gives
us two tools that overlap with what we
already have discussed: (1) the concept of
paraontology as that which describes the
53 See Dussel (2003, pg 47).
54 See Dussel (2013, pg 558).
55 See Dussel (2013, pg 339, 558).
56 See Dussel (2003, pg 51).
57 What I find brilliant about Dussel’s analysis is that he correctly identifies that the ontology of the
dominant system is not the only field of ontological existence, and beyond the ontology of the dominant
system, there is a different ontology produced by the oppressed. “The ‘liberation project’ is ontological.
However, since it unfolds beyond (in exteriority) the current system... I frequently refer to it as transontological”
(Ethics of Liberation 628).
58 See Dussel (2013, pg 628).
59 See Warren (2017, pg 220).
60 See Warren (2017, pg 222).
61 This brings us closer to our aim since Moten has had an active and ongoing discussion with afropessimists,
and as Calvin Warren notes, Moten is himself a “neo-Heideggerian” (Black Mysticism 221).
38
“To use the language of Moten, this ontology is fugitive
because it escapes and cannot be contained by the dominant
ontology, no matter the desire of the dominant ontology to
capture and destroy it; Blackness ‘is a theft of being.’”
level of Being for Blackness, 62 and (2) the
elaboration of how even under conditions
of “social death,” there is still Black social
life. As Moten puts it, “blackness needs to
be understood as operating at the nexus of
the social and the ontological.” 63 Hopefully,
this is what this paper is doing.
(1) Moten deploys the concept of
paraontology to signify the ontological
register of Blackness (ontology (2)), 64
where the dominant ontology (ontology
(1)) excludes Blackness from ontology.
Dominant ontology places blackness as
abjection, but blackness is not reducible to
this abjection, and therefore ontology in this
sense is not up to the task of Black thinking,
which is to say thinking about blackness.
When I say “ontology in this sense,” I
am talking about ontology (1). I believe
Moten says it well: “What is inadequate
to blackness are already given ontologies.
The lived experience of blackness is,
among other things, a constant demand
for an ontology of disorder, an ontology
of dehiscence, a paraontology whose
comportment will have been (toward)
the ontic or existential field of things and
events.” 65 I take Moten to link “already
given ontologies” as equal to ontology (1),
which is to say, dominant ontology.
Moten’s analysis of paraontology
provides a consensus with post-foundationalist
political thought and Dussel’s
work, in that ontology (1) is not the only
ontological system. The colonial world
always seeks to create a totality, but as we
discussed before, this is impossible. Moten
becomes our third figure profoundly influenced
by Heidegger to come to the same
conclusion: the dominant ontology is not
total. And, we can add another conclusion
that Moten and Dussel share: If there is life
that exceeds the ontology of the dominant
system, this too produces its own ontology.
To use the language of Moten, this ontology
is fugitive because it escapes and cannot
be contained by the dominant ontology, no
matter the desire of the dominant ontology
to capture and destroy it; Blackness “is a
theft of being.” 66 This fugitive ontology is
the ontology that exists in a non-reducible
way beyond the dominant ontology, which
is to say the ontology (2) that exists beyond
ontology (1). Moten (and Chandler) gives
ontology (2) the name of paraontology. 67
I argue that Moten’s paraontology
and Dussel’s transontology can be productively
understood as one and the same, as
expressing what I have before (in the poverty
of language 68 ) labelled ontology (2).
62 First introduced by Nahum Chandler in Chandler, 2013, Moten modifies his version.
63 See Moten (2018b, pg 150).
64 We should take care to remember “the paraontological distinction between blackness and black people”
(The Universal Machine 242).
65 See Moten (2018b, pg 150).
66 See Hart (2016, pg 24).
67 “Moten carries Heidegger’s … ontic/Ontological into the distinction between blacks … and blackness”
(Black Mysticism 225). The paraontology level is on something like an ontological level.
68 What Warren might label “grammatical paucity” (Black Mysticism 220).
39
To reiterate, in a post-Heideggerian vein,
one can only speak “ontology” when there
is actually something in the empirical realm,
i.e., some ontics to speak of.
And as Sexton writes, of course there
is Black social life, but the point is that this
social life is lived in social death. 69 But now
moving beyond this misunderstanding, I
think a critical question that can be posed
is: Is all Black social life reducible to this
position of social death?
(2) Moten responds to this by clarifying
that what is called social death is only
a death for a part of the Black social life. 70
His intervention is helpful because it helps
clarify a distinction that sometimes our
language can obscure: that the social death
spoken of, in being a political death, is not
the totality of what we can call Black social
life (or Black sociality). 71
The needed intervention that I believe
Moten’s work demonstrates is that
this political death does not kill the totality
of what we can call the social (ontic), or
something like it. As Moten expertly puts
it, “Stolen life [Black life] is not equivalent
to social death or absolute dereliction.” 72
One life is killed, and another begins, and
this life is not reducible to the ongoing
death (and violence) being imposed on it.
Since we can now say that all Black so-
cial life (or something like it) is not reducible
to ontic powers of the colonial system,
we can so too understand the Blackness is
not reducible or wholly captured by the
ontological system of colonialism, which
is what Dussel calls the transontological,
Moten the paraontological, and I earlier
called ontology (2). According to Moten,
Black social life “causes us to recognize the
paraontological as the ontological’s (im)
proper name.” 73 This follows Dussel’s claim
that the transontological is ontological. 74
Moten makes very explicit that it is this
Black social life that exceeds the imposition
of domination by whiteness that creates
paraontology. 75
Moten gives us the (1) paraontological,
which is in many ways the same as the
transontological, and (2) an elaboration
of Black social life non-reducible to conditions
of social death, which can productively
be understood as expressing similar
ideas as the lack of closure of the social for
post-foundationalists and the totalizing
system of Dussel.
Conclusion
This paper argues that the language of political
ontology that is important to many
Black theorists can be productively opened
up by a dialogue between the work of
69 See Sexton (2016b, pg 15).
70 I would note, from my own perspective, Moten, in (correctly) tracing this genealogy to Arendt, perhaps
becomes Arendtian himself in some of his analysis, creating a strict separation of the political and
social. To be clear, the post-foundational thought that I elaborated above is at odds with Arendt’s understanding
of the political because it argues that which is commonly described as political, which is often
what Arendt means (e.g., public debate), is itself part of our social (ontic) world. Moten himself notices
this and problematizes it (Moten, 2018b, pgs 101, 107); however, when Moten talks of political death instead
of social death, I want to put a caveat that I am unsure is explicit in Moten: that this political death
is in itself social. (To clarify, I do not claim to correct Moten, I believe we agree completely in the end, but
I wanted to make a clarification of translation between his works and how this paper unfolds.)
71 See Moten (2018b, pg 194).
72 See Moten (2018b, pg 151).
73 See Moten (2018a, pg 35).
74 See Duseel (2013, pg 628).
75 See Moten (2017, pg 312).
40
Oliver Marchart, Enrique Dussel, and Fred
Moten. Each author’s unique work offers
overlapping and complementary insights
that help reveal the plane of political ontology.
First, post-foundationalist thought
demonstrates how the “nothing” can be
thought through, elaborates that at the
ontological level all grounds are politically
produced, and gives an account of how
grounding unfolds through its conception
of politics. Secondly, the philosophy of
Enrique Dussel gives us the concept of the
totalizing system and the concept of the
trans-ontological. Finally, Moten gives us
two tools of the concept of paraontology
as that which describes the level of Being
for Blackness and the elaboration of how,
even under conditions of “social death,”
there is still Black social life.
These insights allow a deeper engagement
with the political ontology laid
out by Calvin Warren and afropessimists
such as Wilderson and Sexton. This is just
an introductory effort that hopes to enable
fellow scholars to engage with their important
work in richer ways. ■
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Warren, Calvin L. “Black Mysticism:
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Warren, Calvin. “Black Time: Slavery,
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41
Studying Art History
By Joni Rosenberg
Art History Professor
Jesús Escobar shares
his COVID-19
pandemic experience
as an educator
and researcher of
architecture and
urbanism in the Spanish
Habsburg Empire.
When the COVID-19 pandemic
first sent college students
home in March 2020, no one
knew exactly how daily life would
change. Art History Professor
Jesús Escobar was guest lecturing
at Johns Hopkins University in
Baltimore when its campus, along
with others all across the country,
was shut down.
At the time, Escobar was involved
in three different research
projects at various stages of completion.
Although their timelines were
once very clear, they had to be altered
to accommodate the pandemic.
As a researcher of architecture
and urbanism, Escobar often
travels to cities of interest for onsite
visits and archival research.
However, the travel restrictions
first implemented in spring 2020
meant that it was impossible for
Escobar to travel internationally
that summer.
The largest impact was
on a project Escobar started in
2018. Because it uses biographical
42
in the Age of
COVID-19
information to help explain transatlantic
architectural patronage in the Spanish
Empire, the project requires extensive
archival research.
“[During the] summer of 2020, I
obviously wasn’t going to get back to that
research project that required the archive,”
he said.
He instead focused on another ongoing
project about architecture in Madrid under
the Habsburg Monarchy (1504–1700).
“The key tasks ahead were to get some
final revisions done with the copy editor
and then to … start dealing with all the images
for the book,” Escobar said. However,
the image acquisition process was altered
by the pandemic too.
“The book has 143 images in it, and
when you publish in art history, you have
to get permission for photography that’s
not your own,” he explained. “It’s a really
long process, and I thought, ‘I better start
early because it’s going to take extra long.’”
But not all of these changes have been
negative. In fact, Escobar said that he has
found new ways to approach research and
teaching as a result of the pandemic.
The inability to travel has led Escobar
to “discover all these amazing online tools
that really saved a lot of scholars during
the pandemic.” Online libraries such as the
Biblioteca Nacional de España have extensive
digital libraries that include primary
sources typically acquired through on-site
research. He also credited pandemic-related
adjustments with further encouraging
him to “[figure] out ways to make the research
relevant to students.”
Escobar also discussed how the pandemic
has impacted his third project, which
covers nearly 300 years of architectural history.
Because it is meant to be easily digestible
for readers new to the history of the Spanish
Habsburgs, less archival research is necessary
than for the other projects.
“I think it’s a kind of research agenda
that adjusts well to COVID,” he said. Although
he still has to travel for the third
project, he said that those plans were relatively
easy to postpone based on the project’s
tentative schedule.
Despite the obstacles posed by the
COVID-19 pandemic, Escobar is excited to
continue his research and teaching. ■
43
Department of Sociology
Faculty Adviser: Prof. Anthony Chen, Ph.D.
Networking for
Gender Justice:
Women’s Arts Organizations
as Facilitators of Gender Equity
in the Arts Industry
by Jade Davis
Introduction
The later 20th century brought many drastic
changes in the United States in terms of
occupational sex segregation. In the 1970s,
segregation began to decline substantially
across the board as more women found
their way into traditionally male-dominated
careers, which continued into the
1980s and 1990s. 1 The art industry was
no exception, as women artists began to
be nearly as visible and successful as their
male counterparts in art-rich cities such
as New York, Chicago, and Los Angeles.
Artists such as Joan Mitchell, Judy Chicago,
and Louise Bourgeois hit their strides
and became some of the most well-known
and well-paid artists of their time. At the
same time, The Guerrilla Girls — masked
artists who adopted names of deceased
women artists — became some of the
most outspoken critics of the treatment of
female bodies in the largest museums, creating
billboards with phrases such as “Do
women have to be naked to get into the
Met. Museum?” 2 Between this group of
women and other efforts throughout the
U.S., women had a voice in the art world,
both becoming part of the mainstream
and creating their own alternative spaces
where they could be as politically and
socially vocal as they wished.
However, this progression has slowed
since the late 1990s, and the gender disparity
persists in the arts today, something
that contemporary sociologists, other
researchers, and the media continue to examine.
Like in many other professions that
have traditionally been male-dominated,
the number of women artists has increased
slightly, but their pay, ease of success, and
other individualized experiences are still
gendered and inequitable. Recent article
headlines such as “A New Study Shows
That Most Artists Make Very Little Money,
With Women Faring the Worst” 3
1 Roos, P. A. & Stevens, L. M. (2018). Integrating Occupations: Changing Occupational Sex Segregation in the United States from
2000 to 2014. Demographic Research, 38, 127-154. dx.doi.org.turing.library.northwestern.edu/10.4054/DemRes.2018.38.5
2 Naked Through the Ages. (n.d.). https://www.guerrillagirls.com/naked-through-the-ages
3 Kinsella, E. (2017, November 29). A New Study Shows that Most Artists Make Very Little Money, with Women Faring the Worst.
44
and “The 4 Glass Ceilings: How Women
Artists Get Stiffed at Every Stage of Their
Careers” 4 suggest that there is concern
for all facets of equality for women in the
arts, from pay to opportunities for career
advancement. Research from government
entities such as the National Endowment
for the Arts finds that women visual artists
earn on average 74 cents for each dollar
their male counterparts make and that the
earnings ratio of these artists declines with
age. Women artists age 18–24 will earn
97 cents per dollar earned by men artists
of the same age, but those 55–64 will earn
just 66 cents per dollar that male artists of
the same age will make. 5
Although this collection of data is
valuable for determining where to focus
on mitigating gender inequality in the arts,
most research has focused on the current
state of inequitable environments, pay
gaps, and lack of opportunities for women,
rather than on how women first became
more integrated into the art industry to
begin with: what enabled women like
Joan Mitchell and Judy Chicago to become
well-known and successful. The addition
of a historical perspective may elucidate
the steps toward gender parity in the arts
by identifying which aspects of an artist’s
interactions with their surroundings and
institutions have historically contributed
to their successes or challenges. This
could then determine how women can
navigate through their art communities
toward more equitable pay, gallery space,
attention in larger galleries and the media,
and increased monetary value of artworks
by collectors and in auctions. My thesis is
therefore a historical case study of Chicago’s
art scene and its gender integration
process, drawing mainly from the perspectives
of women artists who were active in
the art scene during this period of change
between the 1970s and the 1990s. My research
questions are as follows:
1. What institutional structures or
independent actors allowed women
artists in Chicago to become more
integrated into the city’s mainstream
art scene?
2. When did these changes occur, and
why did they occur when they did?
3. How strongly were these changes led
by the women artists themselves?
Research Design
In order to understand the role of women’s
art organizations, including cooperative
galleries and more traditional galleries,
I utilized a combination of archival
research and semi-structured interviews.
This combination was ideal to answer
my research questions because the archival
material provided a more objective
background of what organizations existed,
when, and how they were integrated
in the community. The interviews, which
primarily focused on artists, allowed me to
hear first-hand from those in the art community
about the organizations’ effects.
With more time, I would have conducted
more archival research in order to understand
more deeply how each organization
related to the larger community, as well as
specific initiatives they took or exhibitions
they held to support the women involved
in their organizations. However, I was able
to get much of this information from the
interviews I conducted.
4 Halperin, J. (2017, December 15). The 4 Glass Ceilings: How Women Artists Get Stiffed at Every Stage of Their Careers. https://news.
artnet.com/market/art-market-study-1179317
5 National Endowment for the Arts. (2019, April). Artists and Other Cultural Workers: A Statistical Portrait. Office of Research &
Analysis.
45
Archival Research
I primarily used the sources I had to create
a list of women artists’ organizations
which were active in Chicago during the
time period of focus and to understand
generally how they functioned. I also found
lists of artists involved in the first few
years of each organization’s existence and
any leadership or founders involved in the
creation and running of the organizations,
which I used to create a list of artists to
contact for recruitment.
Sample and Recruitment
I conducted 13 semi-structured interviews
using a non-random convenience sample. 6
I spoke with 10 women artists who worked
in Chicago from the 1970s through the
1990s and three women curators or art
historians who worked among them or
have conducted extensive archival research
on their organizations. I used my archival
sources to create a list of the first or founding
members of Artemisia Gallery, ARC
Gallery, and Woman Made Gallery, as I
had access to lists of founding or primary
members, as well as some lists of members
or exhibitors for each year. I searched
for current artist websites or other sources
of contact information for the living
members and interviewed all participants
who responded to my email inquiries.
Interviews
The interviews lasted between 45 minutes
and one hour and 45 minutes. They
were all done over the phone except for
one artist, whom I met at her studio in
Chicago. The interview guide contained
four sections, each detailing different
aspects of interview participants’ experiences
with Chicago’s art community,
women artists, and women’s art groups
(see Appendix). Some questions were
specific to certain organizations, which I
did not move forward with if the participant
stated that they were not familiar
with the organization. Probes were used
to ask for clarification or examples.
Data Analysis
In order to analyze my data, I first identified
and operationalized the dependent
variable, or “navigating the city’s art
scene.” I determined “navigating” to mean
that a woman artist was able to create
artwork regularly, whether it was their
full-time career or they had another
career or source of income: They did not
stop working as an artist due to implicit
or explicit gender-based discrimination,
and they were able to show in a gallery
on a semi-regular basis (at least every
five years).
I defined “Chicago’s art scene” to
mean the network of commercial galleries
in Chicago and the surrounding suburbs,
as well as the related organizations for artists,
including but not limited to women’s
art organizations and others such as the
Chicago Artists’ Coalition and the Chicago
Public Art Group. Larger institutions,
such as the Museum of Contemporary
Art and the Art Institute of Chicago, are
important aspects of the city’s art scene as
a whole, especially considering the role of
the School of the Art Institute of Chicago
in training many of Chicago’s most wellknown
artists. However, I found through
my research that most of Chicago’s artists
were not represented in these museums
during this time period and that it was
not necessarily gendered, although the
museums had a separate issue in their representation
of women artists as a whole.
Therefore, I excluded these institutions
6 Participant data are not consolidated, and comments are not attributed to individual participants or given pseudonyms in order to
preserve confidentiality, due to the small size of the community.
46
from the analysis of women’s integration
into the art scene as they are not relevant
to a vast majority of the women involved
in the women’s art organizations studied.
I listened to the 13 interview audio
clips and transcribed relevant information
from the respondents, keeping in
mind possible ways that women artists
could have been impacted by these organizations.
If my hypothesis was supported,
and if women’s art organizations did
indeed play a significant role, I expected
respondents to discuss themes mentioned
in previous literature. At the same time, I
kept in mind a set of alternative hypotheses
that could also explain what allowed
women artists in Chicago to become more
involved in the community, unrelated to
the existence of women’s art organizations.
I used research on other industries and instances
of women breaking into formerly
male-dominated groups as well as research
on other aspects of the art industry (including
Art Worlds by Howard Becker)
to inform these hypotheses. I transcribed
any information from the interviews that
could either support or refute these other
hypotheses, in order to have a more
well-rounded idea of how women could
have navigated Chicago’s art scene outside
of these women-specific institutions.
Empirical Analysis
The current hypothesis posits that the
presence of women’s art organizations in
the 1970s through the 1990s in Chicago
had a significant positive effect on women
artists’ ability to navigate the art scene.
The analysis of my interviews provides
support for this hypothesis, suggesting
that the organizations provided internal
connections with other women artists and
external connections to curators, gallery
owners, and other actors, both of which
were necessary components of success as a
woman artist in the field.
Historical Background
According to archival research, as well
as narratives from Chicago’s scholars
and curators, the city’s first women’s art
galleries in the period of interest began in
April 1973, with the openings of Artemisia
Gallery and ARC Gallery. These galleries
were some of the first women-focused art
spaces of their kind in the country. The
Chicago art scene was also well-known at
this time, from the mid-1960s to the early
1970s, for its world-renowned School
of the Art Institute of Chicago. It was
also known in the national art scene for
a group of artists known as the Chicago
Imagists, as well as the “Hairy Who,” many
of whom were graduates of the art school.
Although several women were members
of the Chicago Imagists, women artists in
general were not a large part of the otherwise
small art scene of the time.
Nearly all of the women who were
part of Artemisia and ARC Galleries stated
that one particular artist, a woman named
Ellen Lanyon, was the catalyst of these
groups. Lanyon had spent time in New
York City and had encountered another
gallery, Artists in Residence (AIR) Gallery,
which inspired her. AIR was a cooperative
gallery rather than a commercial gallery.
Artists involved in the cooperative paid a
membership fee to rent the gallery space
together and take turns holding exhibitions
in the gallery space. AIR was also the first
gallery of this type in the U.S. that focused
on women artists. Along with this gallery,
Lanyon had worked with a feminist art
critic and activist, Lucy Lippard, as well as
other feminist artists who were working in
New York City at the time.
Upon returning to Chicago, Lanyon
47
gathered a small group of recent graduates
from the School of the Art Institute
and other working women artists. They
then began the initial recruitment process.
However, too many women artists were
interested in the cooperative gallery, and
not enough spaces were available for one
gallery. So, some artists branched off and
created the second of the two galleries.
Thus, Artemisia Gallery and ARC Gallery
were opened in the same building and
within one week of one another in the
spring of 1973. Approximately 20 artists in
each organization shared the lease, taking
turns operating the gallery space and holding
a two- to three-person show monthly.
Although Artemisia and ARC were
the first women’s galleries in Chicago, they
were not the first women artists’ organization.
The National Women’s Caucus for
Art opened a chapter in Chicago one year
earlier, in 1972. Many artists were both
involved in cooperative or commercial
galleries and the Chicago Women’s Caucus
for Art (CWCA). The organization
was comprised of both women artists and
others in the arts community, including art
historians, curators, professors, and others.
The CWCA held several exhibitions of its
artists in women artist gallery spaces.
Artemisia and ARC Galleries were
crucial institutions for many women artists
in Chicago in the 1970s and 1980s. Their
location on the north side of the city attracted
artists and others in part due to their
proximity to other galleries and museums
at the time, including the initial location
of the Museum of Contemporary Art, the
N.A.M.E. Gallery, and the Randolph Street
Gallery. However, due to their location on
the north side, an indirect consequence was
that the women who were drawn into these
organizations were predominantly white
women. At its creation, Artemisia Gallery
“The organizations
provided
both internal
and external
connections that
allowed women
to create and
show their work
in a supportive
environment.”
had no members who were women of color;
ARC Gallery had one. In part due to
this lack of women-specific arts organizations
that would function as well for women
of color, the organization Sapphire and
Crystals was created in 1987. Rather than a
gallery space, it was a collective that served
Black women artists who also exhibited
in women artist gallery spaces. Several of
these women were also part of the CWCA.
In 1992, two women founded Woman
Made Gallery under the premise that
Chicago still did not provide the community
that the city’s women artists needed.
They felt that the cooperative structure of
Artemisia and ARC Galleries was limiting
and that the organizations did not provide
enough exhibitions for women artists who
were not members of the collective. Therefore,
Woman Made Gallery was created
as Chicago’s first commercial gallery that
focused on women artists. It was unique
among the other women’s arts organizations
in that it had a physical space, unlike
CWCA and Sapphire and Crystals, and that
48
it also allowed more women to become
involved without necessarily needing to
be a member and regularly contributing to
the gallery financially, completely planning
their own shows, or otherwise being involved
in the running of the organization.
This overview of Chicago’s women’s
organizations suggests that there was both
a need for a community of women artists
and an interest in creating said community.
However, it also raises the following
questions: How beneficial were each of
these organizations to the women artists?
“How did they help their members navigate
the scene and perhaps become successful
working artists?”
Findings and Interpretation
My interviews with the women artists
who were involved in women’s art organizations
suggest that in the beginning of
the time period of interest, the early 1970s,
most women artists in Chicago were
unable to break into the city’s art scene.
However, I find that these organizations
were significant in allowing women to
more easily navigate the city’s art scene,
supporting my hypothesis. The organizations
provided both internal and external
connections that allowed women to create
and show their work in a supportive environment
and led them to networking
opportunities to become more involved in
the mainstream art scene.
Organizations as Sources of
Internal Connections
Women’s art organizations from the
1970s to the 1990s provided a space
where artists could create connections
with other women artists to build a
community within and separate from the
mainstream art scene. One significant
facet of these internal connections was
that nearly all of the artists found that
the women’s art organizations provided
spaces for critiques or other dialogue
that allowed women artists to develop
their body of work in a productive and
encouraging environment. The close
community of women artists allowed
for discussion about each artist’s body of
work, as well as other discussions about
the experience of being a woman artist
in Chicago.
One artist discussed how Artemisia
used a “feminist approach to conversation,”
inspired by women’s rights activists at the
time who were becoming more aware that
they were often being interrupted by men
around them. As they wanted to make the
cooperative a space where everyone could
speak without fear of interruption or overshadowing,
they designed their meetings
and conversations so that everyone would
take turns speaking on the topic at hand.
This artist also stated that after each exhibit,
artists would meet and talk about the
work. She and other participants lamented
that other art communities they had been
part of later in their careers did not have
this opportunity to speak to one another
and called the cooperatives a “giving,
encouraging” space with “heartfelt … conversations”
that kept artists “spiritually and
intellectually alive.”
These organizations often held their
artists to a high standard, which drove
members to develop their work further
than they may have otherwise. One participant
said, “We held a high standard for
exhibiting. The quality of your work and
the presentation both had to be top-notch
or [the organization’s founder] wasn’t going
to help sell it.” This space for critique
and collaboration even affected some
artists who passed through the cooperatives
and were not initially accepted into
the group. One participant mentioned
49
an artist, now internationally renowned,
who had interviewed for one of the cooperatives
when it initially launched and
had been turned down. She had said to
the research participant, “I deserved to be
turned down. My work was really crappy.
I threw it out and started to do all different
work and then got in [later]. You
were absolutely right to turn me down.”
Several artists also stated that they
began doing more experimental work, as
they were inspired by how the women
artists around them utilized themes and
materials that they had not thought about
before. They found that women’s galleries
provided a space to do work that would
not have been accepted in more traditional
galleries. Topics that were seen as specific
to women, or not universal enough, were
welcomed in women’s art spaces:
The more places there are for women
to show, the more opportunities
they have to share their work …
and talk about difficult topics, like
menstruation. Nobody wants to talk
about that. … You wouldn’t have a
chance at a commercial gallery because
they wouldn’t be able to sell it.
The participants provided mixed perspectives
as to whether competition existed
among the women in the organizations
or if the space was completely collaborative
and helpful. Half of the participants had
no negative experiences with other women
in terms of competing for resources,
grants, or other shows in the area. They
described the atmosphere as “warm” and
“supportive,” even if many of the other
artists were mostly invested in their own
work. The other half of the women stated
that since the art world itself was competitive,
all members in the cooperative had
various reasons for membership. They said
that some members had ulterior motives
“Being involved
in a women’s art
organization ...
provid[ed] a sense
of community and
camaraderie for
female artists.”
for joining or only had regard for their
own work and well-being. One participant
stated that there were “slight issues
of dominance and that some people were
‘stronger’ than others.” Overall, however,
the members cheered each other on and
supported each other to get shows in other
commercial galleries.
Only one participant gave an example
of a specific negative experience she had
with another artist in the gallery:
One day, a big curator from New York
came to the gallery and asked to see my
work. And [the offending artist] was
the only one in the gallery. We had
hired someone to also sit in the gallery
… [who] told me the story. This artist
just told her that there were no visuals
of my work, which was totally untrue.
She showed [the curator] her own
work instead. She’s a big deal artist in
Chicago now.
The interviewee said that other than
this member, everyone in the gallery was
“very helpful, willing to help out, and [gave
her] a good feeling in the gallery.” This
was the only time a participant recounted
a negative social experience within the
cooperative community. This anecdote
also suggests that several such opportunities
existed for the women artists like the
50
“Women’s art was
most often seen as
separate and lesser
by male artists,
curators, dealers, and
the art scene overall.”
curator visit, but some manipulated the
situations to prioritize their own work and
career trajectory over those of others.
Two of the women I interviewed
from Artemisia and ARC galleries had
not gone to graduate school; most of the
others had attended the School of the Art
Institute. Both of these artists stated that
the community was like graduate school
to them, and one other who had gone to
graduate school likened her experience in
the gallery to that of her graduate education.
One felt like “her work developed and
everything else developed with it.” Another
stated that her “work kept changing and
evolving from being in the cooperative.
[She was] interacting with other people’s
work, exchanging ideas.” She also stated
that when it was an artist’s turn to be part
of a two-person show in the gallery, this
became an especially valuable opportunity
to work with another artist and think about
their ideas and how their bodies of work
could relate. They would “bounce back and
forth, project [themselves]. ... There was a
lot of collaboration.”
Organizations as Sources of
External Connections
Not only was the experience of being
involved in a women’s art organization
helpful in providing a sense of community
and camaraderie for female artists, but it
also provided opportunities to connect
with outside actors and create relationships
needed to get to the “next level” of
success in becoming an artist. All of the
artists stated that the organizations they
were involved in were not meant to be
their only source of networking, or in
the case of the cooperatives and galleries,
gallery representation. However, they
understood that the connections they
could potentially make with curators,
gallery owners, and others in power
were important in showing at a commercial
gallery later, a goal shared by
most artists.
Several interviewees stated that
they were able to get commercial gallery
representation as a direct result of either
exhibiting in a women’s gallery space or
knowing someone who visited the organization.
Some took these opportunities
for connection into their own hands. One
participant said, “From Artemisia, we had
a woman showing at another gallery. I said
to myself, ‘If they’re interested in her work,
surely they’ll be interested in my work.’
I contacted [the gallery owner] in New
York, and I got into her gallery.”
All of the artists involved in Artemisia
and ARC Galleries said that the location
of the galleries was significant in allowing
the largest possible audience to attend their
shows. Both galleries, before they moved
to other locations, were initially in the
same building as one another, along with
several other relatively well-known galleries
at the time. In addition, they were on
the same block as the Museum of Contemporary
Art’s initial location. The artists in
these cooperatives coordinated their exhibitions
to open on Friday nights, similar
to several other large and well-respected
galleries in the area such as the Museum of
Contemporary Art and N.A.M.E. Gallery,
51
so that the audiences from other galleries
and museums would spill over into their
own exhibition openings. The smaller art
community in Chicago at this time only
served to aid this closeness, as one could
visit nearly all of Chicago’s most prominent
galleries in one night. One artist
stated that a gallery owner saw her work
and offered her a show at their gallery as a
direct result of one of these nights. Another
participant said that the president of the
Museum of Contemporary Art had visited
the gallery during her exhibition opening
and was interested enough in her work to
commission a portrait of his family from
her that evening.
In addition, the organizations provided
programming that invited visiting
artists into the spaces, provided outreach
into the community, and allowed some
connections with other galleries. One of
the cooperatives hired a director after their
first building move to help coordinate exhibitions
and seek opportunities for artists,
including assistance with grants and exhibitions
at commercial galleries. The other
cooperative began a resource center earlier
in its time in Chicago and had also used
this opportunity to provide its artists with
connections to other artists in the area.
The organizations invited successful artists,
mainly from New York City, to show
in their gallery spaces or hold artist talks.
Most of the participants stated that they did
not remember their organizations interacting
much with other women’s organizations.
However, they would occasionally
have shows at non-women-specific galleries,
art centers, and other organizations in
the Chicagoland area, allowing the artists
to expand their potential audience further.
Finally, the organizations with physical
gallery spaces provided an area to show
artwork that did not otherwise exist for
most women, creating a space for others in
the scene to see their work and invite them
to show in their own galleries. One woman
stated that for most women artists:
Their work [didn’t] fit into the gallery.
… At the time, getting into a gallery in
Chicago was difficult. You had to be
recognized, the work would have
to be sellable, or in some way the
gallery would have wanted to risk
investing in promoting your career.
It’s a very difficult path.
Another participant described the women’s
organization spaces as “opening up the
doors to show what [women’s] work was
like ... it was like a breath of fresh air.” Gallery
spaces that focused on women artists,
especially the cooperative spaces which
guaranteed their members an exhibition,
allowed women to show their work without
feeling pressure to make it “fit” into
the gallery and be similar to the art of male
artists at the time.
Other Findings
One significant finding that only some
of the women interviewed directly mentioned
— but was clear in the structure
of the organizations and the feminist
movements of the decades — was that race
played an important role in the success
and the makeup of the women artists and
galleries at the time. Only one of the interview
participants was a woman of color,
and she stated that she did not have any
negative experiences with women’s organizations
due to her racial identity. However,
most of the women’s organizations at
the time were made up of predominantly
white women and to some extent were
created to benefit mainly white women.
As previously stated, the first two cooperatives,
Artemisia Gallery and ARC Gallery,
were mostly white at their creation, with
Artemisia gallery having no members who
52
were women of color and ARC Gallery
having one. A member of one of these
galleries stated that, “It was a very white
group. … The school [of the Art Institute]
at the time was very white.”
It is important to consider the possibility
that these numbers were merely reflective
of the number of women of color
who were working as artists in the 1970s
through the 1990s. However, several wellknown
working artists of the time were
women of color, mainly Black women. One
artist discussed how there were several successful
Black women artists she admired: “I
think Black women in the ’70s were hot
stuff. They were being shown in the ’80s
as well. … They were being recognized,
maybe more so than Black male artists.”
Black women artists and others may have
found other avenues for success that were
not the predominantly white women’s organizations.
Alternatively, they may have
been disenfranchised with the women’s
movements of the time, which had historically
been created by and for wealthy white
women. Organizations for women of color,
such as Sapphire and Crystals, founded
in 1987, were created to help fill this gap;
according to a current member, founder
Marva Jolly “had expressed concerns about
the lack of opportunity for African American
female artists to exhibit. … Rather than
wait around for someone to discover them,
[she wanted to] begin to create shows and
opportunities.” However, it is still not clear
how exactly Chicago’s women of color
artists navigated their communities before
and during this period. The current
research mainly focuses on white women
artists and therefore does not fully and accurately
depict the experiences of women
of color in Chicago who were attempting
to navigate the art scene at the same time.
Another theme discussed by several
women artists was the idea of the “male
aesthetic” versus the “female aesthetic”
of visual art. One woman artist said that
there was a “very specific female aesthetic
that was so gorgeous but not respected at
the time” and that women’s art was most
often seen as separate and lesser by male
artists, curators, dealers, and the art scene
overall. Men’s work was described as “aggressive”
and “minimalist,” using heavier
materials and angular edges as well as
what were described as “universal ideas.”
Women’s art, conversely, was described as
being more specific to feminist or feminine
themes, ideologies, or perspectives, which
was often brought up as a possible reason
that women’s work wasn’t being shown
as often. Women’s art was also described
as using “fabric, paper, ethereal materials”
and being “softer, more emotional, using
materials that used to be attributed to
craft but were being used in an extremely
unusual way.” Artists also described more
“feminine” work as shaking up the status
quo and critiquing the idea that only certain
materials should be used in a certain
way. They describe this as one of the positive
results of the feminist movement as
a whole, for women’s work and the art
world overall. Several participants stated
that women artists were very much aware
of this divide:
These weren’t women artists who
were chasing any kind of trend. …
They weren’t interested in any way
in fitting in, but just describing what
was in their heart and soul. … Of course
they knew that, but they weren’t going
to chase a different aesthetic.
It is not clear whether this gendered
difference in aesthetic was a cause of
women’s exclusion from the art scene or
whether it was a consequence of it. Nor is
it clear whether this difference was truly as
53
“
‘These weren’t women artists who were chasing
any kind of trend. … They weren’t interested in
any way in fitting in, but just describing what was
in their heart and soul.’
widespread as it seemed or if the “softer,
more emotional” art was also a gender
essentialist perspective supported by both
men and women artists. In any case, women
artists knew that their work was not
respected. Nevertheless, they did not let
their knowledge of the dominant trends in
the art scene or the judgment of the male
art lens impact their art production.
A final trend seen among the interviewees
was that nearly all of the women
artists saw the difficulties that women
artists experienced as not only due to their
gender, but also other factors. Several
mentioned that being a successful artist in
Chicago was a matter of having a strong
personality or “grit,” traits they believed
women artists in particular may have had
a harder time with. Other participants
lamented the difficulty of being an artist in
Chicago in general and stated that it was
seen across the board as lesser or secondary
to the art and artists in New York City.
Finally, many artists stated that a major
factor in the success of women artists depended
on their financial status nearly as
much as their gender and that the disparity
in wealth among artists led to infighting
among women artists themselves. This
trend parallels that of the women lawyers
studied by Pringle et al., in that successful
artists acknowledged the difficulty of the
field but said that learning how to “play the
game” and developing traits such as ambition
and time management would often
”
suffice in overcoming structural barriers. 7
Many participants cited individual
personality, interest, and ability of women
artists — both their own and others’ — as
defining factors in their success. One artist
said of herself, “I find the whole art of getting
into galleries difficult. … I don’t have
the right personality to persist in the quest
for the gallery. You have to have a certain
persona, a perseverance. … You have to
invest the time and energy to get into a gallery.”
Others said that many of the women
in organizations, who often self-defined as
feminists, were “angry at what was going
on” in the art scene, which fueled their
drive. However, some of these participants
also acknowledged that the right personality
and perseverance were not enough and
that they knew many women artists who
worked hard but were still not successful,
as other factors were at play.
One of these factors, which was
shared by nearly all interviewees, was the
difficulty of being a Chicago artist in general.
Most artists described the art scene
at the time as being very small and insular.
Most attention given to Chicago’s art
scene in this period, the early 1970s and
the decade before, was directed toward
the Art Institute of Chicago and its school,
as well as the Chicago Imagists and the
Hairy Who. However, participants also
cited these groups as being an inspiration
for women artists, as there were “several”
women, even “half” of the group, involved.
7 Pringle, J. K., Ravenswood, K., Harris, C., & Giddings, L. (2017). Women’s Career Progression in Law Firms: Views from the
Top, Views from Below. Gender, Work and Organization, 24(4), 435-449. DOI: 10.111/gwao.12180
54
This is especially interesting, as the Hairy
Who, made up of six artists, included two
women; the Chicago Imagists, with 13 total
members at their creation, only included
three women. The true number of women
involved in these organizations was small
— less than half of the total members. Still,
these were exceptionalized or sensationalized
by other women artists who would
have otherwise had very few women in the
field to look up to, especially in Chicago’s
otherwise barren art scene.
Chicago’s art world was most often
compared to New York City, the city with
the most well-known art scene. Many
artists, including the women interviewed,
saw Chicago as a stepping stone to New
York, which was the “dream” city to get
a gallery or show and where the best and
most successful artists ended up. One participant
said, “Unless you were from New
York, really knew New York, and had a
lot of family and money to really support
you, it was almost impossible.” This combination
of needing financial resources and
being in New York City to be a successful
artist was often stated as an indisputable,
if not unfortunate, fact. The same artist
said later, “Somebody said to me, you gotta
go and buy drinks for these curators.
At the time they were $8 drinks. In 1979,
these were really expensive drinks.” This
was one of the many examples given that
heavily suggested that financial ability was
tied to success for women. This problem
persisted after the creation of women’s art
organizations but was especially prevalent
before their arrival in Chicago.
One artist stressed the importance
of having both the “right personality”
and wealth. She discussed a friend, now
internationally renowned, who was the
hardest working artist the interviewee
had ever known. She “had the money
to spend the time to do it” and was able
to take commissions that lost her many
thousands of dollars in transportation and
material costs during the process of becoming
more well-known. Another participant
relayed a difficult experience of
looking over a 20th anniversary catalogue
for her organization to see which artists
were still alive and working. Everyone
who was a living, successful artist was,
she said, “married, with professional husbands,
or they came from very wealthy
families who were supporting them. It
was a real hard one for me to swallow.
Most of them were in New York, with
pretty well-to-do families.”
A pattern with these wealthy women
that caused rifts in the art scene was
that many of them gained their wealth
from marrying well-off, professional
men. One participant said:
The women that I know that really
have careers. … They were all married
to very successful husbands who were
making a lot of money; [the women]
didn’t have jobs. They spent 100% of
their time doing their art. … They were
able to spend a lot of time in the studio,
and that makes all the difference.
According to the women artists who had
families and were able to be supported
by their husbands, this perspective was
harmful and degrading. Some of the
women’s organizations and other galleries
often looked down upon women with
wealthier families as being lesser than the
women who lived in the city and were
not married. This view extended, as well,
to those who lived in the suburbs, stayed
home and took care of their children, or
did not hold a career outside of their art.
One artist recounted her experience of
going to a meeting of members of her
organization after it closed and discussing
55
the success of the former members:
“One of the women said, ‘I don’t
think we should count her, after
all, she was rich and married.” So,
I stepped in and said, ‘I think we
should applaud her, because she was
rich. Despite being a socialite, she
managed to figure out a way to have
a career and do important work.’ ”
Some artists suggested that this divide was
due in part to a greater societal bias against
women who attempted to work and also
have families and children.
Women’s arts organizations welcomed
artists of all types and backgrounds:
both those who lived and worked in the city
and those whose homes were the suburbs,
and with a variety of financial resources
available. However, the above suggests a
split in the relationships between artists
considered wealthy and artists who were
not, undermining the suggestion that the
connections among artists were an essential
part of what made these organizations
successful. More research is needed to fully
understand the dynamics between those
with more resources and those with less, as
the connections between artists may have
indeed been mainly with others of a similar
economic background. Nevertheless,
my interviews suggest that women’s arts
organizations may have provided a means
for partial democratization of Chicago’s
art scene for women artists. Other than
Sapphire and Crystals, most of these spaces
predominantly served white women artists
and therefore were not necessarily providing
full, equitable community among all
of Chicago’s female artists. However, the
spaces allowed for the gap to be bridged to
allow women artists with fewer financial
resources to be in the same space, doing
the same type of work as wealthy women.
Future Directions
Chicago’s women’s arts organizations
overall had a lasting impact on the community.
Although Artemisia closed in
2003 for financial reasons, the other four
organizations researched are currently
in operation. ARC Gallery and Woman
Made Gallery are still exhibiting, and ARC
Gallery remains a cooperatively structured
gallery. Chicago’s Women’s Caucus for
Art and Sapphire and Crystals are also
active to some extent. Several shows and
exhibitions, including a recent exhibition
at the Glass Curtain Gallery in 2018, 8 have
been created to archive and remember the
legacy of these women artists and organizations,
and art historians have become
dedicated to better understanding these
groups and their effect on Chicago’s art
history. Future work could be done to continue
focusing on both the organizations
and Chicago’s female artists and art history
more broadly. In addition, the importance
of financial resources to women artists, as
suggested by my data, should be explored
further. Other possible directions include
investigating how women artists’ perceptions
of gender and gender exploration
affected their experiences and the work
they produced, looking further into other
non-women-specific arts organizations
in the city, or researching what specifically
pushed women artists out of careers in
the arts. ■
8 Glass Curtain Gallery’s show, Where the Future Came From, was open from November 2018 through February 2019. It showcased
projects and programming related to women’s organizations such as Woman Made Gallery and Sapphire and Crystals as well
as others including Chicago Women’s Graphics Collective, SisterSerpents, and Mujeres Mutantes.
56
Appendix
Interview Guide
What was the participant’s role in the Chicago art scene?
• How long did you live in Chicago? How did you begin working there?
• Why did you stay there? [If no longer in Chicago:] why did you leave?
• [If an artist:] what media, themes, ideas were prevalent in your work at the time?
• [If a curator, museum director, gallery owner:] what was your role in your organization?
• How would you describe Chicago’s art scene?
• What did you like or dislike about it? What would you have liked to see happen that wasn’t happening?
What were the participant’s views on being a woman artist in Chicago?
• Do you think women artists faced obstacles in their work?
• [If so:] what obstacles? Were these barriers removed? How?
• Since you’ve been aware of Chicago’s art history, when do you think it was the most difficult time to be a woman artist in Chicago?
• [If a specific time period or other suggestion of difficulty for women artists:] did you see a change in this difficulty? Was there
a time in which it became easier for women artists to be successful?
• Why do you think this occurred?
• Do you think this was specific to Chicago, or was this the case everywhere?
• [If specific:] what makes Chicago unique?
• [If everywhere:] how did this reflect the dynamics across the nation?
• Do you think Chicago changed at the same rate as other cities?
• How easy do you think it was to be a successful artist as a woman in Chicago when you were living/working there?
• Do you know of any examples of women artists trying to break into the scene but failing? Why do you think this happened?
• Do you think there was a time while you were there in which the ability to become a successful woman artist changed
in difficulty?
• How would you describe a successful artist?
• What do you think separated a successful woman artist from an unsuccessful one?
How did the participant interact with women’s arts organizations?
• Were you part of any women’s art groups or organizations? Describe the group and your role in it. [If not part of a group, describe
groups they worked with in their careers, or were familiar with.]
• Why was this group founded? Why was it focused on women?
• [If they are a founder:] did you personally experience the problems that led to this group needing to be founded?
• Were there other efforts, to your knowledge, to create groups that failed immediately?
• What types of people were members of, or attracted to, this group? Who did you surround yourself with?
• How much did you lean on each other for support? Were members often collaborating and networking, or did many keep
to themselves?
• Was it competitive? Were many women fighting for the same resources or shows?
• How would you describe the initial success of the organization?
• Did you feel like Chicago’s art scene was ready for its presence? Was it easy to get others involved, or did you have a difficult
time getting interest?
• How did you advertise? How were artists able to become involved?
• How did the organization sustain itself financially? Did it have major benefactors, or was it financed by the members?
• Did this group interact with other organizations (from other smaller, independent galleries to large museums)?
• How was your organization viewed among these other organizations? How was it viewed in the larger artist community?
• Was there any mentorship (official or unofficial) in your organization?
• How much did men, artists or otherwise, interact with the group?
• How much do you feel like your organization/other organizations around you affected how women artists in Chicago engaged
with the community?
• What aspects of these organizations were most influential?
• Were you part of any other art groups that weren’t focused on women?
• What were some similarities and differences between these groups?
• Were any of the people you knew in these groups also in women-focused groups?
• How did these groups interact with women-focused groups?
• Were there other groups you weren’t part of that were focused on supporting artist women?
• [If in a group:] how were these groups similar and different to your own?
• How did these groups operate?
• Did you or others around you feel these groups were successful in supporting artist women?
• How would you describe the difference between a cooperative and a regular gallery?
• Do you think your organization would’ve been different (received differently, operated differently, would you have enjoyed it
as much, etc.) if it was a gallery rather than a cooperative?
• If familiar with ARC and Artemisia:
• ARC and Artemisia were created around the same time. How were they similar and different?
57
• Did they fulfill the same needs or niches?
• Were you or others you knew active at both?
• How was the communication between the two organizations? Did they ever collaborate?
• ARC and Artemisia are often described as “alternative spaces.” What do you think this meant in Chicago’s art community
at the time?
• If familiar with Artemisia:
• What were your reactions to the news that Artemisia was closing?
• Why do you believe it shut down?
• If familiar with ARC:
• What do you think ARC did to be able to stay open in Chicago that other groups (Artemisia) weren’t able to do?
• If familiar with Chicago Women’s Caucus for Art:
• How did the Caucus function as an organization? How was it different to other organizations with permanent spaces?
• If familiar with Sapphire and Crystals:
• How would you compare Sapphire and Crystals to other women’s arts organizations working at the time?
• How do you feel about the group’s media coverage?
• If familiar with Woman Made:
• Woman Made was created several years after Artemisia and ARC. Was it created as an additional organization that filled the
same niche but for a different audience? Or was it created to fulfill a need that these groups weren’t covering?
• What were other similarities and differences between Women Made and other groups?
How did the participant feel about other aspects of being a woman artist?
• How did you notice the media talking about women artists and their work?
• What role did the media play in how well [your work and] the work of artists around you was known?
• [If in an organization:] did having alternative spaces like [organization] provide name recognition in the media that audiences
could connect to that wouldn’t exist otherwise?
• How many of the women artists you knew were able to show at galleries and museums?
• Were any of them showing as a result of being at [organization]?
• Why do you think this is?
• Did this change over time?
• Were there any other people, organizations, or institutions that you believe had an influence on the ability of women artists to be
successful in Chicago?
• Were these more influential, in your experience, to your success/the success of women artists around you than women
artists’ groups?
• If [your organization] did not exist, how do you think you would have navigated Chicago’s art community?
• Do you think it would have been possible at the time?
58
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59
Impact of COVID-19
Pandemic on Medical Social
Sciences Research
By Vibhusha Kolli
As a quality of life researcher at the University
of Miami, Patricia Moreno has been able to
conduct therapy and intervention-based work
throughout the pandemic.
60
FEATURE
Medical Social Sciences Professor Patricia
Moreno was shocked that her
research continued to stay active with data
collection and enrollment recruitment after
the first few weeks of the COVID-19
pandemic in the U.S.
At the beginning of the pandemic,
only minor adjustments were needed to
accommodate the new circumstances.
Couples Cope, one of Moreno’s studies
that looks at couples who are undergoing
diagnostic assessment for metastatic
breast cancer, remained relatively the same
through the use of online consent forms,
intervention, follow-up assessments, and
introductory letters.
There were, however limits on
in-person interactions with patients.
“You have the opportunity to have
some face-to-face interaction while you
answer questions, explain the study, and
describe what it will entail,” Moreno explained.
“There is an aspect that I think is
lost. However, with telephone contact, I
think that you’re able to recover some of
that ability to build rapport and connect
with the patients.”
These restrictions have also affected
how Moreno and fellow researchers interact
with their team and lab members.
“The day-to-day structure that we
used to move forward our projects in our
research involved a lot of face-to-face contact.
… The absence of that has made things
a little bit more logistically challenging.”
Moreno also said she modified the
projects to make the studies accessible in
the pandemic.
“The weight affecting other researchers
who do research like mine … depended
on whether or not they had that adaptability
to make all of their research activities
online — from how you recruit patients,
to how you enroll them, to how they
participate.”
Although there have been challenges in
conducting quality of life research, Moreno
said that the pandemic has also brought a
new perspective to the research.
“The pandemic has induced a lot of
chronic structural stressors into people’s
lives. [This has shifted] focus on their immediate
day-to-day lives and the things that
they’re doing in order to be as well as possible
and take care of their families,” she said.
Some social sciences studies have
stayed relatively consistent during the
pandemic despite impacts to patient interactions,
the lab environment, and general
research processes. Still, Moreno is grateful
to be able to continue her research and
looks forward to furthering her research
projects and contextualizing her findings
in the pandemic. ■
61
Department of Anthropology
Faculty Adviser: Prof. Mark Hauser, Ph.D.
Swimming Upstream:
Decreasing Salmon Populations
in the Columbia River Basin
Through Infrastructure and Its
Impacts on Indigenous Welfare
by Simone Laszuk
Abstract
Since 1854, when tribal treaties began to allocate sustainable quantities
of fish to different actors along the Columbia River, there has
been tension between governing state bodies and those populations
reliant on fish for sustenance and livelihood. This project critically
analyzes the systemic obstruction of the Yakama tribe, settled along
the Columbia River, to salmon and their gradual and ongoing subjugation
in the context of environmental conflict. Additionally, I use
(GIS) mapping to demonstrate water culverts’ effect on drastically
lower salmon spawning, resulting in significant stress on the fish, a
staple resource for the Yakama. This paper connects urbanization and
infrastructure in Washington state with an environmental crisis that
disproportionately impacts native groups in the area. This research
will bring to light how governing bodies do not prioritize Indigenous
welfare, especially in the context of environmental justice.
62
Introduction
In a popular Seattle neighborhood, hidden
behind a garden and a forest preserve, is
the Ballard Lock Salmon Ladder. Tourists
walk across gated bridges to watch the
lock let in water, see the sea level rise,
and then cross the channel to witness the
main event. On the far side, past the twists
and turns of bridges and down a flight of
stairs, is an aquarium-like cement room
with small glass windows caked in algae.
Onlookers peer into the openings to watch
salmon, the show’s unassuming protagonists,
struggle against the man-made tide. I
observed the scene for a whole 10 minutes
to see one salmon get through, after which
the whole room erupted in cheers. On my
way out, I stopped at the gift shop and
picked out a hat with a colorful salmon
on it. I put it on and walked out, passing
under a screen counting the number of
salmons that passed through the lock
that day. I thought to myself, The salmon
pictured on my hat will soon be nothing more
than a relic of a fish that no longer lives here.
This paper examines the historical
and contemporary dynamics of interactions
among Indigenous groups (the Yakama
tribe), infrastructure (in the form
of culverts), and the legal and governance
techniques that mediate between them. I
will argue that the body of legal work surrounding
these tribes does not adequately
protect their way of life and that the prioritization
of infrastructure is harmful to the
salmon populations. I will show this through
an analysis of the literature and court cases, as
well as the use of GIS mapping to show that
salmon physically are barred from the areas
in which the tribe fishes.
Salmon
For salmon spawning to occur, the fish
must annually return to their natal streams
for repopulation. Any obstruction to that
stream (e.g., culverts) will hinder reproduction.
I argue in this work that salmon
represent an important pool resource that
is strained in the same way many other
resources are.
Yakama Tribe
The Yakama tribe is settled along the Columbia
River. Members describe their nation’s
history, culture, and lives as “intertwined
with the salmon and the Columbia
[River].” 1 In addition to the integral role of
salmon to their identity, the fish are fundamental
to their economic livelihood and
well-being. Thus, public health researchers
posit a direct link between the impact
of polluted waters on the salmon population
and the wellbeing of members of the
Yakama. 2 And while the Yakama are by no
means the only tribe with significant ties
to salmon populations, in this paper, they
are a case study showing the importance of
maintaining fish populations in the Pacific
Northwest (PNW).
Culverts
Culverts divert water under newly constructed
roads, and thus represent the
expansion of urban and infrastructure
projects 3 — in this case, at the expense of
pre-existing ecological and Indigenous
ways of life. Culverts have become a key
impediment to salmon spawning, with
direct consequences to the Yakama that
impact their standard of living. Impeding
the access of salmon to spawning grounds
1 Yakama Nation Fisheries, n.d.
2 Chrisman et al. 1999.
3 Davis and Davis 2010.
63
64
is the most direct cause of the decrease in
this fish population. 4
This paper builds upon both the local
legal-historical context, as well as environmental
subjects literature, to elucidate
the connection among culverts, impacted
salmon populations, and the Yakama tribe’s
well-being. On a broader scale, I am critically
examining the link between the urbanization
of states and the wellbeing of interdependent
human and animal populations.
Analysis
Salmon Populations
Salmon spend one to seven years in the
ocean after birth. They must overcome
rising ocean temperatures, evade predators,
and avoid commercial fishers to
achieve their end goal of returning to their
natal streams. These salmon must return
to their natal streams to reproduce and repopulate,
or they will not spawn. One barrier
they encounter as they travel back into
the streams is dams. On average, 7–15%
of salmon will die trying to pass each dam
they encounter. 5 The introduction of dams
in the Columbia River Basin has rendered
half of the area virtually inaccessible to
salmon populations. 6 From a population of
10–16 million in the early 1900s, dams have
drastically lowered the number of salmon in
the area. 7 But while the impact of dams on
fish populations has been widely surveyed,
culverts remain a controversial character in
the ongoing fish wars. In the next section
of this paper, I will focus my analysis on
culverts specifically. But first, a final point
on the role of salmon as a common pool
resource is necessary. 8
4 McClure et al. 2008.
5 “Columbia River Salmon, Pacific Northwest | Chinook Salmon” n.d.
6 CRITFC, Columbia River Basin Salmon Extirpation Map.
7 “Columbia River Salmon, Pacific Northwest | Chinook Salmon” n.d.
8 Hardin n.d.
9 “Fish Passage Reconnects Habitats for Healthier Fish and Wildlife!” n.d.
10 “Types of Fish Passage Barriers” n.d.
“Governing bodies
do not prioritize
indigenous welfare,
especially in
the context of
environmental justice.”
Common pool resources, or resources
to which there is relatively open access,
are successful only if all parties are mindful
of their use of and interactions with the resource.
Infrastructure projects, by contrast,
are conducted by somewhat separate logic.
They claim to connect populations or to
forward economic expansion; they contain
their own purpose. For example, the
purpose of dams is to generate power. And
while salmon may not factor into their
planning, these projects can affect both
the fish and, by extension, all other actors
making use of this common pool resource.
In an effort to decrease the number
of fish trapped or impeded by barriers,
the United States Fish and Wildlife Service
(USFWS) introduced the National
Fish Passage Program in 1999. 9 Since its
inception, the program has successfully
removed or bypassed over 3,000 barriers
to fish movement and reopened almost
60,000 miles of upstream habitat for fish.
The barriers listed include dams, water
diverters, and culverts. 10 The program’s
mandate points to the connection between
the well-being of fish populations and native
groups, explaining that:
removal [of barriers to fish movement]
also improves lives of tribal cultures
like those along the Klamath River
Basin in California and Oregon. There
have been recent cases where they
have not been allowed to fish their
ancestral waters because of decreases
in fish populations. The salmon that
migrate in the Klamath are the source
of the tribe’s food, income, and are at
the heart of their ceremonies. 11
Still, the impact of culverts on salmon
populations in the Columbia River
Basin and in turn on local tribal welfare
remains unclear.
Culverts
Many governing agencies, including the
USFWS and Snohomish County, have
marked culverts as a priority barrier for
removal to increase fish passage. 12 Current
environmentalist efforts to remove
culverts are met, however, with equal
strength by pro-urbanization actors.
Specifically, city governments looking to
increase the number of their inhabitants
and extend the reach of road networks see
culverts as an important means to those
ends. As a geomorphologist at the USFWS
explains, however, the threat of culverts to
fish is explicit:
Streams are linear systems that move
mass … along the channel primarily
in upstream/downstream directions
and through the floodplain in all
directions. … Improperly installed
culverts compromise or eliminate fish
and other aquatic species passage and
can alter the quantity or quality of
stream corridor habitat. Even properly
designed and installed culverts
can become fish passage barriers if
channel incision occurs downstream
and migrates upstream to an existing
culvert, since culverts are static
structures in dynamic systems. 13
The image of a static structure effectively
highlights the problem with these
culverts: They do not change to meet the
needs of the populations existing in the
area before they did. Figures 1-5 show a
variety of types of culverts, all large and
intimidating barriers. Even at a glance, it is
evident that some culverts are undeniably
inhibitory to fish passage.
At an institutional level, culverts have
been identified by the USFWS, the Washington
Department of Fish and Wildlife
(WDFW), and various counties across the
state of Washington as a priority concern
in addressing salmon issues. The WDFW
created a formula to assess the different culverts
in an area and determine a hierarchy
of priority of which culverts to replace. 14
Snohomish county in Washington created
a similar but more simplistic formula,
called the Priority Index (P.I.), to aid in
altering culverts on a smaller scale. At first,
the solution to the environmental harm
culverts cause is to get rid of them entirely.
However, a relatively new area of exploration
looks at fixing existing culverts and
setting a standard for future culverts. The
WDFW published a report on fish passage
performance as well as an updated manual
(inculcated in 1998) in 2019. It begins with
the definition of key terms, including “fish
use potential,” 15 which evaluates how accessible
a culvert (specific to this manual)
is for salmon through the measurement of
11 “Why Fish Passage Is Important. And Why We Should Care.” n.d.
12 “Fish Passage Culvert Program | Snohomish County, WA - Official Website” n.d.
13 Castro 2003.
14 “Fish Passage Culvert Program | Snohomish County, WA - Official Website” n.d.
15 Barrett, 2019 “Consistent with earlier editions of the Manual the term ‘fish use potential’ refers to the potential for adult salmonid
use at an instream feature; a determination of ‘potential fish habitat’ is not intended to be an indicator of usability for all fish
species and life stages.”
65
“If culverts are directly reducing salmon populations, and
tribes rely on salmon for sustenance and identity, how can
economics and infrastructure imperatives outweigh the
well-being of humans?”
various barrier properties. 16 This manual
provides instructions to identify, assess,
and prioritize human-made instream features
that preclude or impede upstream
fish passage.
The federal government claims they
gave these parameters to Washington
state, while Washington v. United States
(1975) holds that Washington violated
these guidelines. The WDFW aims to remove
or fix culverts impeding the fish potential,
but the cost of doing so is high. The
decision of the 9th Circuit Court of Appeals
in Washington v. United States dictates
that Washington state should replace culverts
that are identified as bad for salmon,
potentially as dictated by the WDFW formula
mentioned previously, which would
cost upwards of $3 billion. In 2019, state
Rep. Andrew Barkis questioned how this
cost could be justified, especially when culvert
replacement and fixing must be done
at a large-scale. 17 The Washington State
Department of Transportation (WSDOT)
has an estimated 2,000 culverts across the
state, 992 of which are covered under the
court injunction. The court case stipulates
that at least 400 culverts — those with a
fish habitat of a quarter mile or more — be
fixed by 2030. If the state does not fulfil the
requirement, they will be liable to fix an
additional 600.
Figure 6 shows the common salmon
passages towards the Yakama Nation,
where fishing takes place. Evidently, there
are a multitude of culverts impeding the
travel. If each culvert hinders a majority, if
not all, of the salmon that attempt to pass
through, there must be almost no salmon
left for the Yakama to harvest.
This all begs the question: Which culverts
are demoted to the second round of
importance? Why are all culverts not mandated
to be fixed, if more than the required
ones are serving as a barrier to fish passage?
Additionally, this tension between
legal rulings and local representatives represents
the main conflict this paper settles
on: If culverts are directly reducing salmon
populations, and tribes rely on salmon for
sustenance and identity, how can economics
and infrastructure imperatives outweigh
the well-being of humans?
Yakama
The Yakama Nation has a Yakama Nation
Fisheries (YNF) group dedicated “to honor,
protect, and restore the treaty trust
natural resources of the Yakama Nation.” 18
The group’s website breaks down these
three tenets to connect the importance of
these fish populations to the tribe:
The fish in Nch’í Wána (the Columbia
River) and its tributaries are of
paramount importance to our people,
our diet, and our health. … Through
our treaty-reserved rights, we advocate
16 The successful upstream passage of adult salmonids continues to be the basis for barrier determinations. The criteria for velocity,
depth, and water surface drop remain the same. A feature that is determined to be ‘passable’ using the methods described in the
2019 Manual, and earlier editions, is considered to be passable to adult salmonids and should not be construed to be passable for all
salmonid species and life stages.
17 “Cost of Removal of Barriers to Salmon Hits $3.8 Billion | Tacoma News Tribune” 2019.
18 “About Yakama Nation Fisheries | Status and Trends Reporting” n.d.
66
“By prioritizing
urbanization and
infrastructure,
Washington state
is actively harming
the tribes that
Washington v.
United States
mandates it protect.”
for resources that cannot speak for
themselves, and provide outreach and
education activities that empower
others to do the same. 19
The YNF is staffed by over 200 people and
combines scientific expertise with traditional
ecological knowledge. The YNF
website focuses on four different dams
where the organization counts salmon
passing: Prosser Dam, Roza Dam, Lyle
Falls, and Castile Falls. Their efforts to
illuminate impacted salmon populations
through tracking changes in populations
have not been as effective as possible, as
they are fighting an uphill battle. Even
with the YNF’s attempts to strengthen
salmon populations, or at least keep them
steady, the populations have rapidly declined
over the past 10 years. Prosser Dam
is impacted directly by a few significant
culverts, and its feeder stream to the west
is littered with significant barriers (Figures
1-5). A map of Prosser Dam, nearby
culverts, and the Yakama Reservation are
shown in Figure 7. YNF salmon counts at
Prosser Dam are detailed in Figures 8–10.
Because this location is a dam itself, any
change in the number of salmon crossing
this area must be due to another barrier
factor. That is, if the number of fish crossing
the dam changes but the dam does not,
there is another factor contributing to
the access change. The only other barrier
noted in this area — and in other areas of
decline — is culverts. Of the salmon the
YNF monitors, the harvestable fish will
be defined as the sum of all adult chinook
salmon, total steelhead salmon, sockeye
salmon, and coho salmon over the course
of a year. In 2000, the area saw 26,532
harvestable fish pass through the dam. In
2019, the exact same area saw only 6,371
harvestable fish (Figures 8, 10). This is a
76% decrease in salmon across just 19 years.
Conversely, the population of the tribe has
stayed relatively stable. The U.S. Census
Bureau counted 31,799 people living on the
reservation in 2000 and 30,810 in 2014. 20
This is a mere 3% decrease in population
on the reservation. The more substantial
decrease in fish population is harmful to the
well-being of the Yakama Nation.
The Yakama Nation’s identity is deeply
intertwined with the salmon. The YNF
website presents a vignette that illuminates
the time-honored traditions upheld by the
Yakama Tribe that are connected to salmon:
One of Yakama children’s earliest
memories is sitting at the ceremonial
table and waiting for the water to be
poured. Next, the salmon is placed on
the table, followed by the deer, roots,
and berries. We complete the meal
with water. We are taught this order
and that water is the lifeblood of our
existence. 21
The Columbia River Inter-Tribal Fish
19 “About Yakama Nation Fisheries | Status and Trends Reporting” n.d.
20 Center for New Media & Promotion (CNMP) n.d.
21 “Honoring the Salmon | Yakama Nation Fisheries” n.d.
67
Commission (CRITFC) is a collaboration
between four tribal groups in the Columbia
River basin: the Umatilla Tribes,
the Warm Springs Tribes, the Nez Perce
Tribe, and the Yakama Nation. The CRIT-
FC has four main goals: (1) “Put fish back
in the rivers and protect watersheds where
fish live,” (2) “Protect tribal treaty fishing
rights,” (3) “Share salmon culture,” and (4)
“Provide fisher services.” 22
The organization’s website offers a
comprehensive explanation of the necessity
for this commission, as well as an involved
exploration of the importance of the
salmon in the cultures of these four tribes:
“The cultures, intertribal interactions, fishing
technologies, and very religions of the
Pacific Northwest tribes were all impacted
and influenced by salmon. … Salmon play
an integral part of tribal religion, culture,
and physical sustenance.” 23 The CRITFC
explains that salmon are a source of livelihood
for many tribes and are important for
their health. The Commission also shares
that annual salmon harvests act as a stage
for passing traditional values to younger
generations and that salmon returning to
streams represents “the renewal and continuation
of human and all other life.” 24
These tribes, the Yakama included, are explicitly
bound to the salmon populations.
CRITFC explicitly connects the success
and well-being of the tribes — culturally,
economically, and environmentally — to
the fish population. The Yakama Nation
has built a foundation of identity upon the
survival of salmon. It is not too ardent to
claim that the survival of salmon means the
survival of the Yakama tribe.
Recalling the legal framework discussed
above, since 1905, the Washington
state government has taken on the role
of carer for the tribes residing within the
state. By creating this paradigm of governance,
Washington state has made it its
requirement to ensure the survival of the
Yakama tribe. It would be naïve to say that
the standard set by the state, which renders
Indigenous groups lesser, is disrespectful
and essentially dehumanizes these people.
However, if Washington state created
this framework, it must be willing to exist
within it.
The WSDOT has published the information
on culverts and is aware of their
harm. Additionally, the YNF updates their
fish counting portal multiple times per
month and has records going back years.
CRITFC, the Yakama Nation website,
and various news outlets have consistently
explained how salmon are integral to
the success of tribes. All the information
is available to the Washington state government,
which it could use to make the
same conclusions I am making here. By
not prioritizing the adjustment of culverts
to render them harmless to salmon, then,
Washington state is actively impeding the
survival and well-being of the Yakama
tribe, which is something it is legally required
to avoid.
Results
The analysis and description of culverts,
as a concept, show that if the culverts are
not held to certain standards, fish will find
it difficult to pass through these areas.
Furthermore, because salmon are natal
stream-dependent for reproduction, their
accessibility to waterways impacts their
population size. The question remains
if culverts can be directly tied to Yakama
22 “About CRITFC | Columbia River Inter-Tribal Fish Commission” n.d.
23 “Salmon Culture | Pacific Northwest Tribes, Columbia River Salmon” n.d.
24 “Salmon Culture | Pacific Northwest Tribes, Columbia River Salmon” n.d.
68
“
Indigenous communities and tribes have essential
insight into projects happening on and around
their land, and their voices must be included in
decision-making.
reservation declining salmon numbers. In
Figure 6, the circled areas show significant
fishing areas for the Yakama Nation that
also function as natal basins for the salmon
populations. Therefore, these are critical
areas of examination. Seeing how many
fish can access this area indicates not only
the amount of fish able to reproduce, but
also the access of Yakama Nation to the fish
there. The arrows are the pathways that
salmon must take to reach these circled
basins. As seen in the Figure 6, the red and
yellow dots represent culverts: Yellow dots
represent culverts that are partial barriers
or ~66% passable, 25 and red dots represent
culverts that are complete barriers 26 that
fish have to find a different path to pass.
There are at least eight barriers to passage
on the Northeast side and at least 10 on the
Southwest side. At each complete barrier,
fish must either turn around and swim
back the way they came or find a smaller
waterway that goes around the obstacle.
At each partial barrier, over 30% of the fish
cannot get past and turn around the way
they came. The streams that break off by
culverts are usually too small for large populations
of salmon to pass through, so the
number of fish that find their way around
these complete barriers is deficient. 27
Washington state has historically
ruled to allow Indigenous groups access to
fish and understood the salmon’s connection
to Indigenous survival. However, the
25 “2019 WSDOT Fish Passage Performance Report,” n.d.
26 “2019 WSDOT Fish Passage Performance Report,” n.d.
27 “FishPassageReport_Appendices.Pdf” n.d.
”
state has also ruled that it is responsible for
making decisions for Indigenous groups
because the tribes cannot act in their own
best interest, but the government can and
will. These two legal rulings dictate that if
the government understands that fish are
essential for survival, it would protect tribal
welfare by ensuring that salmon populations
are at adequate levels. This does
not even need to be an active attempt to
increase populations higher than they were
at the time of these cases; the government
could passively ensure it is doing nothing
to hurt salmon populations. However, that
is not the case — by prioritizing urbanization
and infrastructure, Washington state
is actively harming the tribes that Washington
v. United States mandates it protect.
There are checklists for building
culverts accessible to salmon; but as this
map shows, many were built before these
checklists were required. Culverts are
created to divert water to allow for infrastructure
and roads. Their implications
for wildlife were a secondary thought. To
rebuild a culvert up to the standards set for
population health, state governments must
choose to spend money to fix something
that is already serving its original purpose.
Conclusion and Further Implications
The example of Washington state and the
Yakama Nation is a disappointment. Because
Yakama people were not consulted,
or even considered, when urbanization
69
was booming, the state’s decisions have
had significant negative impacts on their
lives. By impeding salmon access to natal
streams, and coincidentally Yakama fishing
areas, Washington has prioritized the
expansion of urban areas and infrastructure
over the wellbeing of people living
within its borders.
This comes down to a tension between
urbanization and tribal welfare.
The structures that led to urbanization 100
years ago separated these two concepts;
however, these two do not have to be synonymous.
The WSDOT has published extensive
information since the early 2010s
about how to make culverts and dams
safe for fish passage. However, in order to
make the current culverts fish-friendly, the
government would have to spend massive
amounts of money. These culverts are still
serving their initial purpose (to build roads
over waterways), but the government’s
perceived need for change is not imminent.
This work is vital for understanding
how to analyze infrastructure. Often,
construction intention does not match
consequences: This thesis does not say that
Washington state maliciously built culverts
to hurt Indigenous tribes. However, once
the state was aware of the unintended consequences
of its urbanization, it was its duty
to pay to fix it. By choosing to turn a blind
eye to the problems it created, Washington
state prioritized urban expansion over the
wellbeing of its Indigenous peoples.
From this work, the most important
takeaways are the need for comprehensive
urban planning analysis, legal-historical
analysis, and incorporation of Indigenous
voices. First of all, before planning major
infrastructure, there needs to be a more
comprehensive understanding of potential
impacts. That is a more common practice
in modern urban planning (and was not
when these culverts in question were initially
built). In terms of legal-historical exploration,
this case study shows how easy
it is for the Washington state government
to overlook its past decisions in the application
of the law. There must be a better
standard for translation of statute into its
application. Finally, if Indigenous voices
are included in the stage of urban planning,
these environmental injustices could
be avoided or at least lessened. Indigenous
communities and tribes have essential
insight into projects happening on and
around their land, and their voices must be
included in decision-making.
Not all future infrastructure demands
need to be met with such devastation to
people or ecological populations. A deeper
analysis of potential impacts must be done
in the future of all urban planning projects.
Most importantly, and more specifically,
money needs to be put into fixing the culverts
in Washington state to ease the pressures
put on both salmon and the Yakama
Nation. ■
70
T Figure 1. Photo 1 of
barrier 990189 near
Yakama reservation.
T Figure 2. Photo 2 of
barrier 990189 near
Yakama reservation.
T Figure 3. Photo 1 of
barrier 990857 near
Yakama reservation.
T Figure 4. Photo 2 of
barrier 990857 near
Yakama reservation.
T Figure 5. Photo 1 of
barrier 991955 near
Yakama reservation.
T Figure 6. Map of salmon
pathways to Yakama reserve.
W Figure 7. Prosser Dam in
relation to Columbia River,
Yakama Reservation, and
recognized culverts.
71
Facility
Name
Date
Adult
Spring
Chinook
Adult
Summer
Chinook
Adult
Fall
Chinook
Total
Adult
Chinook
Jack
Spring
Chinook
Jack
Summer
Chinook
Jack Fall
Chinook
Total
Jack
Chinook
Unmarked
Steelhead
Marked
Steelhead
Total
Steelhead
Sockeye Coho
Prosser 12/12/2019 - - 1 1 - - - - 5 - 5 - - - - -
Prosser 12/13/2019 - - - - - - - - 5 - 5 - 2 - - -
Prosser 12/14/2019 - - - - - - - - - - - - - - - -
Prosser 12/15/2019 - - - - - - - - - - - - - - - -
Prosser 12/16/2019 - - - - - - - - - - - - - - - -
Prosser 12/17/2019 - - - - - - - - - - - - - - - -
Prosser 12/18/2019 - - - - - - - - - - - - - - - -
Prosser 12/19/2019 - - - - - - - - - - - - - - - -
Prosser 12/20/2019 - - - - - - - - - - - - - - - -
Prosser 12/21/2019 - - - - - - - - 1 - 1 - - - - -
Prosser 12/22/2019 - - - - - - - - - - - - - - - -
Prosser 12/23/2019 - - - - - - - - 5 - 5 - - - - -
Prosser 12/24/2019 - - - - - - - - - - - - - - - -
Prosser 12/25/2019 - - - - - - - - - - - - - - - -
Prosser 12/26/2019 - - - - - - - - 13 - 13 - - - - -
Prosser 12/27/2019 - - - - - - - - 13 - 13 - - - - -
Prosser 12/28/2019 - - - - - - - - - - - - - - - -
Prosser 12/29/2019 - - - - - - - - - - - - - - - -
Prosser 12/30/2019 - - - - - - - - 3 - 3 - - - - -
Prosser 12/31/2019 - - - - - - - - 13 - 13 - 1 - - -
Totals 1391 209 661 2261 211 49 31 291 1483 11 1494 110 2506 52 7 -
*Counts for the most recent days may be partial counts.
S Figure 8. Chart 1A: Yakama Nation Fisheries 2019 salmon count at Prosser Dam; 6,371 harvestable fish [adult chinook + total steelhead + sockeye + coho].
Jack
Coho
Lamprey
Bull
Trout
72
Facility
Name
Date
Adult
Spring
Chinook
Adult
Summer
Chinook
Adult
Fall
Chinook
Total
Adult
Chinook
Jack
Spring
Chinook
Jack
Summer
Chinook
Jack Fall
Chinook
Total
Jack
Chinook
Unmarked
Steelhead
Marked
Steelhead
Total
Steelhead
Sockeye Coho
Prosser 12/11/2010 - - - - - - - - 34 - 34 - - - - -
Prosser 12/12/2010 - - - - - - - - 33 1 34 - - - - -
Prosser 12/13/2010 - - - - - - - - 34 - 34 - - - - -
Prosser 12/14/2010 - - - - - - - - 59 - 59 - 3 - - -
Prosser 12/15/2010 - - - - - - - - 34 - 34 - 5 - - -
Prosser 12/16/2010 - - - - - - - - 28 - 28 - 1 - - -
Prosser 12/17/2010 - - - - - - - - 24 - 24 - - - - -
Prosser 12/18/2010 - - - - - - - - 10 - 10 - - - - -
Prosser 12/19/2010 - - - - - - - - 11 - 11 - 2 - - -
Prosser 12/20/2010 - - - - - - - - 13 - 13 - - - - -
Prosser 12/21/2010 - - - - - - - - 11 - 11 - - - - -
Prosser 12/22/2010 - - - - - - - - 13 - 13 - - - - -
Prosser 12/23/2010 - - - - - - - - 13 - 13 - - - - -
Prosser 12/24/2010 - - - - - - - - 10 - 10 - 1 - - -
Prosser 12/25/2010 - - - - - - - - 23 - 23 - 1 - - -
Prosser 12/26/2010 - - - - - - - - 29 - 29 - 1 - - -
Prosser 12/27/2010 - - - - - - - - 37 - 37 - - - - -
Prosser 12/28/2010 - - - - - - - - 44 - 44 - - - - -
Prosser 12/29/2010 - - - - - - - - 43 - 43 - - - - -
Prosser 12/30/2010 - - - - - - - - 34 - 34 - - - - -
Prosser 12/31/2010 - - - - - - - - 3 - 3 - - - - -
Totals 10845 - 2766 13611 1830 - 126 1956 6429 206 6635 11 4809 184 - -
Jack
Coho
Lamprey
Bull
Trout
S Figure 9. Chart 1B: Yakama Nation Fisheries 2010 salmon count at Prosser Dam; 25,066 harvestable fish.
73
Facility
Name
Date
Adult
Spring
Chinook
Adult
Summer
Chinook
Adult
Fall
Chinook
Total
Adult
Chinook
Jack
Spring
Chinook
Jack
Summer
Chinook
Jack Fall
Chinook
Total
Jack
Chinook
Unmarked
Steelhead
Marked
Steelhead
Total
Steelhead
Sockeye Coho
Prosser 12/12/2000 - - - - - - - - - - - - - - - -
Prosser 12/13/2000 - - - - - - - - - - - - 2 - - -
Prosser 12/14/2000 - - - - - - - - - - - - - - - -
Prosser 12/15/2000 - - - - - - - - - - - - - - - -
Prosser 12/16/2000 - - - - - - - - - - - - - - - -
Prosser 12/17/2000 - - - - - - - - 1 - 1 - - - - -
Prosser 12/18/2000 - - - - - - - - 1 - 1 - - - - -
Prosser 12/19/2000 - - - - - - - - 1 - 1 - - - - -
Prosser 12/20/2000 - - - - - - - - - - - - - - - -
Prosser 12/21/2000 - - - - - - - - - - - - - - - -
Prosser 12/22/2000 - - - - - - - - 2 - 2 - - - - -
Prosser 12/23/2000 - - - - - - - - 2 - 2 - - - - -
Prosser 12/24/2000 - - - - - - - - 7 - 7 - - - - -
Prosser 12/25/2000 - - - - - - - - 7 - 7 - - - - -
Prosser 12/26/2000 - - - - - - - - 5 - 5 - - - - -
Prosser 12/27/2000 - - - - - - - - 14 - 14 - - - - -
Prosser 12/28/2000 - - - - - - - - 6 - 6 - - - - -
Prosser 12/29/2000 - - - - - - - - 6 - 6 - - - - -
Prosser 12/30/2000 - - - - - - - - 13 - 13 - - - - -
Prosser 12/31/2000 - - - - - - - - 27 - 27 - 1 - - -
Totals 17376 - 1879 19255 1566 - 450 2016 1783 42 1825 - 5452 259 - -
Jack
Coho
Lamprey
Bull
Trout
S Figure 10. Chart 1C: Yakama Nation Fisheries 2000 salmon count at Prosser Dam; 26,532 harvestable fish.
74
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75
Leading the Fight
Against SARS-CoV-2:
Dr. Robert L. Murphy
by Kallista Zhuang
W
aking up at 5:45 a.m., Dr. Robert L. Murphy starts his days early. In just an hour
and a half, he will hop on live television to answer coronavirus-related questions
from viewers of Chicago’s WGN-TV morning news.
Even after 236 consecutive days (as of February 6, 2021) of voluntarily participating
in the new station’s coronavirus segment, Murphy never runs out of questions to
answer. This isn’t surprising, as Murphy has decades of experience in global health as a
researcher, doctor, professor, and institute director.
However, similar to many accomplished academics, Murphy did not know he would
end up here. In fact, after graduating high school, he first pursued aviation. With a family
of engineers and jet pilots, Murphy’s choice to study aviation was nothing out of the
ordinary. However, during the Vietnam War era, aviation opportunities were limited to
the military. Instead, Murphy opted to go back to school to pursue his interest in science;
this time, he would attend Boston University for a biology degree.
76
Unsure what to do with his biology degree, Murphy looked for future career paths
and was drawn to medicine. Due to a physician shortage from the Vietnam War and other
factors, there was a push to expand medical school spots and condense medical school
curriculums. Thus, with only four weeks off per year, Murphy was able to graduate from
Loyola University Stritch School of Medicine in 1978 within three years.
Wanting to stay in Illinois, Murphy came to Northwestern University Feinberg
School of Medicine for an internal medicine residency. It was during an infectious disease
elective rotation at the Veterans Affairs hospital that he realized the appeal of studying
infectious disease. Like detectives, infectious disease specialists work backwards to
determine the roots of diseases. The profession employs critical thinking and is similar
to solving a mystery, both of which appealed to Murphy.
Following this interest, Murphy began a three-year infectious disease fellowship
in 1981. Within his first week, the first case of Acquired Immunodeficiency Syndrome
(AIDS) was reported:
“I had read this little report MMWR, Morbidity and Mortality Weekly Report
from [Centers for Disease Control]. It comes out every week. They had talked about
these 16 men. … A friend of mine had called me from the emergency room and said,
‘Hey! Maybe we have one of those cases here. This guy’s got a weird pneumonia and
purple things on him.’ And sure enough, he was our first case. …We weren’t swamped
with cases in that first year or two, but they grew exponentially.’’
Murphy unintentionally became an AIDS doctor
and was treating a third of the AIDS patients in Illinois,
he says. He recalls not only becoming
the biggest admittor of AIDS patients at
the Northwestern Memorial Hospital
but also the biggest signer of
death certificates due to the high
death rates associated with AIDS.
He felt that his physician role had
physical constraints and combatted
the epidemic indirectly, but he
wanted to take a more active role
in controlling the epidemic.
Thus, over the next ten years,
Murphy switched gears and shifted
into HIV and clinical research,
continuously testing different anti-viral
treatments and diseases related
to HIV. When he was caught in a bad ski
accident in 1994 and found himself no longer
able to physically look after patients, he shifted even
deeper into research.
“Just as quickly as
he had become the
biggest admittor
for AIDS patients,
Murphy remembers
admitting almost no
patients in 1996.”
Released in 1995, the triple or combination therapy (also known as the triple cocktail)
was a drug therapy used to suppress HIV replication and dramatically slow AIDS
77
“There’s no place for politics with
a pandemic and public health.”
–Dr. Robert L. Murphy
progression. Just as quickly as he had become the biggest admittor for AIDS patients,
Murphy remembers admitting almost no patients in 1996.
After attending a conference where Nelson Mandela spoke of the need for
increased attention to the HIV crisis in Africa, Murphy became a visiting professor at
the Harvard T.H. Chan School of Public Health and started working in Africa. Through
Harvard’s School of Public Health, he and few others were able to receive the President’s
Emergency Plan for AIDS Relief (PEPFAR) grant under former President George
W. Bush’s administration. To this day, the PEPFAR grant is the largest public health
implementation plan.
Working in Nigeria, Mali, and South Africa, he eventually became the country director
for Nigeria and facilitated the treatmet of 175,000 people at 53 different sites, according
to a Northwestern Magazine feature. The position was soon given to a Nigerian physician,
and Murphy became a consultant for the country for handling the AIDS epidemic.
Soon after, he became the administrative science director for Mali during the Ebola
epidemic, running testing in Northern Guinea, which had thousands of cases, alongside
Mali, which only had eight cases.
“I ha[d] never washed my hands with so much bleach before in my life,” he said.
Now, the next deadly infectious virus he is tackling is the SARS-CoV-2 that has
caused the COVID-19 pandemic. With its overuse, the word “pandemic” has lost its sensationalism
and has been equated to a bleak reality. But for Murphy, the death rate and
intensity of this virus is nowhere near ordinary. This pandemic in particular has had the
most impact on his career as a global health professional. Not only is the virus dangerous,
but the handling of it has also cost many lives.
“The United States has the worst statistics. We have the worst metrics because
we’ve politicized the whole thing. It’s not supposed to be politicized; we’re all in this
together. There’s no place for politics with a pandemic and public health. Unfortunately,
that’s what happened,” Murphy explained.
Even with almost a dozen ongoing projects in Africa, Murphy still manages to make
strides within the COVID-19 research realm locally.
In Evanston, he is currently working with students on a viral dynamics study as
a part of the Rapid Acceleration of Diagnostics or “RADx,” a $500 million initiative
launched by the National Institutes of Health (NIH) to increase COVID-19 testing. As
of February 2021, Murphy and his research group have tested dozens of devices and are
currently letting students use a “Point of Care” (usually done at a doctor’s office) device
at home to test for COVID-19. Within 15 minutes of using a nasal swab and buffer, students
can find out whether they test positive or negative for the virus. This rapid antigen
78
test, BinaxNOW, was used as a supplement and temporary replacement for COVID-19
testing at Northwestern University during the shutdown of postal services from intense
snowstorms and subzero temperatures in February 2021.
As a leader and a part of the program planning committee in the Northwestern
COVID-19 Vaccine Communication and Evaluation Network (CoVAXCEN), Murphy
aims to create a space for important discussions surrounding the logistics of the
COVID-19 vaccine. With the live segment on WGN every morning, Murphy addresses
COVID-19 related questions from viewers and hopes to quell the misconceptions around
the vaccine.
According to a Pew Research Center study conducted in February 2021, 30% of the
American public does not currently plan to get a vaccine. Although Murphy believes
that there was mismanagement with the COVID-19 pandemic,
he also believes the money put into the vaccine was useful
and the majority of people in the last phase — college
students — will be able to be vaccinated
by summer 2021. He projects that a semblance
of normality may be reached
by fall of 2021, but that the disease
will probably not go away for a
few years, as other countries must
control the disease, as well.
With still so much to learn
about the disease and how long
the antibodies generated by the
vaccine last, we may never entirely
eradicate COVID-19. Murphy
also warns of the possibility
of another pandemic in the near
future. Many of these natural
disasters are uncontrollable, so
our response to these events are crucial
for maintaining and improving the
well-being of the people. ■
“According to a Pew
Research Center
study conducted in
February 2021, 30%
of the American
public does not
currently plan to get
a vaccine.”
79
Department of Psychology
Faculty Adviser: Prof. Dan McAdams, Ph.D.
Stories of Regret in Late
Midlife and Their Relation
to Psychosocial Adaptation
by Joy Hsu
Abstract
Previous research indicates that regret is a painful experience for
people but often leads to enhanced self-meaning and personal
growth. In this study, we employ a narrative approach to explore
the architecture and coping methods of regret experiences in late
midlife adults. We relate variation in regret narratives told by 163
adults aged 55–57 to psychosocial adaptation, conceptualized in
terms of psychological well-being and Erik Erikson’s adult-developmental
factors of generativity and ego-integrity. Two coders
analyzed interview transcripts of regret narratives for numerous
content categories, including type of regret, source of regret, degree
of resolution of the regret (coming to terms with it, making
peace with it, solving the problem), and hopefulness for the future.
The qualitative results illustrate the diversity and richness of regret
experiences in late midlife and flesh out the expression of 12 different
coping methods for dealing with negative life experiences. The
quantitative results provide empirical support for the hypothesis
that degree of regret resolution is positively associated with overall
psychosocial adaptation. Findings are discussed in terms of the role
of the bidirectional relationship between regret resolution and
psychosocial adaptation, as well as the role of regret experiences
more generally in life stories and in late midlife development.
80
“
Narratives of regret may provide insight into the unique
ways in which people make sense of difficult events in
their lives, with potential implications for psychological
development and adaptation.
Introduction
While regret has been a topic of psychological
study for over two decades, researchers
have rarely focused on the kinds
of personal stories people tell about their
experiences of regret. Narratives of regret
may provide insight into the unique ways
in which people make sense of difficult
events in their lives, with potential implications
for psychological development
and adaptation. Adopting a narrative approach,
1 the current study examines how
a sample of late midlife adults — approximately
half of whom are white and half
of whom are African American — narrate
experiences of regret.
Regret and Coping
Regret is the aversive emotional and cognitive
sense of loss due to an unfavorable
outcome. According to Janet Landman,
the six most common sources for regret
concern education, career, romance, parenting,
the self, and leisure. 2 Not surprisingly,
people tend to regret more strongly
outcomes in which they assign blame to
themselves rather than outcomes in which
they place blame externally. When blame
is external, people often feel as though
the situation was out of their control,
enabling them to avoid self-blame. When
this happens, it becomes easier to resolve
the cognitive dissonance that the self was
responsible for the undesirable outcome. 3
Researchers have also distinguished
effects between omission regret and commission
regret. Omission regret involves
feeling regret for not taking a particular
action, while commission regret involves
feeling regret for taking a particular action.
4 While commission regret may be
more intense in the short term, omission
regret is often described as having longterm
negative consequence. 5
Research investigating the transformation
of negative experiences of regret
in this manner has been focused on understanding
how people construct, maintain,
suppress, or cope with their regrets. Emotion-focused
coping relies on avoiding or
suppressing the negative emotions associated
with regret or distracting oneself with
positive emotions in order not to dwell
on the regret. Problem-focused coping involves
attempting to manage or solve the
problem caused by the regret and working
towards rectifying the unfavorable decision
or outcome. 6
1 Adler, J. M., Dunlop, W. L., Fivush, R., Lilgendahl, J., Lodi-Smith, J., McAdams, D. P., McLean, K. C., Pasupathi, M., & Syed, M.
(2017). Research methods for studying narrative identity: A primer. Social Psychological and Personality Science, 8, 519-527.
2 Landman, J. (1996). Social control of “negative” emotions: The case of regret. The emotions: Social, cultural, and biological dimensions,
89-116.
3 Ibid.
4 Dibonaventura, M. D., & Chapman, G. B. (2008). Do decision biases predict bad decisions? Omission bias, naturalness bias, and
influenza vaccination. Medical Decision Making, 28(4), 532-539.
5 Gilovich, T., & Medvec, V. H. (1995). The experience of regret: what, when, and why. Psychological review, 102(2), 379.
6 Folkman, Susan, Richard S. Lazarus, Rand J. Gruen, and Anita DeLongis (1986), “Appraisal, Coping, Health Status, and Psychological
Symptoms,” Journal of Personality and Social Psychology, 50 (3), 571-79.
”
81
Life Stories
Researchers who have studied regret
have generally not focused on how people
narrate their regrets and how they incorporate
them into their life stories and
self-understanding. The current study,
therefore, adopts a narrative approach
to examine the different kinds of stories
people tell about regrets in their lives and
the implications of those stories for psychosocial
adaptation. 7,8
Many researchers who employ a narrative
approach draw conceptually upon
the idea of narrative identity. Narrative identity
is a person’s internalized and evolving
story for their life, incorporating a broad
reconstruction of the past and anticipation
of the future. 9 As a feature of personality
itself, narrative identity functions to provide
people with a sense of purpose and
unity in their lives, allowing them to form
a temporally coherent account of how they
have come to be who they are. Among
the most important features of a person’s
narrative identity are the stories they tell
about the most difficult and challenging
events in their life, including their regrets.
As people move through midlife and
later adulthood, they may reflect more
heavily on their life narratives. It may
become more common to contemplate
past experiences, including regrets, in
attempts to gain acceptance and understanding
of their lives. Done successfully,
this process of life review may bring a
sense of satisfaction, coherency, serenity,
and fulfillment, but those who are not
able to reconcile difficult pasts or resolve
“Among the most
important features
of a person’s
narrative identity
are the stories he or
she tells about the
most difficult and
challenging events
in his or her life,
including his or her
regrets.”
past conflicts may instead face excessive
guilt, panic, or despair. 10,11
Psychosocial Adaptation
In considering psychosocial development
in the second half of life, Erikson’s model
of the stages of psychosocial development
is especially instructive. 12 In each stage of
development, Erikson argued, the person
faces a particular issue that is resolved in
the dynamic between the needs of the self
and the demands of society. 13,14
The final two stages in Erikson’s
scheme apply to midlife and late adulthood.
In Generativity versus Stagnation, adults
are faced with the virtue of Care — caring
for future generations by leaving their
mark on society, or by creating a better
7 McAdams, D. P. (2001). The psychology of life stories. Review of General Psychology, 5, 100-122.
8 McAdams, D. P., & McLean, K. C. (2013). Narrative identity. Current directions in psychological science, 22(3), 233-238.
9 Ibid.
10 Butler, R. N. (1963). The life review: An interpretation of reminiscence in the aged. Psychiatry, 26(1), 65-76.
11 Butler, R. N. (1974). Successful aging and the role of the life review. Journal of the American geriatrics Society, 22(12), 529-535.
12 Erikson E. H . (1963). Childhood and society (2nd Ed.). New York, NY: Norton.
13 Ibid.
14 Erikson E. H . (1982). The life cycle completed. New York, NY: Norton.
82
world and passing down their knowledge
or resources to younger generations.
Successfully resolving this stage leads to a
sense of accomplishment and fulfillment.
Failure to resolve this stage results in a
sense of disconnect from society and the
feeling that the self does not matter and
will not be remembered. 15
The last stage of Erikson’s model is
known as Ego-Integrity versus Despair.
Older adults may contemplate the course
of their lives and decide whether they have
accomplished what they hoped to do and
whether they are satisfied with the lives
they led. Erikson argued that successfully
resolving this stage leads to the virtue and
and sense of acceptance and peace. 16 It
would be expected, therefore, that older
people experiencing high levels of ego-integrity
might have better resolved their
regrets and be at peace with their lives.
If the stage-related constructs of generativity
and ego-integrity mark psychosocial
developmental indices, a third more
generic index may be overall psychological
well-being. 17 Psychological well-being
refers broadly to the extent to which a
person feels happy and satisfied with his
or her life. It indeed makes intuitive sense
that people who experience higher levels
of overall well-being are more adapted to
their current life stage, regardless of what
that developmental stage is. In the present
study, therefore, psychosocial adaptation is
operationalized through self-report measures
of generativity, ego-integrity, and
psychological well-being.
An important goal of this study is to
provide descriptive information regarding
stories of regret and to report similarities
and differences in regret stories as reported
by men versus women, and African American
participants versus white participants.
We do not aim to test hypotheses regarding
mean group differences based on gender or
race. However, we do aim to test hypotheses
regarding how thematic variation in
regret narratives is related to self-reported
psychosocial adaptation in late midlife
adults. Since unresolved regrets and failures
may prevent one from accepting the
course of one’s life and achieving high
levels of well-being, we hypothesize that the
extent to which adults resolve or reconcile their
regret challenges will be positively associated
with overall psychosocial adaptation, as operationalized
through generativity, ego-integrity,
and psychological well-being. We expect the
hypothesized relationship to be especially
strong for the index of ego-integrity, which
captures the broad idea of life acceptance.
Similarly, we hypothesize that late midlife
adults scoring high on psychosocial adaptation,
will (1) attribute blame for regret experiences
to more external rather than internal sources,
and (2) maintain more hope for the future in
the wake of their regrets.
Method
Sample
The data used for this study comes from
the Foley Longitudinal Study of Adulthood
(FLSA), which includes transcribed
life-story interviews from 163 adults
(64.42% female, 35.58% male) aged 55–57
in 2009–2010. Participants were recruited
by a social-science research firm in the
greater Chicago-Illinois area targeting
white and African American adults. For
the collected sample, 55.21% of participants
were white and 42.94% were African
15 McAdams, D. P. (2019). “I Am What Survives Me”: Generativity and the self. In J. Frey and C. Vogler (Eds.), Self-Transcendence
and virtue: Perspectives from philosophy, psychology, and theology (pp. 251-273). London: Routledge.
16 Erikson, The life cycle completed.
17 Keyes, C. L. M. (1998). Social well-being. Social psychology quarterly, 121-140.
83
American. Additionally, participants filled
out online self-report measures before
each interview to collect information on
demographics and measures of generativity,
ego-integrity, and psychological
well-being, among a host of other psychological
and social constructs.
Measurement
Generativity. Each participant completed
the Loyola Generativity Scale before each
interview to measure generativity. 18 The
scale measures concern about and activity
involving the promotion of the well-being
of future generations. Participants rate
20 items on a 4-point scale ranging from
zero (never applies to me) to three (always
applies to me).
Ego-integrity. Each participant completed
the Northwestern Ego Integrity
Scale 19 before each interview to measure
ego-integrity. The scale measures both
ego-integrity and despair as well as coherence,
acceptance, and wholeness, and asks
participants to rate 15 different items on a
6-point scale ranging from one (strongly
disagree) to six (strongly agree).
Psychological Well-Being. Each
participant completed the 42-item scale of
Psychological Well-Being (PWB) designed
by Ryff and Keyes. 20 The scale measures six
different aspects of well-being: autonomy,
environmental mastery, personal growth,
positive relations with others, purpose in
life, and self-acceptance. Participants rate 42
items on a 6-point scale ranging from one
(strongly disagree) to six (strongly agree).
Regret Narratives. In The Life Story
Interview, participants were asked to de-
scribe their respective lives as if they were
novels, being sure to name chapters, key
scenes, characters, and themes. To sample
the narration of regret, we considered the
following question that was asked as a part
of the larger interview:
“Everybody experiences failure and
regrets in life, even for the happiest and
luckiest lives. Looking back over your
entire life, please identify and describe
the greatest failure or regret you have
experienced. The failure or regret can
occur in any area of your life – work,
family, friendships, or any other area.
Please describe the failure or regret and
the way in which the failure or regret
came to be. How have you coped with
this failure or regret? What effect has
this failure or regret had on you and
your life story?”
Procedure
A graduate student or postdoctoral fellow
administered interviews lasting approximately
two hours to each participant at
three different points over a 10-year period
using a standardized life-story protocol
developed by Dan P. McAdams. 21 Interview
questions asked about the life stories
of participants, including questions on best
and worst memories, turning points, and
regrets, but only the interview question on
regret was used for data analysis.
The coding scheme was developed by
reading the first 40 interviews. Two independent
coders assigned quantitative values
for each item and recorded descriptive information
about what the regret was about
and what the methods of coping were.
18 McAdams, D. P., & de St. Aubin, E. (1992). A theory of generativity and its assessment through self-report, behavioral acts, and
narrative themes in autobiography. Journal of Personality and Social Psychology, 62, 1003–1015.
19 Janis, L., Canak, T., Machado, M. A., Green, R. M., & McAdams, D. P. (2011). Development and validation of the Northwestern
Ego Integrity Scale. Evanston, IL.: Northwestern University.
20 Ryff, C. D., & Keyes, C. L. M. (1995). The structure of psychological well-being revisited. Journal of Personality and Social Psychology,
69, 719-727.
21 McAdams, D. P. (2013). The redemptive self: Stories Americans live by (revised and expanded edition). New York: Oxford University
Press.
84
1. Object of regret: The topic or object
of the participant’s regret. Coding for
this collects basic descriptive. Coders
classified each participant’s response as
fitting in at least one of the following
categories, which were not mutually
exclusive: romantic love or marriage,
children, other family issues (e.g., parents,
siblings, in-laws), friendships, career,
financial issues, education, physical
appearance, personality/character
(personal traits), and other (list).
2. Omission versus commission:
Whether participants have regrets
of omission, meaning they regret not
taking certain actions, or regrets of
commission, meaning they regret
taking certain actions. Like coding for
object of regret, coding for omission
and commission collects descriptive.
Coders rated participant responses on
a 3-point scale, with a score of one indicating
a regret of omission, a score
of two indicating a mix of commission
and omission, or if it was indeterminate
or could not be coded, and a score
of three indicating a regret of commission
(inter-rater reliability: r = 0.66).
3. Method of coping: The ways in which
participants chose to cope with, deal
with, resolve, or handle their regrets.
Coding for method of coping collects
descriptive information about the
kinds, frequency, and effectiveness of
the coping methods participants used.
The following were the methods that
participants used most often to cope
with their regrets, which were not
mutually exclusive: denial, ignoring
the problem/issue, rationalization
(explaining or finding an excuse), cognitive
reframing (finding a good way
to think about it), benefit finding (construing
a positive meaning), developing
goals, taking direct action to solve
the problem, religion, social support
(from family or friends), atonement,
forgiveness, and rumination.
4. Degree of resolution: The degree to
which participants are perceived to
have resolved their regrets. Coding for
degree of resolution allows for analysis
of the first hypothesis. Coders rated
participants on a 5-point scale, with
one being low and five being high (inter-rater
reliability: r = 0.59).
5. Internal versus external source of
regret: Whether the source of regret
is internal and it is perceived that the
participants blame themselves for their
regret, or if the source is external and it
is perceived that the participants blame
someone or something else for their
regret. Coding for the source of regret
allows for analysis of the first part of
the second hypothesis. Coders rated
participant responses on a 3-point
scale, with a score of one indicating
the regret is internal and caused by
the self, and a score of three indicating
the regret was caused by someone else,
something else, or the environment
(inter-rater reliability: r = 0.51).
6. Hopefulness for the future: The degree
of overall optimism or pessimism
that the subject expresses throughout
the narrative. Coding for hopefulness
for the future allows for analysis of the
second part of the second hypothesis.
Coders rated participant responses on
a 5-point scale, with a score of one being
low and five being high (inter-rater
reliability: r = 0.55).
Results
Taking scores for generativity (M = 43.16,
SD = 8.88), ego-integrity (M = 4.32, SD
= .66), and psychological well-being (M
85
T Table 1. Descriptive Statistics of Total Sample.
Mean Standard Deviation Minimum Maximum
Generativity 43.16 8.88 17.00 58.00
Ego-Integrity 4.32 0.66 2.33 5.93
Psychological Well-Being 202.65 26.45 113.00 245.00
Omission vs. Commission 1.68 0.74 1.00 3.00
Internal vs. External 1.64 0.75 1.00 3.00
Degree of Resolution 2.87 0.98 1.00 3.00
Hopefulness 3.46 1.11 1.00 3.00
T Table 2. Descriptive Statistics Comparing White Adults and African American Adults.
White Adults
African American Adults
Mean Standard Deviation Mean Standard Deviation
Generativity 41.16 8.76 45.54 8.52
Ego-Integrity 4.17 0.68 4.54 0.60
Psychological Well-Being 195.50 26.37 211.70 24.18
Omission vs. Commission 1.69 0.73 1.65 0.73
Internal vs. External 1.62 0.71 1.65 0.79
Degree of Resolution 2.92 1.04 2.81 0.90
Hopefulness 3.40 1.11 3.52 1.13
T Table 3. Descriptive Statistics Comparing Men and Women.
Men
Women
Mean Standard Deviation Mean Standard Deviation
Generativity 42.40 8.82 43.48 8.93
Ego-Integrity 4.19 0.71 4.39 0.62
Psychological Well-Being 196.10 26.11 206.30 26.07
Omission vs. Commission 1.75 0.73 1.65 0.74
Internal vs. External 1.55 0.70 1.69 0.77
Degree of Resolution 2.66 0.94 2.98 0.98
Hopefulness 3.28 1.10 3.56 1.11
86
=202.65, SD =26.45), we converted them
to Z scores and added them together in
order to assign scores for each of the participants
for the variable of psychosocial
adaptation (M = -0.022, SD = 2.48). We
found that scores for omission versus
commission and internal versus external
source of regret tended to be below the
arithmetic midpoint, suggesting a slight
tendency towards more regrets of omission
rather than regrets of commission (M
= 1.68, SD = .74) and towards more regrets
attributed to internal sources rather than
external ones (M = 1.64, SD = .75). Similarly,
scores of resolution (M = 2.87, SD =
.98) were a bit below the midpoint, while
scores of hopefulness (M = 3.46, SD = 1.11)
were a bit above the midpoint. Table 1
displays the means, standard deviations,
minimums, and maximums of scores of
psychosocial adaptation, generativity,
ego-integrity, psychological well-being,
T Table 4. Frequencies and Instances of Objects of Regret.
Object of Regret Instances Frequency
Career 36 24%
Education 34 23%
Marriage/Romantic Relationships 31 21%
Children/Parenting 26 17%
Family 14 9%
Friendship 13 9%
Financial Issues 10 7%
Personal Character Trait 9 6%
Other 5 3%
T Table 5. Frequencies and Instances of Methods of Coping.
Method of Coping Instances Frequency
Rumination 47 32%
Direct Action 39 26%
Rationalization 36 24%
Cognitive Reframing 30 20%
Benefit Finding 27 18%
Ignoring the Regret 18 12%
Forgiveness 16 11%
Social Support 13 9%
Religion 10 7%
Atonement 8 5%
Making Goals 5 3%
Denial 4 3%
87
degree of omission versus commission,
degree of internal versus external source
blame, degree of resolution, and hopefulness
for the future, with respect to the
overall sample, inclusive of white adults,
African American adults, men, and women.
African American adults (M = 1.06,
SD = 2.13) scored significantly higher
than white adults (M = -.78, SD = 2.46)
on psychosocial adaptation, t(128) = 4.38,
p < .001. Indeed, African American adults
scored significantly higher than white
adults on generativity (M = 45.54, SD =
8.52; M = 41.16, SD = 8.76), t(157) = 3.17,
p < .01; ego-integrity (M = 4.54, SD = .60;
M = 4.17, SD = .68), t(128) = 3.19, p < .01;
and psychological well-being (M = 211.7,
SD = 24.18; M = 195.5, SD = 26.37), t(158)
= 4.01, p < .01. However, when examining
the architecture of the regrets themselves,
there were no significant group differences
for regrets of omission and commission,
source of regret, degree of resolution, or
hopefulness for the future. Table 2 displays
race differences.
There were only group differences
in gender in relation to psychological
well-being, with women (M = 206.3, SD
= 26.06) scoring significantly higher than
men (M = 196.1, SD = 26.11), t(161) =2.39,
p < .05. Similar to our findings with race,
there were no significant group differences
for regrets of omission and commission,
source of regret, or degree of resolution.
However, there was a trend towards women
showing higher hopefulness for the
future (M = 3.56, SD = 1.11; M = 3.28, SD
= 1.10), t(147) = 1.92, p = .056. Table 3 displays
gender differences.
When examining participants’ objects
of regret, we found that 24% had
regrets of career choices, 23% had regrets
of education, 21% expressed regrets in
their marriage or romantic relationships,
17% regretted parenting or relationships
with their children, 9% had regrets relating
to other family members, 9% had regrets
concerning friendships, 7% regretted financial
issues, 6% regretted some personal
character trait, and 3% had other regrets
not included in our coding scheme. Table
4 displays the instances and frequencies of
the different objects of regret.
Similarly, when studying methods
of coping, we found that 32% ruminated
and excessively worried about their regret,
26% took direct action, 24% rationalized
or explained away the regret, 20% utilized
cognitive reframing to think about their
regrets in a positive way, 18% found some
benefit in their regret, 12% ignored the regret,
11% forgave themselves or others, 9%
reached out for social support, 7% turned
to religion, 5% atoned for their regret, 3%
developed goals to assist with coping, and
3% utilized denial. Table 5 displays the
instances and frequencies of the different
methods of coping.
Overall, we found strong support that
psychosocial adaptation is related to degree
of resolution. As predicted in our first hypothesis,
we found a significant positive
correlation between degree of resolution
and psychosocial adaptation (r = .25, p <
.01). In fact, there was a small but positive
correlation between resolution of regret
and all the variables that operationalized
psychosocial adaptation, including generativity
(r = .19, p < .05), ego-integrity (r =
.19, p < .05), and psychological well-being
(r = .25, p < .01). After running a partial
correlation controlling for income, which
was significantly positively correlated with
degree of resolution (r = .27, p < .001), we
found that degree of resolution was still
significantly positively correlated with
psychosocial adaptation (r = .26, p < .01).
Essentially, findings indicate that late to
88
“The most common regrets in late to midlife adults are those
relating to career decisions and education, followed by
regrets concerning relationships with significant others and
family members.”
midlife adults who scored high on self-report
measures of psychosocial adaptation,
generativity, ego-integrity, and psychological
well-being tended to tell stories of
regret in which their regrets were more
resolved than adults who scored lower on
these measures.
Our second hypothesis was only partially
supported in that while there was a
significant positive correlation between
psychosocial adaptation and hopefulness
for the future (r = .24, p < .01), there was
no significant correlation between psychosocial
adaptation and attribution of external
regrets. These findings indicate that
late to midlife adults who scored higher on
self-report measures of psychosocial adaptation
tended to tell their stories of regret
with more hope for the future or belief that
the future would be more favorable than
the past and present.
Discussion
Turning to understand how regret is
related to psychosocial adaptation, we
hypothesized that the degree of resolution
of regret is positively associated with
psychosocial adaptation. This hypothesis
was supported, as not only was degree
of resolution positively associated with
psychosocial adaptation, but it was also
positively associated with generativity,
ego-integrity, and psychological well-being.
However, these associations were all
small, and the largest relationship was not
with ego-integrity, as predicted. We had
hypothesized that ego-integrity would
have the strongest correlation with degree
of resolution since at its essence ego-integrity
is about acceptance of one’s life and life
choices, which aligns with resolving regrets.
This hypothesis was not supported,
as psychological well-being had a stronger
association with degree of resolution than
ego-integrity, although this difference was
not significant.
For our second hypothesis, we predicted
that psychosocial adaptation would
be positively associated with both attribution
of external blame and hopefulness for
the future. However, we found that psychosocial
adaptation was only positively
associated with hopefulness. These results
show that blaming the self as the source of
regret does not have a significant relationship
with psychosocial adaptation. Rather,
the amount of hope for the future plays a
role in determining this. This was as expected,
as previous findings have shown
that having hope is linked to psychosocial
adaptation, especially in patients under
medical care. 22 As applied to late to midlife
adults, hope may be key in securing high
psychosocial adaptation because it may
allow people to accept the possibility of
a better future in which the regret is less
salient or relevant, giving them something
to work towards and expect.
Results from this study indicate that
the most common regrets in late to midlife
22 Livneh, H., & Martz, E. (2014). Coping strategies and resources as predictors of psychosocial adaptation among people with
spinal cord injury. Rehabilitation psychology, 59(3), 329.
89
adults are those relating to career decisions
and education, followed by regrets
concerning relationships with significant
others and family members. This may be
the case due to the demographics of the
participants, who are all baby boomers.
Indeed, according to the Pew Research
Center, only 24% of baby boomers received
a bachelor’s degree or higher, compared to
39% of millennials. 23
Additionally, we found that the most
common method of coping — or rather
handling the regret — was rumination. In
essence, our findings showed that a large
number of participants relied on rumination,
therefore failing to cope with the regret,
rather than utilizing healthy methods
of coping. Of those who were able to cope
with their regrets, the second and third
most common methods were using direct
action and rationalization, respectively.
Direct action is a kind of action-focused
coping and involves actively doing something
to reverse the regret, such as going
back to school to complete a bachelor’s
degree that one regretted not finishing.
Rationalization, on the other hand, is more
cognitive and involves explaining away the
regret and justifying it to the self in order
to alleviate the negative effect caused by
regret. Since the most common regrets of
this sample were related to career and education,
problem-focused coping may have
been the most appropriate since many of
these regrets were able to be reversed or
reconciled by taking action to undo the
cause of the regret, such as by finishing
college education.
Discrepancies in the number of
participants who produced self-reported
measures of generativity, ego-integrity,
and psychological well-being were a limitation
to the study. Due to the nature of
the FLSA study and dataset, measures for
ego-integrity were not set in place until
later in the longitudinal study. As a result,
while 163 participants produced scores for
generativity and psychosocial well-being,
only 133 participants produced scores for
ego-integrity. Therefore, there were only
132 standardized scores for psychosocial
adaptation, as it was necessary for each
participant to have all three scores in
order to produce scores for psychosocial
adaptation. Additionally, only 149 participants
were able to articulate regret narratives,
as the others claimed they had no
regrets in their lives.
Findings from this study will provide
insight into adult personality development
and provide an overarching framework
on how regret influences social and personality
development. As midlife adults
transition into late adulthood, some may
have difficulty adjusting and display lower
generativity, lower ego-integrity, or lower
psychological well-being. Especially as
adults belonging to Generation X reach
late adulthood, more and more will find
themselves facing their regret narratives.
Although still far off in the future, millennials,
who are currently the largest generation
according to Pew Research Center,
will likely also grapple with similar struggles
as they reach mid to late adulthood. 24
As a result, forming a strong understanding
of how regret stories influence this
life stage transition can be key in helping
struggling adults overcome these developmental
obstacles. Future studies should
23 Bialik, K., & Fry, R. (2019, February 14). How Millennials compare with prior generations. Retrieved May 16, 2020, from
https://www.pewsocialtrends.org/essay/millennial-life-how-young-adulthood-today-compares-with-prior-generations/
24 Fry, R. (2020, April 28). Millennials overtake Baby Boomers as America’s largest generation.
Retrieved May 16, 2020, from https://www.pewresearch.org/fact-tank/2020/04/28/millennials-overtake-baby-boomers-as-americas-largest-generation/
90
explore the direction of causality between
these associations, as it is currently uncertain
whether low psychosocial adaptation
leads to regret stories with lower regret
resolution, or vice versa. Though there is
much work to do, the findings from the
current study and other similar studies on
generativity, ego-integrity, and psychological
well-being such as the one proposed may
inform research in clinical settings in developing
interventions for late to midlife adults
struggling with psychosocial adaptation. ■
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The Dearborn Observatory in 1889. University Archives,
Northwestern University Libraries. (1889). Dearborn
Observatory, Northwestern University, Evanston, Illinois.
Retrieved from https://dc.library.northwestern.edu/
items/4257692e-8d56-4593-b316-1a57042e6716
92 FEATURE
A Brief History
of the Dearborn
Observatory
By Andrew Laeuger
A brief history of the Dearborn Observatory, from its historic rise to its quiet and
unsuspecting presence on campus today.
Hidden in the cove formed by
the Technological Institute, Silverman
Hall, and the Garrett-Evangelical
Theological Seminary, the
Dearborn Observatory lies secluded from
Northwestern’s skyline. Here, it serves as
a reminder of the University’s historical
role in observational astronomy.
The Observatory began not as a
project funded by bureaucratic grant
sources nor by University budget
decisions, but instead out of pure public
interest in the beauty of the heavens.
Documents from the establishment of
Dearborn tell how money was raised
under the condition that donation
size would correspond to a patron’s
level of access to the telescope. For
example, a donation of $100 in the
1860s would earn one lifetime access to
the observation room.
In that same spirit of enthusiasm for
astronomy, the Chicago Astronomical
Society would not settle for anything less
than the best. One of the founding members
of the Society, Thomas Hoyne, traveled
from Chicago to Boston in four days to
purchase what was, at the time, the largest
refracting lens ever produced. The polished
piece of glass had a 1.5-foot diameter!
Equipped with one of the most
powerful refracting telescopes in the
world, the Observatory became effective
at producing high-resolution images of
the night sky on photographic plates.
This precision allowed for two types of
FEATURE
93
astronomical measurements to be carried
out with great accuracy: the determination
of the distance from Earth to a star based
on its parallax 1 and the detection of
double stars. 2
Throughout its lifetime, Dearborn
has accounted for the discovery of more
than 100 binary stars and thousands of
long-exposure observations of dim red
stars. 3 It has also improved precision in
models of the positions of objects orbiting
throughout the solar system. 4
One of the most famous discoveries
from the lens that was installed in
Dearborn’s main telescope was the
detection of Sirius B. While testing the
lens prior to its sale to Hoyne, lensmaker
Alvin Graham Clark became the first
person to observe that Sirius A, the
brightest star in the night sky, has a
companion (Sirius B) that is about 10,000
times dimmer than itself.
Additionally, in the early 1930s,
astronomers used photographs taken
by the Dearborn telescope of the dwarf
planet Eros as it completed a near-
Earth pass to conduct one of the most
complete measurements of the parallax
of the sun to date.
However, as early as the late 1910s,
ambient light pollution began affecting
astronomical data collection at the
Observatory. Then-Director Philip Fox
began to grow wary of the proliferation of
Chicago’s presence in the night sky, citing
the inexorable spread of smoke and electric
lights as the city continued to expand.
Even today, new sources of light
pollution, like the clusters of StarLink
satellites launched by SpaceX starting in
2019, make the work of ground-based
astronomical observatories ever more
difficult. One can only hope that we begin
to appreciate the role of astronomy in both
the ancient stories that have inspired our
modern culture and the contemporary
discoveries that drive us towards new
understandings of the universe. Then, with
steps to reduce light pollution and bring
new sources of funding to this all-important
science, observational astronomy may once
again thrive in Chicago, and Dearborn may
bring its guests the same wonder it brought
150 years ago. ■
1 A parallax is the slight change in a star’s location in the sky based on our own position in our orbit about the sun.
2 Double start are stars which when seen through our eyes appear as one bright spot, but are actually composed of a pair of stars
orbiting about each other.
3 With enough searching, one can dig up the hundreds of pages of meticulously catalogued observations, dating back to the first
years of the 20th century, which the observatory’s directors published in hopes of passing on all that they learned to the next generation
of astronomers.
4 Today, the original Dearborn refracting telescope has a home in Chicago’s Adler Planetarium, where the public can continue to
admire the skill and craftsmanship required to assemble such a powerful and elegant instrument.
94 FEATURE
Oklahoma! was written with the intention
of boosting morale and celebrating the
strength of a unified United States of
America post-World War II. 1 The play
tells the story of a young woman named
Laurey Williams who is being courted
by the heroic cowboy Curly McLain and
her menacing farmhand Jud Fry. When
Laurey chooses Curly as her husband, Jud
returns on their wedding day to dispute
the match, and the encounter escalates
to violence, leaving Jud dead at the hand
of Curly. A trial ensues in which Curly is
found not guilty, and Curly and Laurey
come of age with the Oklahoma Territory
as it moves towards statehood. This thesis
analyzes the role of the law in Daniel Fish’s
revival of Oklahoma! in order to discern
how the production portrays the legal repercussions
of violence towards the “other”
Department of Legal Studies
Faculty Adviser: Prof. Joanna Grisinger, Ph.D.
“Territory Folks Should
Stick Together”:
The Role of the Law and
the “Other” in Daniel Fish’s
Oklahoma!
by Taris Hoffman
and to examine how legal proceedings are
represented in contemporary pop culture.
By subverting traditional interpretations
of Oklahoma!, Fish uses a piece about the
greatness of an idealized America to implicate
audiences in and express displeasure
with the corruption in the American legal
system, a directorial stance not often taken
in artistic renderings of court cases. 2
During the historical era of Oklahoma!,
the Oklahoma Territory had a strong
Black presence and frequent racial conflict.
The post-Reconstruction era saw many
African Americans emigrate to the Oklahoma
Territory and attempt to form all-
Black settlements in areas that were previously
inhabited by mostly white and Native
American populations. 3 While emigration
was happening in large numbers and
other Black settlements were developing
1 Kirle, “Reconciliation, Resolution, and the Political Role of Oklahoma! in American Consciousness,” 251-274.; Bond, “Still
Dreaming of Paradise: Rodgers and Hammerstein’s Oklahoma!, South Pacific, and Postwar America.”; Filmer, Rimmer, and Walsh,
“Oklahoma!: Ideology and Politics in the Vernacular Tradition of the American Musical,” 381-395.
2 Papke, “The American Courtroom Trial: Pop Culture, Courthouse Realities, and the Dream World of Justice,” 919-920, 931.;
Kuzina, “The Social Issue Courtroom Drama as an Expression of American Popular,” 94-95.; Kohm, “The People’s Law versus
Judge Judy Justice: Two Models of Law in American Reality-Based Courtroom TV,” 725.
3 Catherine Lynn Adams, “Africanizing the Territory: The History, Memory and Contemporary Imagination of Black Frontier
Settlements in the Oklahoma Territory.,” (PhD diss., University of Massachusetts Amherst, 2010), 9-11.
95
across the United States of America, these
all-Black communities were particularly
concentrated in the Oklahoma Territory. 4
White popular culture mocked these Black
separatist communities and committed
acts of racial violence against them. However,
despite the racial backlash, these settlements
continued to grow and make both
economic and political advancements. 5
White settlers and Native Americans, feeling
threatened, took legal action against
these African American settlements, attempting
to enact laws that would limit the
civil rights of the Black population, make
segregation legal, and discourage any further
immigration. 6 When statehood was
established, “Black codes” and Jim Crow
laws were put into place, causing political
and social conditions to worsen for the
Black settlers and thus ending the All-Black
Town Movement, as there were no longer
opportunities for African Americans to
create a better life for themselves in Black
settlements. 7 These all-Black settlements
would have existed during Oklahoma!, but
they are not acknowledged by the script or
traditionally considered in casting.
Daniel Fish’s production of Oklahoma!
acknowledges the historical Black presence
in the Oklahoma Territory with its casting.
The pared-down cast of 12 consists of 10
central characters, one ensemble member
(Mike), and one dancer (Lead Dancer). 8
This cast is diverse in race and physical
ableness, a choice that is Fish’s alone, as it
is not designated by the script. 9 The show’s
heroine Laurey Williams is played by
Rebecca Naomi Jones, a biracial woman,
and Gabrielle Hamilton, a Black woman,
represents Laurey’s inner thoughts during
the Dream Ballet as the Lead Dancer. 10
Additionally, the federal marshal Cord
Elam and the ensemble member Mike are
both played by Black men. 11 The community’s
matriarch (Aunt Eller), judge (Andrew
Carnes), local “Persian” peddler (Ali
Hakim), hero (Curly McLain), villain (Jud
Fry), and other members (Will Parker,
Ado Annie Carnes, Gertie Cummings) are
all cast as white men and women.
The 1955 Oklahoma! film features
traditional casting and expected characterization.
The 31-person ensemble is comprised
of white or white passing actors that
all “radiate good cheer … except for the
baleful Jud.” 12 The swarm of traditionally
beautiful actors are able to create a visually
codified ensemble, as they all resemble each
other. This differs from Fish’s production,
in which each actor functions as an individual
with a unique point of view. Fish’s
retelling also chooses to infuse race more
4 Adams, “Africanizing the Territory: The History, Memory and Contemporary Imagination of Black Frontier Settlements in the
Oklahoma Territory.,” 11-12.
5 Adams, “Africanizing the Territory: The History, Memory and Contemporary Imagination of Black Frontier Settlements in the
Oklahoma Territory.,” 11-14.
6 Adams, “Africanizing the Territory: The History, Memory and Contemporary Imagination of Black Frontier Settlements in the
Oklahoma Territory.,” 14-15.; Contested Territory: Whites, Native Americans, and African Americans in Oklahoma, 1865-1907 (1996) by
Murray R. Wickett covers the legal battles between these racial groups.
7 Adams, “Africanizing the Territory: The History, Memory and Contemporary Imagination of Black Frontier Settlements in the
Oklahoma Territory.,” 17.
8 Program for Roger and Hammerstein’s Oklahoma at the Circle in the Square Theatre, New York. Playbill, 2020
9 “Oklahoma! Musical Script,” The Musical Lyrics, accessed January 8th, 2020, https://www.themusicallyrics.com/b/348-broadway-musical-scripts/3611-oklahoma-musical-script.html.
10 Program for Roger and Hammerstein’s Oklahoma at the Circle in the Square Theatre, New York. Playbill, 2020.; Ellen Gamerman,
“‘American Idiot’s’ Rebecca Naomi Jones on Green Day, Billie Joe Armstrong, and Singing in Her Underwear,” The Wall Street
Journal, April 2, 2010, https://blogs.wsj.com/speakeasy/2010/04/02/american-idiots-rebecca-naomi-jones-on-green-day-billie-joearmstrong-and-singing-in-her-underwear/.
11 Program for Roger and Hammerstein’s Oklahoma at the Circle in the Square Theatre, New York. Playbill, 2020.
12 “Oklahoma! (1955),” IMDB, accessed January 8, 2020, https://www.imdb.com/title/tt0048445/?ref_=nv_sr_srsg_0.; William K.
Zinsser, “‘Oklahoma!,’” Herald Tribune, October 11, 1955.
96
prominently into the storytelling by putting
a Black woman and her sexuality at the
center of the narrative and giving a Black
man a leadership role within the community
as a federal marshal. In reviews of the
film, Shirley Jones is described as playing
Laurey to perfection as the “epitome of
well scrubbed Midwestern girldom” with
the film “[capturing] the light in her eyes
… and the horror that clouds her face when
Jud gets too close. Those are her two main
emotions, but they may well be the only
two that the role calls for, and Miss Jones
is an engaging heroine.” 13 Rebecca Naomi
Jones completely rejects this interpretation
with her Laurey, as reviews describe her
as “arresting, determined, and smart. She
is presented unvainly, in jeans and a plaid
shirt, but she radiates confidence and beauty,
a notable contrast to Curly’s ambling
peacock.” 14 Jones gives Laurey a point of
view and a voice in Fish’s production, as
she experiences a large range of conflicting
human emotions. Laurey’s love interest is
also subject to reinterpretation, as reviews
of the revival argue that he is
not your usual solid slab of beefcake
with a strapping tenor … this lad of the
prairies is wiry and wired, so full of
unchanneled sexual energy you expect
him to implode. … Doing his best to
project a confidence he doesn’t entirely
feel, to the accompaniment of a downhome
guitar, he seems so palpably
young. As is often true of big boys with
unsettled hormones, he also reads as
just a little dangerous. 15
This charged and immature version of
Curly is not seen in the 1955 film. Instead,
Gordon MacRae is a “wonderfully relaxed
and unaffected” hero who is “not ...
everybody’s idea of a raw-boned cowboy,
but he is all smiles with exuberance.” 16
MacRae’s Curly is a traditional hero who is
in control of his actions, and he establishes
himself as a trustworthy protector. As with
Laurey, Aunt Eller projects more strength
in the revival than the 1955 film. Charlotte
Greenwood’s Aunt Eller is described as
“rangy,” with “real compassion to the robust
rusticity of the role,” while Mary Testa’s
Aunt Eller is “rough,” and “authoritative.” 17
She is no longer a simple, delicate maternal
figure, but a significant matriarch with
control over the community. The shift in
casting and characterization differentiates
Fish’s production from its predecessors
and allows it to engage with America’s
relationship with race and the law.
The characterization of the racialized
foils Ali Hakim and Jud Fry is significant
to the interpretation of the legal elements
in Oklahoma!. The two men’s actions define
them as distinct opposites. Ali Hakim
exists as a sympathetic, comedic figure,
and although the traveling peddler is an
outsider, he is ultimately accepted into the
community because of his willingness to
assimilate. Aunt Eller initially rejects his
attempt to align himself with her when she
says, “I ain’t yer Aunt Eller! Don’t you call
me Aunt Eller, you little wart. I’m mad at
you,” and criticizes the quality of his products,
but she still humors him, eventually
relenting and saying, “Bring yer trappin’s
inside; mebbe I c’n find you sump’n to eat
13 Zinsser, “‘Oklahoma!.’”
14 Sarah Larson, “Daniel Fish’s Dark Take on Oklahoma!,” New Yorker, October 15, 2018, https://www.newyorker.com/magazine/2018/10/22/daniel-fishs-dark-take-on-oklahoma.
15 Ben Brantley, “A Smashing ‘Oklahoma!’ Is Reborn in the Land of Id,” New York Times, April 7, 2019, https://www.nytimes.
com/2019/04/07/theater/oklahoma-review.html.
16 Bosley Crowther, “The Screen: ‘Oklahoma!’ Is Okay,” New York Times, October 11, 1955.; Zinsser, “‘Oklahoma!.’”
17 Crowther, “The Screen: ‘Oklahoma!’ Is Okay.”; Larson, “Daniel Fish’s Dark Take on Oklahoma!.”; Brantley, A Smashing ‘Oklahoma!’
Is Reborn in the Land of Id.”
97
“
Each design element in Daniel Fish’s Oklahoma!
rejects the abundant, rose-tinted depiction in the
[1955] film, setting the trial scene up to be an
impactful reflection of reality.
and drink.” 18 Despite being described as
“Persian” in the script, Ali Hakim is clearly
coded as a Jewish character by Rogers and
Hammerstein. 19 Historically, many Jews,
specifically of German descent, were peddlers
on the American frontier, and his
last name is most likely derived from the
Yiddish word “hacham,” meaning “clever
man.” 20 Despite possessing racialized traits
that “other” him, Ali Hakim is constantly
inserting himself into the community, and
by the end of the play, he has fully assimilated,
as he marries one of the central characters,
Gertie Cummings. 21 Ali Hakim is a
racialized “other” that actively assimilates
into the community by complying with the
community’s moral code in both the 1955
film and the Daniel Fish revival, and he is
accepted by the farmers and the cowmen as
Oklahoma becomes a state.
The character of Jud Fry starkly
contrasts to that of Ali Hakim, but is still
coded as a racialized “other” by Rogers and
Hammerstein. Jud lacks Ali Hakim’s theatricality
and eagerness to assimilate, with
a performance grounded in realism and
”
isolation from the rest of the community. 22
Both Jud and Ali Hakim are drifters, as a
farm hand and a peddler respectively, but
Jud is perceived as a “cultural outsider.” 23
While Ali Hakim is coded as a “white”
immigrant, Jud is characterized as a “dark”
man. 24 Stage directions refer to Jud as a
“burly, scowling man,” “bullet-colored,”
and “growly.” 25 In reviews that address the
film adaptation, he is referred to as “dark
and vengeful,” “a meaty brute with an
unplaceable accent,” and “less degenerate
and little more human and pitiful than
he is usually made.” 26 The unshaven, dirtsmeared
villain is both visually coded as a
racialized “other” in his disheveled, dark
appearance that directly contrasts with the
clean-cut, bright ensemble, and also aurally,
as his accent in the film differentiates
him as an ambiguously racialized figure
separate from the all-American community.
27 He is also geographically separated
from the community, as he does not live in
the pristine house 28 of his employers Aunt
Eller and Laurey, but in a smokehouse with
the rats and his collection of pornographic
18 The Musical Lyrics, “Oklahoma! Musical Script.”
19 The Musical Lyrics, “Oklahoma! Musical Script.”; Most, “‘We Know We Belong to the Land’: The Theatricality of Assimilation in
Rodgers and Hammerstein’s Oklahoma!,” 82.
20 Most, “‘We Know We Belong to the Land’: The Theatricality of Assimilation in Rodgers and Hammerstein’s Oklahoma!,” 84.
21 The Musical Lyrics, “Oklahoma! Musical Script.”
22 Most, “‘We Know We Belong to the Land’: The Theatricality of Assimilation in Rodgers and Hammerstein’s Oklahoma!,” 81.
23 Larson, “Daniel Fish’s Dark Take on Oklahoma!.”
24 Most, “‘We Know We Belong to the Land’: The Theatricality of Assimilation in Rodgers and Hammerstein’s Oklahoma!,” 81.
25 The Musical Lyrics, “Oklahoma! Musical Script.”
26 Zinsser, “‘Oklahoma!.’”; Larson, “Daniel Fish’s Dark Take on Oklahoma!.”; Crowther, “The Screen: ‘Oklahoma!’ Is Okay.”
27 Oklahoma!. Directed by Fred Zinnemann. Los Angeles, California: Rogers & Hammerstein Productions, 1995: 16:00, 19:57.
28 Zinnemann, Oklahoma!, 19:20.
98
images lining the wall. 29 Jud is not only an
outsider but also a deviant. With his production,
Fish keeps these “othering” traits
of isolation, sexual aggression, poverty,
and filth as an undercurrent of Jud’s characterization
but also layers in moments
of sympathy for Jud, as he “is played with
great sensitivity and quaking instability by
the lean, fair Vaill. This complicates him;
he could be your high-school crush, with a
frisson of Kurt Cobain.” 30 This iteration of
Jud possesses a “charismatic, hungry loneliness
to the part that’s guaranteed to haunt
your nightmares,” and plays to the humanity
of the character instead of the villainy. 31
By strengthening the sympathy for Jud, the
trial of Curly, his murderer, becomes a significant
event in the play instead of a procedural
roadblock to overcome to achieve
the happy ending.
The design elements of Daniel Fish’s
Oklahoma! also diverge from traditional expectations
and allow audiences to view this
show as a part of the real, contemporary
world that they can actively engage with.
While reviews describe the 1955 film as
“gay to look at,” 32 Daniel Fish’s Oklahoma!
is “staged plainly.” 33 Instead of beautiful
party gowns, colorful neckerchiefs, 34 and
billowing suede chaps, 35 designer Terese
Wadden takes a contemporary direction
with the costumes. Distressed denim, crop
tops, flannel, and skin-tight, well-worn
leather chaps adorn Fish’s ensemble. Even
their party items are simple, functional,
and contemporary, with the women donning
apparently handmade canvas dresses
and the men swapping their flannel work
shirts for Jericho western shirts. Instead
of creating another magical world of
whimsy and beauty, Wadden’s costumes
ground the play in a gritty sense of reality.
The harsh lighting choices made by
designer Scott Zielinski contribute to this
mood. The house lights are up for almost
the entirety of the show, except for a few
moments of complete darkness and some
green- and red-outs. The uniform lighting
throughout the audience and playing space
creates a sense of community, encouraging
audience members to interact with
each other as well as the actors. Instead
of experiencing a theatrical experience
from a distance, the line between actor
and audience becomes blurred. The set
design is also minimalistic, featuring only
a few picnic tables and chairs identical to
the ones that serve as seating for the onstage
audience members, a minimalistic
sepia-toned backdrop loosely evoking the
Oklahoma plain, guns ominously hanging
on the walls, and multicolored foil fringe
strung up across the theater’s ceiling. Each
design element in Daniel Fish’s Oklahoma!
rejects the abundant, rose-tinted depiction
in the film, setting the trial scene up to be
an impactful reflection of reality.
The specific design elements in the
final scene of Fish’s Oklahoma! further
diverge from tradition and contribute to
the messaging and emotional intensity
of the production. When Jud enters at
the beginning of the scene, he has on an
ill-fitting, worn brown suit. This is the
first time Jud has appeared on stage without
his ragged base costume of old boots,
jeans, and a tattered flannel, and this shift
in physical appearance establishes a sense
29 Most, “‘We Know We Belong to the Land’: The Theatricality of Assimilation in Rodgers and Hammerstein’s Oklahoma!,” 82.
30 Larson, “Daniel Fish’s Dark Take on Oklahoma!.”
31 Brantley, A Smashing ‘Oklahoma!’ Is Reborn in the Land of Id.”
32 Zinsser, “‘Oklahoma!.’”
33 Larson, “Daniel Fish’s Dark Take on Oklahoma!.”
34 Zinnemann, Oklahoma!, 1:35:13.
35 Zinnemann, Oklahoma!, 27:05.
99
“No one speaks
for Jud at this
trial, alluding to
historical instances
when white men
could kill Black men
with impunity.”
of rehabilitation and cultivates ethos. In
the 1955 film, Jud dons a filthy costume of
a once-white, short-sleeved henley with
a deep v-neck, work pants, heavy boots,
a belt, and suspenders, 36 changing into a
mismatched shirt and vest when taking
Laurey to the dance. 37 During the scene in
which he is murdered, Jud is again filthy.
He has removed his vest, his party shirt
is unbuttoned with his sleeves rolled up,
and he is still wearing his work pants and
boots. His appearance closely resembles his
initial costume, signifying regression, and
it supports the subtext that Jud deserves
his death. 38 Another significant design
element in Fish’s Oklahoma! is Laurey and
Curly’s wedding clothes. At the beginning
of the wedding scene, they are joyous and
pure newlyweds wearing white. However,
when Curly shoots Jud, the pair is sprayed
in fake blood, completely tarnishing the
cleanly white garments. The murder of Jud
has tainted this new matrimony, physically
marking both Laurey and Curly as guilty
parties, and they remain in these clothes
during the trial scene in which they manipulate
the law. In the film, there is no gore
or blood depicted, and Laurey’s and Curly’s
costumes remain unscathed, neither of
them carrying the emotional burden of Jud’s
death. 39 The various lighting choices made
in the film and Fish’s revival both hold significance
as well. During the post-wedding
encounter with Jud in the film, it is a dark
and shadowy night, obscuring the heroic
Curly’s vision and resulting in Jud falling
on his own knife. 40 In Fish’s version, both
the stage and house lights are up when
Curly shoots Jud and is tried for murder,
implying that Curly took a much more
active role in Jud’s demise and involving
the audience as witnesses and ultimately
excusers of the crime. After being found
not guilty in the film, Laurey and Curly
literally and figuratively emerge from the
darkness and step into the bright sunlight
as they begin their lives together. 41 The
lighting design in Fish’s revival emphasizes
Curly’s culpability while the film’s design
detracts from his guilt. Similarly, Fish takes
a minimalistic approach to sound design,
with the deafening gunshot being the only
distinct noise in the calculated final portion
of the play, where the movie leans on
the aural chaos that ensues 42 during and after
43 Jud’s murder. Both the set in the stage
and the film version indicate to audiences
that they are being invited to view something
private, but the two portrayals have
different degrees of intimacy. During the
trial in the film adaptation, audiences are
given a window into the home, a private
36 Zinnemann, Oklahoma!, 16:55.
37 Zinnemann, Oklahoma!, 1:32:18.
38 Zinnemann, Oklahoma!, 2:19:32.
39 Zinnemann, Oklahoma!, 2:19:54.
40 Ibid.
41 Zinnemann, Oklahoma!, 2:24:28.
42 Zinnemann, Oklahoma!, 2:18:39.
43 Zinnemann, Oklahoma!, 2:23:15.
100
space. 44 In Fish’s version, the set includes
the audience as the attendees of the trial, as
the cast shares picnic tables with the audience
members. The specific design choices
made in the final moments of Fish’s Oklahoma!
create sympathy for Jud, emphasize
Curly’s autonomy in murdering him, and
actively invite audiences to engage in the
scene’s heightened emotional intensity.
The staging of Daniel Fish’s Oklahoma!
is rich in nuance and meaning,
revealing much about the production’s
point of view about the law. The show is
performed on a thrust stage, which extends
into the audience on three sides, with the
audience sitting in the theater’s built-in
seats as well as at picnic tables that line two
sides of the stage. Instead of a traditional
orchestra positioned out of sight in a pit,
the re-arranged score is played by a seven-piece
folk and bluegrass-inspired ensemble
that sits on the stage and interacts
with the actors freely, creating a sense of
reality and cultural authenticity. At intermission,
all audience members are given
chili and cornbread, further strengthening
the sense of community and camaraderie
in the space. The thrust stage and close
proximity to the actors mean that audience
members are constantly interacting with
each other or the actors via eye contact
or even direct address. The seating, the
acknowledgement of the existence of the
band, and the presentation of a shared
meal for the show’s attendees ground the
production in a sense of reality and allow
bonds to develop between actors and audience
members. These staging elements
create an overwhelming sense of intimacy
and community. Audiences are adopted
by what feels like a real community as
opposed to watching a theatrical spectacle
from an emotional and physical distance.
Involving audiences implicates them in
events of the play and encourages a personal
stake in the legal elements.
The 1955 film adaptation of Oklahoma!
shares very few staging similarities
to Daniel Fish’s revival during its last few
scenes. During a good-natured shivaree, 45
Jud returns to the farm and begins lighting
haystacks on fire, including the one
that Laurey and Curly are perched upon,
as he laughs manically. Curly acts quickly,
pushing Laurey off the haystack to safety
and then jumping off the haystack himself,
knocking Jud to the ground. 46 Once Curly
sits up, he realizes that Jud has fallen on his
own knife and is dead. 47 The men encircle
Curly and Jud, attempting to help any
way they can and rushing to bring Jud to
a doctor. 48 The trial then occurs, and the
entire community piles into Aunt Eller and
Laurey’s modest dining room. This creates
a claustrophobic, frenetic stage picture as
the cast huddles around the table where
Judge Carnes is sitting to shout, laugh,
and interject their personal biases. 49 The
blocking of these scenes emphasizes Jud’s
culpability, as he instigates a life-threatening,
overwhelming event in which Curly is
forced to respond instinctively. Curly’s actions
are rational given the circumstances
and would not have resulted in death had
Jud not been holding a knife. The community
witnessed this event, so the trial does
not hold significance, as they had already
decided that Curly would receive the “not
44 Zinnemann, Oklahoma!, 2:21:56.
45 A noisy mock serenade for newlyweds.
46 Zinnemann, Oklahoma!, 2:19:54.
47 Zinnemann, Oklahoma!, 2:20:12.
48 Zinnemann, Oklahoma!, 2:20:26.
49 Zinnemann, Oklahoma!, 2:21:38.
101
“The power struggle between the Black and white
members of the ensemble and the eventual silencing of
the people of color ‘others’ them collectively.”
guilty” verdict. Additionally, community
members made their best effort to save Jud,
getting him immediately to the doctor. No
one in the community feels responsibility
for the death of Jud, so Curly’s trial is not
treated as a weighty event in the film.
The staging decisions made by Daniel
Fish in the final scene of Oklahoma! inform
the production’s representation of the law.
The scene begins with the introduction of
Curly and Laurey as a married couple, and
the raucous celebration immediately falls
silent when Jud enters, announcing that
he’s “got a present for the groom, but first
[he] wants to kiss the bride.” He then slowly
crosses the stage to tenderly kiss Laurey
while a single tear falls down his cheek.
After crossing back to stand face to face
with Curly, Jud unwraps the box and drops
it to the ground to reveal a pistol, which he
loads and places in Curly’s hand. For a few
moments, the men remain in this intimate
position, with Jud’s hand wrapped around
the wrist that Curly is using to hold the
weapon, gently petting him with his thumb
and tearfully staring into Curly’s blank,
hardened eyes. Anticipating an altercation,
Laurey disrupts the stillness of the scene
by hurriedly crossing to stand between
Curly and Jud, acting as a human shield,
standing equidistant from both men. This
instinctual fear and urgency dissolves into
thoughtful indecision as she looks back and
forth between these two men. Eventually,
she walks to Curly’s side, clinging on to his
arm. Jud absorbs her decision and begins
to take a deliberate step forward, both towards
the newly married couple and the
exit that is positioned behind them. Curly
immediately and unflinchingly raises his
arm and shoots Jud with the gun that was
his wedding gift. This staging allows the
audience and the majority of the cast to
witness Curly murdering Jud unnecessarily,
humanizes Jud by exhibiting his inner
turmoil, and emphasizes the indecision
Laurey feels about aligning herself with the
community or the “othered” individuals.
After the gun goes off, Curly and
Laurey are left covered in blood, while Jud
stands there staring at them. This stage
picture is held in extended silence, and no
effort to feign death or injury is made by the
actor who portrays Jud. Finally, the ensemble
begins quietly asking questions about
what happened and if Jud is alive. After a
few more seconds of stillness, Jud walks
around Laurey and Curly, making eye contact
with the pair and laying down on his
back behind them. Laurey maintains eye
contact with Jud while Curly does not, as
his eyes are still trained straight ahead with
the same glazed look he had when he shot
Jud. Laurey quickly becomes distraught,
dropping Curly’s hand and running back to
Jud to kneel by his side. Curly then drops
to his knees and acknowledges the weapon
and the literal blood on his hands. However,
he ignores Jud’s body completely. Jud’s
body is not touched for the remainder of
the show. His body remaining on stage is a
physical reminder of the murder; yet, it is
not acknowledged by anyone but Laurey, as
Curly is only concerned about himself. Jud
is a dispensable “other,” and no one will miss
him. This blocking indicates that Laurey is
102
questioning her choice to align herself with
Curly and the community, abandoning her
individual autonomy as an “other.”
The blocking during Curly’s trial is
static, heightening the tension between the
characters on the stage. Laurey remains
stationary next to Jud’s body with her gaze
primarily trained on him, while Curly
stands behind and offsets the pair. The rest
of the ensemble remains lining the edges of
the stage. Notably, the three main players
in the trial are positioned in a triangular
configuration. Aunt Eller and Andrew
Carnes, the acting judge, are sitting next to
each other on one side of the stage, while
Cord Elam, the federal marshal, is sitting
positioned in between them on the other
edge of the stage, physically representing
the two-against-one power struggle. The
entire ensemble is abnormally still, and
when micro-movements are necessary, they
are done at an incredibly slow tempo. This
minimalism heightens the importance of the
trial, as it strips away all other distractions,
and audiences are forced to be complicit in
deliberate and obvious legal corruption.
The tone of the murder and trial
scenes in the 1955 film and Daniel Fish’s
revival is starkly different. In the film, Jud
is portrayed as deranged, and his attack on
Curly and Laurey is both unexpected and
immediately dangerous. The act of Curly
tackling Jud is a justified response to the
intensity of the situation and is not an
action that should have resulted in Jud’s
death. The film version frames Jud’s death
as his own fault, as he instigates a dangerous
situation and is brandishing a weapon
while no other characters are armed. The
ensuing trial is then viewed as a mere formality,
as the community believes, with
only Cord Elam weakly protesting, that the
vilified Jud is deserving of his fate. 50 Aunt
Eller and the rest of the ensemble push the
trial along as quickly as possible saying,
“C’mon, Andrew, and start the trial. We
ain’t got but a few minnits,” 51 and that they
need to “get the happy couple on the train
for the States” 52 in order to celebrate their
honeymoon. Aunt Eller makes jokes such
as, “Well, le’s not break the law. Le’s just
bend it a little,” 53 and the crowd rowdily
echoes her, undermining the severity and
procedures of the trial. No significance is
placed on the trial in the film, as it takes
place during the falling action and a vast
majority of the characters do not take it seriously.
The community’s collective moral
compass decides Curly’s fate as opposed to
the letter of the law. The film is not critical
of this disregard for the law, and it glamorizes
the lawlessness of the Territory. The
historical context of 1955 contributes to the
tone of these scenes, as America was eager
to legally condemn the “other” during the
Red Scare in order to protect itself from the
threat of communism and fortify the nation
from foreigners during the Cold War era. 54
Additionally, the civil rights movement
had just begun, and racial conflict was at the
forefront of the American consciousness. 55
Daniel Fish radically reimagines the
tone of the murder and trial scenes, and
as a result, he redefines Oklahoma!’s messaging.
Unlike the frantic, rushed tempo
in the film, Fish’s interpretation features
eerily slow and deliberate pacing. This departs
from the majority of the play, which
50 Zinnemann, Oklahoma!, 2:23:36
51 Zinnemann, Oklahoma!, 2:22:26.
52 Zinnemann, Oklahoma!, 2:23:42.
53 Zinnemann, Oklahoma!, 2:22:20.
54 Joseph Locke, John Wright, The American Yawp (Stanford University Press, 2020) chap. 25, 26, http://www.americanyawp.com/
index.html.
55 Ibid.
103
embraces a sense of realism that is not
often seen in other stagings of Oklahoma!.
Jud entering the stage during the wedding
celebration marks the abandonment of
realism, and this tonal shift draws focus
to the unique significance that this revival
places on the final scene. While the film
uses Jud’s final moments to emphasize his
villainy, Fish creates pathos for the character.
The rejection he has experienced from
Laurey specifically and the community as
a whole has not caused him to return for
revenge but instead to pitifully surrender
himself. Unlike in the film, Jud is portrayed
as a deeply wounded character that is not
an active threat to the community in this
scene. Curly’s lack of emotion tonally contrasts
with Jud’s tearful plea for his pain
to be recognized. Although Jud is moving
in the direction of the exit in a physically
non-threatening manner, the hardened
Curly shoots him. The action taken against
Jud is not portrayed as a de-escalation tactic
or self-defense, as in the film. Instead, it
implicates Curly as a murderer.
With the suggestion that Curly has
committed an unwarranted crime, Fish’s
trial shoulders a new significance, and
the tone of the revival reflects this shift.
No longer is the trial simply an obstacle
threatening a young couple’s honeymoon;
now it is a moment in time that can disrupt
the delicate balance of a volatile community
that is just barely maintaining peace
as statehood looms on the horizon. 56 The
social events of 2018 also color the tone
and interpretation of these scenes, as 2018
was a year in which powerful men such
as Judge Brett Kavanaugh and President
Donald Trump evaded the hand of the law
and “othered” immigrants were deported
by the legal system. 57 The bizarrely slow
tempo, extended moments of silence, and
almost completely static blocking is consistent
throughout the trial, and it gives
both the actors and the audience time and
stillness to understand both the severity of
the situation and the community’s criminal
complicacy as they use the law to excuse
murder. Curly abandons his cocky confidence,
suddenly appearing immature and
completely lost as he is guided through
his trial. Conversely, Aunt Eller emerges
as a powerful and threatening matriarch,
willing to cold-bloodedly manipulate the
law in order to best benefit her and her
loved ones. Lines that were delivered with
glib humor in the film, like “Well, le’s not
break the law. Le’s just bend it a little,” 58
and “You’ll feel funny when I tell yer wife
you’re carryin’ on ‘th another womern,
won’t you? [CORD ELAM: I ain’t carryin’
on ‘th no one.] Mebbe not, but you’ll shore
feel funny when I tell yer wife you air,” 59
become chilling threats. Similarly, Judge
Andrew Carnes’s tone is elevated from
abrasive to threatening in Fish’s revival,
as he barks at Federal Marshal Cord Elam
“Oh, shet yer trap. We can give the boy a
fair trial without lockin’ him up on your
weddin’ night!” 60 Carnes not only follows
suit with Aunt Eller’s intimidation tactics,
but also very clearly baits Curly into saying
just enough so that he can give the “not
guilty” verdict. While Carnes appears as
an impartial figure who is attempting to
maintain order and give Curly — who is
not familiar with the legal system — a fair
56 Altercations between the farmer, cowman, and peddler occur throughout the show, but the physical violence is contained until a
brawl takes place during “The Farmer and the Cowman.”
57 History.com Editors, “2018 Events,” History.com, December 6, 2018. https://www.history.com/topics/21st-century/2018-events.
58 The Musical Lyrics, “Oklahoma! Musical Script.”
59 Ibid.
60 Ibid.
104
“
Leaving the text largely untouched, [Fish]
completely reimagined the messaging, using
a play originally about the strength of idyllic
America to highlight systematic legal flaws that
existed at the conception of the nation and still
plague society today.
trial in the film, he is very clearly biased in
Fish’s adaptation. Carnes adopts a different
tone of voice when addressing Curly, as if
he were sternly speaking to a clueless child,
and he very deliberately steers the trial as
he teaches the younger, more foolish man
what to say. Aunt Eller and Judge Carnes
reveal themselves as corrupt community
leaders as they manipulate the law to protect
their community’s hero.
While the white members of the ensemble
unwaveringly support Aunt Eller
and Judge Carnes’s abuse of power, the
people of color in the cast express their displeasure
with the corruption they identify,
departing from the relative unity depicted
in the film. 61 Most notably, the Federal
Marshal Cord Elam’s weak protests have
deepened to resistant argumentation.
When Aunt Eller pushes a wavering Judge
Carnes to hold the trial in her home, where
she holds a position of authority, and “say
we did it in court,” Cord firmly protests. 62
He advocates for proper procedure, saying,
“’T wouldn’t be proper. You have to
do it in court. … We can’t do that. That’s
breaking the law. … Andrew — I got to
protest,” which culminates in Carnes om-
61 Zinnemann, Oklahoma!, 2:22:26.
62 The Musical Lyrics, “Oklahoma! Musical Script.”
63 Ibid.
64 Ibid.
65 Ibid.
66 Ibid.
67 Ibid.
”
inously telling him to “shet [his] trap,” and
continuing the trial without the Federal
Marshal’s blessing. 63 A tense power struggle
between the white and Black authority
figures reveals that the voice of the white
man is more powerful, and when Cord
“feels funny” about the plea of self-defense,
Aunt Eller ensures that this skewed power
dynamic remains by threatening to ruin his
marriage if he does not comply with their
rigged trial. 64 She even screams at Cord
aggressively, in an act of disrespect for
him and his authority, “Oh, shet up about
being a marshal! We ain’t goin’ to let you
send the boy to jail on his weddin’ night.
We just ain’t goin’ to let you. So shet up!” 65
When Carnes asks for witnesses of Curly’s
act of self-defense, the white ensemble
members respond hurriedly and earnestly
that they saw it happen. However, Mike,
the only person of color asked to testify,
derisively says, after breaking the rhythm
of responses, “self-defense all right.” 66
Mike ultimately conforms to communal
pressures, but he subtextually communicates
that he does not believe that justice
is being served. Ali Hakim remains silent
and continues his journey of assimilation. 67
105
While the community is engrossed in the
trial, Laurey is the only person, Black or
white, that shows any emotion towards
Jud’s body or grief towards his death. No
one speaks for Jud at this trial, alluding to
historical instances when white men could
kill Black men with impunity. 68
The responses of various racial
groups towards Jud’s death and Curly’s trial
reveals the production’s messaging about
the law’s relationship to the “other.” Historically,
Black people inhabited the Oklahoma
Territory at this point in time, living
in their own self-sufficient communities. 69
Despite their independence, the citizens
of these settlements still experienced extensive
racism. 70 This historical reality is
mirrored by the way that people of color
function within the trial scene. The Black
individuals are all pushing for an impartial
trial that follows proper legal procedure,
only to be screamed at or dismissed by the
white community leaders. As with their
historical counterparts, the people of color
are simply trying to lead a just life. Their
refusal to assimilate into this community
and its morals, like Ali Hakim has, inspires
a violent backlash from the other characters.
Just as the all-Black, well-established
settlements threatened the rest of the historical
Territory, the white characters in
Oklahoma are disturbed by the independence
and strength of the people of color.
Even after removing the racialized threat
of Jud’s existence, the community still
experiences unrest. The power struggle
between the Black and white members of
the ensemble and the eventual silencing of
68 Most, “‘We Know We Belong to the Land’: The Theatricality of Assimilation in Rodgers and Hammerstein’s Oklahoma!,” 84.
69 Adams, “Africanizing the Territory: The History, Memory and Contemporary Imagination of Black Frontier Settlements in the
Oklahoma Territory.”
70 Adams, “Africanizing the Territory: The History, Memory and Contemporary Imagination of Black Frontier Settlements in the
Oklahoma Territory,” 11-15.
71 Leslie Hewes, “Making a Pioneer Landscape in the Oklahoma Territory,” Geographical Review 86, no. 4 (1996): 588-603.
doi:10.2307/215934.; W. Edward Rolison “Murder in Custer County: A Case Study and Legal Analysis of Herd Law vs. Free Range
in Oklahoma Territory,” Chronicles of Oklahoma 90 no. 3 (2012): 260-285.; Orben J. Casy “Governor Lee Cruce and Law Enforcethe
people of color “others” them collectively.
The community is defined by the
white matriarch — Aunt Eller — and how
she manipulates the law to protect the individuals
that conform to her idea of what
the Territory should be. The outsider Jud
and the individuals who fought for legal
justice are all racialized characters that are
ultimately not protected by the law, just as
the all-Black settlements were not protected
by the law. As a biracial woman, Laurey
straddles the racial divide presented in the
trial scene. She and her husband benefit
from the protection of Aunt Eller and the
rest of the community’s support, but she
understands the injustice that has befallen
Jud. While she is eager for Curly to receive
his “not guilty” verdict, Laurey also spends
the final scenes kneeling next to Jud and
crying over his body. She participates in
the systematic legal corruption but has
sympathy for the “othered” community to
which she inherently belongs.
Historically, the territory of Oklahoma
had difficulties embracing the legal
reformations that came with the transition
to statehood. Hewes describes how the
common man, not just the elite, began attaching
himself to the pioneer landscape in
Oklahoma during the 1890s. The territory
soon fell into lawlessness, drunkenness,
and violence due to legal ineffectiveness;
the analysis of legal disputes reveals that
herd and free range laws were unclear,
and law enforcement was inconsistent
and biased, specifically when enforcing
laws concerning prohibition, gambling,
and violence during the early 1900s. 71
106
Law enforcement officials routinely broke
these laws and looked the other way when
their friends wanted to participate in illicit
activities. 72 Creel further details this legal
ineffectiveness, as he noted that the new
state struggled to keep a murderer in jail
that had been convicted when Oklahoma
was a territory. 73 Dale claims that during
the years 1900-1936, the United States
attempted to control popular justice by
professionalizing policing and adapting the
criminal justice procedure to increase the
number of fair trails, but that these federal
and state-level changes had not yet reached
Oklahoma in the first decade of the century.
74 Before and during its transition from
territory to state, Oklahoma was a place
composed of often corrupt quasi-legal
figures that served the interests of the
immediate community, not the larger legal
system. The manipulation of the law that
occurs in Oklahoma! is not an invention
of Rogers and Hammerstein; rather, it is
rooted in a documented historical reality.
Despite the radically different representations
of the law that Daniel Fish’s
Oklahoma! and the 1955 film portray, there
are very few discrepancies in the scripts,
especially in the murder and trial scenes. In
fact, most of the lines are translated wordfor-word
from the stage to the screen, and
Fish chooses to embrace this text mostly
as it was written. Any mentions of the
shiveree, the knife, and the fire are cut for
continuity in Fish’s version, as those events
and props are not used in his staging. Additionally,
Jud does not get an opportunity
to kiss Laurey in the film due to staging
“The manipulation
of the law
that occurs in
Oklahoma! is
not an invention
of Rogers and
Hammerstein;
rather, it is rooted
in a documented
historical reality.”
limitations, so he says “I didn’t get to kiss
the bride” instead, and there is an additional
threat made to Cord Elam made during
the trial scene, as he is told, “If we get to be
a state we gunna elect ourselves a sheriff.
If you don’t keep your mouth shut, ain’t
nobody gonna vote for yuh.” 75 The lack of
significant script alterations highlights the
weight of the directorial choices made by
Fish. Leaving the text largely untouched,
he completely reimagined the messaging,
using a play originally about the strength
of idyllic America to highlight systematic
legal flaws that existed at the conception of
the nation and still plague society today. In
between Jud’s death and Curly’s trial, Aunt
Eller comforts Laurey and tells her,
‘At’s all right, Laurey baby. If you cain’t
fergit, jist don’t try to, honey. Oh, lots of
ment in Oklahoma, 1911-1915” Chronicles of Oklahoma 54 no. 4 (1976): 435-460.
71 Casy, “Governor Lee Cruce and Law Enforcement in Oklahoma, 1911-1915,”435-460.
Casy, “Governor Lee Cruce and Law Enforcement in Oklahoma, 1911-1915,”435-460.
73 Von Russel Creel, “Vignette,” Oklahoma City University Law Review 29, no. 1 (Spring 2004): 441-448.
74 Elizabeth Dale, Criminal Justice in the United States, 1789-1939 (New Histories of American Law. Cambridge ; New York: Cambridge
University Press, 2011), 97-121.
75 Zinnemann, Oklahoma!, 2:23:34
107
things happen to folks. Sickness, er bein’
pore and hungry even-bein’ old and
afeared to die. That’s the way it is-cradle
to grave. And you can stand it. They’s
one way. You gotta be hearty, you got
to be. You cain’t deserve the sweet and
tender in life less’n you’re tough. 76
In Fish’s revival, a single word is
changed, as Aunt Eller says “lots of things
happen, folks,” and the direct address of the
audience causes the monologue to shoulder
a much stronger significance. No longer is
this speech a simple source of comfort for
her niece; now it is a proclamation of her
intense ideology to the larger community.
Each audience member is directly implicat-
ed as the impassioned Aunt Eller justifies
the legal corruption she will instigate in
the following scene and perpetuates the
concept of the mythological “American
Dream” — that those who work hard and
weather the storm can achieve whatever
they set their minds to in the budding
nation, and those who do not achieve
success do not deserve it. During the trial
scene, Aunt Eller protects her family and
treats those who she perceives as threats
abusively, effectively expelling them from
her community. This quote itself, as well as
the act of altering it, perfectly signifies the
messaging and intentions in this reimagined
Oklahoma!. ■
76 The Musical Lyrics, “Oklahoma! Musical Script.”
Bibliography
Primary Sources
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Rebecca Naomi Jones on Green Day,
Billie Joe Armstrong, and Singing in
Her Underwear.” The Wall Street Journal,
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Bond, Randall Ives. “Still Dreaming
of Paradise: Rodgers and Hammerstein’s
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Boss, A. G.. “(Un)Related Purposes:
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in Oklahoma Territory.” Chronicles of
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109
by Joy Zhao
Ryan Serrano is a graduate student in
the Department of Slavic Languages and
Literatures. He is in the final year of his Ph.D.
studies and is finalizing his dissertation.
Serrano is a teaching assistant for “Introduction
to Russian Literature,” which is taught by
Professor Gary Morson, and “Economics
and the Humanities: Understanding Choice,”
which is co-taught by Morson and Economics
Professor Morton Schapiro.
[This interview has been edited for brevity
and clarity.]
110
Tell us about your path from your undergraduate studies to where
you are today.
I was an undergraduate at Princeton University and planned to pursue
mathematics. Before having to declare my major, I realized that, despite my
interest, it wasn’t what I wanted for my future. So, I looked at the classes that I’d
enjoyed most [up] to that point, computer science and Russian literature. After
taking another one in each area, I decided to major in Russian literature and minor
in computer science. After graduating, I took a year off and gained some real-life
experiences by working various jobs. I chose to attend Northwestern University for
graduate school primarily because of its location, reputation, and the faculty I met
during the process.
What drew you to Russian literature?
At the time, I had a hard time accepting that I wasn’t going to be a mathematics
major, something that defined my identity and interests for a long time. In that
emotional time, Russian literature felt important to my growth as a person. There
was a depth and urgency in the way it addressed the big questions of life that I
hadn’t seen elsewhere. I was also lucky enough to take a class with the incredible
Caryl Emerson, whose enthusiasm for the subject was infectious. Since I was
learning Russian as a second language at the time, I thought, If the English translations of
these books are this incredible, imagine reading them in the original Russian!
Do you have a favorite Russian novel?
Yes, “Petersburg” by Andrei Bely. I was immediately drawn to it because it didn’t
feel like anything I’d ever read before. It presents a unique take on the city of
Petersburg and incorporates famous works of Russian literature, like Pushkin’s
“Bronze Horseman.” There are also some really weird moments. For example, one
character’s thoughts escape from his brain and become another character. The book
also has an oddly mathematical feel at times, which of course I love. I wrote my junior
paper at Princeton on “Petersburg,” and it was the writing sample I ended up submitting
in my Northwestern graduate school application. I could reread it endlessly.
What does being a graduate student look like?
At each stage, it looks very different. The first and second years are pretty similar
to being an undergraduate. Once the teaching requirement starts, you have to
take on an authoritative role while continuing with your own learning, so that’s
certainly an interesting balance. When you are done with your classes and the
qualifying exam, the challenges become totally different as you start writing your
dissertation, which is a massive project that you work on for years. While writing
the dissertation is your main focus during this time, you also attend conferences,
submit publications, and teach along the way.
111
“With everything that’s been happening
in the world, I really wanted to work
on something that feels important and
relevant to the world at large.”
Was it easy for you to choose the topic for your dissertation?
Not at all! It’s really difficult to choose a topic that you will work on for several
years. I actually started with a very different idea and completely switched gears to
my current topic, which focuses more on close reading and literary analysis. It took me
several years to settle on my topic, and I spent another year revising my main thesis.
What is your thesis for your dissertation?
I’m proposing something that I call “prison of performance,” a category of
characters whose self-performance causes moral problems for them. We all take
on roles to some extent when we interact with others. My argument is that there
are people who play roles so often that playing them becomes second nature;
eventually, these roles invade their inner consciousness, and the individual becomes
an audience to their own behavior. They lose control of their own choices, and this
causes moral problems. In the different chapters, I apply my idea to superfluous
men (a literary type), Dostoyevskian characters, and modern social media culture.
Essentially, social media is a constant performance, and I draw conclusions about
potential moral problems that we could fall into. With everything that’s been
happening in the world, I really wanted to work on something that feels important
and relevant to the world at large.
Looking back, what is your proudest moment?
In 2016, I successfully defended my master’s thesis on Valentin Rasputin’s “Farewell
to Matyora” and Venedikt Erofeev’s “Moscow-Petushki.” There were moments
along the way when it felt like I would not ever finish it, but with help from a few
of my professors, I managed to produce something that I think was meaningful. It
was definitely a highlight!
If you could give some advice to graduate students, what would it be?
The biggest thing I would say is to be your own advocate in terms of pursuing
opportunities and getting what you want out of the program. Compared to
undergraduate studies, you have to take a lot more initiative and ownership in
terms of meeting deadlines, getting the most out of your classes, and applying for
fellowships. It’s important to not wait around for opportunities to arrive, but to
actively look for things to deepen your experience.
112
Did you experience any challenges along the way?
Definitely! Every graduate student I know has questioned whether they belong in
graduate school. It can be a challenge to stay upbeat and to focus on getting what
you want out of the program. For a while, I had a hard time with the feeling that
I always could be doing more, since there is no rigid division between when you
should work and when you can relax like in a traditional 9-to-5 job. It can be very
stressful! I had to come up with better systems for apportioning my time for the
sake of my own mental health. I also originally had a vision of graduate school
that was kind of naive; I thought it would be a magical place where everyone is
only occupied with intellectual pursuit. But a lot of it is not like that, so I think it’s
important to be realistic and treat it like any other career path.
How has being a teaching assistant (TA) changed your perspective?
Originally, I considered my TA duties as a requirement that I had to check off. But
now, my TA duties have become the most rewarding part of my day. I really enjoy
running discussion sections, interacting with students, and even grading (to an
extent). I didn’t expect to like it as much as I do, and I honestly value it even more
than my own scholarship. After all, only so many people will read my dissertation,
but I can reach so many students and hopefully make a positive impact on their lives.
What are your plans after graduating from graduate school?
Originally, my goal was to become a professor, and I could still see myself teaching
eventually. However, I would not be surprised if I end up outside of academia for
the immediate future. For now, I’m focusing on finishing my dissertation and will
take a few months off afterward to figure out the next step.
What advice would you give to students who are interested in
graduate school?
My first piece of advice would be to take some time off after graduating so you
don’t spend 10+ years straight in school and burn out. Real-life experiences are
important! My second piece of advice would be to make sure you really, really
love your field and aren’t just going to graduate school because it seems like the
“obvious” next step. ■
113
Department of Performance Studies
Faculty Adviser: Prof. Joshua Chambers-Letson, Ph.D.
Department of Art History
Faculty Adviser: Prof. Rebecca Zorach, Ph.D.
Knowledge and Wonder’s
Place, Policy, and Publics:
Kerry James Marshall and the Henry E.
Legler Library’s Percent-for-Art Commission
by Meghan Clare Considine
Abstract
Despite its unique position within Kerry James Marshall’s (b. 1955) celebrated
body of work, the public mural Knowledge and Wonder (1995) has received little
scholarly attention to date. It was loaned for exhibition only once and was
featured in just a brief footnote in the artist’s now-definitive 2016 monograph
before it was embroiled in controversy in October 2018, when then-Chicago
mayor Rahm Emanuel attempted to sell the work as a municipal asset at
auction, resulting in major media coverage and widespread public outcry.
By tracing a longer history of the work, or what theorist Arjun Appadurai
would name the “social life” of Knowledge and Wonder, I argue that this mural
is resoundingly site-specific, responding to the unique space and history of
the Henry E. Legler Regional Library. By elaborating on the history of this
library and its surrounding community of West Garfield Park, collecting and
synthesizing oral histories from key participants in the commission, and critically
engaging the logics of the 2016 exhibition Kerry James Marshall: Mastry, I
attempt to fill a lacuna in discourse surrounding the artist’s practice, which is
typically discussed in relation to the scopic regimes of whiteness within Western
art history as a disciplinary formation and the complicity of museums in
shaping that canon. Ultimately, I endeavor to demonstrate that Knowledge and
Wonder presents a formal anomaly within Marshall’s broader body of work,
one that can be accounted for by the fact that it was forged within a network
of relations for a specific community, not a museum industrial complex comprised
of galleries, collectors, curators, and other institutional actors. This
mural’s eventual confiscation from West Garfield Park marks a particular, and
perhaps irreparable, violence in that it emblematizes the exploitation of Black
labor and extraction of value from Black communities that is, and has been, a
constant feature of American life.
114
“
This mural’s eventual confiscation from West
Garfield Park marks a particular, and perhaps
irreparable, violence in that it emblematizes the
exploitation of Black labor and extraction of value
from Black communities that is, and has been, a
constant feature of American life.
Introduction
Seventeen enraptured Black figures plant
themselves upon a checkered precipice.
This intergenerational group, composed
predominantly of children, stands with
their backs to the viewer in varying states
of curiosity, shyness, and sheer awe. Heads
are cocked, hands are held, and arms are
crossed. This assembled collective bears
witness to three larger-than-life-sized
books: A Big Book of Knowledge, The Golden
Book of Wonder, and The Wonderful Book of
If. These texts are overlaid and intersected
with astrological phenomena: stars, comets,
planets, and constellations. Toward
the left of the canvas a terrific solar eclipse
casts its beams far and wide. Creatures of
the imagination then come to the fore: a
pink and red dragon with delicate white
”
spots, and the strong blue arms of a hero
whose fist is limned with gold. One of
their number rockets off to the stars in what
appears to be a flying saucer (Figure 1).
Unabashedly stylized instances of
dripping paint soon make it clear to the
viewer that this all-encompassing scene is
indeed just a painting, and the hypothetical
viewer is whisked back into reality. Kerry
James Marshall’s 10- by 23-foot mural
Knowledge and Wonder was commissioned
in 1993 specifically for a public library on
Chicago’s West Side, the Henry E. Legler
Library in West Garfield Park (hereafter
referred to as the Legler). For nearly 25
years, the mural, installed in 1995, activated
an entire wall on the library’s second floor
(Figure 2), flanking the children’s section
S Figure 1. Kerry James Marshall, Knowledge and Wonder, 1995. Acrylic on
paper and canvas, 10 feet by 23 feet. Henry E. Legler Regional Library,
Chicago, Illinois. Photo provided by the City of Chicago for the New York
Times, https://www.nytimes.com/2018/10/05/arts/design/ kerry jamesmarshall-painting-chicago-proposed-auction.html
115
W Figure 2. Kerry James Marshall, Knowledge
and Wonder, 1995. Acrylic on paper and
canvas, 10 feet by 23 feet. Henry E. Legler
Regional Library, Chicago, Illinois. Photo
by Nathan Mason posted to Facebook 4
January 2018.
X Figure 3. Elizabeth Catlett, Floating
Family, 1995. View from entryway. Carved
primavera wood, dimensions unknown.
Henry E. Legler Regional Library, Chicago,
Illinois. Photo by Nathan Mason posted to
Facebook 4 January 2018.
and crowning a suspended sculpture by the
renowned artist Elizabeth Catlett (b. 1915)
entitled Floating Family (1995) (Figure
3). Located at the apex of a grand marble
staircase, the mural, its monumental scale
coupled with its formal lavishness, lends
majesty to the quotidian act of a trip to the
local library, interpellating the presumed
viewer, a Black child, in meaningful ways.
One can recognize a Marshall canvas
from across the room. Throughout his
celebrated career, the artist’s use of highly
saturated and literally black pigments for
the skin of Black subjects, coupled with
an extensive repertoire of identifiable art
historical signifiers, has allowed a resounding
narrative of his practice to emerge:
Marshall’s body of work, particularly his
figurative painting, is consistently framed
as an intervention in redressing the scopic
regimes of whiteness within Western art
history itself, or as the artist himself has
suggested, “an argument for something
else.” 1 Marshall confronts his audiences
with the Black body’s systemic absence
from the transhistorical genre scenes made
familiar by the institutional authority of
the museum’s white walls, a confrontation
that is made formally legible by the majority
of figures across his oeuvre who look
out beyond the picture plane, locking their
eyes with the viewer.
The 17 figures in Knowledge and Wonder,
however, with their backs turned to
1 Kerry James Marshall, “An Argument for Something Else: Dieter Roelstraete in Conversation with Kerry James Marshall, Chicago,
2012,” in Kerry James Marshall: Painting and Other Stuff, exh. cat., ed. Nav Haq (Antwerp: Ludion, 2014), 28.
116
the picture plane, do not bear the burden of
such a confrontation. Rather, they invite a
viewer who is not necessarily presumed to
possess any preexisting art historical lexicon
to congregate and imagine. The formal
qualities of the mural and the historical
factors that ultimately led to its commission
and installation at the Legler, I argue,
render Knowledge and Wonder as singular
and resoundingly site-specific within the
artist’s broader body of work.
The artworks at the Legler have received
scant scholarly attention to date.
This is surprising for a city known for its
rich and widely touted history of public
art, from Pablo Picasso’s untitled sculpture
in Daley Plaza (1967) (Figure 4), to
Bronzeville’s 1967 Wall of Respect (Figure
5), which was created by the Organization
of Black American Culture (OBAC) and
sparked a nationwide community mural
movement. More contemporary icons such
as Anish Kapoor’s Cloud Gate (2006), colloquially
referred to as “The Bean,” in Millennium
Park (Figure 6) have crystallized
the city’s reputation for public artwork,
and the city’s Department of Cultural Af-
fairs and Special Events even declared 2017
as the “Year of Public Art.” 2
My research endeavors to broaden the
scope of scholarly and civic engagement
with the mural to relay a longer history of
the object, or what Arjun Appadurai might
name its broader “social life.” 3 Dominant
accounts of Knowledge and Wonder
emphasize its unfortunate (though others
might argue inevitable) fate: its sudden
removal in October 2018, when then-mayor
Rahm Emanuel announced his intention
to sell the mural as a municipal asset at
auction for an estimated $10–$15 million,
proposing to use the revenue to restore the
library’s former status as a regional branch,
of which it had been stripped in 1977. This
rash decision was thankfully reversed due
to sustained public outcry and is further
detailed in the complete thesis, where I
argue it was emblematic of a tendency
scholars Lawrence Bobo, James R. Kluegel,
and Ryan A. Smith have called “laissezfaire
racism.” 4
In this project, I map out the space of
the Legler and its surrounding community,
emphasizing how the realm of the aesthet-
W Figure 4. Pablo Picasso, Untitled
(“The Chicago Picasso”), 1967.
Welded steel, 50 feet tall. Richard J.
Daley Center Plaza, Chicago, IL.
2 One of the many celebrations of the year was the installation of a new large-scale public mural by Marshall on the facade of the
Chicago Cultural Center. Marshall accepted a single dollar as compensation for the project, entitled Rushmore (2017).
3 Arjun Appadurai, ed., The Social Life of Things: Commodities in Cultural Perspective (Cambridge, UK: University Press, 1986),3.
4 Lawrence, Bobo, et. al. “Laissez-Faire Racism: The Crystallization of a Kinder, Gentler, Antiblack Ideology.” In Racial Attitudes in
the 1990s: Continuity and Change, ed. Steven A. Tuch and Jack K. Martin, 17.
117
S Figure 5. Visual Arts Workshop of the
Organization of Black American Culture
(OBAC), Wall of Respect, 1967–1971. Paint
on Masonry, dimensions unknown. 43rd
Street and Langley Avenue, Chicago, IL.
Photography by Robert A. Sengstacke: Image
courtesy of LUNA, University of Chicago.
ic works toward resisting dominant and
racist accounts of deprivation and decay.
Further, I explore how this particular mural
might fall outside of the logic and assumptions
of the celebrated 2016 traveling
exhibition, Kerry James Marshall: Mastry.
Ultimately, I endeavor to demonstrate that
Knowledge and Wonder presents a formal
anomaly within Marshall’s broader body
of work, one that I argue can be accounted
for by the fact that it was forged within a
network of relations for a specific community,
not a museum industrial complex
comprised of galleries, collectors, curators,
and other institutional actors. This mural’s
eventual confiscation from West Garfield
Park marks a particular, and perhaps irreparable,
violence in that it emblematizes the
exploitation of Black labor and extraction
of value from Black communities that is
and has been a constant feature of American
life. In what follows, I reconstruct the
story of the commission on the basis of oral
S Figure 6. Anish Kapoor, Cloud Gate, 2006.
Stainless steel, 33 feet × 42 feet × 66 feet.
Millennium Park, Chicago, IL.
histories with key participants, emphasizing
the informal artistic networks within
Black cultural life in Chicago and beyond.
A Historic Commission
The library in question was closed entirely
for nearly two years prior to its rededication
on July 31, 1993. In sociologist Eve
L. Ewing’s recent ethnographic research
on Chicago Public School closings under
Emanuel’s administration, she introduces
the concept of “institutional mourning.”
I apply this hermeneutic to the site of the
Legler library to emphasize the gravity of
slowly, then suddenly, losing a community
gathering space and sanctuary such as a
local library existing under increasingly
precarious conditions. Defined by Ewing
as the “social and emotional experience
undergone by individuals and communities
facing the loss of a shared institution
… especially when those individuals or
communities occupy a socially marginalized
status that amplifies their reliance on
the institution or its significance in their
lives,” 5 this definition resonates with the
Legler’s precarious history. Although the
voices of many library users are woefully
obfuscated in contemporaneous news
5 Eve L. Ewing, Ghosts in the Schoolyard: Racism and School Closings on Chicago’s South Side. (Chicago: University of Chicago Press,
2018), 127.
118
“In an increasingly
privatized public
sphere, considering
public art and
its dynamic
relationships with
site, space, the law,
and constituents,
offers opportunity
to reflect upon
democratic ideals
themselves.”
accounts, we can infer that decreased
resources, the threat of complete obliteration,
and an eventual two-year closure not
only came with such institutional mourning,
but that the artists Marshall and
Catlett likely felt it imperative to recognize
and celebrate the stakes of the reopening
through their respective commissions.
A question that might arise after
considering the history of the Legler is:
How did a mural and a sculpture by two
renowned artists find their way into a
so-called “blighted landscape”? 6 One reason
attending to public art is important is
that it allows a rethinking of conventional
frameworks of value and ownership. For
art historian Rosalyn Deutsche, public
space itself is the corollary of democracy. 7
In an increasingly privatized public sphere,
considering public art and its dynamic relationships
with site, space, the law, and
constituents, offers opportunity to reflect
upon democratic ideals themselves. With
Catlett and Marshall having works in the
collections of major museums around
the world, typically flanked by the likes
of guards and glass and security alarms,
their unassuming presence in a West Side
public library presents a remarkable story.
In retelling it, depending largely on oral
histories I conducted in the fall of 2019, I
endeavor to position these works not as
the commodities the museum industrial
complex might frame them as, but rather
instead as a result of sustained, careful
engagement with the site, exemplifying an
informal but nonetheless rich gift economy
between Black artists in Chicago, and
indeed beyond.
Before delving into the relationships
between historical actors, however, it is
prudent to outline the municipal policy
that enabled this commission. While many
details behind the Legler commission have
eluded the archive, the fact that the project
was funded by the city’s Percent-for-Art
Ordinance is widely known. In fact, most
objects in the municipal collection on view
throughout the Chicago Public Library
system (that are not products of earlier
Depression-era Works Progress Admin-
6 Amanda I. Seligman, Block by Block: Neighborhoods and Public Policy on Chicago’s West Side (Chicago: University of Chicago Press,
2005), 41. Seligman highlights the fact that this term is borrowed from the study of ecology, blight representing “a physical decay
with organic qualities … a blighted structure had the potential to infect nearby properties with its decay, thereby threatening the
vitality of the surrounding neighborhood.” The term “blight,” along with ideas such as urban decay, came into mainstream use in
the 1960s, when West Garfield Park’s Black population grew from 15.79% to 96.83% Black, and 83.65% to 2.82% white. The term
is, of course, racially coded. It is perhaps worth additionally noting that the 1999 Northwestern University department of History
PhD dissertation that germinated this book was titled Block by Block: Racing Decay on Chicago’s West Side, 1948–1968, (emphasis my
own). Amid these dominant accounts of decay, cultural production such as Knowledge and Wonder, Compensation, and Floating Family
presents an image of flourishing germination.
7 Rosalyn Deutsche, Evictions: Art and Spatial Politics (Cambridge and London: The MIT Press, 1996), 274.
119
istration cultural projects) arrived by way
of this particular ordinance. In 1978, the
Chicago City Council unanimously approved
the Percent-for-Art Ordinance,
which stipulates that 1.33% of the cost of
constructing or renovating a public space
or municipal building be reserved for the
purchase or commission of artworks. 8 One
half of these funds must be reserved for
local artists; Marshall had lived in Chicago
since 1987, 9 and although Catlett was by this
time based in Mexico, she had social ties to
Chicago; she graduated from the School of
the Art Institute in 1941 and ran in the same
South Side cultural circles as the founder of
the DuSable Museum (and skilled artist in
her own right), Margaret Burroughs. 10
Throughout the 1970s and 1980s,
federal agencies like the General Services
Administration, the National Endowment
for the Arts, and states and cities across
the country began advocating for the
purchase and commission of public artworks,
11 which notably followed on the
heels of countercultural community art
movements sparked by the OBAC’s Wall of
Respect (1967) in Bronzeville on Chicago’s
South Side. According to Miwon Kwon,
the leading theorist on the problem of
site-specificity in contemporary artistic
practice, the aim of this sort of codified
public art policy and legislation was to
“promote the aesthetic edification of the
American public and to beautify the urban
environment.” 12 While the intent of such
an ordinance, to increase exposure to the
arts to the greater populace, is undoubtedly
democratic, there is a degree of condescen-
sion inherent to this formulation. Present,
too, is a problematic assumption that the
“public” is a homogenous body in sore need
of moral and intellectual improvement, and
that the “urban environment” is inherently
ugly, as opposed to a landscape reflecting
structural inequities that disproportionately
allocate and concentrate resources,
including green spaces and cultural institutions,
in predominantly white and affluent
downtown areas that generate revenue as
tourist destinations.
When Emanuel proposed the sale of
Marshall’s mural in October 2018, he ignited
a deluge of media coverage and public
outcry around the mural. None of that
attention addressed the piece as a pendant
to the as-striking Catlett sculpture, and
none of the coverage addressed the mechanisms
and matrices of relationships that
led to the commission of these works at
all. Many people experience public art as a
permanent feature of the urban landscape.
Retelling the story of this commission
and foregrounding the human actors who
facilitated the Percent-for-Art commission
offers insight instead into a dynamic
unfolding in time and space marked by a
series of contingencies and relationalities.
Downtown Chicago’s Harold Washington
Library, which happens to be home
to dozens of public artworks whose origins
can be traced to the aforementioned ordinance,
houses an impressive archive of
Marshall-related ephemera in its collection
of “artist files.” In Marshall’s file, one can
find news clipping after news clipping on
his exhibitions, his rising fame, and his
8 City Council of the City of Chicago, “City of Chicago Percent-for-Art Ordinance,” accessed 25 April 2020. https://www.chicago.
gov/city/en/depts/dca/auto_generated/public_art_program_ publandreports/new_art_on _pink_line.html
9 Jason Farago, “Kerry James Marshall Paints for Chicago. His Mural Should Stay There,” New York Times, October 5, 2018. https://
www.nytimes.com/2018/10/05/arts/design/kerry-james-marshall-painting-chicago-proposed-auction.html
10 Bertrand D. Phillips, phone interview with author, December 5, 2019.
11 Miwon Kwon, One Place After Another: Site-Specific Art and Locational Identity (Cambridge and London: The MIT Press, 2002),
56-99.
12 Kwon, One Place After Another, 64.
120
impressive grants and fellowships, but
a glaring lack of coverage regarding this
particular commission at the Legler. My
mistake was in looking for a front-page
story, when details regarding the Legler
appeared instead as a passing sentence in a
2003 Chicago Magazine article. The curator
Hamza Walker, who was then working at
the Renaissance Society in Hyde Park, was
asked to provide some brief commentary
on Marshall’s practice. To contextualize
their relationship, the author of the profile
wrote, “[Walker] helped Marshall get
a commission for a mural in the Legler
Branch Library on the West Side.” 13 When
I contacted Walker for an interview, he
expressed surprise that public information
regarding the commission was so sparse,
and acute frustration that no one had contacted
him for commentary in the immediate
aftermath of the proposed sale.
At the time of the Legler renovation,
Walker was only a recent graduate from
the University of Chicago’s undergraduate
art history program. He was working his
first post-graduate job as the public art
coordinator in the city’s Public Art Program
(PAP). While more senior PAP staff
members including curators Mike Lash
and Steve Mitchell were busy assembling
a public art collection with the significant
Percent-for-Art funds that were generated
by, as it happens, the new Harold Washington
Library which had opened in 1991,
the young Walker was left to work independently
without significant oversight or
conventional bureaucratic hurdles. He assembled
acquisitions and organized commissions
for smaller local branch libraries
predominantly on the South and West
Sides, gaining significant curatorial skills,
instincts, and contacts in the process. His
final project before taking a job back in
Hyde Park at the Renaissance Society was
the Legler commission. 14
After being closed for construction
for two years as a result of Bethel New
Life (a West Side community organization
still active today)’s dedicated lobbying, the
newly renovated Legler reopened in 1993,
leaving $20,000 for a Percent-for-Art
commission or acquisition. Walker and
Marshall were personal friends; Walker
had been a major advocate for the artist
when he was getting started in Chicago in
the late 1980s, where he had moved after
completing a fellowship at the Studio Museum
in Harlem to be closer to the family
of his wife, the actress Cheryl Lynn Bruce.
Notably, Walker was also aware, though
the information had not yet been publicly
announced, that Marshall had been selected
to participate in the 1997 iterations of both
Documenta (X) and the Whitney Biennial.
15 1997 would also prove to be the year
that Marshall was awarded the MacArthur
Foundation’s “Genius Grant.” The artist
was on the brink of becoming much busier,
and his work was about to become prohibitively
expensive for any municipality
to think of purchasing or commissioning.
Evidently resisting the language of market
speculation, however, Walker instead insisted
that he had so staunchly advocated
for Marshall to secure the commission because
he knew that Marshall had “always
dreamed of illustrating a children’s book.” 16
Walker recalls circumventing typical pro-
13 Mara Tapp, “Visible Man,” Chicago Magazine, October 2003, 136.
14 The city of Chicago has a vast collection of public artworks in its branch libraries, many of which were commissioned or
acquired by Hamza Walker early in his career, which further researchers might consider taking up. Take for example, the photographs
by Carrie Mae Weems at the Chicago Bee Branch Library in Bronzeville. Hamza Walker, personal interview with author,
October 31, 2019.
15 Hamza Walker, personal interview with author, October 31, 2019.
16 Ibid.
121
“The sustained composition, the view from behind, offers
young viewers an invitation into an assembly, positioning the
library itself as a platform for accessing the very wonder and
knowledge promised by the title of the mural.”
tocol by bringing the Project Advisory
Panel to Marshall’s studio in lieu of a formal
perusal of the city’s designated slide
registry. He even remembers, with some
fondness, forgoing his position’s designated
neutrality in the deliberation processes, for
example, by successfully convincing a community
member on the Project Advisory
Panel to reconsider her assumptions when
she expressed offense toward the artist’s
trademark hyper-concentrated rendering of
Black skin tones in his previous paintings. 17
Walker shared that one of the artist
representatives on the panel was Bertrand
(Bert) D. Phillips. In fact, in Phillips’ account
of the same selection process, Walker
remained a far more impartial facilitator,
instead electing to relay his emphatic preference
for Marshall in the privacy of Phillips’
car while hitching rides to and from
meetings and site visits. 18 By Phillips’ recollection,
which he admitted was blurry after
more than 20 years, the most vocal party in
group deliberations was not Walker at all,
but instead the other artist representative
on the panel, Thomas Skomski. 19 This representative
also happened to be the only
white person on the seven-person panel,
which always comprises two local artists,
three community representatives, a repre-
sentative from the library, and the public
art coordinator. Phillips recalled Skomski’s
relentless advocacy for the commission to
be awarded to an unnamed white artist, but
others felt it was imperative that Black artists
be selected to take on this commission
for a majority Black community. Skomski’s
inability to recognize the importance of
such a gesture led to significant tension
among the group, 20 and a frustrated Phillips
(who had the bold suggestion to write
to his acquaintance Elizabeth Catlett to
gauge her interest in the first place) 21 left
the project dissatisfied, never seeing the
completed Legler commission. 22
After receiving Phillips’ letter, Catlett
paid her own plane fare from Mexico to
come back to Chicago and conduct a site
visit at the Legler. 23 Clearly inspired by the
existing architecture of the building, she
elected to suspend her sculpture from the
ceiling so that those on the second floor
balcony near the Marshall mural might experience
the work from above, and those
entering through the front door or waiting
in line at the circulation desk could look up
at Floating Family. She signed her contract
on Jan. 26, 1994, and her sculpture was installed
on May 24, 1995. 24
Marshall signed his contract just be-
17 Ibid.
18 Bertrand D. Phillips, phone interview with author, December 5, 2019.
19 Skomski was not willing to provide a comment and did not recall his participation, but Department of Cultural Affairs and Special
Events records do confirm his participation. Thomas Skomski, email message to the author, January 5, 2020. Daniel Schulman,
email message to the author, February 20, 2020.
20 Bertrand D. Phillips, phone interview with author, December 5, 2019.
21 Ibid., and Hamza Walker (untitled presentation presented at the Department of Art Theory and Practice at Northwestern University
“Visiting Artist Talk,” October 31, 2019.
22 Bertrand D. Phillips, email message to the author, December 6, 2019.
23 Ibid.
24 Daniel Schulman, email message to the author, February 20, 2020.
122
S Figure 7. Kerry James Marshall, Knowledge and
Wonder Preparatory Sketch, 1995. 25 by 58 inches.
Photo by Daniel Schulman.
fore Catlett, on Dec. 3, 1993, and completed
the mural onsite at the library in 1995,
though archival documents relaying the
precise dates of the installation have since
been lost. 25 Although he was already preparing
for prestigious international exhibitions,
this local commission presented a
major opportunity in and of itself: it was to
be Marshall’s largest work in terms of size
and scale to date. At 10 by 23 feet, Walker
recalls Knowledge and Wonder being far too
wide to fit into Marshall’s cramped studio
space at 1325 S. Wabash Ave., so it was
instead to be painted at the library during
open daytime hours. 26 Imagining Marshall
completing this mural onsite not only
helps account for notable changes from
the initial study to the final mural, but
strengthens our understanding of the work
as a site-specific intervention dependent
not only on existing library architecture
and infrastructure, but an interpersonal relationality
contingent upon the moment of
bodily encounter, as well. Any adolescent
library-goer approaching the monumentality
of the mural’s all-encompassing scale
is invited into a visual field far larger than
S Figure 8. Kerry James Marshall, detail of
Knowledge and Wonder, 1995. Acrylic on paper
and canvas, 10 feet by 23 feet. Henry E. Legler
Regional Library, Chicago, Illinois. Photo
provided by the City of Chicago for the New York
Times.
themselves, absorbed into the same collective
enrapture as the 17 pictured figures.
Indeed, the mural’s original accompanying
didactic text notes that Marshall expressed
a desire that young library patrons might
literally “become a part of [the mural],” indicating
that an affective embodiment was
central to both the initial conception and
realization of the work.
We might see both Percent-for-Art
projects at the Legler as embodying a category
of public art identified by Kwon as
“community based site-specificity,” wherein
“members of a community … will see
and recognize themselves in the work, not
so much in the sense of being critically implicated
but of being affirmatively pictured
or validated.” 27 Though Kwon remains
ambivalent on the political efficacy of such
25 Ibid.
26 Hamza Walker, personal interview with author, October 31, 2019.
27 Kwon, One Place After Another, 95.
123
a gesture, 28 this formal choice is undoubtedly
emotionally charged. On the most basic
level, Kwon’s formulation is evident in
that the skin color of the figures mirrors the
racial demographics of the neighborhood.
Along with skin color, but far more
subtly, the artist’s decision to render the
figures from behind has significant implications
for how library-goers, particularly
youth, might identify with them. At a
nearly larger-than-life scale, the assembly
allows for immediate bodily identification
within and among the ensemble on the
part of the presumed viewer. Figures seen
from behind have a longer history within
European painting, specifically German
Romanticism. Sometimes referred to as
the “Rückenfigur,” this not uncommon
trope in Western painting corresponds
to themes including man’s domination-cum-triumph
over the natural world,
as evident in many paintings by the artist
Caspar David Friedrich. It is far rarer,
however, to see this compositional strategy
mobilized under the sign of Blackness,
of youth, and of the collective, as Marshall
so deftly demonstrates.
Turning to Marshall’s initial sketch of
the work (Figure 7), housed today in the
Department of Cultural Affairs and Special
Events office suites at the Chicago Cultural
Center, we notice that in spite of significant
iconographic changes occurring between
the sketch and the final mural, this unique
compositional assembly remains almost
identical. Admittedly, certain figures in the
final mural do tend to be more daring than
their predecessors in the sketch. For example,
the figure in a green top and black
pants lying prone on the checkered floor;
where in the initial sketch each subject
stays cautiously far from the edge of the
precipice, in the final iteration this bold
child precariously and precociously searches
beyond, teetering over the edge. This
figure is not content merely watching from
a distance; the child takes the risk to satiate
their curiosity (Figure 8). Additionally, in
the initial sketch, the group is flanked by a
massive pterodactyl, whose almost-frightening
scale dwarfs those watching from
below (Figure 9). Painted without contours
or facial features and in Marshall’s characteristic
jet-black, the silhouette operates
as a void within a composition rife with
movement and bright color. By choosing
to eschew the pterodactyl in favor of a
jetpack-clad child commandeering a flying
saucer, Marshall offers further agency to
young library visitors who might too take
control of their own fate (Figure 10).
The myriad evolutions from the
sketch to the final mural are perhaps the
inevitable result of delights and distractions
28 Ibid., 95-99.
124
S Figure 9. Kerry James Marshall, detail of
Knowledge and Wonder Preparatory Sketch, 1995.
25 by 58 inches. Photo by Daniel Schulman.
S Figure 10. Kerry James Marshall, detail of
Knowledge and Wonder, 1995. Acrylic on paper and
canvas, 10 feet by 23 feet. Henry E. Legler Regional
Library, Chicago, Illinois. Photo provided by the
City of Chicago for the New York Times.
“
[Mayor] Emanuel thereby articulated market
value as the mural’s primary point of social
relevance, rather than as an opportunity to
picture and celebrate the richness of Black life
in a community that has continually
been pathologized.
accompanying the painting of a large-scale
mural onsite in a public location, but what
remains across the iterations relays just as
much information. I have argued that the
sustained composition, the view from behind,
offers young viewers an invitation
into an assembly, positioning the library
itself as a platform for accessing the very
wonder and knowledge promised by the
title of the mural. This phenomenological
reading has major implications that situate
the mural outside of the discourse in which
Marshall’s work has typically been framed.
What would it mean to consider that invitation
into the community alongside the
historical factors and relationships that led
to the Legler commission? From Marshall’s
personal friendship and private carpools
with Hamza Walker to Bert Phillips’ epistolary
relationship with Elizabeth Catlett,
not to mention Catlett covering her own
plane fare, the commission evidently rested
on a collegial network of collaborations between
Black artists and art workers that operated
within and sometimes circumvented
traditional bureaucratic frameworks. This
ethos continued into the installation process
with the onsite completion of the mural and
emphasizes the commission’s place within a
quasi-gift economy.
Labor and Extraction
“… it’s up on the second floor. Not many
people knew it even existed.”
—Rahm Emanuel, Oct. 1, 2018 29
The mural was removed suddenly
and without warning in October 2018;
then-mayor Emanuel announced his intention
to sell the mural as a municipal
asset at auction for an estimated $10–$15
29 Jennifer Smith Richards, “Valuable painting heading to auction to fund West Side library expansion,” Chicago Tribune, 1 October
2018, https://www.chicagotribune.com/news/ct-met-kerry-james-marshall-mural-legler-library-20180929-story.html
”
W Figure 11. Blank south-facing
wall, second floor of the Henry
E. Legler Regional Library,
Chicago, IL. Photo taken by the
author on 19 July 2019.
125
million, and use the revenue to restore the
library’s former status as a regional branch,
of which we know it had been stripped in
1977. 30 A municipality considering selling
their collection is not unheard of, but it is
nearly always controversial. For example,
when the city of Detroit, Michigan filed
for bankruptcy in 2013, there were major,
though since-halted, plans to sell works
from the collection of the Detroit Institute
of Arts. These proposals are seen as gravely
unethical, since these works are purchased
or accepted in the public trust. Significant
outcry quickly prompted Emanuel to reverse
his decision and keep the mural in the
city’s public art collection; however, as of
spring 2020 when I first wrote this paper,
the mural remained confiscated, off view
and in an undisclosed location (Figure 11). 31
I use the verb “to confiscate” above, with its
myriad connotations of delinquency and
presumptions of inadequate use or care,
quite intentionally. The etymology of the
word is telling, as it comes from the Latin
root “fiscus,” or “a money bag,” which over
time became “fisc,” or “the state treasury.” 32
Thinking of the mural’s sudden removal as
a confiscation illuminates the imbalanced
power relations and inherent logics of
value at play. Indeed, the controversy and
its discursive afterlives present occasion to
call attention to the ongoing extraction of
resources from Black communities.
I situate the mural’s ontological position
throughout its social history as oscillating
between something like a gift into a
clear commodity not to obfuscate questions
of labor but rather to foreground them, as
S Figure 12. Black Lives Matter youth artworks.
Second floor of the Henry E. Legler Regional
Library, Chicago, IL. Photo taken by the author
on 19 July 2019.
well as the ways in which that labor becomes
something immediately exploited in
the construction of the commodity. Kwon
has suggested that “ … the drive toward
identificatory unity that propels today’s
form of community-based site specificity
is a desire to model or enact unalienated
collective labor, predicated on an idealistic
assumption that artistic labor is itself a special
form of unalienated labor, or at least
provisionally outside of capitalism’s forces.”
33 Her choice of the word “provisionally”
is telling in this case, which reads here
as the impending reality of what Appadurai
would name the “commodity situation.”
For Appadurai, the commodity situation
occurs when an object’s exchangeability
30 Mayor’s Press Office, “Mayor Rahm Emanuel and Chicago Public Library Announce the Transformation of Legler Branch into
a Regional Library on the West Side,” news release, 1 October 2018, https://www.chicago.gov/content/dam/city/depts/mayor/
Press%20Room/Press%20Releases/2018/September/100118_Legler.pdf, accessed 1 December 2019.
31 Daniel Schulman, email message to the author, August 8, 2019. The city was held accountable to find funds for the library’s
renovation elsewhere, and the Legler finally reopened as a regional branch, for the first time since 1977, in late December 2020.
32 James Douglas, English Etymology: A Text-Book of Derivatives (Edinburgh: Oliver and Boyd, Tweeddale Court, 1872), 53.
33 Kwon, One Place After Another, 95.
126
becomes its “socially relevant factor.” 34 It
would be naïve to pretend the commodity
situation did not, to an extent, haunt the
commission from its very inception — recall
the young Walker’s astute speculation
that it would be impossible for the city to afford
Marshall’s work after his participation
in the Whitney Biennial and Documenta
X was announced; to linger, however, in
that commodity situation is dangerous and
exploitative in that it distracts from artistic
labor and local relevance.
In October 2018, Mayor Emanuel
asserted the mural as a commodity by
suggesting that to auction off a community’s
cultural heritage, to recognize the mural’s
exchange-value for a staggering sum,
would be the only way to afford to restore
the library to its pre-1977 regional status. 35
Emanuel thereby articulated market value
as the mural’s primary point of social
relevance, rather than as an opportunity
to picture and celebrate the richness
of Black life in a community that has
continually been pathologized. The mural
was returned upon the library’s reopening
in December 2020 to a community that
has since borne disproportionate suffering
in the ravaging wake of the COVID-19
pandemic. The question now becomes
whether the commodity situation is a
social reality and mode of relation from
which an aesthetic object can recover.
Will Knowledge and Wonder remain a
surprise for those wandering upstairs,
interpellating children, filling an entire
wall, and responding to Catlett’s Floating
Family? Or, will the work return encased in
glass, surveilled and policed, and in a prime
position for art world aficionados to come
take their picture with the now widelypublicized
work, leaving before they have
to interact with community members?
Library users are crafting their own
responses. Children are tacking up their
own assembly of Black Lives Matter-inspired
graphic works, which are installed
directly parallel to the big, now-empty,
white wall (Figure 12). The vastness of that
south-facing wall across from this array of
colorful artwork is staggering, but they
speak to each other in meaningful ways.
Despite the historic and ongoing violence
of white supremacy in the United States,
which Marshall deftly tackles in his work
for both museums and public libraries,
Marshall ardently demonstrates the rich
plurality of Black life in America, asking
us to reconsider not only entrenched historical
narratives and assumptions, but the
possibilities for the future. ■
34 Arjun Appadurai, The Social Life of Things, 13.
35 Ibid.
127
Bibliography
Interviews
Hamza Walker, interview with author,
31 October 2019, Evanston, IL.
Daniel Schulman, personal email
communication, 8 August 2019- 25
March 2020.
Bertrand Philips, phone interview and
email communication with author,
5-6 December 2019.
Thomas Skomski, personal email communication,
5 January 2020.
Lectures
Walker, Hamza “Visiting Artist Talk,”
Northwestern University Department
of Art Theory and
Practice 31 October 2019.
Published Sources
Appadurai, Arjun, ed. The Social Life of
Things: Commodities in Cultural Perspective.
Cambridge, UK: Cambridge
University Press, 1986.
Bobo, Lawrence, James R. Kluegel, and
Ryan A. Smith. “Laissez-Faire Racism:
The Crystallization of a Kinder,
Gentler, Antiback Ideology.” In
Racial Attitudes in the 1990s: Continuity
and Change, edited by Steven A. Tuch
and Jack K. Martin, 15-42. Westport,
CT: Praeger, 1997.
“City of Chicago Percent-for-Art Ordinance,
1978.” City Council of the City
of Chicago. Accessed April 25, 2020.
https://www.chicago.gov/city/en/
depts/dca/auto_generated/public_art_program_publandreports/
new_art_on_pink_line.html.
Deutsche, Rosalyn. Evictions: Art and Spatial
Politics. Cambridge and London:
The MIT Press,1996.
Douglas, James. English Etymology: A
Text-Book of Derivatives. Edinburgh:
Oliver and Boyd,Tweeddale Court,
1872.
Ewing, Eve L. Ghosts in the Schoolyard:
Racism and School Closings on Chicago’s
South Side. Chicago, IL: University of
Chicago Press, 2018.
Farago, Jason. “Kerry James Marshall
Paints for Chicago. His Mural Should
Stay There.” New York Times, October
5, 2018. https://www.nytimes.
com/2018/10/05/arts/design/
kerryjames-marshall-painting-chicago-proposed-auction.html
Kwon, Miwon. One Place After Another:
Site-Specific Art and Locational Identity.
Cambridge: The MIT Press, 2004.
Marshall, Kerry James. “An Argument
for Something Else: Dieter Roelstraete
in Conversation with Kerry
James Marshall, Chicago 2012,” in
Kerry James Marshall: Painting and
Other Stuff, ed. Nav Haq (Antwerp:
Ludion, 2014), 28.
Mayor’s Press Office. “Mayor Rahm
Emanuel and Chicago Public Library
Announce the Transformation
of Legler Branch into a Regional
Library on the West Side.” October
1, 2018. https://www.chicago.gov/
content/dam/city/depts/mayor/
Press%20Room/Press%20Releases/2018/September/100118_Legler.
Richards, Jennifer Smith. “Valuable
painting heading to auction to fund
West Side library
expansion.” Chicago Tribune, 1 October
2018. https://www.chicagotribune.
com/news/ctmet-kerry-james-mar-
shall-mural-legler-library-
20180929-story.html
Seligman, Amanda I. Block by Block:
Neighborhoods and Public Policy on
Chicago’s West Side. University of
Chicago Press, 2005.
———. “Block by Block: Racing Decay on
Chicago’s West Side, 1948–1968.”
PhD diss., Northwestern University,
1999.
Tapp, Mara. “Visible Man.” Chicago
Magazine. October 2003, 136.
128
Department of American Studies
Faculty Adviser: Prof. Mark Sheldon, Ph.D.
A Reckoning with
Medicine’s Past
by Meilynn Shi
As the fear of contagion pushed us apart,
the thread of something else — justice,
humanity, frustration — pulled us back
together, tugging at our consciences,
driving us into the streets, and sharpening
the demand for transformation. The racial
reckoning of 2020 fired up a radical momentum
to break down old walls and build
up new visions. However, in medicine, as
elsewhere, little will change if there isn’t
first a reckoning with why so little has
changed in the past. While medicine may sit
atop a high tower of prestige, in its shadow
is a long and ongoing history of injustice.
Forty-five years ago in Chicago, interns
and residents at the Cook County
Hospital went on strike for 18 days, fighting
to fix a lack of baseline equipment and services
for patients. 1 As Chicago’s sole public
hospital, County was the only hospital in
the city that took in all patients who came
to its doors. Patients who were “undesirable”
2 to private hospitals — patients who
could not pay or who had the “wrong” 3
color of skin — were often “dumped” 4 at
County’s steps, bifurcating the delivery of
care along racial divides. Hospitals in Chicago
were not as segregated as they were in
the South, but the color line still ran deep.
County was once the premier place
for residency, where some of the best
physicians in the country trained. In
1945, about one in every five physicians
in the United States received some type
of training at County. 5 But as more physicians
began pursuing specialties and employment
at private practices that offered
higher salaries, better working conditions,
and greater autonomy, County fell into a
chronic state of neglect.
Frustrated with administrative disregard,
house staff at County mobilized in
the late ’60s and formed the House Staff
Association (HSA) in 1974, leveraging the
tools of union organizing to claim a voice
in hospital decision-making. The HSA
set forth a list of demands, all but two of
which — an 80-hour workweek limit and
1 Devinatz, V. G. (1996). “Never before have M.D.’s done so much for their patients”: The 1975 strike by the Cook County Hospital
House Staff Association against the Cook County Hospital. Journal of Collective Negotiations in the Public Sector, 25(2), 117-136.
2 Cook County Hospital perpetuates dual health system. (1970, September/October). The Struggle, 6. Northwestern University
Archives, Evanston, IL, United States.
3 Ibid.
4 Ibid.
5 Illinois Legislative Investigating Commission. (1979). Cook County Health Hospitals Governing Commission (Final Report).
129
130
a pay increase to make salaries comparable
with those at public hospitals in New York
and Los Angeles — focused on directly
improving patient care. 6 The HSA was
demanding, as one physician said, “just the
mechanical nuts and bolts of things that
you need to keep people alive,” 7 including
fully equipped crash carts so that physicians
wouldn’t be delayed in administering CPR,
24-hour X-ray and EKG services so that
patients wouldn’t have to wait seven days
to get a routine chest X-ray, and Spanish
and Polish translators so that patients with
life-threatening conditions wouldn’t mistakenly
be turned away. 8 Some of the other
demands were as simple as bedside curtains
to provide privacy, bedside lamps to see
patients at night without needing to light
up the full ward, and bedside juice boxes
for patients with diabetes. 9
But despite more than five months
and 20 rounds of contract negotiations,
hospital administration would not budge.
In an open letter to the community, the
HSA explained that it was being “forced to
strike by an administration who is telling
us that these things are none of our business.”
10 And at 6:30 a.m. on Oct. 27, 1975,
a group of interns and residents, clad in
white coats, stethoscopes, and strike buttons,
willing to risk their professional careers,
walked out, formed a picket line, and
began a strike. 11
For the next 18 days, talks continued
“In medicine, as
elsewhere, little will
change if there isn’t
first a reckoning
with why so little has
changed in the past.”
to fail, and the HSA went on to lead one
of the longest physician strikes in U.S.
history. Many criticized the physicians for
degrading the medical profession, some
framed the strike as an attempt by radical
physicians to take over the hospital, 12 and
some even condemned the strike as an
attempt by white doctors to seize control
from a Black administrator by withholding
health services from a largely Black
patient population. 13,14 But such backlash
was more rhetoric than anything else.
The HSA had rallied a coalition of allies,
from senior physicians to trade unions to
community leaders to patients themselves,
who postponed their appointments and
stayed home during the strike. 15,16 What
drove the physicians to go on strike was a
professional duty to patients, to healthcare
equity, and to the Hippocratic Oath.
Yet, not much changed after the
strike. It was one of many job actions that
disrupted hospitals across the nation in the
’70s, and it stood at the center of tensions
6 Devinatz, “Never before have M.D.’s.”
7 Hoffman, J. (Producer). (1975). HSA Strike 1975. [Film]. Kartemquin Films.
8 Bonnell, M., Fischer, T., & Moore, D. (1975, November 12). Studs Terkel interviews three Cook County Hospital doctors about their
1975 strike [Interview]. Studs Terkel Radio Archive; The Chicago History Museum. https://studsterkel.wfmt.com/programs/studsterkel-interviews-three-cook-county-hospital-doctors-about-their-1975-strike
9 Ibid.
10 House Staff Association. (1975, October 26). Physicians on Strike [Open letter to Communities Served by Cook County Hospital].
Quentin Young Papers (Box 23, Folder 6), Northwestern University Archives, Evanston, IL, United States.
11 Devinatz, “Never before have M.D.’s.”
12 Young, Q. (2013). Everybody in, nobody out: Memoirs of a rebel without a pause. Copernicus Healthcare.
13 Jarrett, V. (1975, November 9). Under the knife at County Hospital. Chicago Tribune. ProQuest Historical Newspapers.
14 County Hospital Crisis. (1975, October 28). Chicago Defender. ProQuest Historical Newspapers.
15 Devinatz, “Never before have M.D.’s.”
16 Bonnell, Fischer, & Moore, Studs Terkel interviews.
“Since the ’60s,
medical students
have been grappling
with how to remain
’radicals in the
professions.’”
arising from an agitated labor movement, a
changing medical profession, and the shadow
of the civil rights movement. But it became
another instance of how an attempt
at reform galvanized momentum, seemed
on course to reimagine social structures,
but then quietly sputtered out.
However, physicians have never
stopped fighting. Since the ’60s, medical
students have been grappling with how
to remain “radicals in the professions,” 17
how to not lose sight of what happens on
the ground from the high office windows
of the M.D. With the Medical Committee
for Human Rights, Student Health
Organizations, Physicians for a National
Health Program, White Coats for Black
Lives, and more, physicians have written
their own history of rising up against the
status quo and taking the gavel into their
own hands to try to bend the arc towards
justice. During the summer of 2020, in the
days following the deaths of George Floyd,
Ahmaud Arbery, Breonna Taylor, Sean
Reed, Tony McDade, Rayshard Brooks,
and too many more, medical students rallied
alongside Black Lives Matter, urging
for a re-examination of the medical curriculum,
the construction of race, and the
physician’s voice.
But it was not enough in the ’60s and
’70s, and it was not enough in 2020. As
physicians scramble to contain transmission
of SARS-CoV-2, especially in public
hospitals and communities of color, the
medical institution is once again facing the
cracks in its reflection. Medicine has recognized
that it must do better, but it has never
fully reckoned with its own institutional
complicity. The profession’s privilege and
prestige have allowed it to look past its
history of abuses and shift the focus toward
remaining “apolitical.” But medicine
has never been apolitical — not since the
founding of the American Medical Association
and organized medicine, not since the
first attempt to pass a national health care
bill in the early 1900s, not since the rise of
third-party payers, pharmaceutical corporations,
and managed care organizations.
Rather, the medical profession can
provide an anchor in modern civil rights
movements. As a profession that catches
the victims of our deepest social and political
struggles, it can lead the vanguard to
create change not only within but beyond
its white walls. It requires change at the
top, but it must begin among physicians
themselves, in the ways that physicians understand
people, in the ways that hospitals
serve communities, in the ways that the
profession carries out its codes, and in the
ways that physicians break down the walls
built to isolate medicine from the messy
world outside.
In the years following the 1975 strike
at County, the HSA never stopped fighting
for its patients. If it weren’t for its efforts,
County most likely would have been shuttered
and repurposed. Instead, in 1994,
Illinois approved the construction of a new
county hospital, and in 2002, the John H.
17 Fein, O., & Fein, C. (1967, July). Notes on Alternatives Facing the Radical in Medicine. Quentin Young Papers (Box 46), Northwestern
University Archives, Evanston, IL, United States.
131
Stroger, Jr. Hospital opened its doors. 18
Today, the old County building remains as
a historical landmark, and last year, after
more than $140 million of renovations, it
reopened as a Hyatt Place Hotel. 19 After a
century of disinvestment as a public hospital,
money is now pouring into the building.
But behind the façade of marble and
terracotta is a history of some of the worst
abuses of the medical institution. Until the
medical profession dismantles the façade
and looks deeper into how and why it got
to where it is, its shadow of injustice and
complicity will only continue to grow.
Acknowledgements
The author would like to thank Dr. Mark
Sheldon for his guidance on the research
and writing. ■
18 Raffensperger, J. (Ed.). (1997). The Old Lady on Harrison Street: Cook County Hospital, 1833-1995. Peter Lang.
19 Kamin, B. (2020, May 22). An exclusive look at the reborn Cook County Hospital: Once facing the wrecking ball, the West
Side landmark is about to reemerge, beautifully remade. Chicago Tribune. https://www.chicagotribune.com/columns/blair-kamin/
ct-biz-old-cook-county-hospital-kamin-20200522-rspawd7gbbcwtd5fh4at5r4rja-story.html
Bibliography
Primary Sources
Bonnell, Mark, Tessa Fischer, and David
Moore. “Studs Terkel Interviews
Three Cook County Hospital Doctors
About Their 1975 Strike.” By
Studs Terkel. WFMT, November 12,
1975. Studs Terkel Radio Archive.
https://studsterkel.wfmt.com/
programs/studs-terkel-interviewsthree-cook-county-hospital-doctorsabout-their-1975-strike.
Chicago Defender. “County Hospital
Crisis.” October 28, 1975. ProQuest
Historical Newspapers: Chicago
Defender.
Hoffman, Judy, prod. HSA Strike 1975.
Chicago: Kartemquin Films, 1975.
https://docuseek2.com/kq-hsa75.
Illinois Legislative Investigating Commission.
Cook County Health Hospitals
Governing Commission (Final Report).
Chicago: Illinois Legislative Investigating
Commission, 1979.
Jarrett, Vernon. “Under the Knife at
County Hospital.” Chicago Tribune,
November 9, 1975. ProQuest Historical
Newspapers: Chicago Tribune.
Kamin, Blair. “An exclusive look at the reborn
Cook County Hospital: Once facing
the wrecking ball, the West Side landmark
is about to reemerge, beautifully
remade.” Chicago Tribune. May 22, 2020.
https://www.chicagotribune.com/columns/blair-kamin/ct-biz-old-cook-county-hospital-kamin-20200522-rspawd7gbbcwtd5fh4at5r4rja-story.html
The Struggle. “Cook County Hospital Perpetuates
Dual Health System.” September/October
1970. Northwestern
University McCormick Library of
Special Collections.
Young, Quentin. Papers. Northwestern
University Archives.
“Cook County Hospital Community
Education Project.” 1975. Box
23, folder 6, Quentin Young
Papers, Northwestern University
Archives.
Fein, Ollie and Charlotte Fein.
“Notes on Alternatives Facing
the Radical in Medicine.” July
1967. Box 46, Quentin Young
Papers, Northwestern University
Archives.
“Re: Physicians on Strike, An Open
Letter to Communities Served
by Cook County Hospital.” 1975.
Box 23, folder 6, Quentin Young
Papers, Northwestern University
Archives.
“The Residents and Internes Association
of Cook County Hospital.”
May 17, 1971. Box 23, folder 3,
Quentin Young Papers, Northwestern
University Archives.
“Treatment of Prisoners.” Box 46,
folder 2, Quentin Young Papers,
Northwestern University
Archives.
Young, Quentin. Everybody In, Nobody
Out: Memoirs of a Rebel without a
Pause. Chicago: Copernicus Healthcare,
2013.
Secondary Sources
Devinatz, Victor G. “‘Never Before
Have M.D.’s Done So Much for
Their Patients’: The 1975 Strike by
the Cook County Hospital House
Staff Association against the Cook
County Hospital.” Journal of Collective
Negotiations in the Public Sector 25, no.
2 (1996): 117-36.
Raffensperger, John, ed. The Old Lady on
Harrison Street: Cook County Hospital,
1833-1995. New York: Peter Lang,
1997.
132
Tracking Pandemic
Sociology
The Coronavirus U.S. Project
by Prerita Pandya and Grace Lee
C
oronaData
U.S. is a nationally representative longitudinal
survey that tracks U.S. public opinions, behaviors, and attitudes
related to the COVID-19 pandemic. The principal
investigator of the project, Beth Redbird, discussed the motivations
and implications of her research with the Journal.
FEATURE 133
“If you want to
not just solve this
pandemic but
help with future
pandemics, you need
to understand not
just how diseases and
viruses work, but also
how people work.”
Sociology Professor and Principal Investigator
of CoronaData U.S. Beth Redbird
remembers when the COVID-19 pandemic
first hit the United States in early 2020.
She, like many other Americans, wondered
how this virus would impact her life. As
she began to realize how quickly and drastically
the virus was changing the lives of
many across the country, Redbird decided
to use her expertise as a survey researcher
to investigate the sociological effects of
the pandemic.
With a team of other Northwestern
University researchers, Redbird assembled
a survey aimed to capture the sentiments
of the nation. She explained that the
goal of the CoronaData U.S. project is
“to preserve as much data as possible for
future researchers.”
Redbird understands the pandemic
as not only a public health issue, but also
a social issue — one that greatly affects
people’s behaviors, opinions, and social
interactions. “How the pandemic spreads,
how prevalent it is, and how it works is
in part about how we treat each other,
what we do, how we behave, and how we
interact,” Redbird said.
Redbird believes it is crucial for people
to have this understanding about the pandemic,
especially going into the future.
“If you want to not just solve this pandemic
but help with future pandemics, you
need to understand not just how diseases
and viruses work, but also how people
work,” she emphasized.
Once the initial survey was finalized in
March 2020, invitations to participate in the
survey were distributed to randomly selected
addresses across the country. Participants
who accepted the invitation were sent the
survey and paid for their participation.
Redbird explained that participants
were chosen in this manner to ensure that
the survey results would be nationally representative.
“It’s not the kind of thing people
select into. We’re trying to get people from
all walks of life — all political orientations,
all social statuses, all income groups, [both]
rural areas and urban areas,” she said.
As of February 2021, Redbird and her
team have a panel of about 8,000 participants
to whom the survey is regularly sent
in order to track changes in opinion over
time. Since the first rollout of the survey,
Redbird and her team have been constantly
updating, editing, and adding questions
to reflect the changing social and political
landscape of the country. For example,
questions about face masks were not initially
included in the survey.
“In March, states had started with
stay-at-home orders, and everybody was
being told, ‘Don’t wear masks. Preserve
those for healthcare workers,’” Redbird
explained. “So we didn’t ask any mask
questions, and it wasn’t until the summer,
when masks became a ‘thing,’ that we started
to adjust the survey to capture that.”
Currently, the team is working on
the fourth wave of surveys and plans to
include questions regarding newer aspects
134
FEATURE
“Typically during disasters,
there’s this kind of a
solidarity effect. We didn’t
really see that in the
pandemic, so the question is,
did we not see that because
the pandemic is so long?”
of the pandemic and current life, such as
vaccination and the Biden administration’s
policies. They plan to continue conducting
the survey every six months until about
2022 in the hope of capturing how life returns
to normal.
Of all the trends Redbird has observed
through the survey, the lack of solidarity in the
country was something she did not expect.
“Typically during disasters, there’s
this kind of a solidarity effect,” she said.
“We didn’t really see that in the pandemic,
so the question is, did we not see that because
the pandemic is so long?”
Rather than coming together in this
time of upheaval, people seemed to drift
apart and away from the idea of community,
possibly due to the isolationist nature of
pandemic public health measures.
As life gradually returns to normal,
people will likely begin to come together
in the aftermath of this shared experience
that has altered every aspect of our lives.
As the isolation of the pandemic becomes a
thing of the past, the ideals of community
and interaction that we have lost can be
rebuilt, and CoronaData U.S. will be here
to document it. ■
To learn more about CoronaData U.S., visit the project website at https://coronadata.us/.
FEATURE 135
Department of Sociology
Faculty Adviser: Prof. Jeannette Colyvas, Ph.D.
Designing Equity:
Stakeholders’ Perceptions of an
Equity Initiative in a California
School District
by Riley Ceperich
Introduction
Once championed as the great equalizer,
the American education system has now
been exposed by researchers for the
systematic role it plays in reinforcing
inequality. It is well documented that large
achievement gaps continue to exist between
racial groups as a result of structural
inequalities. In 2015, the average score of
Black students on the National Assessment
of Educational Progress was 26 points
lower than that of white students. 1 Many
factors explain this gap. For example, 71%
of white students attend schools that offer
the full complement of courses that the
United States Department of Education
deems necessary to be college ready, compared
to only 57% of Black students. 2 Black
students are also more than twice as likely
to attend schools with higher concentrations
of first-year teachers and are four
times more likely to attend schools where
80% or fewer teachers have obtained their
teaching certification. 3 Further, Black
students are more likely to attend schools
with fewer resources and suffer more
disciplinary action than white students
due to teachers’ and administrators’ underlying
biases. 4
In order to combat these inequities,
public schools have been implementing
reforms for decades. Yet, despite major
efforts, large gaps persist, and some educational
leaders even assert that certain reforms
are “making things worse.” 5 Therefore,
the solution to educational inequity
remains unclear.
In order to narrow achievement
gaps, agents of change must think critically
about why equity reforms have failed so
consistently. My thesis aims to answer this
question by analyzing teacher and administrator
perceptions of an equity initiative,
1 “K-12 Disparity Facts and Statistics,” UNCF, UNCF, 2019.
2 Rhonda Tsoi-A-Fatt Bryant, “College Preparation for African American Students: Gaps in the High School Educational Experience,”
CLASP, CLASP, 2015.
3 UNCF.
4 Ibid.
5 Valerie Strauss, “Perspective | Yes, Teacher-Preparation Programs Need to Be Fixed - but More than 350 Education Leaders Say
Reforms Are ‘Making Things Worse,’” The Washington Post, WP Company, 2019.
136
“In order to narrow
achievement gaps,
agents of change
must think critically
about why equity
reforms have failed
so consistently.”
SPARK, 6 with the goal of understanding
how those perceptions might be related
to the reform’s strengths or pitfalls.
My central research question is: How do
stakeholders perceive equity-oriented reforms?
I studied the interview transcripts
of teachers, principals, and district leaders
in two historically underserved elementary
schools where a large-scale equity reform
was implemented.
I investigated variation between
organizational levels in order to better
understand both how different types of
stakeholders perceive reforms and whether
school organizational level maps on to differences
in perceptions. My findings shed
light on the problems with current equity
reforms and provide recommendations for
future initiatives.
Literature Review
Sociologists have studied both educational
inequity and school organization at length.
Much of the literature surrounding edu-
cational inequity focuses on achievement
gaps between racial groups and identifies
the social and institutional factors that
contribute to these gaps. Considerable
literature also highlights the ways that
school organization affects students and
teachers broadly, as well as the ways in
which individuals from different levels of
school organization perceive school policy
and processes. The overlap of these two
fields has received decidedly less attention.
In particular, no studies have addressed
the way that individuals from different
school organizational levels perceive equity-oriented
reforms. My study aims to fill
this gap in the literature.
Many school districts have implemented
initiatives to combat educational
inequity. Initiatives include creating teams
of teachers to review student performance
data by racial group, changing how the
curriculum addresses race and power dynamics,
and training educators on equity
pedagogy, particularly outlining and discouraging
them from falling into “equity
traps” such as “color-blindness.” It is fairly
well-documented that these diversity initiatives
have high rates of failure. 7 Researchers
have attempted to explain this.
Theorized reasons for failure include a lack
of specialized support to marginalized populations
8 and teachers’ unawareness of the
existence of equity initiatives. 9
Research exists about teachers’
perceptions of testing structures, sex
equity in schools, and students of different
races than them, but limited research
explores teachers’ and administrators’
6 “SPARK” is a pseudonym I am using to maintain the privacy of subjects. All names of schools and individuals have also been
pseudonymized for this reason.
7 Adrianna Kezar et al., “Examining Organizational Contextual Features That Affect Implementation of Equity Initiatives,” The
Journal of Higher Education, The Ohio State University Press, 2008.
8 Sabrina Zirkel, “The Influence of Multicultural Educational Practices on Student Outcomes and Intergroup Relations,” Teachers
College Record, Teachers College, 2007.
9 Kezar et al.
137
perceptions of school reform. 10,11,12 There
is also well-documented research about
the differences between teacher and
administrator perceptions of district policy
and processes. 13,14 However, there is a
lack of research comparing teacher and
administrator perceptions of school reform
and, in particular, equity reform.
My project aims to bridge this gap
by studying stakeholders’ perceptions of
an equity-oriented reform. By “stakeholders,”
I refer to those who hold a stake in
the school. Edward Freeman’s Stakeholder
Theory explains that organizations should
try to consider all of the goals and mindsets
of those involved in the organization
in order to enhance its success. 15 I limit my
definition of stakeholders to teachers, principals,
and district leaders because those
are the interviews to which I had access. I
lacked access to the interviews of students
and parents who I would otherwise include
under my definition of stakeholders, and
I recommend that their perceptions be
studied in future research. Yet, excluding
students and parents does allow me to focus
on differences in perceptions between
organization levels in education.
I plan to examine the ways that stakeholders
perceive a specific equity reform.
By “perceive,” I refer to stakeholders’
opinions of the reform — how they describe
the reform and what they identify
as the strengths and weaknesses of the
“There is a lack
of research
comparing teacher
and administrator
perceptions of
school reform and,
in particular,
equity reform.”
reform. I draw on James P. Spillane’s idea
of sense-making to underscore the complexity
of these perceptions and therefore
the depth of information they could conceivably
offer. 16 By “equity-oriented reform,”
I refer to an initiative, which I will
henceforth call SPARK, 17 implemented in
2018 in a California school district with the
stated goal of increasing the educational
outcomes for Black students. Further detail
about this initiative is located in the methodologies
section.
Hypothesis: Stakeholders’ perceptions
of the design of SPARK vary between
organizational levels.
Past research indicates that teachers,
principals, and district leaders have fairly
different opinions about school processes
which are guided by norms and structures
10 Emily R. Lai and Kris Waltman, “Test Preparation: Examining Teacher Perceptions and Practices,” Educational Measurement:
Issues and Practice, vol. 27, no. 2, 2008, pp. 28–45.
11 Patricia S. Griffin, “Teachers’ Perceptions of and Responses to Sex Equity Problems in a Middle School Physical Education Program,”
Research Quarterly for Exercise and Sport, vol. 56, no. 2, 1985, pp. 103–110.
12 Julie Landsman and Chance W. Lewis. White Teachers, Diverse Classrooms: Creating Inclusive Schools, Building on Students’ Diversity,
and Providing True Educational Equity, Stylus Pub, 2011.
13 Nanette M. Keiser and Jianping Shen, “Principals’ and Teachers’ Perceptions of Teacher Empowerment,” Journal of Leadership
Studies, vol. 7, no. 3, 2000, pp. 115–121.
14 Anne Spidell Rusher et al. “Belief Systems of Early Childhood Teachers and Their Principals Regarding Early Childhood Education,”
Early Childhood Research Quarterly, vol. 7, no. 2, 1992, pp. 277–296.
15 R. Edward Freeman, “Divergent Stakeholder Theory,” Academy of Management Review, vol. 24, no. 2, 1999, pp. 233–236.
16 James P. Spillane et al., “Policy Implementation and Cognition: Reframing and Refocusing Implementation Research,” Review of
Educational Research, vol. 72, no. 3, 2002, pp. 387–431.
17 See note 6.
138
“
Teachers explained that they would like more
strategies or examples of culturally relevant
pedagogy and ‘more trainings on just how
to make culturally relevant teaching in
differentiating instruction.’
within their organization level. 18,19 I
therefore expected that my analysis of
the interviews would uncover differences
in opinion between organizational levels
about the design of SPARK.
Using the Consortium for Policy
Research in Education’s framework for
studying comprehensive school reform
programs, I posited that stakeholders’ perceptions
of SPARK would fall into three
main categories: design, implementation,
and efficacy. 20 For this condensed version
of my thesis, I focused solely on stakeholders’
perceptions of the design of SPARK.
By “design,” I refer to an improvement
process undergone by a school based
on a strategic plan that may include curricular
or instructional changes to the existing
organization and offers research-based
evidence for the strategies and a guide for
how to implement them. 21 The Consortium
explains that designs must include
both an effective instructional and implementation
strategy to effect change in
learning or instruction. 22
Methodologies
To answer my research question about the
way that stakeholders perceive equity-oriented
reforms, I conducted an exploratory
case study 23,24 of an equity initiative,
SPARK, at two elementary schools with
the goal of exploring diversity in perceptions
of an equity reform. I employed
qualitative methods for the individual
unit of analysis. 25 My analysis examines
individuals across the classroom and
school within a single district. The study
was cross-sectional 26 in that it examined
stakeholders’ perceptions of SPARK at
one point in time rather than exploring
how their perceptions changed over time.
Interviews allowed me to dive deeper into
each individual’s perceptions of the initiatives,
whereas survey data would have
only offered a cursory glance of perceptions
and inhibited me from delving into
the complexities in opinions that might
uncover greater variation in stakeholders’
perceptions. 27
I examined the interview transcripts
of stakeholders from two elementary
18 Nanette M. Keiser and Jianping Shen, “Principals’ and Teachers’ Perceptions of Teacher Empowerment,” Journal of Leadership
Studies, vol. 7, no. 3, 2000, pp. 115–121.
19 Anne Spidell Rusher et al., “Belief Systems of Early Childhood Teachers and Their Principals Regarding Early Childhood Education,”
Early Childhood Research Quarterly, vol. 7, no. 2, 1992, pp. 277–296.
20 Rowan, Brian, et al., “School Improvement by Design: Lessons From a Study of Comprehensive School Reform Programs,”
2009.
21 Ibid.
22 Ibid.
23 Earl R. Babbie, The Practice of Social Research, Wadsworth Cengage Learning, 2013.
24 Charles C. Ragin and Lisa M. Amoroso, Constructing Social Research: the Unity and Diversity of Method, SAGE, 2019.
25 Babbie.
26 Ibid.
27 Robert S. Weiss, Learning from Strangers: the Art and Method of Qualitative Interview Studies, Free Press, 1995.
”
139
schools in one California school district. I
refer to the school district as “S District.” I
refer to the two schools as “Paul Robeson”
and “Davis.” Both schools were included
as part of SPARK. The goal of SPARK is
to increase educational achievement outcomes
for Black students by identifying the
reasons why Black students are not succeeding
at their schools and then developing
and implementing strategies to address
those reasons.
SPARK was implemented in two
types of schools throughout S District: historically
underserved schools and schools
with a high equity gap. For a school to
qualify as underserved, more than 75%
of students at the school must identify as
“African American,” “Latino/Hispanic,” or
“Samoan”; more than 70% of students must
qualify for free or reduced lunch; teachers
must have less than six years of teaching
experience; and schools must earn less
than a 30% proficiency rate in the Smarter
Balanced Assessment Consortium (SBAC)
English language arts (ELA) test or SBAC
math test. Both Paul Robeson and Davis
qualify as “historically underserved” under
these criteria. The two schools share many
similarities in terms of their demographics
and achievement data. See the demographic
and achievement data tables in Appendix
A for more details.
The interviews that I analyzed were
conducted by members of Cynthia E.
Coburn’s data collection team for an elementary
coherence study (COHERE). The
data collection was supported by generous
grants from the Heising-Simons Foundation
and the Evelyn and Walter Haas, Jr.
Fund to principal investigator Cynthia
E. Coburn. I had access to these data as a
research assistant for the Coburn lab. The
COHERE study was initially designed to
study various schools in S District, including
Paul Robeson and Davis, with the goal
of exploring curriculum coherence within
and between grades. SPARK, the equity
initiative that I study in Paul Robeson and
Davis, was implemented in 2018. Prior to
its implementation, Coburn’s data collection
team for COHERE received a grant to
specifically study SPARK at both Davis and
Paul Robeson.
The interviews were conducted by
three researchers from Coburn’s lab over
the course of the 2018-2019 school year.
Three levels of stakeholders were interviewed.
At the classroom level, 17 elementary
teachers were interviewed. At each
school, the principal, assistant principal,
and instructional reform facilitator (IRF)
were also interviewed. Seventeen district
leaders were also interviewed, but, as
many were not highly involved in SPARK,
I chose to only analyze the interviews of
the seven leaders who were most involved.
Thus, I was able to sample across the organizational
levels of district, school, grades,
and classrooms, holding the district and
most school attributes constant (see Appendix
B for interview guides).
My project progressed in six parts.
First, I assembled and identified the secondary
interview data needed for this
study, categorizing the individual by position
(i.e., teacher, principal, or district leader).
Second, I read through the interviews
and pulled out excerpts related to SPARK.
Third, I read these excerpts by each individual
interview to get a holistic sense of
stakeholders’ perceptions. Fourth, I wrote
memos after I finished reading through
all interviews at each organizational level,
documenting my thoughts, preliminary
findings, and analysis to be tested along
the way. These memos helped me draw
connections between existing literature,
my hypotheses, and the themes emerging
140
in the data. Fifth, I coded for three content
categories: design, implementation,
and efficacy. Finally, I analyzed the codes,
comparing and contrasting them by organization
level.
Empirical Results
This section provides supporting evidence
for my hypothesis. I uncovered variation
in the perceptions of the initiative by
organizational level, which I will evidence
with findings. While I did find variation
between the groups, however, I found that
teachers and principals had fairly similar
perceptions of SPARK and that much of
the variation in perception exists between
stakeholders at the school level (teachers
and school leaders) and those at the district
level (see Appendix C and Appendix D for
tables of my findings).
In general, I found that most teachers
do not have a strong understanding of the
design or goals of SPARK. Some are completely
unaware of the program (five of
17), while others recognize the name and
goal of the initiative but admit they “should
know more” (nine of 17). Very few know
any strategies SPARK has employed to decrease
racial achievement gaps (three of 17).
School leaders also have a somewhat
limited grasp on SPARK. Both principals
reported that they did not fully understand
the initiative. Zulma, the principal
at Davis, explained that at back-to-school
night, “We gave a presentation, Esther (the
assistant principal of Davis) and I, around
what it means to be a SPARK school, what
SPARK stands for. We didn’t have very
much information ourselves, in terms of
the exact resources that we would receive,
and so it was very general information.”
Kevin, the principal of Paul Robeson, told a
similar story. When asked how Paul Robeson
had received SPARK, he responded,
“We haven’t done really much. That’s the
thing. It’s still once in a while talked about
at principal meetings, but nobody really
quite understands what [SPARK] is.”
School leaders were also aware that
the teachers do not know much about the
initiative. When asked if teachers at her
school would be able to correctly answer
if their school was a SPARK school or not,
Louise, the IRF at Davis, replied “I don’t
think they would know. They’d say, ‘What
are you talking about?’” Kevin explained
that teachers were unaware at Paul Robeson
because he had not told them much
about the initiative: “There’s no point in
having a formal conversation with teachers
because none of it is anything I can
do myself. It’s just a matter of asking the
right questions and waiting,” he said. Kevin
decided not to share information about
SPARK until he believes there is anything
the school can actually do to implement it.
Paul Robeson’s principal (Kevin) and
assistant principal (Edward), along with
Davis’s IRF (Louise), also believed the
initiative’s design had considerable room
for improvement. For example, Kevin
assumed that SPARK was tossed together
with little forethought:
I have no problem saying [SPARK]
just looks like a bunch of things that
people contributed in a dark room
on a Friday night of best practices
that they’re already seeing schools do
because, to me, it’s a little insulting
when you throw on a rubric lesson
study as something that’s a marker of
something. It makes it seem as though
it’s just something any school can do.
It’s very difficult. It takes a lot of trust,
and you have to have retention of highquality
staff and general interest. You’re
sending lots of people in to observe
public lessons, and also, there’s a lotta
collaboration around the development
141
of this and the learning and all the
stuff that happens beforehand. It’s not
just a thing.
Kevin believed that district leaders carelessly
designed SPARK and failed to understand
or acknowledge the difficulty of
elements they include in their rubric.
Two of the school leaders also discussed
confusion as to whether schools
would receive money as a part of the initiative
and cite poor communication from
district leaders as a cause of this confusion.
Kevin noted, “The only thing we heard was
that there was $500,000 that was going to
be set aside for SPARK schools, and there
would be some sort of application to determine
how we get it. … There still has been
no application.” The other school leaders
did not discuss any funding related to the
initiative or the application process.
District leaders shared some of these
perceptions while challenging others. They
were all aware of the initiative, and many
had a deep understanding of it as they were
members of SPARK’s design team. Yet,
some district leaders understood that not
everyone in the district had fully grasped
SPARK. One leader, Calvin, mentioned
that he “ha[s] heard expressed that SPARK
has yet to penetrate school communities
down to the teacher level and that teachers
may not yet understand what it means to
work in a SPARK school or what SPARK
is.” In other words, he had some awareness
of the way that schools were (or were not)
interacting with SPARK.
The district leaders were more knowledgeable
about SPARK than teachers and
school leaders, given that they served as
members of the design committee. However,
Collin, the Deputy Superintendent of
Instruction, did indicate that uncertainty
about SPARK existed even at the district
level. He admitted:
I don’t know that we ever really fully
landed the plane on what SPARK
is. [chuckles] Is SPARK a framework
for describing the conditions and the
practices necessary for the success of
African American students? I think that’s
understandable. Is SPARK some type of
a program? I think that’s less palatable,
frankly. I didn’t see it as a program.
His quote demonstrates that the design and
goals of SPARK are not concrete.
Many district leaders were also confused
about SPARK’s funding situation,
just as the school leaders were. Samiya,
who worked at the district’s central office
admitted, “To be honest, the money part
has been fuzzy for SPARK. That’s my only
drawback.” Olaf, the district’s math content
specialist, asserted, “Apparently, there
is money attached to it, but the SPARK
schools have to apply for that money and
make some kind of proposal and say ‘this
is how we’re gonna change things.’ Then
they can get the money. That’s about what
I know right now.” Another district leader,
Sana, contradicted Olaf’s claim. Sana said:
We have all this money. I thought we
were gonna give it to schools. When
someone in the group asked the
question, “Are we going to get money?”
The superintendent said, “You will be
getting no money. You’re only going to
get resources in the frame of strategies.”
I didn’t understand that piece, because
frankly, then it becomes very top down.
District leaders also differed from
school leaders in their perception of the
forethought of the design. Sana, a member
of the design committee, explained that
counter to the principal at Paul Robeson’s
beliefs, substantial research, time, and effort
went into producing SPARK:
We took each component of SPARK
and we developed a really nice, detailed
142
rubric around it. … We looked at L.A.,
we looked at Chicago, we looked at
New York. We looked at Connecticut
with that, which I liked the most. We
looked at Texas. One of the districts
— it was Houston or Dallas, one of
the two, … we took the components
of SPARK, and we broke it down,
like with professional capacity. It is
development and coaching, but it’s also
the use of evidence and continuous
improvement. The instruction — it is
a critical instruction assessment, but it
is also strength-based. Understanding
assets and prior knowledge, having
high expectations, and differentiating,
then transforming. That way, we
broke it up, and we created the rubric.
I’m giving you the subsections of the
rubric, and we created an evidence
column so that schools can see what
that looks like. It’s not abstract.
The design for this initiative actually was,
according to district leaders, very thoughtful,
but district leaders did not effectively
communicate the extensive design process
to school leaders. This was evident in Kevin’s
(Paul Robeson principal) assumption
that SPARK was thrown together. His assumption
may also suggest that while district
leaders considered many variables in
creating the initiative, they may not have
considered the right variables to make
SPARK truly effective.
District leaders and teachers did
agree, however, that concrete strategies
must be added to SPARK’s design.
Teachers explained that they would like
more strategies or examples of culturally
relevant pedagogy and “more trainings
on just how to make culturally relevant
teaching in differentiating instruction.”
District leaders also discussed that while
strategies to go along with their rubric for
an equitable school were necessary, they
were struggling to create ones that felt
new. Sana said, “You can’t begin a whole
strategy implementation with the rubric.
Because even though it’s saying, ‘Hey, let’s
all get on the same page and agree on what
the expectations should be,’ [schools] are
desperate to know how are we going to
get there.” She agreed with school leaders
that strategies must be added to SPARK in
order for it to be successful.
My findings suggest that there are
both similarities and differences in the
perception of design between organizational
levels. All levels showed some confusion
about the design of the routine, yet
school leaders had more knowledge than
teachers, and district leaders had the most
knowledge of the three groups. School and
district leaders also differed in their perception
of how carefully or haphazardly
they believed SPARK was designed.
Discussion
This study aimed to explore stakeholders’
perceptions of the design of an equity-oriented
school initiative (SPARK) for
the purpose of identifying its potential
strengths or weaknesses in order to aid in
the creation of new reforms that are more
successful at decreasing racial inequity in
education. Through qualitative interviews,
I uncovered variation in the ways that
individuals perceived the design of SPARK
within and between three levels of school
organization: teachers, school leaders, and
district leaders. Many of my study’s findings
are consistent with existing education
literature, while some challenge or complicate
current understandings of school
reform. I first relate my findings to other
education reform studies, then I make
suggestions about how to construct more
effective equity reforms going forward.
143
“In order for new equity initiatives to be successful, they
must have a clear design with concrete goals and strategies,
and they must be accompanied by frequent and truthful
communication of information and perceptions of the
initiative between stakeholders.”
Relation to Existing Literature
My analysis of perceptions of SPARK
between organizational levels finds that
important variation exists in the way that
teachers, school leaders, and district leaders
perceived SPARK. In particular, school
and district leaders differed in their awareness
of SPARK and whether they think
SPARK was well designed. These differences
are consistent with research that
different organization levels hold disparate
opinions of reforms. 28,29 However, I also
found many instances in which members
of different organizational levels share the
same opinions with respect to their confusion
about SPARK and frustration with its
design and funding. Teachers and school
leaders in particular did not vary considerably
in their perceptions of SPARK.
The degree of confusion among all
three organizational levels is also consistent
with existing literature. Kezar et al. explain
that, “Reforms may be unsuccessful because
educators are often completely unaware
of the existence of equity initiatives in
their schools, or that equity is a major
focus of their initiatives.” 30 I found this
to be the case with SPARK; some of the
teachers in my study were completely
unaware of SPARK, while others did not
know that SPARK specifically targets the
achievement of Black students. At Paul
Robeson, teachers’ lack of awareness
stemmed from Kevin, the principal, who
did not inform them about SPARK due to
his own confusion about it. Other school
leaders at Davis shared this confusion.
Even district leaders who took part in
designing SPARK were uncertain of its
goals, strategies, and funding. This finding
is congruous with Spillane’s assertion that
policy makers often fail to create “clear and
consistent” policy initiatives. 31
Going Forward
My analysis highlights several barriers
to SPARK’s success: confusion over its
design, goals, and funding. Based on my
findings, I identify two possible solutions
to these barriers which could increase the
effectiveness of future reforms: (1) better
communication between and within organizational
levels and (2) a more concrete
design of initiatives.
One reason Paul Robeson’s principal,
Kevin, gives for disliking SPARK is that it
“looks like a bunch of things that people
contributed in a dark room on a Friday
night of best practices that they’re already
seeing schools do.” This led him to distrust
the initiative and not implement it. If district
leaders better communicated SPARK’s
design process to principals, Kevin might
have seen SPARK in a different light and
been more willing to engage with it.
Kevin also seemed to have a strong
distrust of district leaders, which is fairly
28 Keiser and Shen.
29 Rusher et al.
30 Kezar et al.
31 Spillane, 2002.
144
commonplace in the education field. 32 This
distrust seemed to stem from a notion that
the two levels have different perceptions
and goals. However, my research shows
that in reality, school and district leaders
shared many of the same perceptions.
School and district leaders expressed skepticism
over the funding, goals, and lack
of strategies of SPARK. Both levels even
expressed frustration with (fellow) district
leaders. Yet, the groups seemed to be hiding
their true perceptions from each other.
Sana, the Chief of Research, explained,
“With [principals], I’m not going to say
anything I said to you. I’m going to hold a
very, very strong district voice and defend
everything we are doing.” By playing into
the politics of the district, she may have
been hurting student outcomes because the
tension she is exacerbating between school
and district leaders impedes equity reform.
School leaders Edward and Kevin also
chose not to openly communicate their
perceptions. Edward explained that rather
than telling district leaders upfront that
SPARK was not what his school wanted
and that he would not implement it, he
said, “We’re moving forward, and it’s just
like this SPARK, it’s embedded here. We’re
just gonna do our thing, and when they’re
ready to ask if this is what we need, then
this is where we’re gonna perform.” In
the meantime, while Edward and Kevin
are waiting for district leaders to ask them
about SPARK, students are failing to meet
standards. This lack of communication
slows down change and aggravates tension
between organization levels. Added
tension increases the difficulty of implementing
future reforms due to increasingly
jaded administrators, like Kevin, who
are skeptical that any reform can produce
change. It also inhibits district leaders, the
creators of the reforms, from knowing
what the school leaders truly want, which
leads to poor design of the initiative. Samiya
posited that school leaders do not want
new initiatives and will just brush off novel
programs or ideas. Yet, Kevin states that
he does not like SPARK precisely because
it is not new. If school leaders and district
leaders communicated more openly, then
Kevin’s needs for SPARK to be novel
might be better satisfied, which might lead
him to implement it.
A clearer design of SPARK could
also alleviate communication problems. If
district leaders identified clear goals and
strategies and understood SPARK’s funding
before rolling it out to schools, then
school leaders like Kevin may have had
more faith in the initiative and chosen to
implement it sooner. Kevin may then have
had a conversation with teachers to increase
their awareness of SPARK. A more
concrete initiative would also have mitigated
communication between leaders, as
district leaders would have been clearer
about SPARK and therefore more able to
respond to questions about it.
Conclusion
This study examined stakeholders’ perceptions
of SPARK, an equity initiative, in two
historically underserved elementary schools
in California, filling a gap in existing literature.
Analysis of 31 interview transcripts
uncovered variation in the perceptions between
three organizational levels: teachers,
school leaders, and district leaders.
My project has several main limitations.
First, while I hope to uncover stakeholders’
perceptions of school reforms
more generally, I understand that the perceptions
represented in my case study do
not necessarily represent the perceptions
32 Tina M. Trujillo, “The politics of district instructional policy formation,” Educational Policy, 2012, 27(3), 531-559.
145
of all teachers, principals, and district leaders
of all equity reforms. The stakeholders
at Davis and Paul Robeson may not be
representative of all teachers, principals,
and superintendents. They may be more
or less acquainted with issues of equity
than the average educators, and they may
have more or less exposure to the initiatives
than other stakeholders might. They
may also not be a representative sample
of stakeholders in terms of their age, race,
gender, and years of experience on the job,
which would diminish the generalizability
of the study. 33 Additionally, SPARK does
not represent all equity reforms, which
vary widely in their design and implementation.
Thus, stakeholders’ perceptions of
this initiative do not necessarily represent
what their perceptions of all initiatives
would be, which also limits the study’s
generalizability.
Further, my study is limited in that it
only analyzes interviews from the first year
of the initiative. Opinions could very well
change over the course of a couple years as
stakeholders get a better sense of SPARK or
if positive adjustments are made. This may
affect the validity of my study. 34 If stakeholders’
perceptions drastically changed
after the first year of implementation, my
study would not truly examine stakeholders’
complete perceptions of the initiative,
but rather examine their initial perceptions
of it. Further research could be conducted
to determine if stakeholders’ views of initiatives
change over time. As mentioned
earlier, additional research might also
explore student and parent perceptions of
the initiative.
Furthermore, my analysis is marked
by my biases. My identity and experiences
as a white woman with a privileged education
are inherently entangled in my methodologies,
findings, and analysis of race
and education.
By focusing on the perceptions of
teachers and administrators, I was able to
analyze the problems with SPARK that designers
and implementers identify in order
to inform more successful equity initiatives
in the future. Existing research examines
both the failures of equity reforms and the
way that opinions vary by organizational
level. My research is novel in its comparison
of perceptions of an equity reform
between organizational levels. The results
of my study offer a more nuanced understanding
of stakeholders’ perceptions.
They suggest that in order for new equity
initiatives to be successful, they must have
a clear design with concrete goals and
strategies, and they must be accompanied
by frequent and truthful communication of
information and perceptions of the initiative
between stakeholders. ■
33 Babbie.
34 Ibid.
146
Appendices (A-D)
Appendix A: Demographic and Achievement Data Tables
Demographic Data Table
School
% of students
Number of enrolled
students Black or Afri-
that identify as
in 2018-19 can American
% of students
that identify
as Hispanic/
Latinx
% of students
that identify as
Pacific Islander
% of students
that identify
as Asian
American
% of students
that identify as
white
% of students
that are socioeconomically
disadvantaged
% of English
language
learners
% of homeless
students
Davis 200 50% 20% 5% 5% 1% 80% 20% 10%
Paul Robeson
200 40% 40% 20% 1% 1% 90% 40% 5%
Achievement Data Table
School
% of students that met or exceeded state
standards in Literacy
% of students that met or exceeded state
standards in Math
Davis 15% 5%
Paul Robeson 10% 10%
Appendix B: Interview Guides
Note that the following interview guides have been edited for brevity and relevance to the subject of this
paper, i.e., the SPARK equity initiative.
Teachers
1. [All] We are interested in learning about SPARK-related work at your school.
a. What have you heard about the SPARK initiative?
b. [If yes] What’s your sense of the mission and goals of SPARK?
c. [If yes] How is SPARK different, if at all, from previous district or school efforts to support African American students?
d. How have parents responded to SPARK? [Probe: any push back regarding focusing on African American students, or
particular strategies…]
e. How have other teachers responded to SPARK?
f. How have the principal responded to SPARK?
g. And what about students, how have they responded to SPARK?
2. [Ask 1-4 only if they are on the school’s Instructional Leadership Team and/or report strong understanding of SPARK] Can
you tell us about the SPARK activities at your school?
a. How were you involved, if at all, in designing the SPARK plan/activities for your school?
b. How is implementation going so far?
c. How, if at all, are you involved in implementing your school’s SPARK plan?
d. Bright spots? Challenges or roadblocks?
3. What professional learning opportunities have you been offered, by the district or the school, as part of SPARK? [trainings
regarding Culturally Relevant Pedagogy, …?]
a. What was the purpose of this training? What did it focus on?
b. What, if anything, did you take away from the training?
c. Are there things that you’re doing differently as a result?
4. How, if at all, does SPARK related to/interact with other reform efforts at your school?
5. [All] Attitudes regarding African American learners and pedagogy. We know that the district created SPARK to promote the
academic success of African American students. Is this an issue that is relevant at your school?
School Leaders
SPARK Q1. Your school is a SPARK school. How has your school community received SPARK?
[Probe] How did teachers/families/students learn about SPARK? How have they responded?
147
SPARK Q2. All SPARK schools conducted a self-assessment before the start of the school year on the SPARK Continuum of Effective
Practices. Who was involved in the self-assessment at your school?
[Probe] School leadership/staff
[Probe] Ferlisha, Samiya, Sana, other district staff
[Probe] Input from students, families, partners
SPARK Q3. What were the main findings of the root cause analysis?
[Probe] What measurable goal for improvement did you select? Why that goal?
[Probe] What strategies did you identify to implement? Why those strategies?
Grade-level/s?
SPARK Q4. Did you request supplemental funds and/or resources to carry out the SPARK work? Did the district grant your request?
SPARK Q5. Have you started implementing the strategies?
[Probe] If yes, how is it going? What do those strategies look like in PreK, TK, K-2?
[Probe] If not, what are next steps?
SPARK Q6. How will you know if the strategies led to improvement?
[Probe] Are you engaging (or do you plan to engage) in PDSA cycles? If yes, what are you trying to accomplish? Who is/
will be involved? Timeline?
SPARK Q7. Are there any challenges or drawbacks associated with being a SPARK school?
SPARK Q8. Are there any supports that you wish you had to move forward the SPARK efforts at the school?
District Leaders
Background
1. What’s your (current) role in the district?
a. How long have you been involved with the SPARK Initiative and what are your specific responsibilities with regard to
this initiative?
b. What percentage of your time is devoted to SPARK?
SPARK History and Vision
2. Can you briefly describe the history of the SPARK Initiative?
a. How did SPARK come about?
b. What was your role in developing SPARK?
c. What are the problems SPARK is designed to address?
d. Who were key players in the creation of the Initiative?
e. What are the long-term goals of SPARK?
3. In your view, what are the main things the district should be doing to support the achievement of African American students?
4. How is SPARK different from previous district approaches to support African American students?
SPARK Dimensions and Toolkit
5. Can you briefly describe the key components of SPARK?
a. Why those components?
6. Were you involved in designing the SPARK toolkit and improvement process guide? If so,
a. What sources of information or models helped inform the SPARK continuum?
b. Why was improvement science/continuous improvement integrated into the school planning process?
District Coordination
7. How is the district coordinating SPARK efforts?
a. Who is responsible for managing this initiative?
b. What other departments and/or individuals are involved, and how?
SPARK Implementation and Impact
8. Who reviews and approves school SPARK plans (root cause analysis, self-assessment on SPARK continuum, measurable goal,
& selected strategies)?
9. What resources and/or financial support is provided to schools to implement SPARK?
a. How are resource requests evaluated and allocations determined?
b. Who is in charge of making those decisions?
10. What does high quality SPARK implementation look like?
a. What evidence do you look for in relation to 1) “understand the problem”; 2) “focus efforts”; and 3) “test the change” stages
of implementation?
11. Who monitors and evaluates the implementation of SPARK?
a. How will the district be holding the SPARK schools accountable for implementing their plans?
b. What are major milestones and steps in the process?
12. How is implementation going so far?
a. Bright spots?
b. Challenges or roadblocks?
13. How do you measure impact of the SPARK initiative?
a. What are key indicators of success in the short, medium, and long-term?
SPARK Supports
14. What are ways in which the district supports the SPARK schools?
a. Prompt for supports in relation to each of the dimensions of SPARK.
148
15. What professional learning opportunities are available to SPARK schools? [trainings regarding equity-centered leadership and
improvement science?]
a. What are the purposes and why are these considered to be important?
b. Who participates in the trainings? Is participation optional or mandatory?
c. Does the district provide coaching to schools on their approved SPARK strategies? Who provides the coaching support?
School-Level Planning/Implementation
16. We are interested in learning about SPARK-related work in two specific schools. Can you tell us about SPARK activities at
Davis? Paul Robeson?
a. To what extent will mathematics instruction be altered?
b. What will this school approach look like at the PreK-3 level?
17. How have principals, teachers, students, and parents responded to SPARK? [Probe: focus on African American students]
a. How have parents and community members been engaged in the SPARK process?
Concluding Questions
18. How, if at all, does SPARK related to/interact with other reform efforts in the district?
19. Is there anything that I have not asked about that would help me better understand SPARK?
20. Are there other individuals in the district or elsewhere that you recommend we contact in order to get a better understanding
of the design and implementation of SPARK?
21. We are eager to stay in touch with you as the initiative continues and would greatly appreciate you sending us any emails or
materials you develop so we can track the initiative and its activities over time.
Appendix C: Coding Schema
Codes Definitions Examples
Design
Instances where an interviewee
discusses how
the initiative was created
or planned, including
research that went into
it and what players were
involved.
We took the components of SPARK and we broke it down, like with professional
capacity. It is development and coaching, but it’s also the use of evidence and
continues improvement. The instruction, it is critical instruction assessment,
but it is also strength-based. Understanding assets and prior knowledge, having
high expectations, and differentiating, then transforming. That way, we broke
it up and we created the rubric. I’m giving you the sub-sections of the rubric,
and we created an evidence column so that schools can see what that looks like.
It’s not abstract. We’ve done that in terms of our contribution, but at this point
what is needed is, how do we get there?
Content of
Perception
Implementation
Instances where an interviewee
discusses how
the initiative has actually
been put into practice.
Nikil: We have an implementation issue at our school, so whether our teachers
or our staff have new materials, new resources, until we implement it in the
classroom and actually do the work, I think the impact will be minimal.
Efficacy
Instances where an
interviewee discusses
the effectiveness of the
initiative in increasing
educational outcomes
for African American
students in the district.
Right. I just feel like most of the equity PDs I’ve done at the schools I’m at,
they never seem to actually go deep into where we’re challenging core beliefs.
We all just talk about, “Oh, I’m white. These are the things that being white...
Yes, I have privilege.” But, I have questions about why am I struggling in my
classroom with African American boys? No, it’s okay. Where’s that discussion?
Why are children sitting in the hall? What’s happening in our classrooms that
kids are walking out? We don’t have those conversations. And, I think as long
as we keep it adult focused and we’re all talking about what equity means to us,
or the definition of equity, or all this really stuff, we’re never going to address
those issues that keep recurring.
149
Appendix D: Analysis of Content
*Note: Paul Robeson is abbreviated as PR.
Content of Perceptions Within and Between Organizational Levels
Design Implementation Efficacy
Teachers (17)
• 5 know nothing about
SPARK (4 PR, 1 Davis)
• 9 know something about
SPARK (4 PR, 5 Davis)
• 3 are fairly knowledgeable (1
PR, 2 Davis)
• 1 says she has seen no
implementation of SPARK
• 9 talk about Professional
development where they
reflected on their biases (2
PR, 7 Davis)
• 2 think SPARK offers
nothing new, both Davis
• 3 like SPARK (2 PR, 1 Davis)
• 5 are critical of curriculum
(3 Davis, 2 Paul Robeson; 4
white, 1 Asian)
• 1 likes curriculum (Davis,
Black)
School
Leaders
• 2 from PR concerned about
funding
• Both principals feel they
lack full information about
SPARK
• PR leaders know that
teachers unaware of SPARK
• PR principal thinks SPARK
was haphazardly designed
• Davis carried out SPARK
self-assessment, PR did not
• PR has not had formal
conversation with teachers
about SPARK, Davis has
• PR principal thinks slides and
letters DL gave them to show
families were inappropriate
• 2 from PR think SPARK
offers nothing new, 1 from
Davis
District
Leaders
• 6 confused about funding
• 2 disagree about whether
SPARK should be a rubric or
just have strategies
• Understand that schools do
not know about SPARK
• 1 thinks was inappropriate
to rollout SPARK without
having concrete strategies
• 1 thinks PR has applied
for funding when the PR
principal says he has not seen
any application
• All think SPARK offers
two new things: equity gap
schools and “transforming
mindsets”
• One thinks not offering much
novelty is a strength
150
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152
of a Lab
By Rachel Chiu
Principal Investigator
Prof. Adrianna Weisleder, Ph.D.
Research Study Coordinator
Gaby España
Graduate Student
Anele Villanueva
Undergraduate Research Assistant
McKenna Lanter
153
Feature: Portrait of a Lab
research lab often involves individuals
A at various levels of scholarship,
including principal investigators, lab
coordinators, graduate students, and
undergraduate students. In order to better
understand this ecosystem, the Journal
interviewed four individuals from one
such lab to see how their work fits together
as an interconnected research effort.
The Child Language Lab (CLL)
in the Department of Communication
Sciences and Disorder (CSD) was founded
in 2018 and is directed by CSD Professor
and CLL Principal Investigator Adrianna
Weisleder. The Lab studies how children
learn language through interactions
with the world and people around them.
It is especially interested in language
development in bilingual children as well
as the socioeconomic conditions in which
children learn languages. The NURJ
interviewed Weisleder, research study
coordinator Gaby España, graduate student
Anele Villanueva, and undergraduate
research assistant McKenna Lanter about
their role in the CLL.
How long have
you been in the
Lab, and what is
your role there?
Weisleder
The CLL has been around for a little
over three years. We’re the newest
lab in the CSD department! I guide
the broad directions of the Lab: I
write grant proposals so that we can
do that work, but I also view my
role as enabling students to work on
their own questions through independent
projects.
154
Villanueva
Lanter
I’ve been in the Lab since
winter of my first year, so
three years. I got involved
through the Early Research
Experience Award in CSD.
This is my second year in the Lab.
I’m a Ph.D. student so I have my
own research projects, but I also try
to lead a subcommittee of students
in the group that goes over antiracist,
equitable assessments. I feel
like I’m a mentor or leader but also
learn from others, too.
España
Since May of 2019. I have an interesting
position in that I am a part of the CLL
and also a part of another study called the
Stress, Pregnancy, and Health Study. In
the CLL, we have weekly meetings, and
I help facilitate some of those meetings.
We have a newsletter that comes out of
the Lab, and I also help spearhead that.
155
Feature: Portrait of a Lab
What do your
day-to-day
tasks look like?
Villanueva
My day-to-day tasks vary week to
week. Typically, I wake up early to
reply to emails and then try to work on
my Qualifying Research Project (QRP)
for one hour. I try to block time to work
on different projects or tasks, and I have
meetings with different members of the
lab to discuss our research projects or
train a research assistant to
help me with my
QRP.
Weisleder
On a weekly basis, it’s a little easier to
describe. We have weekly lab meetings
with everyone in the Lab, where we
discuss articles and also think about
directions of the Lab and new projects.
I have project meetings for each of
the studies in the Lab to talk about
what’s going on in them. I also have
individual meetings with
students.
156
Lanter
My day-to-day varies a bit based on
what the project needs me to do. This
year and last year, I was involved in a
graduate student’s dissertation project.
We had to go back and code the kids’
behaviors while they did specific tasks.
Now, I’m starting the training for doing
language transcriptions so that they can
later be analyzed for utterance,
number of words, etc.
España
Always moving. I do a lot of scheduling
of participants, starting to consent
them, mailing out CLL materials,
managing students, and creating a lot
of processes and systems. I do a lot
of immediate things that are participant-facing
but then also create background
systems so that everything
goes smoothly.
157
Feature: Portrait of a Lab
How do your
personal research
interests intersect
with the Lab’s
research interests?
Lanter
España
I remember that I was really interested
in learning about how poverty impacts
children’s language development and bilingualism.
I’m also now also interested
in kids’ behavioral and emotional regulation,
dysregulation, and how language
ties into that. Metacognition is also super
cool and is super important for that emotional
and behavioral regulation.
Before coming to the Lab, I was
part of a Chicagoland college access
program. I was a family program
associate, so I did a lot of parent
education, one-on-one meetings,
and mentorship with students. I’m
really interested in making sure that
these research questions really
come from a peoplefirst
lens.
158
Weisleder
Because we’re a pretty new lab, there
are many things I’m interested in and
many directions that are in the pile
of things to be done. I’m also very excited
if there’s a student who wants
to take the lead on one of those questions
or come up with their own question
that is related to the broad
goal of the projects.
Villanueva
In the Lab, I am working on a project examining
how dual language input varies
by social context in immigrant families in
the U.S. I’m really interested in how language
can be linked to a person’s identity.
I’m also interested in how young children
may understand different language hierarchies
in the U.S., especially in a society
that’s pretty English-dominant.
159
Feature: Portrait of a Lab
Do you have a
favorite part of what
you do, or is there a
favorite finding that
you have?
España
When I get to consent parents or do
interviews with them, there’s something
really nice about getting to build
rapport. The thing I love about the
CLL is the team meetings — it’s a very
unique meeting in that we include undergraduates,
graduate students, and the
research coordinators and we are
all learning together.
Villanueva
My favorite finding is that … children are
shifting their language dominance to the
societal language even though the adult
caregivers are still speaking that home
language. That can have lots of implications
for how they perceive languages and speak
other languages. My favorite part is also
talking out loud about my research project
because that helps me to … get feedback
and other perspectives on my
research projects.
160
Weisleder
I have such a hard time answering that
question because I have so many favorite
things! Definitely one of my favorite parts
is the people in my lab. I love to hear what
people have to say, people’s questions,
people’s insights. I love little kids and seeing
what they think and what they say. …
When I get to watch a video and see how
kids are responding to different
tasks, that’s a highlight.
Lanter
The project that I’m working on now,
looking at language development in late
talkers, has the coolest setup. We are looking
at how kids process language semantically
and phonologically. For example,
there’s a picture of a bed and a car on the
screen. If the [late talkers] hear “look at
the gar,” [since their] representation of the
sound is fuzzy, they’ll look at the car on
the screen whether the sound
is “car” or “gar.”
161
Feature: Portrait of a Lab
Do you feel like
your role differs greatly
from others in the
Lab? In what ways do
you think having all of
these different levels of
involvement are essential
for the Lab to run?
Lanter
España
I’m always one foot in, one foot out because
I’m in so many different areas. I came in
[without] a background in developmental
psychology and communication sciences
and disorders [like] everyone else. In college,
I studied education and sociology, and we’re
now steering towards an area of anti-racist
research. I was very interested in systems of
inequality, especially in education, so I’m
very comfortable [with] this
shift [in] the CLL.
My role as a research assistant doesn’t differ
much from other research assistants in the
Lab. It does differ from say, seniors in the Lab
who are doing their own independent research
projects. It’s cool to bring all of those different
perspectives together. The Ph.D. students
bring the questions; the undergraduates bring
the energy and activism and social justice
work. It’s really cool to see a science and human
perspective come together because
of the different people in
the Lab.
162
Villanueva
I think my role being a graduate student is
to set a good example for other students. My
role is also galvanizing other people [to show
that] research is awesome! Whenever there
are people in the Lab who are applying to
graduate school, I’m happy to help and share
my materials. My role is also to acknowledge
that we all make mistakes and that learning
from one another is very valuable, so [I] really
uplift voices from various levels of the
research team. I don’t want to
have a hierarchy in
the Lab.
Weisleder
I think back to when I was an undergraduate
and getting started in research, and my questions
came from experiences in the world. The more I
learned, the more my questions started to become
more in line with the research in the field. Having
involvement from different levels helps to keep
the Lab dynamic. We have questions from people
who are just getting started and still have their
eyes wide open, but it’s also helpful to have people
with expertise, people who turn a big idea into
something that’s operationalizable
and can be turned into a
research study. ■
163
Department of Sociology
Faculty Adviser: Prof. Andrew Papachristos, Ph.D.
Developments or Division?
The Role Large Public
Investment Projects Play
in Gentrification:
A Case Study on Chicago’s 606
Bloomingdale Bike Trail
by Yu Wang
Abstract
Efficiency and equity have always been key dilemmas in local economic
developments. On one hand, economic prosperity is crucial for sustainable
growth; on the other hand, the neighborhoods might undergo gentrification,
transforming to appeal to high-end markets. Hence, vulnerable or
indigenous residents might face displacement. This thesis project quantitatively
examines a hybrid form of gentrification in modern American
cities by using the difference-in-differences method. More specifically, the
research narrows its lens on the 606 Bloomingdale Bike Trail in Chicago
to gain generalized insights for these newly formed rail-to-trail projects.
In order to examine the treatment of this bike trail, Chicago census
data from 2010–2017 were collected and divided into two groups: one that
is within a mile of the bike trail and one that is not. My findings only
partially support my hypotheses. The data show that gentrification is exacerbating
segregation within the community instead of converting disinvested
neighborhoods. The bike trail fortifies the barriers to live in the
wealthier regions while continuing to isolate the disinvested parts. Further
research using spatial regression is required to determine the extent and
the composition of the 606’s effect on its surrounding neighborhoods.
164
Introduction
Large public investment projects are
crucial to urban developments. They
are the key screw in the urban growth
engine, bringing convenience, economic
opportunities, improved aesthetics, and
leisure amenities to a neighborhood. In
order to maximize efficiency in the limited
space of an urban area, a good public
investment project should meet all these
criteria. The 606 Bloomingdale Bike
Trail seems to be a perfect fit. It offers
another route for people to commute to
work, it creates jobs and attracts tourists
from Chicago and beyond, is no longer
an abandoned rail line but an artistic
elevated bike trail, and provides green
spaces for residents to exercise, walk,
and relax. The trail would not only be a
good infrastructure for the existing residents
but would also be an even greater
selling point to attract affluent potential
residents. On the surface, this development
appears to be a great booster for
surrounding neighborhoods. However, it
induces gentrification by abruptly changing
the area’s physical landscapes, causing
displacements of the indigenous residents
and widening inequality within
the community.
Gentrification takes on many forms
in urban areas, from transportation infrastructure
and environment beautifications
to the revitalization of abandoned sites and
promotion of green spaces. These developments
attract the affluent, educated, young,
and generally white population to the once
disinvested neighborhoods, creating positive
feedback by encouraging more public
investment projects in the area. Indigenous
(or former) residents are not only excluded
from these amenities and benefits due to
various discriminatory practices based on
1 Zuk, et al., “Gentrification, displacement, and the role of public investment,” 2018.
income, race, etc. but they might also face
displacement due to construction.
Nonetheless, without these large public
investment projects to stimulate growth
and create a positive feedback loop in the
neighborhood, the community may forever
be trapped in the spiral of disinvestment.
Thus, the dilemma of whether and
how to welcome these revitalization initiatives
remains crucial for neighborhoods. In
other words, how could and should developments
be planned in order to minimize
potential damage from gentrification? The
answer would affect the balance between
equity and economic developments and
the consideration for indigenous residents.
The government, which is normally the
primary funder of public investment projects
and should be the gatekeeper of equitable
developments, often favors certain
sides due to political and monetary considerations
or time constraints.
Some may argue that gentrification
is an inevitable outcome of economic
development, but research in sociology
has shown that institutions often exploit
gentrification as a tool to stratify certain
groups of people. 1 In other words, gentrification
helps to solidify an existing
social hierarchy to ensure the supremacy
of a dominant group. As a sociologist, I
am interested in measuring the degree
of inequality gentrification creates in a
neighborhood and its mechanisms of
change. The degree of inequality would
not only reflect common socioeconomic
status indicators, such as household income,
property values, tenure status, etc.;
it would also indirectly influence social
factors like racial composition, educational
attainment, and residential stability.
The 606 Bloomingdale Bike Trail
165
used to be an abandoned rail line, but the
City of Chicago partnered with Friends of
the Bloomingdale Trail (an organization
formed by local residents) and The Trust
for Public Land (a non-profit organization
known for raising funds and overseeing
park constructions) to transform it into an
elevated trail (Figure 1). 2 Construction on
the trail began in 2013 and was completed
and made open to the public in 2015.
The mixed views since then highlight the
inequality this project reinforces on the
surrounding neighborhoods. A study by
Smith et al. shows that the local housing
market has surged since the groundbreaking
of the 606. 3 However, neither this
study nor research by Rigolon and Németh
show the 606’s impacts beyond the housing
market. 4 Moreover, their main methods —
interviews, archival research, and Hedonic
Price Model — fail to account for longitudinal
changes.
In order to examine how large public
investment projects can lead to gentrification,
this thesis dives into a case
study of the Chicago 606 Bike Trail using
a quantitative approach, namely the
difference-in-differences method. I aim
to build on prior theories and drill deeper
to discuss the overall phenomenon’s
social implications. First, I ask to what
extent the 606 Bloomingdale Bike Trail,
an example of a large public investment
project, has influenced housing affordability
in the surrounding neighborhoods.
However, housing affordability is just a
number. To make that number significant,
I examine other commonly-studied
aspects of gentrification in sociology.
Therefore, my second research question
is: What impact does the 606 have on
the surrounding neighborhoods’ social
composition? My independent variable is
the census tracts that are one mile within
the 606 Bike Trail versus the non-606
census tracts in the rest of Chicago. My
dependent variables are housing affordability,
racial composition, educational
attainment, percentage of migration, and
percentage of renters. By testing these
variables, I can evaluate the role the 606
Bike Trail plays and the extent of the effect
it has on the gentrification process in
those neighborhoods.
Theory and Hypothesis
My definition of gentrification builds
upon the definition proposed by Glass. 5
S Figure 1. This map of Chicago with highlighted
community areas presents the study site of this
thesis project. The boundaries with lighter weight
are the census tract boundaries in 2017 according to
the U.S. Census Bureau. The boundaries with heavier
weight are the borders of Chicago community areas.
The highlighted regions are the neighborhoods
surrounding the 606. They are on the northwest
side of the Chicago downtown area, The Loop. The
green line indicates the 606 Bike Trail.
2 Rigolon & Németh, “We’re not in the business of housing: Environmental gentrification and the nonprofitization of green infrastructure
projects,” 2018.
3 Smith, et al, “Measuring the impact of the 606: Understanding how a large public investment impacted the surrounding housing
market,”2016.
4 Rigolon & Németh, “We’re not in the business of housing: Environmental gentrification and the nonprofitization of green infrastructure
projects,” 2018.
5 Glass, London: Aspects of Change, 1964.
166
“Without these large
public investment
projects to stimulate
growth and
create a positive
feedback loop in
the neighborhood,
the community may
forever be trapped
in the spiral of
disinvestment.”
I define gentrification as the process
of replacing and displacing indigenous
residents through urban development or
revitalization initiatives until the culture
and population are completely changed.
Urban developments can take many
forms, from public investment projects to
private developers and private funding to
residents’ personal initiatives. As indicated
in Rigolon and Németh’s research, 6 the
partnerships among the City of Chicago
(and Chicago Park District), The Trust
of Public Land, and the Friends of the
Bloomingdale Trail form this exact triangular
relationship, which reinforces
gentrification and marginalizes vulnerable
and financially-deprived residents. The
marginalized residents eventually face
threats, or at least the pressure, from
displacements. In Marcuse’s theory on
displacement, residents are either forced
out of the neighborhoods directly when
landlords drastically increase the rent or
indirectly through the heightening displacement
pressure of visible and foreign
economic and community changes. 7 Examples
of displacement pressure would
be the establishment of a high-end and
locally owned boutique store that indigenous
residents cannot afford. Although
they are still living in the neighborhood,
these buildings raise an invisible wall
and block them from their community
power. This displacement pressure will
not necessarily dislocate indigenous residents,
but it will widen the segregation
within the community.
Given that the 606 Bike Trail is a
hybrid form of gentrification with its
transportation infrastructure, urban green
space, and local art works, I theorized that
it would lead to gentrification based on the
past findings. To assess the effect of these
mechanisms on the surrounding neighborhoods,
I investigated the gentrification
outcomes mentioned earlier.
The dominant group that reinforces
displacement is usually whiter, more educated,
and more affluent than indigenous
or former residents. Past research in sociology
has documented the social composition
of gentrification, especially on race. 8
In these studies, residents of color have
attempted to resist development in their
own areas but are eventually displaced as
the living cost becomes too high for them.
Eventually, the area is transformed into a
white-dominated space. Danley and Weaver
further expand on this theory of white
6 Rigolon & Németh, “We’re not in the business of housing: Environmental gentrification and the nonprofitization of green infrastructure
projects,” 2018.
7 Marcuse, “Gentrification, abandonment, and displacement: Connections, causes, and policy responses in New York City,” 1985.
8 Bader et al., “Community attraction and avoidance in chicago: What’s race got to do with it?” 2015; Krysan et al., “Does race matter
in neighborhood preferences? Results from a video experiment,” 2009; Hwang & Sampson, “Divergent pathways of gentrification:
Racial inequality and the social order of renewal in Chicago neighborhoods,” 2014.
167
space, explaining that it creates a sense of
unwelcomeness for residents of color and
pledges to a specific type of lifestyle that
can only be afforded by an affluent population.
9 Therefore, my first hypothesis is
as follows:
Hypothesis 1: The 606 encourages a
more white, affluent, and educated population
to move in, while displacing or segregating people
of color or indigenous residents.
This study on the 606 will focus not
only on the social compositions of the bike
trail’s surrounding neighborhoods, but
also on housing affordability in the area.
Zuk et al. indicate in their reviews of public
investment and gentrification that desired
public investments such as transit could
lead to higher rents and living expenses. 10
As the new community attraction, the 606
drove housing demand up, but the supply
remained the same. However, private developers
could demolish old buildings in
order to rehabilitate them into appealing
single town-homes. Consequently, the
neighborhood might lose affordable housing
and low-income residents while blocking
other low-income individuals and families
from moving in. One study has shown
that the housing prices on both sides, but
particularly the west part of the trail, went
up after construction began. 11 My second
hypothesis builds on this conclusion to
study the results using a different time
frame and method to further validate it.
My second hypothesis is as follows:
Hypothesis 2: The 606 public investment
project will lower housing affordability
in the surrounding neighborhoods.
Nevertheless, not all neighborhoods
exposed to the 606 experienced the same
degree of impact. In other words, gentrification
is the most apparent at margins.
It most severely affects the disinvested
neighborhoods that are undergoing the
initial redevelopment process. Lees et al.
argue that in order for a neighborhood
to experience residential gentrification,
it must be an underserved neighborhood.
12 The introduction of the 606 to
already-gentrified neighborhoods (such
as West Town in this case) will not
have a great effect since the social composition
already matches with the one
mentioned in Hypothesis One. Thus, my
final hypothesis is:
Hypothesis 3: The impacts of the 606
are greater in disinvested neighborhoods than
already-affluent and developed areas.
If my findings had matched my three
hypotheses, I would have identified a
steep upward trend in both housing prices
and the proportion of white, affluent,
and educated residents in the study site.
I expected to find more people of color
moving out after the trail was made open
to the public. If the displacement effect
was not significantly strong, I might have
noticed exacerbated segregation within
the neighborhood, which can be seen by
comparing the growth and declines in
property values and demographic changes
between already-affluent neighborhoods
and the disinvested ones.
Methods and Data
The main goal of this research project
was to examine the changes in social
composition and housing affordability
9 Danley, S., & Weaver, R. (2018). “‘They’re not building it for us’: Displacement pressure, unwelcomeness, and protesting neighborhood
investment.” Societies, 8(3), 74.
10 Zuk, et al., “Gentrification, displacement, and the role of public investment,” 2018.
11 Smith, et al., “Measuring the impact of the 606: Understanding how a large public investment impacted the surrounding housing
market,” 2016.
12 Lees, et al., Gentrification. London: Routledge, 2008.
168
in the surrounding neighborhoods of
the 606 Bloomingdale Bike Trail using
census tracts from 2010–2017. One issue
with the former studies, particularly
one by Smith and colleagues, is that the
Hedonic Price regression model can only
calculate housing prices. 13 It also assumes
that all buyers have full knowledge of the
market and the power to choose what
they prefer if given the resources. These
calculations cannot reflect social changes
that happened throughout 2010–2017,
when the 606 was planned, constructed,
and made open to the public. Therefore,
a regression model that can encompass
social composition variables is essential
for this project. Hence, I selected the difference-in-differences
model. The basic
structure to achieve this goal was to divide
the census tracts into two groups: one
with the treatment of the 606 Bike Trail
and one without. The two groups were
then compared with time series and other
independent variables. The coefficients
acquired at the end would provide insights
into the question: To what extent has the
606 Bike Trail socially influenced the surrounding
neighborhoods?
This study took a quantitative approach
because it worked best to examine
changes over time. This methodology
enabled me to comprehensively gather
empirical evidence and hence minimize
potential spurious variables and alternative
explanations. Of course, I could
have relied on ethnographic studies and
anecdotal evidence. Nevertheless, gentrification
happening in the surrounding
neighborhoods complicates the process of
tracking down indigenous residents, since
they might have already been displaced.
Additionally, many residents have recently
moved into the area, so qualitative evidence
would potentially be less accurate
in this sense as well.
Data
Quantitative longitudinal data collection
for this study contained
census tract level data for the period
2010–2017 from the American
Community Survey via the portal of
the National Historical Geographical
Information System (NHGIS) in Integrated
Public Use Microdata (IPUMS).
The American Community Survey is
a yearly report based on an ongoing
survey that aims to capture demographic
information on the population
of the United States. I also created
seven indicator variables manually: (1)
whether the tract is exposed to the
606 within a mile, (2) whether the
observation is made after the 606
was made open to the public, (3)
the interaction of the 606 and time,
(4) whether the tract is considered
non-affluent, (5) the interaction term
between non-affluency and the 606,
(6) the interaction term between
non-affluency and time, and (7) the
interaction term of all three together
(which will be further discussed in
the section below).
To construct my master dataset, I first
imported my data and shapefiles into Arc-
GIS Pro. Since the census tract shapefiles
covered the entire U.S., I cross-compared
with the city boundary of Chicago (also a
shapefile) and selected the tracts within the
boundary. Then, I joined my tables of data
with the designated census tract shapefiles
based on a system-generated series number
13 Smith, et al., “Measuring the impact of the 606: Understanding how a large public investment impacted the surrounding housing
market,”2016; Rigolon & Németh, “We’re not in the business of housing: Environmental gentrification and the nonprofitization of
green infrastructure projects,” 2018.
169
called GISJOIN. The series number was
different for every tract in every year, so
the process was about matching and merging.
Once the data were joined, I exported
the attribute table to obtain files that I
could work with to Microsoft Excel and
Stata. The same process was repeated for
every year. I merged each year’s dataset in
Microsoft Excel to create the master dataset.
I started by sorting tract numbers from
the least to the greatest. Then, I imported
individual data to the main dataset. Because
the census tracts did not change from
2010–2017, I did not have to reallocate
data entries. After completing the master
dataset, I recoded the variable names.
Additionally, I used “Select by Location”
in ArcGISs Pro to extract tracts within a
mile radius of the 606. I then compared
the exported census tracts with the master
dataset. Lastly, I isolated and separated the
treatment and control groups.
Chicago is known for its distinguished
neighborhoods, so census tracts
provide the most detailed data available.
This is useful when examining the nuances
within a neighborhood. However, census
block groups do not overlap perfectly with
Chicago’s neighborhoods, which may result
in reduced accuracy.
Model
I built a linear regression model using
the difference-in-differences method to
examine the relationship between the 606,
a massive public investment project, and
gentrification on social composition and
housing prices, while considering the division
between affluent and impoverished
areas. I chose this analysis method for its
intuitive visualization and ability to obtain
a causal relationship. In addition, the absolute
values in the dataset do not matter
“Gentrification
helps to solidify
an existing social
hierarchy to ensure
the supremacy of a
dominant group.”
since the model only reflects changes over
time, not the actual observed data points.
The difference-in-differences model
records the average change over time in
the treatment group (which is the census
tracts around the 606 in this case) and the
control group (the census tracts that are not
around the 606). It then calculates the effect
of the “treatment,” which is the 606 Bike
Trail. 14 One challenge when answering my
research question is the uncertainty of the
causal relationships between variables. For
instance, although property values went up
around the 606 from 2015–2017, it actually
could have been due to the overall rising in
Chicago’s real estate market. However, the
difference-in-differences method accounts
for this uncertainty. It already considers
the existing difference between the treatment
and control group, so the effect of
the treatment can be isolated. According to
Angrist, the most critical element to determine
the validity of this model is whether
it follows Parallel Trend assumption.
Essentially, the treatment group and the
control group would share a similar trend
until the “treatment” is introduced, and the
observed group will presumably deviate
away from the parallel path.
The exact linear regression function
is given below:
Y it
= β 0
+ β 1
606 i
+ β 2
post t
+ β 3
(606 i
× post t
) +
14 Angrist & Pischke, Mostly harmless econometrics: An empiricist’s companion, 2009.
170
β 4
Wealthy i
+ β 5
(Wealthy i
× post t
) + β 6
(606 i
×
Wealthy i
) + β 7
(606 i
× post t
× Wealthy i
) + ε it
Y it
is the tract-level outcome for tract i
of time t. 606 i
is whether a tract contains the
606 Bike Trail. post t
is whether an observation
was made after the 606 has been built
(or after 2015, including 2015). Wealthy i
indicates whether a tract is considered
affluent (the criterion of being affluent is
discussed below). β 0
is a constant; β 1
is the
coefficient associated with 606 i
; β 2
is the
coefficient associated with post t
; β 3
is the
coefficient associated with the interaction
term between 606 i
and post t
. β 4
is the coefficient
associated with Wealthy i
; β 5
is the
coefficient associated with the interaction
term between Wealthy i
and post t
; β 6
is the
coefficient associated with the interaction
term between Wealthy i
and 606 i
; β 7
is the
coefficient associated with the interaction
term between Wealthy i
, post t
, and 606 i
; ε it
is
the error term for tract i at time t.
Variables
Dependent Variables
In order to examine my hypothesis that
the 606 Bike Trail public investment
project would indeed lead to gentrification,
the key dependent variables are
housing affordability and the social composition
of the surrounding neighborhoods.
Housing affordability is measured
with median property values. Since this
is already the median, it is resistant to
outliers and extreme values. Thus, it
does not need to be weighted with the
number of properties in a census tract.
Although the difference-in-differences
method is only interested in changes
over time, the median property values
are not calculated into percent change.
When analyzed with the regression
model, it will show the exact change in
numerical form, which can then be considered
with inflation and interest rates.
The social composition outcome
variable consisted of racial composition,
education attainment, residential stability,
and the percentage of renters. Racial composition
differentiates between white and
non-white Latino individuals, to distinguish
the ethnic factors within racial composition.
Educational attainment indicates
the percentage of people with a Bachelor’s
degree or higher in a census tract. Migration
is obtained by dividing the number of
people who live in a different house than
the previous year by the total population in
the census tract. It measures the residential
mobility within a census tract. Percentage
of renters examines the tenure status; it is
simply the proportion of the number of
renter-occupied housings and the number
of owner-occupied housings. The social
composition variable is the percent change
from 2010–2017, and the obtained value
is multiplied by 100 in order to intuitively
evaluate the coefficient later acquired from
the regression model. By calculating the
changes in percentage, I would be able to
identify the trend, instead of just observing
the numerical value.
Independent Variable
My independent variable is the treatment
of the 606 Bike Trail to the surrounding
census tracts. The difference-in-differences
method separates two groups into
treatment and control groups and observes
the changes in the groups over time. It not
only comprises the treatment and the time
variable but also their interaction term.
The independent variables therefore have
to be dichotomous variables, also known
as indicator variables. First, I separated
Chicago census tracts by dividing them
into two groups: the ones that are within
a mile of the 606 Bike Trail and the ones
171
“
The 606 Bike Trail builds a social moat
allowing gentrifying areas to resist drastic
change over time.
that are not. The independent variable
is called “606_MILE.” In this way, I set
up the difference between the treatment
and control group. As for the time series
variable, I set 2015 as the dividing point
since it was the year when the bike trail
was made open to the public. The variable
is named “POST_606.” Although Rigolon
and Németh show that the planning
process is crucial for the development of
a public investment project (in that case, I
would have set 2013, the year construction
began, as the dividing point), 15 this project
measures the impact of the 606 Bike Trail
after it was built.
My third hypothesis predicts that the
gentrification caused by the 606 would be
greater in disinvested neighborhoods than
in already-affluent neighborhoods. To test
this hypothesis, I divided census tracts into
“affluent” and “non-affluent” to create a
treatment of “non-affluency.” In order for
a tract to be considered “affluent,” a tract’s
median household income must be one
standard deviation above the average from
2010–2017 and vice versa. One caveat is
that inflation might affect the exact amount
of dollars, but the number is only marginal
and thus would not affect the results in a
statistically significant way. I then crossed
this independent variable with both the
606 and time variable, essentially creating
an interaction term that has all three independent
variables.
The goal is to use these independent
variables to predict the dependent variables
”
and extract the coefficients from the linear
regression model. The coefficients of the
interaction terms will show the changes
over time. Nonetheless, the “606_MILE”
or “POST_MILE” variable is still crucial to
set the base number. The base value will be
used to compare with the interaction term.
Discussion
By aggregating census data over eight
years, my findings suggest that property
values and social composition are changing
around the 606, but whether the agents of
these changes fit the initial impression
is unclear. In addition, my findings show
that gentrification is actually creating
more divisions between neighborhoods
around the 606, instead of exploiting the
potential of further gentrifying disinvested
areas. The inequality is therefore exacerbated,
even though there would otherwise
seem to be no significant changes
over the course of study timeframe.
Gentrification has always been considered
a mechanism to transform a neighborhood
into a more homogenous, economically
well-developed, and culturally
uniform place. The key characteristics of
“change” are in the core of gentrification. In
this thesis project, however, the “change” is
actually resistant to other changes. For instance,
I hypothesized that housing affordability
would go down after the 606 was
finished. While the housing price did not
show any changes, housing was not more
affordable when compared with other real
15 Rigolon & Németh, “We’re not in the business of housing: Environmental gentrification and the nonprofitization of green
infrastructure projects,” 2018.
172
S Figure 2. Distribution of Dependent Variables in Chicago 2010 vs. 2017. The outlined census tracts
are the ones qualified as “close to the 606 Bike Trail” in this study. The bike trail itself is highlighted to
indicate its geographical location. As one can see, Chicago is segregated in terms of property values, racial
composition, and educational attainment. The northern region, especially the northeast side, has the most
of the expensive housing. They also have a larger white population and more people with a bachelor’s
degree or above. Renters and migration pattern, on the other hand, do not have a clear concentration in
neither 2010 nor 2017. The overall difference between 2010 and 2017 in terms of these variables is slim. It
is hard to identify whether any major shifts happened within the study timeframe.
173
estate in Chicago. From this perspective, I
argue that the 606 Bike Trail builds a social
moat allowing gentrifying areas to resist
drastic change over time. One interesting
note is on the social composition of the
area surrounding the 606 in 2010 (Figure
2). Residents were already whiter, more
educated, and younger (given that there
were more renters) than those of other
Chicago areas. Essentially, some parts of
the neighborhood were already gentrified,
and having the 606 was just fortifying, if
not worsening, the existing inequality.
If a neighborhood is already affluent or
gentrified, more development projects
solidify and preserve that status, blocking
any social groups that do not match with
the area’s specific profile. At the same time,
the surrounding non-affluent areas may
not necessarily undergo the gentrification
process due to such projects. They may
not be converted or transformed into
a homogenous space like their affluent
neighbors, as Glass and Zukin 16 suggest.
The distinction between affluent and
non-affluent areas would instead become
more significant.
From another perspective, gentrification
is not an endless journey but a
temporary phase. Neighborhoods that are
initially poor may present as gentrifiable
because there is great potential for development.
Therefore, a massive public
investment project would likely drive up
property values and displace indigenous
residents. However, if the public project
is introduced in an already-gentrified
neighborhood, then the neighborhood has
surpassed the gentrifiable period. While
the project may not necessarily continue to
increase living costs, it will certainly protect
the areas from, or at least slow down,
potential economic downturns.
On the other hand, it is possible that
the creation of the 606 Bike Trail was
spurred by the existing wealthy and advantageous
groups in the neighborhood.
As the literature mentions, gentrification
can encourage more gentrification. Thus,
having a public investment project that
appeals to a certain lifestyle of a specific
social group in an already-gentrified
neighborhood would actually add fuel to
the gentrification engine. As a result, regions
with a higher population percentage
of white people continue to expand their
populations of white residents, whereas
poor neighborhoods welcome Latinos and
other people of color. Since educational
attainment is highly correlated with racial
composition, the same logic can be applied
here. The polarization, supplemented by
low residential stability and high renting
status, continues to engrain segregation
into the neighborhood. In the 606, more
people come and go, and fewer people
own a home. Thus, the demographic is
constantly changing, forcefully displacing
the indigenous residents.
My findings add a new piece of discussion
to the literature of gentrification by
focusing on the resilience of gentrification.
The project compares changes in two different
groups longitudinally. Unlike other
gentrification initiatives, the 606 consists
of transportation infrastructure, urban
green space, and artwork. Because of these
characteristics, the 606 should be generating
growth in the surrounding neighborhood,
based on what the literature shows.
However, if one only looks at the descriptive
results, one can easily identify that the
numerical values do not show a clear upscale
growth. While other parts of the city
16 Glass, London: Aspects of Change, 1964; Zukin, “Gentrification: Culture and capital in the urban core. Annual Review of Sociology,”1987.
174
“In the modern hybrid form of gentrification, gentrification
no longer has a prominent effect on one single social factor.
Instead, it combines every aspect of development and
complicates the change process as investment projects build
on one another.”
are deteriorating or declining in market
value, the 606 public investment project
may not necessarily skyrocket neighborhood
growth but maintain its situation. In
other words, hybrid forms of gentrification
such as the 606 could increase segregation
and attract a certain group of people. This
is one of the last phases of gentrification,
when there is enough of a tax base to afford
it. Although it may be in the ending stage,
my difference-in-differences regression
model shows that changes are still present.
Since the project is implemented by
the advocates of gentrification, it excludes
disadvantageous groups and continues
to polarize the neighborhood. On the
contrary, a classic gentrification example
(such as the one in Neo-Bohemia) may
argue that gentrification is about attracting
young, poor professionals, who will
slowly transform the neighborhood. In
those cases, developments can be more
single-function because they will spark
large growth regardless. In the case of the
606, the project is more hybrid in terms
of functionality and thus is more efficient
in terms of space.
The results also have several policy
implications. Local ownership is the key
to combating gentrification. Although
the bike trail is currently overseen by
The Friends of the Bloomingdale Trail,
the board members mostly share similar
social profiles. Having diversity in such
an organization will welcome more voices
to the planning process, and residents
can reach compromises that serve the
best interests for all, ideally. Secondly,
since the bike trail is a public investment
project, the government has played an
essential role in everything from the planning
phase to daily operations. Therefore,
careful and comprehensive assessments
from all perspectives (economic, urban
planning, sociological) must be considered
in order to reach a balance between
equity and efficiency. Lastly, the gap between
affluent and non-affluent tracts can
be bridged with appropriate incentives,
such as housing subsidies. Financial injection
may start the long-stalling wheel
of growth in a disinvested neighborhood,
and this may initiate a positive feedback
loop that attracts more equitable and
thoughtful developments for indigenous
residents.
Conclusion
This study aims to use the 606 Bloomingdale
Bike Trail to build on the relatively
new literature on rail-to-trail public investment
projects under the gentrification
umbrella. From a quantitative approach, I
collected census data on a mass scale that
examines the city of Chicago in its entirety.
By comparing the property values and
the social composition in the surrounding
community between two timeframes,
I found that the bike trail does have an
effect on social factors in those neighborhoods.
Moreover, gentrification is actually
creating more division and exacerbating
175
economic segregation in the community;
the wealthy areas only welcome a certain
type of resident while the impoverished
ones remain disinvested.
In the modern hybrid form of gentrification,
gentrification no longer has a
prominent effect on one single social factor.
Instead, it combines every aspect of
development and complicates the change
process as investment projects build on
one another. The debate between economic
prosperity and equity is therefore
never-ending. Certainly, developments
are important for the locals’ livelihood
and for sustainable growth. Nevertheless,
the indigenous residents should not be excluded
from the returned profits, as they
are the ones defining the authenticity of
the community. Thus, it is important to
conduct more research to encourage a
robust yet considerate economic development
in the future. ■
Bibliography
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pathways of gentrification:
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Smith, G., Duda, S., Lee, L.E., & Thompson,
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176
Department of Anthropology
Faculty Adviser: Prof. Robert Launay, Ph.D.
Hungry Thirsty Roots:
Imagining and Constructing Ethnic
Otherness in 1800s England
by Zoe Miller
Abstract
My research is a historical ethnography of depictions of the racial
and cultural other in 19th century England. I was motivated to
do this research by my curiosity about how cultural and racial
otherness and national belonging were constructed historically.
Although my work does not directly relate to modern conceptions
of national belonging, I was inspired to do my research by seeing
ideas about this shift during my own lifetime. I researched depictions
of immigrants to England in the 1800s in various mediums.
Some of the materials I used, like Dracula and Goblin Market, are
presented as fiction by their authors, while others, like newspaper
articles and the political cartoons of George Cruikshank, are
presented as nonfiction. From these materials, I draw two primary
conclusions. The first is that perceived racial difference is not
based fully on physical differences and instead is heavily influenced
by cultural factors. The second is that “foreignness” or racial difference
is thought of as having a supernatural quality that presents
a social, sexual, and political threat. Not being “of the nation” is
construed as being inhuman, magical, and sinister. My work adds
to the anthropological understanding of national belonging and
racial identification that has already been studied in ethnographies,
like Carnal Knowledge and Imperial Power by Laura Ann Stoler, and
has implications regarding modern modes of thought about immigrants,
race, and citizenship.
177
“
What happens when the racial and cultural
other comes back home, in a time when clear
definitions of us and them are vital to the
functioning of the imperial state?
Introduction
“Lie close,” Laura said,
Pricking up her golden head:
“We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed,
Their hungry thirsty roots?”
“Come buy,” call the goblins
Hobbling down the glen.
“Oh,” cried Lizzie,
“Laura, Laura,
You should not peep at goblin men.”
So writes poet Christina Rossetti in
her 1862 narrative poem Goblin Market. A
member of a family of artists at the center
of the nostalgic, pastoral Pre-Raphaelite
movement, 1 Rossetti describes two young
sisters being menaced by animal hybrid
“goblin merchant men,” who pressure
them in broken English to “come buy”
their exotic fruits. One of the sisters,
Laura, is tempted by the fruit and pays the
goblins for it with a lock of her “golden”
blonde hair with disastrous consequences.
The process of eating the fruit takes on a
sexual, sensual quality in Rossetti’s writing,
and Laura subsequently becomes addicted
to the magical fruit as if it were a drug.
The scene of the strange, alien fruit
market would have been recognizable to
British urban dwellers at the time of Goblin
Market’s publication. It wasn’t goblins that
sold oranges on the street, however; 2 it was
simply whichever group of immigrants
was newly-arrived and the poorest. During
Rossetti’s lifetime, the orange vendors
in England shifted from being primarily
comprised of Eastern European Jews to
newer, poorer waves of Irish immigrants;
the image of a fruit vendor would have
been synonymous with poverty and racial
otherness as it was defined then. I seek to
answer the following questions: What was
happening culturally with immigration in
England at this time that would prompt
Goblin Market, and similar works that depict
inhuman, sexually dangerous immigrant
figures, to be written? What is the context
of this work? What did immigration
threaten in the British imagination?
I used media from the 1800s as data
for this research. England at this point in
history was transforming into a different
kind of nation, one with industrialized
cities and growing immigrant populations.
3 The media produced in England at
this time — both “high art,” like literature
and poetry, and less elevated works, like
1 Roe, Dinah. The Pre-Raphaelites. The British Museum, 2014 https://www.bl.uk/romantics-and-victorians/articles/the-pre-raphaelites.
2 Endelman, Todd M. The Jews of Britain, 1656 to 2000, London: University of California Press Ltd, 2002.
3 Williams, Raymond. The Country and The City. New York: Oxford University Press, 1973.
”
178
W Figure 1. Heath, Henry. An Irish
Tilting Match, 1824. London: The
British Museum.
political cartoons — reflected discomfort
with the increased presence of non-English
people in England. Some of these
pieces of media express their views in very
explicit terms, like the racial caricatures
of prolific 19th century cartoonist George
Cruikshank. Other depictions of foreign
presences in England are more subtle,
measured, and ambiguous in nature, like
the inhuman and predatory Eastern Europeans
that populate Bram Stoker’s famous
horror novel Dracula.
My method of analysis is historical
ethnography, with my analysis of the primary
materials informed by historical texts.
I argue that the combination of the
industrialization of England, arrival of
new waves of immigrants, and growth of
a new eugenic model of race encouraged
by England’s imperialism abroad created
widespread fears of immigration. These
fears were primarily that (1) a culturally
and racially diverse England would be generally
unpleasant or unsafe, (2) undesirable
racial mixing would occur, and (3) a foreign
takeover of England’s government
would take place. I also argue that distinguishing
between “races” is in part based
upon culture rather than appearance.
My work builds upon previous scholarship
on England and immigration, as
well as works on empire and race, in the
19th century. I add to Ann Laura Stoler’s
work on the latter in Carnal Knowledge
and Imperial Power and Jeffrey Weinstock’s
analysis in Circumcising Dracula.
Notes on Race and Difference
Before I delve into depictions of race, I
would like to clarify what I am speaking
about when I say race. I do not mean the
American conception of race, which is determined
primarily by continent of origin
and skin color, with a few exceptions for
people with religious and cultural differences
that are considered extreme enough
to place them outside of the racial categories
under which they might otherwise
fall. Sometimes, when we talk about racial
differences in the modern-day United
States, we refer to these differences, which
are constructed from religious and cultural
differences, as ethnicity, for the sake of
clarity. However, I found that referring to
some combinations of physical and cultural
difference as race, and others as ethnicity,
raised more questions than it answered and
obscured more than it clarified in my writing.
Thus, for simplicity, all of these differences
are referred to as racial differences.
179
The Social Construction of
Racial Markedness
Looking at art from this time period, I noticed
that some European ethnicities seem
to have been considered racially different
while others were not — and not in the way
one might expect. I define socially constructed
“racial difference” in this context
as being depicted both in caricature and
non-caricature images with specific, exaggerated
features that are different from
those in depictions of English people. I noticed
that images of Scottish people in political
cartoons were drawn with smooth,
unexaggerated features, while Irish people
in another political cartoon were depicted
with ape-ish looking, lumpy faces. These
two groups are very similar to each other
in appearance by the modern American
view, but they are portrayed as completely
different from each other in the historical
English view. The racial markedness ascribed
to different racial groups does not
directly correlate to how different in appearance
I have been socialized to believe
various groups are, as the model of racial
difference is a different one. In addition to
this, racial difference is depicted as existing
in an almost magical, almost demonic way;
W Figure 2. Rowlandson, Thomas. “Traffic,”
1791. New York City: The Metropolitan
Museum of Art.
in the drawings of George Cruikshank as
well as in works of fiction like Dracula and
Goblin Market, interracial unions take on a
demonic meaning.
Imperialism as a Background
for Xenophobia
Everything that took place culturally in
England cannot be removed from England’s
presence abroad as an imperial
power. Imperialism, by its nature, forces
the colonizing power to reckon with identity.
For example, a phenomenon among
Dutch colonists in Java in Stoler’s Carnal
Knowledge and Imperial Power describes
the need for a strict definition of race in
order to avoid the lines of belonging being
blurred between self and non-self, nation
and outsider. However, my research
engages with the flip side of this cultural
development. Instead of being concerned
with differentiating between the self and
the other abroad, my research is concerned
with how that differentiation occurs back
home. What happens when the racial and
cultural other comes back home, in a time
when clear definitions of us and them are
vital to the functioning of the imperial
state? The belief that English people were
180
X Figure 3. Hogarth, William.
A Harlot’s Progress, 1732.
London: The British Museum.
inherently superior to the rest of the world
was not just a feature of colonialism; the
whole psychology that made colonization
morally tolerable to colonizers required
this belief. The pieces of writing and
illustrations that I have looked at are not
directly about colonialism, but colonialism
contextualizes the racial worldview that
these works express.
Public Space
One of the concerns expressed through
English media during this time period is
that an immigrant presence in England
would lead to disorder or unrest or, if
not something that extreme, a general
reduction in the quality of life for English
people living among their non-English
neighbors. There are many depictions and
descriptions of rowdiness in the streets
and of bad noises and smells accompanying
an immigrant presence in England.
The early verses of Goblin Market invoke
this idea of immigrants creating disorder
and nuisance; the goblins are unpleasantly
noisy and harass the two girls in the poem
to “come buy, come buy” the fruits they
are vending. An 1824 political cartoon
depicts a more violent disruption than the
annoying noise in Goblin Market; it depicts
a group of Irish women with apelike faces
tossing a group of helpless British soldiers
up and down in the air (Figure 1). In this
model, a non-English populace living in
England makes law enforcement impossible.
Or, if the cartoon does not declare it to
be outright impossible, it at least suggests
that maintaining the peace requires more
force then is being used. That is, the soldiers
are depicted as partially at fault for
being ineffective and emasculated by the
masculine Irish women they encounter.
“Dirty cartoons
that depict women
engaging in real,
unacceptable
interracial
sex suggest a
permanent tainting
and ruining, with
no magical fix.”
181
Women and Men
The second kind of concern expressed in
media from this time regarding immigration
is the fear that immigrants will have
sex with British women, or vice versa. One
might think that fears about racial mixing
only really came along later in the 1800s,
when Francis Galton named the concept
of eugenics and described race and heritability
in a mix of scientific and pseudoscientific
terms, 4 but this is not true. Galton’s
ideas about the importance of keeping
racial purity in England reflected already
established ideas; he simply restated and
justified them using new terms. The concept
of eugenics was not invented out of
thin air; it was formed and influenced by
existing ideas of race, sex, and racial purity.
This sexual, “race-mixing” fear
around immigration shares some overlap
with the quality of life fear, as there are a
fair number of political cartoons where the
two overlap. A 1791 print entitled Traffic
mixes these two themes by sneaking sexual
imagery into a non-sexual scenario. In the
print, two caricatured Jewish used-clothes
sellers thrust their wares upon a British
maid, and one of them accidentally sticks
his hand through a hole in the crotch of
a pair of pants. This both illustrates the
poor quality of their merchandise and
transforms his hand into a phallic symbol
(Figure 2). Their intrusion on the public
space transforms into a sexual intrusion.
The line between the threat to public
space and the sexual or procreative threat
is also blurred in Rossetti’s Goblin Market.
The goblins begin by just being a loud, unpleasant
disruption to the public space, but
they progress to being sexual figures when
Laura eats the fruit they offer her. The way
she is described as she eats the fruit is unsubtly
linked to sex acts almost too explicit
to quote; she sucks “their fruit globes fair
or red” until “her lips were sore.” 5
Although Goblin Market is poetry and
is thus generally considered a higher form
of art than the explicit sexual cartoons that
I encountered in my research, beneath its
veneer of autumnal fantasy imagery, it
is very much the same as the cruder, less
elevated pieces of media. Laura engages in
socially unacceptable sex acts with socially
unacceptable partners and afterwards is
considered a “ruined” woman.
Dracula’s relationship with the
British women Lucy and Mina in Dracula
is depicted in a similar manner. In the
4 Galton, Francis. Hereditary Genius. 1892. London: MacMillan.
5 Rossetti, Christina. Goblin Market, 1862. London: Macmillan.
X Figure 4. Cruikshank, George,
“How happy I could be with
either,” 1817-1819, London: The
British Museum.
182
X Figure 5. Cruikshank, George,
"Susanna and The Two
Elders," 1818, London: The
British Museum.
passage in which we see him forcing Mina
to drink his blood, the process of consumption
through the mouth, as in Goblin
Market, is used as a proxy for sex, only in
this case it is consumption of blood rather
than fruit. The Count “gripe[s] her by the
back of the neck, forcing her face down on
his bosom,” which the novel characterizes
as having “a terrible resemblance to a child
forcing a kitten’s nose into a saucer of milk
to compel it to drink.” 6 As in the case of
Goblin Market, the transgressive eating
bears a resemblance to oral sex, and the
woman involved is “ruined” afterward.
In these fantasy stories, the tainting
of the women who engage in unacceptable
unions is reversible through magical
means. Laura’s wiser sister, Lizzie, goes
back to the goblins and purchases more
fruit, which reverts Laura to her previously
healthy state, and Mina is ultimately
cured of her vampirism when Count
Dracula is killed. However, it is not
totally clear whether or not the real-life
“tainting” of women is reversible. Dirty
cartoons that depict women engaging in
real, unacceptable interracial sex suggest
a permanent tainting and ruining, with
no magical fix like those in Goblin Market
and Dracula.
In one such cartoon, A Harlot’s Progress,
we see a young British woman being
permanently tainted by first having sex
with a foppish British Colonel and then
becoming a prostitute for a Jewish pimp,
whose cultural otherness is a centerpoint
of the illustration (Figure 3). The scene of
the brothel is “exotic” looking; it includes a
monkey knocking over a table and a small
Black boy dressed in a turban. In many
ways, it closely resembles the harem of
women the Count keeps in Dracula; there’s
a recurring theme in this type of work of
an imagined Oriental East being depraved
in ways that are unknown in the West.
The caption of A Harlot’s Progress reads:
Robbed of her Chasity and honest
frame-The Col’el, Satan like, deceives
the Dame-But Beauty never wants
Vot’ries (sic?) yet; Now with a rich,
gay Keeping Jew she’s met-Practiced
in vice, the modest air no more is seen;
she laughs at what she blushed before-
Spurns at her keeper with his jealous
(Pale?); and snaps her fingers-Sir, I care
not That-Thus when debauch’d the Sex
forever burn in lawless fires; Virtue
know’s no return-Dishonor never
gives a second blow-And once a whore,
she ever more will be so.
6 Stoker, Bram. Dracula, 1897. London: Constable & Robinson.
183
These pieces of media, both those
that engage in magical metaphor and
those that do not, seem to serve a double
purpose. They act overtly as warnings
and covertly as sources of titillation at the
taboos depicted.
Men and Women
Media where English men have unacceptable
sex with non-English, racially
othered women (and sometimes, men)
have a different connotation than media
in which the opposite occurs. When it is
the man who is considered foreign and
the woman who is English, the situation
is often non-consensual; the man, or the
monster meant to represent a man, forces
himself on her or pressures her by holding
financial power over her. The end result is
that the woman is “ruined,” permanently
in non-magical depictions and temporarily
in fantastical depictions.
When it is an English man who is
performing the transgression, he is not
considered “ruined” in the same way.
He is not transformed or made sick in a
magical way like the women in Dracula
or Goblin Market, and he does not become
a permanently socially-lowered sexual
captive like the woman in A Harlot’s
W Figure 6. Cruikshank,
George, "Object: The
new Union-Club.,"
1819, London: The
British Museum.
Progress. However, he is held more
personally responsible for having done
something wrong. These images often use
the idea of having sex with Black women
as a short hand for being immoral. Being
not legally and culturally of-the-nation and
being considered racially different, while
different in their implications in everyday
life, are used to the same symbolic effect in
these pieces.
In one cartoon by caricaturist and
illustrator George Cruikshank, How happy
I could be with either, dated 1817–1819, a
white cleric stands between two female
caricatures, one white and one Black, with
his eyes crossed outward to look at each of
them at once (Figure 4). They seem to be
almost poised pre-threesome. The incorrect
racial choice of partner is an indictment
of every aspect of the clergy in this
cartoon. In the gender-reversed scenarios
with white English women and non-white
or non-English men, the sexual encounter
is portrayed as an unfortunate thing that
happens to a girl or woman who otherwise
might have led a good, morally upstanding
life. When it is a white English man and
a non-English woman, the encounter is a
consequence of his amorality and not the
other way around.
184
“Because popular understanding of immigration, race,
and citizenship remain relevant globally, understanding
how conceptions of these concepts were formed and
reproduced in past societies can help us understand
ourselves and our own societies.”
Cruikshank seemed to be a fan of
drawing these interracial threesomes.
In another Cruikshank cartoon, Susanna
and The Two Elders, a rabbi and a cleric
sandwich a Black woman, who appears
to be a prostitute (Figure 5). The rabbi
beckons to the cleric to join him. All three
are depicted with caricatured features.
There is a fascinating element to this
cartoon that is not present in anything
else I have come across; it directly shows a
racial hierarchy between the three figures.
The rabbi character has a double identity
of someone who is sexually transgressing
below his racial status, by having sex with
the Black prostitute, and someone who is
below the racial status of the cleric, whom
he is inviting to join him in a threesome.
Because he is framed as both convincing
someone to engage in transgressions and
someone who has been lured into racially
transgressive sex himself, he reveals his
status as intermediate between the Black
and cleric figures.
that he will not be considered inferior for
being foreign when he comes to England.
Indeed, Dracula reveals that he wants to
maintain the social status he enjoyed as a
nobleman in his native Transylvania when
he arrives in England. He has “been so long
master that [he] would be master still.” He
is not content to just come to England; he
wants to be socially superior to the native
English, presumably with the same kind of
political power his nobility status affords
him in Transylvania. This fear is also present
in political cartoons.
Sometimes Black people are the subject
of this type of political fearmongering.
T Figure 7. Anonymous. Object: The Jews Triumph,
and England’s Fears, set forth ... / The Circumcised
Gentiles, or a Journey to Jerusalem, 1753.
Politics
The final fear about immigration to England
is the fear of England being ruled
by non-English people. Bram Stoker
introduces this fear at the very beginning
of Dracula when Johnathan Harker discovers
that the Count has a private library
of books about English law and culture.
When he asks the Count why he has
these books, Dracula responds that he is
studying English language and culture so
185
S Figure 8. Lockwood, Frank. Lotinja quite/
the gentleman at/the Hebrew Ball, 1847-1897.
London: The British Museum.
For example, one Cruikshank cartoon
depicts a group of members of the Union
Club, a political gentleman’s club. They are
engaged in an interracial flirtation with a
group of Black women as other Black men
and women cause chaos in the background,
thus representing the disloyalty of the
white figures in the images to the white,
British people (Figure 6). In this case, the
Black caricatures are not representations
of real people who were involved in the
Union Club, but simply metaphors for
political corruption and chaos.
However, while these Black caricatures
sometimes represent the political
fear, the majority of illustrations that
focus on this concern express a belief in
Jewish control over governmental figures.
Circumcision of Christian members of
the nobility and government is a common
theme in these illustrations. Unlike
the scene with the Black women, which
represents corruption and disorder, here,
the Christian British are emasculated or
dominated by Jews. Thus, the active parties
in the political and sexual domination
are different.
One such image, The Circumcised
Gentiles, or a Journey to Jerusalem, imagines
a newly circumcised, regretful British
member of government going on a hellish
pilgrimage to Jerusalem (Figure 7).
With him are two Jews, who speak in
caricatured, germanically-inflected broken
English; one is carrying a “circumcision
salve” and the other declares “me am
naturalize (to England),” and refers to the
circumcised British official as his “Bruder.”
They are depicted as having the helpless
English government under their thumb,
quite literally in a hold by the penis, which
allows them to immigrate and become
naturalized as English citizens. Not only
are they becoming citizens by force and
coercion, but they are also marked by their
stereotypical speech as fundamentally foreign
and unsuitable as citizens.
Another, subtler illustration of this
theme is an 1847 British cartoon, credited
to Sir Frank Lockwood, with an inscription
underneath reading, “Lotinja quite/
the gentleman at/the Hebrew Ball” (Figure
8). The caricature is drawn with a smug,
sleepy look and is dressed in evening
wear with cartoonish little “shining” lines
emanating from a button of his waistcoat,
as though mocking the fact that he is
wearing a waistcoat. His expression, his
caricatured ugliness, and the ill fit of his
clothes indicate some contempt from
Lockwood. The fact that he is dressed in
fancy, Western looking clothing is framed
as a humorous, unsuccessful imitation of
the English upper class, much in the way
Dracula is framed as imitating the English
in a threatening way.
186
Conclusion
In these pieces of media, race and national
belonging take on qualities of good and
evil, magical and mundane. National concerns
regarding who is acceptable as a citizen
are embodied through both the highbrow
and lowbrow media of the time. The
particular fears related to immigration are
very specifically named and shown through
these various forms of art. Because popular
understanding of immigration, race, and
citizenship remain relevant globally, understanding
how conceptions of these concepts
were formed and reproduced in past societies
can help us understand ourselves and
our own societies.
Acknowledgements
My sincerest thanks to Professor Robert
Launay, Professor Ana Aparicio, and
Mariam Taher. ■
Bibliography
Anonymous. Object: The Jews Triumph,
and England’s Fears, set forth ... /
The Circumcised Gentiles; Or, A
Journey to Jerusalem, 1753.
Chavez, Leo. The Latino Threat. Stanford,
California: Stanford University
Press, 2008.
Cruikshank, George, “How Happy could
I be With Either” 1817-1819, London:
The British Museum.
Cruikshank, George, “Object: The new
Union-Club.,” 1819, London: The
British Museum.
Cruikshank, George, “Susanna and The
Two Elders,” 1818, London: The
British Museum.
Endelman, Todd M. The Jews of Britain,
1656 to 2000, London: University of
California Press Ltd, 2002.
Galton, Francis. Hereditary Genius.
1892. London: MacMillan.
Heath, Henry. An Irish Tilting Match,
1824. London: The British Museum.
Hogarth, William. A Harlot’s Progress,
1732. London: The British Museum.
Lockwood, Frank. Lotinja quite/the
gentleman at/the Hebrew Ball, 1847-
1897. London: The British Museum.
Perkin, Harold. The Origins of Modern
English Society 1780-1880, London:
Routledge and Kegan Paul, 1969.
Roe, Dinah. The Pre-Raphaelites. The
British Museum, 2014 https://www.
bl.uk/romantics-and-victorians/articles/the-pre-raphaelites
Rossetti, Christina. Goblin Market, 1862.
London: Macmillan.
Stoker, Bram. Dracula, 1897. London:
Constable & Robinson.
Stoler, Ann Laura. Carnal Knowledge
and Imperial Power. London: University
of California Press Ltd, 2002.
Weinstock, Jeffrey. “Circumcising Dracula,”
Journal of the Fantastic in the
Arts, Vol. 12, No. 1 (45) (2001).
Williams, Raymond. The Country and
The City. New York: Oxford University
Press, 1973.
187
188 FEATURE
GOING GREEN WITH
MORGAN
GASS
by Catherine Campusano and Clare Zhang
Morgan Gass is a third-year undergraduate majoring in environmental engineering
and minoring in environmental policy. She is a sustainability intern under Civil and
Environmental Engineering Professor Charles Dowding. In this capacity, she works
on the sustainability section of the Winnetka Futures 2040 Plan.
Most local governments draw up comprehensive plans for the future, detailing how
they intend to manage their municipality’s resources in the long term. As a result of
the COVID-19 pandemic, the Winnetka government put their 2040 Plan on hold.
In 2018, Winnetka adopted the Greenest Region Compact 2 (GRC2), an agreement
to work towards sustainability goals to improve quality of life for residents. As of
February 2021, the GRC2 has been adopted by 133 communities across Chicagoland.
Its companion document, the GRC Framework, provides tools to help communities
reach the goals of the Compact.
The prominence of environmental issues in the last two decades led the Winnetka
Environmental and Forestry Commission to add a sustainability section to the Plan
for the first time. Gass’ job is to build the section from the ground up by applying the
Framework’s strategies to Winnetka-specific situations. She intends to complete it
in spring 2021.
[This interview has been edited for brevity and clarity.]
FEATURE
189
What is the 2040 Comprehensive
Plan of Winnetka?
Essentially, it’s a collection of [Winnetka]
city goals and targets for 2040. I’m working
on the Greenest Region Compact 2 (GRC2)
Framework with various targets and goals
for sustainability.
Do many cities in Cook County have
sustainability comprehensive plans?
Both Morton Grove and Evanston have
sustainability comprehensive plans that
I’m partially basing mine off of, and I know
a lot of cities have [agreed] to following
the GRC2. I would say that municipal
governments have been gearing more
towards environmentalism, especially with
a lot of the [Environmental Protection
Agency] pushbacks that happened during
the Trump administration.
How did you get involved with
this project?
I heard about it through the Society of
Environmental Engineers. There was a
posting to work with a professor in the
department on the sustainability plan for
Winnetka. I have a background in policy,
as well, so I was interested in working with
more city mandates and initiatives.
What are the main responsibilities of
your work as a sustainability intern?
I read over the GRC2 document, which
has all of their goals and mandates. I also
read over city documents regarding what
those specific goals are, why they’re put in
place, what initiatives are implemented to
achieve them, and what has already been
achieved. I organize those goals, initiatives,
and Winnetka-specific information into
a compact plan. This document is then
used to educate the Winnetka village on
current environmental initiatives towards
sustainability and how they can help to
work towards achieving those goals.
What does the typical day look like
in terms of doing that work?
It involves a lot of reading, parsing
documents, and reorganization. I take a
grand scheme of 100+ goals and separate
them into the different categories. I go
to the Winnetka Forest Commission
and different environmental committees’
meetings for the village to better understand
the Winnetka-specific goals. Mostly, I do
a lot of research into documents about
specific Winnetka data, information,
and goals. For example, I had to research
Winnetka beaches and how they close
very, very often due to bacteria. I explained
the issue and potential solutions for the
Winnetka resident that would be reading
the document. It’s a lot of compiling and
organizing information to hopefully get a
single document that people can read with
all the initiatives and goals that need to be
achieved by 2035 and an index to show the
different city mandates on what has and has
not been achieved.
Has your work been impacted by
the COVID-19 pandemic?
I actually got this position post-pandemic.
I started working with [the Civil and
Environmental Engineering Department]
partially because of the pandemic — they
planned to have it done by 2020, but the
pandemic put them a bit behind. I can’t
physically go to city meetings because
those aren’t being held. Since the village
meetings aren’t being held in person, a lot
of residents of the city can’t really go either.
It makes it harder to connect between the
190 FEATURE
different groups virtually as opposed to in
person. But other than that, my work is
very online-based, so that part would’ve
been the same either way.
What has been the most rewarding
part of your research experience?
Seeing how far the village has come and
seeing what initiatives have already been
put into place. For example, the GRC2
has an entire section focused on the fact
that Winnetka has already implemented
recycling in all of its municipal buildings.
I think it’s really interesting seeing all the
work that’s already been done because
when you’re in the environmental circuit,
sometimes it feels like you fixate on the
worst, and you feel like nothing’s being done.
But when you can see others accomplishing
their goals, it makes you more optimistic
for the future. Seeing everything that has
already been achieved has made it feel
really worthwhile.
What skills have you gained
through doing research?
In a really broad sense, time management.
I do all my work independently, set my
own hours, and make sure that I have time
dedicated to work and staying focused. Also,
reading professional documents has been
really helpful in becoming familiar with
how city councils release their mandates or
initiatives. [This has also] exposed [me] to
writings and publications that get an idea
across as efficiently as possible.
jobs I’m applying for. Having to read over
official documents, organize information,
email different contacts, and go to meetings
is invaluable. A lot of engineering is
numbers- and models-based. This research
has been really interesting because it has
allowed me more creative freedom in
finding the easiest way to communicate
to the members of Winnetka how there’s
bacteria in their beaches or storm water
overflow in their systems. You start with
something really complicated and make it
seem really simple, so people can change
their behavior and understand what’s
going on around them. I’ve been getting
really interested in potentially working
in sustainability within communities,
and I think that working so closely
with Winnetka and creating a tangible
sustainability document are definitely
beneficial. I would like to continue doing
similar work in the future.
Do you have any advice for
undergraduates who want to get
involved in research?
Reach out to faculty. They are so helpful,
and they really do want students who are
interested in their research to get involved.
I would recommend thinking of a general
idea that you want to work in, going to
the different research departments, finding
someone who’s researching something
similar, and emailing them. Even if you
don’t think you’re qualified or that you don’t
have the experience, just email and ask. ■
Has this experience given you any
insight into what you might want to
do in the future?
Oh, absolutely. I’ve been leaning a lot
more into the environmental policy side of
things, especially for other internships and
FEATURE
191
Department of Psychology
Faculty Adviser: Prof. Eli Finkel, Ph.D.
Knowing What You Want:
Sexual Self-Insight and Attachment
Style in Romantic Relationships
by Kaylee Guajardo
Abstract
Positive sexual experiences and knowing oneself are beneficial to
romantic relationships. I investigated the intersection of these two
domains by developing a new construct, sexual self-insight: clear
knowledge of what one enjoys sexually. In my study, I examined
sexual self-insight within the context of romantic relationships, in
relation to sexual self-pleasure, sexual communication satisfaction,
attachment style, and various relationship outcomes through an
online survey. Findings suggest that sexual self-insight is negatively
associated with insecure attachment, and sexual self-insight
mediates the negative association between insecure attachments and
relationship outcomes. As a novel construct, sexual self-insight opens
new doors to understanding the importance of knowing ourselves in
a sexual light.
Background
The benefits of positive sexual experiences
go well beyond the bedroom. In the longterm,
sexual satisfaction is positively associated
with greater subjective well-being. 1
Furthermore, higher frequency of sexual
activity is associated with greater cognitive
functioning later in life 2 and greater
well-being, although the benefits peak
1 Buczak-Stec, E., König, H.-H., & Hajek, A. (2019). The link between sexual satisfaction and subjective well-being: A longitudinal
perspective based on the German Ageing Survey. Quality of Life Research: An International Journal of Quality of Life Aspects of Treatment,
Care & Rehabilitation, 28(11), 3025–3035.
2 Wright, H., & Jenks, R. A. (2016). Sex on the brain! Associations between sexual activity and cognitive function in older age.
Age and Ageing, 45, 313–317; Wright, H., Jenks, R. A., & Demeyere, N. (2019). Frequent sexual activity predicts specific cognitive
abilities in older adults. The Journals of Gerontology: Series B: Psychological Sciences and Social Sciences, 74(1), 47–51.
192
at a frequency of once per week. 3 Sexual
enjoyment is also positively linked with
self-esteem, autonomy, and empathy. 4
Furthermore, positive sexual experiences
are particularly beneficial in the context
of romantic relationships. For example,
sexual interactions with a partner elevate
mood and reduce stress. 5 Positive sexual
experiences are tied to greater physical,
mental, and social health in adolescents. 6
Finally, sexual satisfaction is heavily correlated
with self-reports of greater health
and relationship happiness/satisfaction. 7
Positive sexual experiences and sexual
communication go hand in hand; greater
amounts of sexual communication are associated
with increased orgasm frequency
in women, as well as greater relationship
and sexual satisfaction for all genders. 8
However, in order to communicate what
we want, we must first know what we like.
Research has yet to examine individuals’
clear knowledge of what they enjoy sexually.
In the present research, I propose a
novel construct, sexual self-insight, which
describes the extent to which people have a
clear sense of what they enjoy sexually. This
construct is a potential precursor for sexual
communication. I also investigate sexual
self-insight within the context of romantic
relationships — particularly in regards to
anxious and avoidant attachment.
Self-Concept Clarity
Having a clear sense of self is crucial;
people who have a clear and coherent
understanding of who they are experience
more positive life outcomes. Specifically,
self-concept clarity captures the subjective
clarity, coherence, and stability of one’s
self-belief. 9 Self-concept clarity is associated
with positive outcomes for individuals,
such as higher self-esteem, more active
coping styles, and greater psychological
well-being. 10 Moreover, self-concept clarity
is positively associated with relationship
satisfaction, commitment, and use of
positive dyadic coping behaviors within
a relationship, 11 as well as sexual well-being
in women. 12 Self-concept clarity is
therefore beneficial in achieving not only
a happy life but also a successful romantic
relationship.
3 Muise, A., Schimmack, U., & Impett, E. A. (2016). Sexual frequency predicts greater well-being, but more is not always better.
Social Psychological and Personality Science, 7(4), 295–302.
4 Galinsky, A. M., & Sonenstein, F. L. (2011). The association between developmental assets and sexual enjoyment among emerging
adults. Journal of Adolescent Health, 48(6), 610–615.
5 Burleson, M. H., Trevathan, W. R., & Todd, M. (2007). In the mood for love or vice versa? Exploring the relations among sexual
activity, physical affection, affect and stress in the daily lives of mid-aged women. Archives of Sexual Behavior, 36(3), 357–368.
6 Hensel, D. J., Nance, J., & Fortenberry, J. D. (2016). The Association Between Sexual Health and Physical, Mental, and Social
Health in Adolescent Women. Journal of Adolescent Health, 59(4), 416-421.
7 Fisher, W., Donahue, K., Long, J., Heiman, J., Rosen, R., & Sand, M. (2015). Individual and partner correlates of sexual satisfaction
and relationship happiness in midlife couples: Dyadic analysis of the international survey of relationships. Archives of Sexual
Behavior, 44(6), 1609–1620; Laumann, E. O., Paik, A., Glasser, D. B., Kang, J.-H., Wang, T., Levinson, B., Moreira, E. D., Jr., Nicolosi,
A., & Gingell, C. (2006). A Cross-National Study of Subjective Sexual Well-Being Among Older Women and Men: Findings
From the Global Study of Sexual Attitudes and Behaviors. Archives of Sexual Behavior, 35(2), 145–161.
8 Jones, A. C., Robinson, W. D., & Seedall, R. B. (2018). The role of sexual communication in couples’ sexual outcomes: A dyadic
path analysis. Journal of Marital and Family Therapy, 44(4), 606–623; Blunt-Vinti, H., Jozkowski, K. N., & Hunt, M. (2019). Show or
tell? Does verbal and/or nonverbal sexual communication matter for sexual satisfaction? Journal of Sex & Marital Therapy; Cupach,
W. R., & Comstock, J. (1990). Satisfaction with Sexual Communication in Marriage: Links to Sexual Satisfaction and Dyadic Adjustment.
Journal of Social and Personal Relationships, 7(2), 179–186.
9 Campbell, J. D., Trapnell, P. D., Heine, S. J., Katz, I. M., Lavallee, L. F., Lehman, D. R. (1996). Self-Concept Clarity: Measurement,
Personality Correlates, and Cultural Boundaries. Journal of Personality and Social Psychology, 70(1), 141-156.
10 Campbell, J. D. (1990). Self-esteem and clarity of the self-concept. Journal of Personality and Social Psychology, 59(3), 538–549;
Smith, M., Wethington, E., & Zhan, G. (1996). Self-concept clarity and preferred coping styles. Journal of Personality, 64(2),
407–434; Wu, J. (2012). Self-concept clarity of Hong Kong university students: Measurement and relations to psychological well
being. In K. Gana (Ed.), Psychology of self-concept. (pp. 21–35).
11 Lewandowski, Nardone, & Raines, 2010; McIntyre, Mattingly, & Lewandowski, 2017; Parise, Pagani, Donato, & Sedikides, 2019
12 Hucker, Mussap, & McCabe, 2010.
193
“Those who had engaged in higher frequencies of
sexual self-pleasure prior to their current relationship had
more sexual self-insight, which in turn was associated
with higher sexual communication satisfaction.”
Moreover, positive sexual interactions
are strongly associated with thriving
romantic relationships. This begs the
question: Could clearly knowing what
one enjoys sexually play an essential role
in cultivating a successful romantic relationship?
The present research introduces
the novel construct of sexual self-insight:
having a clear and coherent sense of what
one enjoys sexually. I propose that sexual
self-insight is distinct from self-concept
clarity — one can subjectively know who
they are but be unfamiliar with what they
enjoy sexually.
Sexual self-insight likely comes from
sexual experiences with partners, but
for individuals in their first relationship,
sexual self-pleasure and exploration may
be a source of sexual self-insight. Indeed,
masturbation and sexual self-pleasure
are important components of developing
healthy sexuality. 13 One study found that
young adult women who had experienced
orgasm through masturbation had greater
sexual communication and sexual agency
compared to women who had not done
so. 14 Thus, both masturbation and sexual
experience with a partner may play a role
in understanding our sexual selves and acquiring
sexual self-insight.
However, developing sexual self-insight
is not limited to certain sexual ex-
periences and behaviors. In fact, certain
groups of people may particularly struggle
with sexual self-insight, such as those with
anxious or avoidant attachment.
Attachment Style and Sexual Self-Insight
Attachment theory 15 outlines how humans
emotionally attach or bond to a caregiver
when young and how this attachment shapes
long-term perceptions of and interactions
with others. Styles of attachment, which are
not isolated to childhood and extend well
into adulthood, have a significant impact on
romantic relationships. 16 These styles exist
on two orthogonal dimensions, anxiety and
avoidance. The anxious dimension captures
how one views the self on a spectrum
from positive to negative; this positive to
negative view of the self corresponds to
both low versus high attachment anxiety
and low versus high attachment avoidance.
Conversely, the avoidant dimension encapsulates
how one views others on a spectrum
from positive to negative.
High attachment anxiety is associated
with a fear of abandonment, while high
attachment avoidance is associated with a
fear of intimacy. 17 Individuals who are anxiously
or avoidantly attached often struggle
in their relationships. People with these
attachment styles are significantly less satisfied
and committed in their relationships,
tend to have dysfunctional communica-
13 Smith, Rosenthal, & Reicher, 1996; Hogarth & Ingham, 2009.
14 Horne & Zimmer-Gembeck, 2005.
15 Bowlby, 1969; 1973; 1980.
16 Hazan & Shaver, 1987.
17 Bartholomew & Horowitz, 1991; Shaver & Mikulincer, 2012.
194
“
Those with more sexual self-insight
had greater relationship satisfaction
and commitment.
tion, and are more likely to divorce. 18
Sex is also more complicated for those
with anxious or avoidant attachment. On
the bright side, frequent and more satisfying
sex may hinder some of the negative relationship
outcomes that are typically associated
with these attachment styles. 19 That
being said, insecurely-attached individuals
are more likely to have sex for reasons
that supersede sexual pleasure. Specifically,
individuals with anxious attachment
report having sex to reduce insecurity,
while individuals with attachment avoidance
report having sex to impress peers. 20
Additionally, adults with high attachment
anxiety or avoidance experience less sexual
satisfaction and less sexual communication
in their relationships. 21
Perhaps some of the challenges that
anxious and avoidant individuals face
could be due to a lack of insight into
what they enjoy sexually. Past research
has found that both anxious and avoidant
individuals have lower self-concept clarity.
22 I hypothesize that they may also have
lower sexual self-insight, which may in
turn be associated with lower relationship
satisfaction and commitment.
Hypotheses and Research Overview
The present research examines the novel
construct of sexual self-insight and its
links with attachment and relationship
outcomes. My hypotheses are as follows:
Hypothesis 1: Higher frequencies of
sexual self-pleasure prior to a relationship
will be linked with sexual self-insight,
which in turn will be positively
associated with greater sexual communication
satisfaction in a relationship.
Hypothesis 2a: Insecure attachment
(avoidance and anxiety) will be negatively
associated with sexual self-insight.
Hypothesis 2b: The tendency for
avoidant and anxious individuals to
have lower sexual self-insight will in
turn be associated with less relationship
satisfaction and commitment.
I tested these hypotheses by conducting
an online survey of individuals who
were currently in their first romantic relationship.
In the survey, I investigated how
sexual self-insight is related to pre-relationship
self-pleasure frequency and sexual
communication (H1), as well as anxious
and avoidant attachment (H2a) and various
relationship outcomes (H2b).
Methods
This study was an initial investigation of
how sexual self-insight develops and its
possible links to attachment insecurity.
Specifically, I investigated two hypotheses:
(H1) whether sexual self-insight mediates
the association between pre-relationship
18 Li & Chan, 2012; Diamond, Brimhall, & Elliot, 2018; Candel & Turliuc, 2019; Domingue & Mollen, 2009; McNelis & Segrin,
2019.
19 Little, McNulty, & Russell, 2010.
20 Schachner & Shaver, 2004.
21 Bennett, LoPresti, & Denes, 2019; Timm & Keiley, 2011; Khoury & Findlay, 2014; Davis et al., 2006.
22 Wu, 2009; Emery, Gardner, Carswell, & Finkel, 2018
”
195
T Figure 1. Sexual self-insight mediating the association between pre-relationship solitary sexual pleasure frequency and
sexual communication satisfaction in Study 1; **p < .001; *p < .05.
.13* .59**
.14*
T Figure 2. Sexual self-insight mediating the association between anxious attachment and sexual relationship commitment in
Study 1; **p < .001; *p < .05.
-.61** .34**
Anxious Attachment
-.45**
(-.24**)
Relationship
Commitment
T Figure 3. Sexual self-insight mediating the association between avoidant attachment and sexual relationship satisfaction in
Study 1; **p < .001; *p < .05.
-.58** -.15*
Avoidant Attachment
-.55**
(-.64**)
Relationship
Satisfaction
196
sexual self-pleasure frequency and sexual
communication satisfaction, and (H2a and
2b) whether sexual self-insight mediates the
association between insecure attachment
(avoidant or anxious) and relationship outcomes
(satisfaction or commitment).
Participants and Procedure
Participants were 266 individuals 23 who
were in their first romantic relationship
(54.9% male, 41.7% female, 3.4% non-binary;
79.7% heterosexual, 12.0% bisexual,
3.8% gay/lesbian, 3.8% asexual, .7% other;
age M = 29.9, SD = 7.01). The participants
were recruited through Amazon’s
Mechanical Turk (MTurk), and all participants
were located within the United
States at the time of the study. Participants
were screened through an initial questionnaire
to make sure they fit the study
criteria. They then completed the survey
in a single session.
Measures
All items were assessed on a 7-point Likert
scale from 1 (strongly disagree) to 7 (strongly
agree) unless indicated otherwise.
Sexual self-insight. To measure sexual
self-insight, I modified the self-concept
clarity scale 24 (12 items, assessed on a 5-point
Likert scale from 1 = strongly disagree to 5 =
strongly agree; α = .92, M = 2.85, SD = .803).
See Appendix 1 for full list of items.
Sexual desire. Participants reported
their average sexual self-pleasure frequency
prior to their relationship (M = 4.47, SD =
1.94), and responded on an 8-point Likert
scale from 1 (not at all) to 8 (more than once
a day). See Appendix 2 for all additional,
altered desire items from the Sexual Desire
Inventory-2. 25
Sexual communication satisfaction.
Participants reported their satisfaction
with their sexual communication with
their romantic partner 26 (22 items; α = .94;
M = 5.17, SD = 1.14; e.g., “I tell my partner
when I am especially sexually satisfied”).
Attachment style. Participants reported
their level of attachment anxiety 27
(6 items; α = .83; M = 3.54, SD = 1.41; e.g.,
“I need a lot of reassurance that I am loved
by my partner”) and avoidance 28 (6 items; α
= .83; M = 2.69, SD = 1.24; e.g., “I am nervous
when partners get too close to me”).
Relationship commitment. Participants
reported their commitment to their
current relationship 29 (7 items; α = .88; M =
5.63, SD = 1.08; e.g., “I am committed to maintaining
my relationship with my partner”).
Relationship satisfaction. Participants
indicated their current relationship
satisfaction 30 (5 items; α = .90; M = 5.64,
SD = 1.13; e.g., “Our relationship makes me
very happy”).
Results
I standardized all variables (M = 0, SD = 1)
prior to analysis. See Table 1 for associations
between all variables.
First, I investigated H1 by analyzing
the associations between sexual self-insight,
pre-relationship sexual self-pleasure
frequency, and sexual communication
satisfaction. In line with H1, sexual self-insight
was positively associated with pre-relationship
sexual self-pleasure frequency (r
= .13, p = .028) and sexual communication
23 I initially received responses from 284 participants. However, 18 participants did not complete the survey, so I excluded them
from analyses.
24 Campbell et al., 1996.
25 Spector, Carey, & Steinberg, 1996.
26 Wheeless et al. 1984.
27 Wei, Russell, Mallinckrodt, & Vogel, 2007.
28 Ibid.
29 Rusbult, Martz, & Agnew, 1998.
30 Ibid.
197
T Table 1. Bivariate correlations of variables from Study 1; **p < .001; *p < .05.
Measure 1 2 3 4 5 6 7
1. Sexual
Self-Insight
2. Sexual
Communication
Satisfaction
3. Avoidant
attachment
4. Anxious
attachment
5. Solitary sexual
frequency
6. Relationship
commitment
7. Relationship
satisfaction
— .60** -.58** -.61** .13* .49** .22**
— -.76** -.51** .08 .65** .54**
— .58** -.10 -.69** -.55**
— -.04 -.45** -.22**
— .16 .11
— .58**
—
satisfaction (r = .60, p < .001). People who
had engaged in more sexual self-pleasure
prior to their current relationship also had
more sexual self-insight and sexual communication
satisfaction in their present
relationship. Next, I conducted mediation
analysis using model 4 of PROCESS, a
macro for a data-analysis software called
the Statistical Package for the Social Sciences
(SPSS), used as a tool for regression
path analysis. 31 In support of H1, sexual
self-insight mediated the association between
pre-relationship sexual self-pleasure
frequency and sexual communication
satisfaction (Figure 1). Participants who
reported higher frequencies of sexual
self-pleasure prior to their current relationship
scored higher on sexual self-insight,
which in turn was associated with
greater sexual communication satisfaction
in their present relationship.
Next, I tested H2a by first analyzing
the associations between sexual self-insight,
anxious and avoidant attachment
style, and relationship commitment and
satisfaction. Consistent with H2a, sexual
self-insight was negatively associated with
anxious (r = -.61, p < .001) and avoidant attachment
(r = -.58, p < .001), and positively
associated with relationship commitment
(r = .49, p < .001) and satisfaction (r = .22,
p < .001). Individuals who had anxious or
avoidant attachment style had less sexual
self-insight, and individuals who had more
sexual self-insight had greater relationship
satisfaction and commitment. Next, I conducted
a mediation analysis to first examine
whether sexual self-insight mediated the
association between anxious attachment
and relationship commitment (H2b). In
support of H2b, individuals who reported
higher anxious attachment had less sexual
31 Hayes, 2013.
198
self-insight, which in turn was associated
with less relationship commitment (Figure
2). I then conducted a mediation analysis
to determine whether sexual self-insight
mediated the association between anxious
attachment and relationship satisfaction
(H2b); however, I did not find a significant
indirect effect (indirect effect = -.08; 95%
CI = -.19, .01).
I then conducted parallel analyses for
avoidant attachment. Specifically, I analyzed
whether sexual self-insight mediated the
association between avoidant attachment
and relationship satisfaction (H2b). In line
with H2b, individuals who reported higher
avoidant attachment had less sexual self-insight,
which in turn was associated with less
relationship satisfaction (Figure 3). 32 I did
not find that sexual self-insight mediated
the association between avoidant attachment
and relationship commitment (H2b;
indirect effect = -.07; 95% CI = -.15, .01).
Discussion
This study revealed that pre-relationship
sexual self-pleasure is positively associated
with sexual self-insight, which in turn is
associated with greater sexual communication
satisfaction (H1). Furthermore,
anxious and avoidant attachment had
significantly less sexual self-insight, thus
supporting H2a. Additionally, individuals
with anxious attachment had lower sexual
self-insight, which in turn was associated
with less relationship commitment. Individuals
with avoidant attachment also had
lower sexual self-insight, which in turn
was associated with less relationship satisfaction.
Therefore, H2b was only partially
supported, as sexual self-insight did not
mediate the association between anxious
attachment and relationship satisfaction,
nor the association between avoidant
attachment and relationship commitment.
General Discussion
In light of the established positive outcomes
of sexual experiences and knowing
oneself in romantic relationships, 33 the
present research investigated the intersection
of these domains. Namely, I
investigated the novel construct of sexual
self-insight — knowledge of what one enjoys
sexually — in the context of romantic
relationships. I anticipated that individuals
may gain sexual self-insight through solitary
sexual experiences, such as masturbation,
prior to their first relationship. Thus,
I hypothesized that for individuals in their
first romantic relationship, higher frequencies
of pre-relationship self-pleasure
would be positively associated with sexual
self-insight, which in turn would be associated
with more sexual communication
satisfaction. Additionally, I hypothesized
that those with greater anxious and avoidant
attachment would have less sexual
self-insight. I also predicted that the tendency
for avoidant and anxious individuals
to have less sexual self-insight would in
turn be associated with less relationship
satisfaction and commitment.
In this research, I examined sexual
self-insight in those that were currently
in their first romantic relationship. For
these individuals, I found that those who
had engaged in higher frequencies of sexual
self-pleasure prior to their current
32 In this mediation analysis, mediator sexual self-insight was negatively associated with relationship satisfaction. This finding contradicts
my hypothesis that sexual self-insight would positively predict relationship satisfaction, which serves as the mediator for
the avoidant attachment and relationship satisfaction pathway. I suspect this is a case of the suppressor effect (Cohen et al., 2003),
which would have been caused by introducing avoidant attachment into the model, which is robustly negatively associated with
relationship satisfaction (Table 1). This suspicion is further supported by the significant, positive bivariate correlation between
sexual self-insight and relationship satisfaction in my data.
33 Fisher et al., 2015; Lewandowski et al., 2010; McIntyre et al., 2017; Parise et al., 2019.
199
relationship had more sexual self-insight,
which in turn was associated with higher
sexual communication satisfaction (H1). I
also found that those with more anxious
or avoidant attachment had less sexual
self-insight (H2a) and that those with more
sexual self-insight had greater relationship
satisfaction and commitment. For individuals
with anxious attachment, this lower
sexual self-insight was negatively associated
with relationship commitment. Additionally,
those with avoidant attachment
had less sexual self-insight, which in turn
was negatively associated with relationship
satisfaction (H2b).
Implications and Future Directions
These findings highlight the promising
potential of this new construct, sexual
self-insight, in the realm of romantic
relationships. My findings highlight a new
domain with which insecurely attached
individuals struggle: knowledge of what
they enjoy sexually. Specifically, I consistently
found that people with anxious
or avoidant attachment have less sexual
self-insight. Past research has found that
individuals with insecure attachment
often have sex for reasons that supersede
experiencing sexual pleasure. People with
anxious attachment often have sex out of
insecurity, while those with avoidant attachment
pursue sex to gain social status. 34
Thus, my findings bring to light a possible
product of this phenomenon: a lack of
clear insight into what they enjoy sexually,
or sexual self-insight.
Finally, I found that those who engaged
in higher frequencies of sexual
self-pleasure prior to their first romantic
relationship had more sexual self-insight,
which in turn was associated with more
sexual communication satisfaction in said
relationship. While these findings are only
correlative and do not imply causality,
these associations nonetheless suggest that
sexual self-pleasure may serve as a means
to understand one’s sexual self, which in
turn may lead to a higher frequency and
quality of sexual communication. In the
future, researchers could conduct experimental
studies in order to determine if a
causal relationship exists between sexual
self-pleasure and sexual self-insight, as
well as sexual self-insight and positive
sexual communication. If more sexual
self-pleasure is determined to increase sexual
self-insight, which in turn is found to
increase positive sexual communication,
this could influence sex education curriculums
and how they discuss masturbation.
Strengths and Limitations
This research developed a novel construct,
sexual self-insight, and highlighted the potential
importance of knowing what one
enjoys sexually in the context of romantic
relationships — a construct that, to my
knowledge, has yet to be investigated in
the existing literature.
An additional strength of this research
is that this study included participants
who were not exclusively college
samples, a common limitation in psychological
research. That being said, the study
sample was relatively homogenous, in that
the participants were mostly young adults,
white, Christian, and heterosexual. In the
future, I aspire to have a more diverse, representative
sample in understanding sexual
self-insight, particularly in regards to age
and sexual orientation.
My research is further limited by several
factors. Because this research is exclusively
cross-sectional and correlational, I cannot
draw causal conclusions. I intend to inves-
34 Schachner et al., 2004.
200
tigate whether causation underlies these
findings in future research, either through
longitudinal or experimental research.
Finally, one major measurement limitation
in this study was that I did not ask
participants whether they were generally
sexually active with their partner. By failing
to do this, questions inquiring about
participants’ sexual communication satisfaction
were inapplicable. I hope to replicate
these findings in a future study with a sample
of participants who are all sexually active.
Conclusion
This study investigates the novel construct,
sexual self-insight, both in the
context of attachment style and romantic
relationships. Self-concept clarity and positive
sexual experiences are both associated
with greater well-being 35 and higher quality
romantic relationships. 36 My research
suggests that to know oneself sexually may
also have positive associations in romantic
relationships. Additionally, my findings
suggest that sexual self-insight may come
harder to some than others — particularly
those with insecure attachment.
Unfortunately, individuals with insecure
attachment have less self-concept clarity 37
and less satisfactory sexual experiences. 38
While only associative research was conducted
in this study, sexual self-insight
may be an underlying phenomenon as to
why those with insecure attachment face
challenges personally, romantically, and
sexually. Future research should examine
whether a causal relationship exists in
this respect. Until then, I hope that my
research provides a springboard for future
research endeavors to expand our knowledge
on the importance of knowing our
sexual selves.
Acknowledgements
Research presented here was supported
by Northwestern University’s Summer
Undergraduate Research Grant during the
Summer of 2019.
First, I want to thank Dr. Eli Finkel for
supporting and overseeing this research as
my faculty thesis advisor, Dr. Wendi Gardner
as my second reader, and Dr. Daniel
Molden for the honor’s thesis instruction.
Last but never least, I would like to
thank Dr. Lydia Emery for serving as my
mentor throughout this research process.
Without her sincere guidance, insight,
and support, this research would not have
been possible. ■
35 Wu, 2012; Buczek-Stec et al., 2019.
36 Lewandowski et al., 2010; McIntyre et al., 2017; Fisher et al., 2015; Laumann et al., 2006.
37 Emery at al., 2016; Wu, 2009.
38 Davis et al., 2006; Khoury et al., 2014.
201
Appendices
Appendix 1
Sexual Self-Insight Items 1
1. My beliefs about what sexual activities I enjoy often conflict with one another.
2. On one day I might have one opinion of what I enjoy sexually (e.g., rough sex, certain sexual
stimulation, etc.), but on another day I might have a different opinion.
3. It is often hard for me to make up my mind about sexual activities, because I don’t really know what
I enjoy sexually.
4. I spend a lot of time wondering about what I enjoy sexually.
5. Sometimes I feel that what I enjoy sexually is not what it appears to be.
6. When I think about the sexual activities I have pursued in the past, I’m not sure what I really like.
7. I seldom experience conflict between the different sexual aspects I enjoy.
8. Sometimes I think others know what they enjoy sexually better than I know what I enjoy sexually.
9. My beliefs about what activities I enjoy sexually seem to change frequently.
10. If I were asked to describe what I enjoy sexually, my description might end up being different from
one day to another day.
11. Even if I wanted to, I don’t think I would tell someone what I really enjoy sexually.
12. In general, I have a clear sense of what I enjoy sexually.
1 All items are reverse scored, except items 7 and 12.
Appendix 2
Sexual Desire Altered Items
1. During the last month, how often would you have liked to engage in sexual activities with a partner
(for example, touching each other’s genitals, intercourse, etc.)?
2. During the last month, how often did you engage in sexual activities with a partner (for example,
touching each other’s genitals, intercourse, etc.)?
3. During the last month, how often have you had sexual thoughts involving a partner?
4. When you have sexual thoughts, how strong is your desire to engage in sexual behavior with your partner?
5. When you first see an attractive person, how strong is your sexual desire?
6. When you spend time with an attractive person, how strong is your sexual desire?
7. When you are in romantic situations (such as a candle lit dinner, a walk on the beach, etc.), how
strong is your sexual desire?
8. How strong is your desire to engage in sexual activity with a partner?
9. How important is it for you to fulfill your sexual desire through activity with a partner?
10. Prior to your current relationship, when you had sexual thoughts, how strong was your desire to
engage in sexual behavior with yourself?
11. Prior to your relationship with your significant other, over the course of a month on average, how
often would you have LIKED to behave sexually by yourself (for example, masturbating, touching
your genitals, etc.)?
12. Prior to your relationship with your significant other, over the course of a month on average, how
often DID you behave sexually by yourself (for example, masturbating, touching your genitals, etc.)?
13. Prior to your relationship, generally how strong was your desire to engage in sexual behavior by yourself?
14. Prior to your relationship, how important was it for you to fulfill your desires to behave sexually by yourself?
15. How much do you agree with this statement: Prior to my current relationship, I would often enjoy
behaving sexually by myself.
202
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2020
Research
Award
Winners
Sigma Xi Undergraduate Research Awards
The Northwestern University chapter of Sigma Xi, the Scientific Research Honor Society,
partners with the Office of Undergraduate Research to fund awards at the University’s
annual Undergraduate Research and Arts Exposition (Expo). Expo is the largest
student conference on campus and focuses on original research and creative work by
Northwestern’s undergraduates across all disciplines.
The $500 Sigma Xi Best Overall Poster Presentation Award was presented to Sophia
Liu for her project entitled “Exploring the Effects of Phonetic Overlap and Background
Noise on Incremental Processing in Children.”
The $500 Sigma Xi Best Overall Expo Oral Presentation Award was presented to
Julia Dierksheide for her presentation entitled “Exploring the Detection of Missing Tissue
in Planarian Regeneration.”
Sigma Xi Best Overall Poster Presentation Award
recipient at the Northwestern Undergraduate
Research and Arts Exposition
Sophia Liu
Project Title: Exploring the Effects of Phonetic Overlap and
Background Noise on Incremental Processing in Children
Sophia Liu (’21) is a senior from Birmingham, Alabama majoring in neuroscience and
minoring in global health studies. She first learned of the field of communication sciences
and disorders in the freshman seminar “Language and Childhood.” As an immigrant
who grew up speaking both Mandarin and English, Liu is interested in how children
with different experiences acquire language and use it to communicate with the world.
As a result, she joined the Hearing and Language Lab (HLL) to learn about how people’s
experience with sound affects their ability to understand and learn language. Over the
past two years in HLL, Liu helped research how children learn new words and how
children with and without hearing loss process phonologically-competing words.
In the summer of 2018, Liu received a Summer Undergraduate Research Grant
(SURG) for her independent project to study the effects of phonetic overlap and background
noise on incremental processing in children. After assisting a graduate mentor
with her study on phonologically competing words, Liu became interested in how
children process rhyming words, since they exist in nursery rhymes, songs, and poems.
Moreover, since communication rarely occurs in perfect silence, Liu wanted to explore
the effects of background noise. Her study found little to no effect on how children process
different rhyming words. However, data suggest background noise can slow down
children’s processing ability by making it harder to listen to the target speech.
206
Sigma Xi Best Overall Expo Oral Presentation Award
recipient at the Northwestern Undergraduate
Research and Arts Exposition
Julia Dierksheide
Presentation Title: Exploring the Detection of Missing
Tissue in Planarian Regeneration
Julia Dierksheide (’20) recently graduated from the Integrated Science Program with a
second major in biological sciences. She became interested in research early on in her
Northwestern career and joined the Petersen Lab at the beginning of her sophomore
year. Dierksheide has since had the privilege of working with Professor Petersen and his
amazing team of graduate students on the project she presented at Expo. She plans to
continue to pursue a career in research, and she started her doctoral studies in biology at
the Massachusetts Institute of Technology in fall 2020.
Dierksheide’s Expo project focused on regeneration, a specialized healing process
that replaces lost and damaged tissue with fully functional tissue. In the Petersen Lab,
researchers use planaria, small aquatic flatworms capable of amazing feats of regeneration,
as model organisms to dissect the molecular mechanisms that control this process.
Dierksheide’s work focused on the molecular differences between “simple” wound healing
and regeneration, digging into how planaria sense and respond to different injuries.
207
About the
CONTRIBUTORS
Andrew Wayne
Riley Ceperich
John Sweeney
Simone Laszuk
Yu Wang
Joy Hsu
Zoe Miller
Taris Hoffman
Kaylee Guajardo
Meghan Considine
Jade Davis
Meilynn Shi
Andrew Wayne–
Opinions in Flux: An Exploration of the Perceptions of
Concussions in Youth Sports
Andrew Wayne (’20) majored in social policy.
He is currently studying at the Kellogg School of
Management (‘21) where he is pursuing a Master
of Science in management studies.
In a nutshell, what is your research topic?
Participation in youth sports carries risk of
head trauma as millions of sports-related
concussions occur each year. This research
was designed to examine the decision-making
processes that go into enrolling a child
in youth sports, as well as the established
frameworks for understanding youth sport
involvement. In addition, the research aimed
to highlight current narratives that affect
parental decision making and how parents
weigh the positives and negatives associated
with a child’s involvement in a sport.
How did you come to your research topic?
I have always been fascinated about the
connections between head trauma and sports
in the contemporary world. In 2019, I worked
in the department of Orthopaedic Surgery and
Sports Medicine at Ann & Robert H. Lurie
Children’s Hospital. Here, I was provided the
opportunity to conduct a project about head
trauma in youth sporting leagues.
What are possible future directions for
your work? How might researchers build
on your research?
Much is still left to be known regarding head
trauma and the effects it may have later in
life. Thus, the potential effects of playing
youth sports may not be fully understood. In
addition, the data from the project suggests
that many misconceptions exist amongst
parents who have a child who actively
participates in a youth sport. Therefore,
research may need to be done to see how
these misconceptions are acquired and how
they can be rectified.
Where are you heading after graduation?
I am currently at Kellogg School of Management
where I am a candidate for a Master of Science
in Management Studies degree.
209
Riley Ceperich–
Designing Equity: Stakeholders’ Perceptions of an
Equity Initiative in a California School District
Riley Ceperich (’20) graduated with a bachelor’s
degree in both sociology and economics. She is
currently working for Cynthia E. Coburn as a
research assistant and is involved with several
other educational research projects. Ceperich is
planning to pursue a doctorate in sociology.
In a nutshell, what is your research topic?
My research topic is race inequity in
education. I studied stakeholder perceptions
of an equity reform in two elementary
schools in California with the stated goal of
increasing the educational achievement of
Black students.
How did you come to your research topic?
I became interested in educational inequity
after taking the sociology class: School and
Society. After I began working as a research
assistant in Cynthia Coburn’s lab in the School
of Education and Social Policy, I had access to
data sets and asked around for what I could
study related to equity. There were interviews
with stakeholders of an equity initiative,
and I chose to study the perceptions of those
stakeholders. I also found that this project
filled a gap in the literature.
What are possible future directions for
your work? How might researchers build
on your research?
This research could be furthered to
understand how principals who are
committed to equity goals approach equity
reforms that they view as poorly designed and
what effective principals can do to implement
equity even with challenges from the
district. Researchers could also explore how
perceptions of equity initiatives change over
time and how approaches to and the success
of equity reforms have changed and continues
to change in different political climates.
Where are you heading after graduation?
I am currently working as a research assistant
on several education-related research projects
with professors at Northwestern and the
University of Colorado Boulder. I am applying
to sociology doctorate programs with a 2021-
2022 start date.
210
John Sweeney–
What is Political Ontology
John Sweeney (’20) majored in African American
Studies. They owe all their gratitude to the
wonderful people they met at Northwestern, most
profoundly their fiancé Leilani. Additionally, they
must deeply thank Dr. Jennifer Nash, Dr. Marquis
Bey, Dr. Alvin Tillery, and Dr. José Medina.
In a nutshell, what is your research topic?
My research topic explores the concept of
‘political ontology’ from a post-Heideggerian
sense, specifically starting from the emerging
literature by Black scholars who identify as
Black nihilists or afropessimists who use the
term, and engaging their brilliant work in a
conversation with other critical theory thinkers
who use political ontology, such as Oliver
Marchart, Fred Moten, and Enrique Dussel.
How did you come to your research topic?
I came to my research topic by engaging
deeply with all of these thinkers, struggling
to understand what “political ontology” truly
means, and wondering what would be gained
by a rigorous investigation of these authors.
What are possible future directions for
your work? How might researchers build
on your research?
I think the future direction of this work
leads to a richer field of political ontology
in all fields that use the concept of political
ontology from a perspective that is highly
critical of modernity and colonialism. Future
research could build on my work to bring
into conversations the deeply rich fields, such
as Black feminism, that do not explicitly use
the language/grammar of post-Heideggerian
political ontology.
Where are you heading after graduation?
I am heading into political work to attempt to
assist in the creation of a better world. I just
finished working for the Biden campaign in
Wisconsin to defeat Trump.
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Simone Laszuk–
Swimming Upstream:
Decreasing Salmon
Populations in the
Columbia River Basin
Through Infrastructure
and Its Impacts on
Indigenous Welfare
As an undergraduate, Simone Laszuk (’20)
studied anthropology, environmental policy,
and sustainability. She truly found a home at
Northwestern in the anthropology department,
as well as the admissions office where she
worked. Laszuk is pursuing a master’s degree in
sustainability. She hopes to take her passion for
the environment and work in corporate social
responsibility, using money and influence to make
a tangible change in our world!
In a nutshell, what is your research topic?
I focused on the Yakama Tribe in Washington
state and their connection to salmon, both
as a critical resource and as an important
cultural figure. I then analyzed their access to
this critical resource and how infrastructure,
namely culverts, were creating barriers for
salmon to mate and for indigenous people to
access them appropriately. By synthesizing
historical resources and legal documents, I
dove into this environmental injustice case
study happening in Washington.
How did you come to your research topic?
Throughout my studies, I have been
interested in the intersection of anthropology
and environmental policy, specifcally in terms
of environmental justice. I think that most
people think that happens so far away (out
of sight, out of mind) but it is happening in
major cities and major areas across the world.
Additionally, I have always loved fish. On a
trip to Seattle, my family and I stopped at the
Ballard Locks to watch the salmon cross a
“salmon ladder.” It really led me down a rabbit
hole of reading about how these man-made
changes to natural landscapes have caused so
much tension on this population.
What are possible future directions for
your work? How might researchers build
on your research?
I am taking my studies in the direction of
sustainability, so this was a really exciting
way to bridge my studies in college with the
policy and practice of environmentalism
that I hope to go into. Ideally, I would love
future researchers to keep highlighting cases
of environmental injustices with easy fixes,
to put pressure on city and state officials
to address the problems of inequality and
environmental racism.
Where are you heading after graduation?
I will be continuing my studies at Northwestern,
pursuing my Masters in Energy and
Sustainability at the Institute of Sustainability
and Energy at Northwestern (ISEN).
212
Yu Wang–
Developments or
Division? The Role
Large Public Investment
Project Plays in
Gentrification: A Case
Study on Chicago’s 606
Bloomingdale Bike Trail
Yu Wang (’20) majored in sociology and minored
in general music. Coming to Northwestern
University as an international student from
Taiwan, Wang found the uniqueness of his
identity when doing research in sociology.
Additionally, his passion in urban developments
has inspired him to investigate inequality and
gentrification in American cities.
In a nutshell, what is your research topic?
My research looks at the relationship
between public investment projects and
gentrification in Chicago neighborhoods
through a case study of a newly built
elevated bike trail, The 606 Bloomingdale
Trail. In other words, I looked at whether
government-financed development would
decrease housing affordability and change
social compositions in both developed and
developing neighborhoods. The research
takes a quantitative approach by aggregating
census data from 2010 to 2017 in different
Chicago census tracts. The findings suggest
that the investment project, in this case,
actually solidifies the inequality gap,
instead of assimilating the underdeveloped
neighborhoods into a more middle-class one.
How did you come to your research topic?
Growing up in a populated urban area, I
naturally developed my interests in urban
plannings and organizations in cities. After
coming to Northwestern, I realized my
passion in studying social functions and
inequality in society, which has prompted
me to take several courses related to urban
politics, urban sociology, and gentrification.
Eventually, I used the opportunity of a
thesis project to dive deeper into the topic
of inequality in American cities. Instead of
focusing on a more individual level, I took
a more macro approach in the research by
looking at census data in Chicago.
What are possible future directions for
your work? How might researchers build
on your research?
Developments in American cities would
continue to polarize economic and social
benefits for their residents, and the form
of developments would take a more hybrid
approach, meaning that these projects would
not only serve a single function (such as a bike
trail would not only be for transportation
but also for recreational purposes).
Therefore, different research methods, from
ethnographic studies to data modeling to indepth
survey, must be implemented to get a
more holistic view on this topic.
Where are you heading after graduation?
I will be pursuing a Master of Science in
Management Studies at the Kellogg School of
Management over the next year.
213
Joy Hsu–
Stories of Regret in Late
Midlife and Their Relation
to Psychosocial Adaptation
Joy Hsu (’20) is currently a Post Baccalaureate
Research Fellow in the Technological Innovations
for Inclusive Learning and Teaching Lab at
Northwestern University. She is a recent graduate
who double majored in communication studies
and psychology, with a certificate in integrated
marketing communications and a module in
health communications. She first got involved in
research through the Early Research Experience
Award, which allowed her to work as a research
assistant in the Health Communication Interaction
Design Lab. As a co-recipient of the Hunt Award
for the best honors thesis in the Psychology
Department, she is incredibly thankful for all
the wonderful opportunities N.U. has provided
for her academic journey thus far. Some of her
favorite memories at N.U. include the time she
has spent with Asian American InterVarsity and
WildCHAT.
In a nutshell, what is your research topic?
My research topic is about regret in late
midlife adults. It both describes the content
of regrets and the ways in which these
regrets manifest. The study I conducted
also investigates how these adults make
sense of and cope with their regrets, as well
as how their narration of regret relates
to psychosocial adaptation, assessed as a
combination of generativity, ego-integrity,
and self-reported well-being.
How did you come to your research topic?
I am interested in social, personality, and
developmental psychology, which is why I
chose to work with Professor McAdams, who
is the leading expert in narrative identity.
I talked with him about several ideas I had
regarding research topics, and he gave me
feedback and let me know what sources of
data were feasible for me to use.
What are possible future directions for
your work? How might researchers build
on your research?
Future researchers should explore direction
of causality between the associations found
in this study, as it is currently uncertain
whether low psychosocial adaptation leads to
regret stories with lower regret resolution,
or vice versa. These findings may inform
clinical research in developing interventions
for late to midlife adults struggling with
psychosocial adaption.
Where are you heading after graduation?
I have just started a position as lab manager in
the Technological Innovations for Inclusive
Learning and Teaching Lab at Northwestern.
214
Kaylee Guajardo–
Knowing What You Want: Sexual
Self-Insight and Attachment Style
in Romantic Relationships
Kaylee Guajardo (’20) double majored in
psychology and statistics and minored in religious
studies. She volunteered as a research assistant for
the past year with Dr. Eli J. Finkel’s RAMLAB,
and still attends the biweekly lab meetings. When
she isn’t doing psychology of sexuality research,
she enjoys all activities outdoors, crocheting
blankets for the kittens she fosters, or making a
mess in the kitchen. This winter, you can catch
Guajardo breathing in the cold mountain air, with
a huge smile across her face, as a ski instructor in
Big Sky, Mont.!
In a nutshell, what is your research topic?
My research investigates (1) how sexual
self-pleasure, sexual communication, and
attachment style correlate and (2) how
knowing what one enjoys sexually mediates
the relationship of these variables in the
context of romantic relationships for those
that are sexually active.
How did you come to your research topic?
I served as one of Northwestern’s Sexual
Health and Assault Peer Educators (SHAPE)
for my latter two and a half years at N.U. Part
of SHAPE’s mission is to educate people on
the absolute necessity of consent throughout
sexual encounters. Ideally, consent should be
enthusiastic, verbal sexual communication
about what one wants or does not want
sexually with their partner(s). Through
my peer education experiences, I began to
wonder what elements may allow sexual
communication to come “easier” for some
than others. In other words what behavior
or experiences may precede more frequent
and satisfying sexual communication between
partners? Through reflection on past
conversations and studies I learned about in
Dr. Finkel’s Science of Relationships course,
I realized that in order to communicate what
one wants sexually, they must first know what
they want. Thus, with the help and support
of my mentor, Lydia Emery, I developed the
novel construct, sexual self-insight, to measure
how well one knows themself sexually.
What are possible future directions for
your work? How might researchers build
on your research?
First of all, all the research executed in my
senior thesis is purely correlational. Thus,
ideally future researchers can use this study
as a springboard to understand whether
sexual self-insight, or knowing what
one enjoys sexually, plays a causal role in
predicting higher usage and quality of sexual
communication. Additionally, if more sexual
self-pleasure predicts greater sexual selfinsight,
which in turn predicts more sexual
communication, this may influence how we
discuss masturbation in sexual education.
Where are you heading after graduation?
I am exploring my options with a gap year
(or two) before heading to graduate school to
pursue a doctoral degree.
215
Taris Hoffman–
“Territory Folks Should Stick Together”: The Role of
the Law and the “Other” in Daniel Fish’s Oklahoma!
Taris Hoffman (’20) is a proud graduate of
Northwestern University, where she majored
in theatre and legal studies with a minor
in dance. She graduated with honors, the
Departmental Excellence Award in theatre,
and the Distinguished Honors Thesis Prize and
Departmental Honors in legal studies. During her
time at N.U., Hoffman was a member of Griffin’s
Tale Children’s Repertory Theatre Company,
a writer for Sherman Ave, a DJ for WNUR-
FM, and a member of Lambda Pi Eta. Postgraduation,
Hoffman is pursuing her dream of
being a Chicago-based artist. She is an exclusively
signed stage and screen actor with BMG Talent
Group, a copywriter for an online toolkit in
partnership with The Talk documentary, and a
tour coordinator for Redfin Real Estate. She is
looking forward to assistant directing American
Idiot under N.U. professor Halena Kays at the
American Blues Theater next summer.
In a nutshell, what is your research topic?
My thesis analyzes the role of the law in
Daniel Fish’s “Oklahoma!” in order to examine
how the production portrays the legal
repercussions of violence towards the “other”
and how legal proceedings are represented in
contemporary pop culture.
How did you come to your research topic?
Originally, I planned to expand on a previous
project and write my thesis on the impact
of the death penalty on the victims’ families,
specifically in relationship to their media
portrayal. On the first day of the legal studies
thesis seminar, Professor Grisinger told us
all that we had to write about something
we were passionate about or else we would
never be able to make it through our
respective theses. I remember my jaw actually
dropping open because in that moment I
realized the thing I currently could not stop
thinking about, an astounding production of
“Oklahoma!” I had seen a few days ago in New
York, had a large legal component and layered
political messaging. The idea of combining
my two majors (theatre and legal studies) and
the chance to closely analyze a piece of art that
was personally inspiring to me was instantly
irresistible. The rest is history.
216
What are possible future directions for
your work? How might researchers build
on your research?
Daniel Fish’s “Oklahoma!” is subtextually
rich and layers in arguments about privilege
in relationship to gender, age, and physical
ableness, not just race and class. Continued
analysis of this play would yield more in-depth
conclusions about how privilege functions in
relationship to the law holistically. Putting
this revival in conversation more closely
with the original Broadway production, in
addition to the 1955 film, would also allow
for conclusions that speak more to the
original intention of the text that Fish then
intentionally subverted. Similarly, additional
historical legal information, such as a data set
of murder cases in the setting and era of the
play and during the years of each iteration
(1943, 1955, and 2018), would allow more
nuanced conclusions to be made about the
power of the influence of historical law versus
the contemporary cultural context on Fish’s
directorial choices.
I believe that Fish’s “Oklahoma!” is the model
for a more thoughtful and progressive theater
industry. As a director, actor, and playwright,
it encourages me to honor tradition while
still interrogating uncomfortable conventions
and reframing them to be more relevant
to contemporary society. This production
never strays away from difficult questions,
therefore furthering the conversation instead
of maintaining the status quo.
Where are you heading after graduation?
Post-graduation I am pursuing my dream
of being a Chicago-based artist. I am an
exclusively signed stage and screen actor
with BMG Talent Group, a copywriter for
an online toolkit in partnership with The
Talk documentary, and a tour coordinator
for Redfin Real Estate. In my spare time, I
keep the writing skills I honed in creating
my thesis sharp by playwriting and tutoring
high schoolers in essay writing. When the
pandemic ends, I am looking forward to
assistant directing American Idiot at the
American Blues Theater, taking dance classes
in person, and creating immersive art.
217
Zoe Miller–
Hungry Thirsty Roots: Imagining and Constructing
Ethnic Otherness in 1800s England
Zoe Miller (’20) is a writer for multiple forms
from New York. She graduated from the School
of Communication with majors in cultural
anthropology and radio/television/film. Her
focus in cultural anthropology was primarily
writing, art, and religion in Europe and the
United States. She achieved departmental honors
in anthropology and is a member of Lambda
Pi Eta. Miller’s anthropology research won the
Oswald Werner Prize for Distinguished Honors
Thesis in Anthropology and the People’s Choice
at the 2020 Undergraduate Research and Art
Expo. During her time at Northwestern, she was
a city reporter and opinion contributor at the
Daily Northwestern. Recently, her short play
“The Hamster” was produced at the Naked Angels
Young Writers Festival.
In a nutshell, what is your research topic?
My research is a historical ethnography of
depictions of the ethnic and cultural other in
19th century England. Some of the materials
I used are presented as fictional by their
authors, like Dracula and Goblin Market,
while others are presented as nonfiction, like
newspaper articles and the political cartoons
of George Cruikshank. From these materials
I draw two primary conclusions. The first is
that perceived racial difference is not based
fully on physical differences and instead is
heavily influenced by cultural factors. The
second is that “foreignness” or racial difference
is thought of as having a supernatural quality
that presents a social, sexual, and political
threat. Not being “of the nation” is construed
as being inhuman, magical, and sinister.
How did you come to your research topic?
I’ve always loved fantasy and horror literature
and I’ve had an awareness for a long time that
some of my favorite classic pieces in these
genres contained racial and/or cultural coding
of their supernatural threats. This inspired
me to look more closely into these kinds of
depictions. I was advised to narrow the scope
of my research to England specifically so that
I’d be fluent in the language of the material
with which I was working. I chose the time
period just by seeing when the pieces of most
interest to me were published.
What are possible future directions for
your work? How might researchers build
on your research?
I think the cultural processes of nation
building and determining insider-hood
218
verses outsider-hood are always continuing
around us as history progresses. As long as
nations, culture, and race exist there will be
new things to discover about this subject. My
research also really only covers a little, scant
piece of culture and is my own interpretation
of what that culture really means. There’s
almost endless more ground that could be
covered and other interpretations that could
be formed.
Where are you heading after graduation?
I’ve been writing for theater. Since graduating,
I have had readings and performances of my
work in New York and London. The actors,
directors and producers I’ve worked with have
been so welcoming and encouraging; being
involved in theater really was a beacon of light
for me during the worst of the pandemic.
My favorite piece of mine that’s been
performed since my graduation is a short
play called The Hamster; it was first read
at the Naked Angels Young Writer’s
Festival last summer. It’s about a man who
has been transformed into a hamster by a
witch. As the play goes on, we learn that
she transformed him as a punishment for
a sexual assault that he commited. I feel
that being turned into a hamster would be
a terrible fate because I think pet hamsters
must live extremely lonely lives.
I am currently working on a couple new pieces
of long form writing for various mediums.
Hopefully now that things are reopening I’ll
be able to move at least one of them forward
towards publication or production.
219
Meghan Considine–
Knowledge and Wonder’s Place, Policy, and Publics:
Kerry James Marshall and the Henry E. Legler
Library’s Percent-for-Art Commisssion
Meghan Clare Considine (’20) studies the
relationships between art, politics, and power in
American cities from 1945 to the present. She
graduated with honors in performance studies and
art history. Considine was a 2019–2020 Franke
Undergraduate Fellow at the Kaplan Institute and
has worked on curatorial and engagement projects
at the Mary and Leigh Block Museum of Art, the
Museum of Contemporary Art Chicago, and the
Museum of Fine Arts Boston. This year, she is the
O’Brien Curatorial Fellow at the University of
Minnesota Twin Cities’ Weisman Art Museum.
In fall 2021 she will enter the Williams College
and Clark Art Institute Graduate Program in the
History of Art.
In a nutshell, what is your research topic?
I offer a theoretically inflected
historiography of a critical, but overlooked,
site-specific work by Kerry James Marshall.
I argue that his mural illustrates not only
the limits of the manner in which Marshall’s
practice is typically characterized, but also
the ways in which the instrumentalization
of an object — and its attending social,
political, and aesthetic forces — by and
within networks of capital can change the
ontological status of an object itself.
How did you come to your research topic?
The controversial proposed sale of the mural
in question received nationwide coverage
in Fall 2018. It coincided with my taking a
very influential course, “Chicago 1968,” with
Rebecca Zorach, who would become one of
my two advisors. In that course I focused on
the city’s rich community mural movement
of the 1960s and 70s, and its subsequent
institutionalization by museums. I was curious
about this event as an inheritor of that legacy.
I also spent two quarters as a curatorial
intern at the MCA Chicago where I had the
opportunity to learn more about the 2016
exhibition “Kerry James Marshall: Mastry,”
220
which also happened to be the first museum
show I saw as a Northwestern undergraduate.
What are possible future directions for
your work? How might researchers build
on your research?
I am always encouraging people invested in
images and the ways they reveal and index
power relations to look beyond museums,
galleries, and archives. Future researchers
might then, as I mention in the paper, consider
conducting a study of the vast and underresearched
collections housed in libraries and
public spaces around American cities.
Where are you heading after graduation?
I am currently working in Minneapolis as
the 2020-2021 O’Brien curatorial fellow at
the University of Minnesota’s Frederick R.
Weisman Art Museum. I have also accepted
a fellowship to pursue a master’s degree in
the Williams College/Clark Art Institute
Graduate Program in the History of Art
beginning in autumn 2021.
221
Jade Davis–
Networking for Gender Justice
Jade Davis (’20) graduated with a double major
in sociology and art theory and practice. Her
first encounter with research was through the
Posner Research Fellowship in 2017, where
she worked with her future advisor, professor
Anthony Chen, on his research of the origins
of race-conscious affirmative action programs
in selective universities. She has since received
a Summer Undergraduate Research Grant and
a Weinberg Research Grant for her research
on Pilsen’s muralist community. She was also a
Research Fellow Mentor for the Posner Fellowship
and the Summer Undergraduate Research Grant.
Her research experiences have culminated with
her sociology honors thesis on women’s arts
organizations in Chicago in the 1970s through
the 1990s. Davis is currently attending Adler
University in Chicago for a dual-degree Master of
Arts program in counseling and art therapy.
In a nutshell, what is your research topic?
My research focuses on Chicago’s female
artists in the 1970s through the 1990s, a
time in which the city’s primarily male art
scene became more amenable to women.
This paved the way for later struggles for
equitable representation, pay, and other
issues affecting women in many careers
today, which are often a greater research
focus than the initial “breakthrough” point.
Specifically, I researched how women’s
art organizations contributed to this
breakthrough for women into the art scene.
I found that these organizations were
significant to Chicago’s women artists during
this time period in that they provided a
space to make connections with other
women artists as well as opportunities to
network with Chicago’s art community.
How did you come to your research topic?
As someone who is passionate about both
sociology and the arts, I’m interested in the
intersection of art and social change. My
previous research focused on the history of
muralists in the neighborhood of Pilsen, but
I quickly realized that the mural movement
had a distinct lack of female artists, and the
women who were in the movement faced
discrimination throughout their careers. After
this realization, I began learning more about
Chicago’s women’s art history, and I was
intrigued by the art spaces that female artists
created in response to the art community.
222
These organizations became my new focus for
this research.
What are possible future directions for
your work? How might researchers build
on your research?
Women’s arts organizations have provided
spaces for female artists for decades across the
United States and would all benefit from indepth
research on their histories and impact.
Within Chicago’s women’s art history, future
research could be done on those who were
not involved in women’s art organizations to
compare their experiences, difficulties, and
successes. In addition, my interviews with the
artists alluded to important aspects of their
careers which could all use future research,
such as the rifts between women who had
families and lived in the suburbs and women
who lived alone in the city, or the reality
that most of the organizations were nearly
completely made of white women, many of
whom were middle-class or wealthy.
Where are you heading after graduation?
As of August, I am studying at Adler University
in Chicago in their dual-degree Master’s
program in Counseling and Art Therapy.
223
Meilynn Shi–
A Reckoning with Medicine’s Past
Meilynn Shi (’20) recently graduated with a
major in American studies and a minor in
political science. She was part of the Honors
Program in Medical Education (HPME) and
is currently a first-year medical student at the
Feinberg School of Medicine.
In a nutshell, what is your research topic?
My thesis studied the 1975 physician’s strike
at Cook County Hospital as a case study of
some of the political, ethical, and historical
structures that have shaped medicine into
what it is today.
How did you come to your research topic?
I came across the strike while going
through the Quentin Young Papers at the
Northwestern University Archives.
What are possible future directions for
your work? How might researchers build
on your research?
As a medical student, I have been thinking
deeply about how I hope to contribute to the
profession. I can’t help but feel that there is
no other time like now for us to look back at
medicine’s past and reflect upon its histories —
both the triumphant and the painful — before
we can truly move forward. The 1975 strike is
but one of those histories.
Where are you heading after graduation?
I’m currently a first-year medical student
at Feinberg.
224
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