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Gezi <strong>Park</strong> <strong>District</strong>
8E3A7BPY | COVER PAGE BACKFACE<br />
Gezi<br />
<strong>Park</strong><br />
<strong>District</strong>
Gezi <strong>Park</strong> <strong>District</strong><br />
The Urban Living Room<br />
Taksim Square has been going through transformations since<br />
the beginning of the 20th century. We strongly believe there is no<br />
ultimate solution one can reach to fix Taksim. It is simply not the way<br />
we see the nature of design and the role of the architect, the urban<br />
planner, landscape designer. At the moment, we are experiencing<br />
odd artifacts from the previous planning decisions taken. We can<br />
observe and experience these as people living in Istanbul.<br />
Istanbul has a very strong topographical character. Taksim square<br />
is a plateau at +85m sea level, located on the ridge formed<br />
by great topographical change - this path is called Tarlabasi<br />
Caddesi, Halaskargazi Street, and Buyukdere Caddesi,<br />
reaching 14km north till Haciosman. On this spine, Taksim serves<br />
as a hub almost as crucial as Mecidiyekoy and Levent.<br />
TAKSIM SQUARE REMAINS AS A HOLE IN THE MIDDLE OF DENSE URBAN<br />
FABRIC OF ISTANBUL<br />
Henri Prost defined the steep drop from Taksim in the northeast<br />
direction as a green valley knowing the topographical character<br />
of Istanbul. Today, Henri Prost’s Gezi <strong>Park</strong> is no longer a green<br />
valley. Ceylan Intercontinental, Ritz Carlton, and many more standalone<br />
private buildings with their fence were built into the valley,<br />
interrupting the continuity of the green belt idea.<br />
Yet, we believe Taksim is no longer the most crucial<br />
transportation hub in the city. The city has had a trend of<br />
migrating with consumption - not because of maximized capacity<br />
- towards north starting in the 20th century. Starting from the<br />
Ottoman Palace migrating from Topkapi to Dolmabahce, there has<br />
been a historical trend to migrate towards the north of Istanbul.<br />
This trend was followed by the business district of Karakoy moving<br />
to Mecidiyekoy, later to Maslak. IBB’s new office was considered<br />
in Maslak, Galatasaray’s Stadium moved from Taksim Square to<br />
Mecidiyekoy; later to Seyrantepe, United States Consulate moved to<br />
North to Istinye from historical Istanbul, bank headquarters moved<br />
from Karakoy to 4.Levent, even the main airport moved to North in<br />
2019.<br />
BUILDING OFFICE | PAGE 1<br />
ORGANIZATIONS AND ADMINISTRATIVE BUILDINGS ALIGNED ON<br />
BUYUKDERE STREET, CROSSING TWO HIGHWAYS E-5 AND E-6<br />
Taksim Square has gotten weaker as a business center of<br />
Istanbul as a result of this migration, yet Taksim has always<br />
managed to preserve its socio-political meaning. In the 21st<br />
century, the government defined Taksim Square as trouble making<br />
public space where protests are made often on the 1st of May; often,<br />
shops were vandalized every year as a result of the tension. The<br />
gatherings, demonstrations were banned in Taksim on almost every<br />
meaningful day, including New Year’s Day.<br />
DRAWING SHOWING STRONG TOPOGRAPHY OF ISTANBUL IN RELATION TO<br />
LANDMARKS AND MAJOR HIGHWAYS<br />
The government was showing the public two new addresses<br />
for gatherings: Yenikapi Meeting Zone and Maltepe Meeting<br />
Zone. These vast concrete plains - larger than Tiananmen Square<br />
were reclaimed land on the coast of Istanbul to justify the removal<br />
of Taksim Square from the city. Providing the central, most extensive<br />
of its kind solution to any need has been an urban planning strategy<br />
in the 21st century in Turkey. This formula was followed for city<br />
hospitals, court buildings, the need for gatherings treated in the<br />
same way.
Gezi <strong>Park</strong> <strong>District</strong><br />
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The plan of filling Taksim Square with buildings was interrupted by<br />
the Gezi Protests started by people of Istanbul standing in front of<br />
the bulldozers at the end of May, beginning of June in 2013. As a<br />
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result, the government was convinced not to build the shopping<br />
mall and ice rink. The protest forced Taksim to remain as a blank<br />
sheet with its existing problems, untouched.<br />
What Taksim needs today is not a new author. Yet, we have to<br />
come up with a strategy to make it a better place collectively. We<br />
are proposing a plan, a framework for immediate problems that can<br />
be realistically done and does not require unrealistic political power<br />
to bring into real life. The construction of the underground tunnel<br />
for vehicles from Tarlabasi to Sisli has just finished a few years ago,<br />
even though it is not ideal for pedestrian experience entering Taksim<br />
and increases the space in addition to the existing undefined space,<br />
we think it is a step taken that can have it’s own advantages.<br />
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Gezi <strong>Park</strong> is no longer as part of Henri Prost’s Green Valley idea. It<br />
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is a park surrounded by police, and on the pre-2013 days, the park<br />
served substance abusers and had been a scary place to enter. The<br />
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BUILDING OFFICE | PAGE 2<br />
level change between the Taksim Square as we know and the Gezi<br />
<strong>Park</strong> created compartments within the potential great open space,<br />
resulting in disconnection. Consequently, Gezi <strong>Park</strong> has been a<br />
black hole in the middle of Istanbul.<br />
The empty space is valuable for the coming great Istanbul<br />
earthquake, and we are aiming to develop the park with material<br />
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strategies for rainwater collection to set new standards for the rest<br />
of the development in Istanbul.<br />
We have seen great public green spaces in New York (High Line)<br />
and Seoul (7017, Skygarden). Lately, Washington DC (11th Street<br />
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Bridge <strong>Park</strong>) is also planning a landscaped bridge as a public space.<br />
Since Gezi <strong>Park</strong> is untouchable for good reasons, there is a<br />
potential to extend the park just like a carpet onto the empty<br />
space. This carpet-like approach is similar to traditional<br />
Turkish treatment for empty concrete space, the living room.<br />
Turks traditionally pile carpets on top of each other with a<br />
sense of directionality - pointing corridors, rooms opening<br />
to the central space. We feel a similar approach would be<br />
appropriate for an empty concrete public space in Istanbul.<br />
Gardens, other ground treatments stacked on top of each<br />
other inspiring multiple uses into the open space. In Anatolia,<br />
carpets tell stories with their patterns; we aim to reflect the<br />
past of Taksim square within the choice of patterning.<br />
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We propose to expand the park onto the rest of Taksim Square.<br />
For the reasons explained above, we believe Taksim has lost its<br />
socio-political importance and remains as an undefined, wasted<br />
space right in the middle of a potentially very lively urban fabric. By<br />
expanding the park onto the indefinite area, we are aiming to ramp<br />
down and make these two levels one. A singular plain unifying Gezi<br />
<strong>Park</strong> with the Taksim Square again.
Gezi <strong>Park</strong> <strong>District</strong><br />
Recognizing its disconnection from Green Valley, instead of getting<br />
rid of Gezi <strong>Park</strong>, we want to give it a new definition; we want to<br />
open it up safely to the city with enough light and visual security. In<br />
Gezi <strong>Park</strong>, we want to avoid too many tree relocations; therefore, we<br />
only change the walkways within the park, redirecting them into the<br />
city. Plugging them into existing flows, following axis from existing<br />
Talimhane, and align and ramp it down to Istiklal Street.<br />
This extension of the city grid from Talimhane gives us a<br />
rotated square within the project zone. We call this square<br />
Gezi <strong>Park</strong> <strong>District</strong>. This rotated square defines a new potential<br />
for redevelopment, reuse of existing buildings in Talimhane in<br />
harmony with the new Taksim Square. It also leaves a negative<br />
space on four sides to be defined. One corner will be serving Istiklal<br />
Street; the second corner will belong to AKM, and the third corner<br />
as a dense green zone full of trees and fourth corner will provide<br />
Sisli Urban connection.<br />
The biggest intervention we are proposing is a lightweight,<br />
relatively cheap scaffolding structure that will mark each node<br />
on our 50m x 50m grid, providing lighting, electricity, and other<br />
infrastructural needs for the new Taksim Square; the pavilions.<br />
Pavilions will host infrastructure such as small programs like kiosks<br />
for food, newspapers, coffee shops. The cube-like screens on top of<br />
each pavilion will have the capability to move up and down almost<br />
15m. The multimedia shows will be held on special occasions,<br />
sponsors, and media artists will be able to design spectacular<br />
experience 24 hours a day in the heart of the city. The selected<br />
pavilions will also be designed via competition between artists<br />
and architects.<br />
We are also proposing elevated walkways that are acting as bridges<br />
to North and North East, connecting Taksim to Ataturk Kitapligi and<br />
Divan Hotel. These walkways would be integrated into the pavilions<br />
for circulation.<br />
This focus area development will be called Gezi <strong>Park</strong> <strong>District</strong>.<br />
Taking two blocks of Talimhane within its influence area, we would<br />
like to give a new definition to the emptiness existing at the moment<br />
without building a single new building.<br />
We define a system to read the existing fabric of Taksim Square; it is<br />
a 50m x 50m module starting from Cumhuriyet Aniti, Gezi Fountain,<br />
and edges of the square fall entirely within this grid system. This<br />
grid is also used to form terraces moving the ground plane up and<br />
down to match the topographical differences.<br />
The existing city fabric of Talimhane is to be partially renewed by<br />
injecting new buildings into the locations falling on this 50m<br />
x 50m grid defined by us following existing structures in Taksim.<br />
These interventions will be open to design competitions<br />
and also given to trusted major architects of Istanbul for<br />
redevelopment. Instead of a Tabula Rasa approach, this will slow<br />
down the evolution and make the regeneration more natural.<br />
Gezi <strong>Park</strong> <strong>District</strong>, in time, will become a lively place like<br />
Asmalimescit, announcing the rebirth of Taksim, which will<br />
influence Istiklal Street and Sisli to be more urban, filled with people<br />
again, celebrating life in a sustainable way full of culture and art,<br />
the way it used to be. We are proposing a collective strategy to give<br />
birth to a new social city center taking advantage of its lightness<br />
after the migration of its every single function to the north and<br />
waterfront of Istanbul.<br />
BUILDING OFFICE | PAGE 3<br />
The marble staircase of Gezi <strong>Park</strong> will be preserved as an<br />
amphitheater facing the red carpet for the public in front of AKM,<br />
which is a new zone defined by us as a place for gathering for<br />
celebrations, protests in a more reasonable size. The crowd will still<br />
have the potential to spread over the grass and Gezi <strong>Park</strong> area since<br />
we get rid of the level change in our proposal.<br />
APRIL 2020, CURRENT SITUATION OF TAKSIM SQUARE<br />
The red carpet for all is a red ground where also Istanbul Metro<br />
is exiting; taxis drop you off; it is the zone of arrival. We keep the<br />
vehicle road as it is in front of AKM but would level this road with<br />
the red ground, and only define the vehicle road with balustrades.<br />
Once a year, a design competition will be held among artists and<br />
architects to design a pavilion on the corner of AKM, similar to<br />
“Kavusma Duragı” built in 2020.<br />
KAVUSMA DURAGI BY INTER NATIONAL DESIGN (ARMAN<br />
AKDOGAN AND FELIX MADRAZO) TEMPORARY PAVILION IN<br />
TAKSIM (2020)
Gezi <strong>Park</strong> <strong>District</strong><br />
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Accoding to IBB maps, Taksim is a safe zone for<br />
gathering when the Istanbul Earthquake happens.<br />
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BUILDING OFFICE | PAGE 4<br />
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Istanbul Earthquake is expected to happen soon<br />
Climate Change is happening<br />
Turkey is going through diff icult times financially.<br />
The design has to be the DNA of a resilient Istanbul. A<br />
place to gather safely in an emergency. Its materiality<br />
and features should be environmentally friendly, save<br />
water, and allow recycling and re-use. The design that<br />
allows phasing will enable the project to be developed<br />
in the long term rather than one shot, and in terms of<br />
our transportation strategy for the site since the road<br />
network was built very recently.<br />
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Istanbul has been consuming its land without using the real potential with planning<br />
densely. Architects can not change this wasteful approach on their own. Without<br />
political and social power to design better, we have to see the advantage of this<br />
migration. Galatasaray, Isbankasi, Residency of the President, the main Airport,<br />
Istanbul Buyuksehir Belediyesi, all of these buildings moved or planned to move north<br />
of Istanbul. Raising the question for us, are we going to have a new Mecidiyekoy once<br />
the migration is complete? What happens to the land left behind? Can we celebrate it<br />
by introducing more social programme?<br />
Turning Emptiness to Indeterminate Green Space<br />
Gezi <strong>Park</strong> <strong>District</strong><br />
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BEYOGLU KÜLTÜR YOLU is proposed by the<br />
Ministry of Tourism connecting Istiklal Street to<br />
Galataport. We are proposing to complete the<br />
walk as a loop by making GEZI PARK DISTRICT<br />
being the main hub for the walk. Istanbul Modern,<br />
Galataport, Galata Tower, Asmalimescit, Nevizade,<br />
Arter Museum, Cemil Topuzlu, Lutfi Kirdar, Inonu<br />
Stadium would be located on this walk.<br />
AT THE MOMENT TAKSIM SQUARE<br />
IS A GIANT CONCRETE SURFACE<br />
BIGGER THAN ALMOST ANY CITY<br />
SQUARE IN THE WORLD. THE<br />
GENEROSITY OF THE SPACE IS<br />
ALMOST TOO BIG TO TURN INTO ANY<br />
OF ITS POTENTIAL.<br />
BEING FLEXIBLE MEANS BEING<br />
AVAILABLE FOR NOTHING. AT THE<br />
MOMENT TAKSIM SQUARE IS LIKE A<br />
GIANT HOLE IN A VERY DENSE CITY.<br />
“SOLVING” THE PROBLEMS OF<br />
TAKSIM SQUARE IS A VERY<br />
AMBITIOUS TASK REQUIRING<br />
FINANCIAL, POLITICAL AND SOCIAL<br />
DETERMINATION AND CONSENSUS.<br />
WE DON’T BELIEVE IN “SOLVING<br />
TAKSIM SQUARE” THEREFORE OUR<br />
APPROACH IS A STEP TAKEN TO<br />
IMPROVE THE CURRENT URBAN<br />
CONDITION.<br />
WE BELIEVE THE TRADITIONAL CITY<br />
SQUARE DOES NOT HAVE THE SAME<br />
MEANING IN OUR CURRENT SOCIETY.<br />
TAKSIM SQUARE NO LONGER HAS<br />
THE SAME MEANING IT USED TO<br />
HAVE IN THE 1900S. THE URBAN<br />
LIMITS OF ISTANBUL IS BEYOND THE<br />
IMAGINATION OF HENRI PROST’S<br />
ISTANBUL. WE PROPOSE TO RESIZE<br />
THE GREEN AREA PROVIDED<br />
WITHOUT DEMOLISHING THE<br />
INFRASTRUCTURE THAT WAS BUILT<br />
VERY RECENTLY.
Gezi <strong>Park</strong> <strong>District</strong><br />
City Square as a Green <strong>Park</strong><br />
The empty concrete space of Taksim Square is surrounded<br />
by vibrant urban patches such as Beyoglu, Sisli, Dolapdere,<br />
Talimhane, Macka, Gumussuyu. We see these lively urban<br />
patches just like small carpets where different profiles of<br />
people live inside. Our proposal is to extend the existing<br />
vibrant neighborhood into the concrete space and cover the<br />
HANDS ON HIPS (ELİBELİNDE)<br />
IT IS THE SYMBOL OF FEMININITY. IT SYMBOLIZES NOT ONLY MATERNITY AND FERTILITY, BUT ALSO GOOD<br />
LUCK, FERTILITY, FORTUNE, HAPPINESS AND JOY.<br />
“hole” with urban activity - a vast green park. Carpets define<br />
empty spaces for us in the Turkish home scale. Like our<br />
homes, on the urban level, carpets could inspire a variety of<br />
activities, with stories recorded on their patterns reflecting<br />
sociology, history of the people and their city.<br />
BUILDING OFFICE | PAGE 5<br />
WATER WAY (SUYOLU)<br />
WATER IS THE SYMBOL OF REBIRTH, PHYSICAL AND SPIRITUAL RENEWAL, CONTINUITY OF LIFE, FERTILITY,<br />
NOBILITY, WISDOM, PURITY AND VIRTUE. IT IS THE MOST EFFECTIVE PURIFICATION SYMBOL. HE IS THE<br />
SOURCE OF BOTH LIFE AND DEATH. IN ANATOLIA, WATER IS LIFE ITSELF.<br />
HAND, FINGER AND COMB (EL, PARMAK, TARAK)<br />
“HAND”, THE SYMBOL OF CREATIVE POWER, IS THE MOST IMPORTANT ORGAN THAT SEPARATES MAN<br />
FROM ANIMAL. LARGE HAND AND FOOTPRINTS WERE PICTURED DURING THE BRONZE AGE. HANDS<br />
SYMBOLIZE STRENGTH, POWER, AND POWER OF DOMINATION.<br />
TRAMMEL (BUKAĞI)<br />
THE NAME OF THE CHAIN THAT PREVENTS HORSES FROM MOVING AWAY FROM THE GRASSLAND,<br />
WHICH IS ATTACHED TO THE FRONT TWO LEGS. IT SYMBOLIZES THE CONTINUATION OF THE FAMILY. IT<br />
SYMBOLIZES LOVE AND UNION. IT IS ONE OF THESE SYMBOLS THAT ENGAGEMENT RINGS ARE TIED WITH<br />
RED RIBBONS.<br />
PATTERNS WILL ALSO SET UP SAFE<br />
SOCIAL DISTANCING BETWEEN<br />
PEOPLE IN THE GEZI PARK<br />
GOOD LUCK, FERTILITY, FORTUNE, HAPPINESS AND JOY.<br />
NATURE, CONTINUITY OF LIFE<br />
HANDS, STRENGTH, SYMBOL OF BEING HUMAN<br />
CONTINUATION OF THE FAMILY, LOVE AND UNION
Gezi <strong>Park</strong> <strong>District</strong><br />
Design Evolution<br />
+0m<br />
+3m<br />
SINGLE SURFACE<br />
ISTIKLAL<br />
ISTIKLAL<br />
A DIVIDED PATCHWORK, TAKSİM SQUARE<br />
AT THE MOMENT TAKSIM SQUARE IS IN TWO LEVELS, THE CONCRETE BASE AND<br />
THE GEZI PARK +3M ABOVE THE CONCRETE PLATE. WE SEE THIS DIVISION AS A<br />
PROBLEM; THIS DIVISION BREAKS ONE GREAT SPACE INTO TWO.<br />
MAKE TAKSIM SQUARE A SINGLE SURFACE<br />
BY INTRODUCING RAMPS STARTING FROM ALMOST CUMHURIYET ANITI, WE WANT TO<br />
CONNECT TWO LEVELS INTO ONE SINGLE SURFACE MAKING PUBLIC ABLE TO WALK<br />
EFFORTLESSLY INTO GEZI PARK. IN-FACT, EVEN MAKE TAKSIM EXTENSION OF GEZI<br />
PARK.<br />
BUILDING OFFICE | PAGE 6<br />
ISTIKLAL<br />
ISTIKLAL<br />
DEFINE A FOCUS AREA OF DEVELOPMENT<br />
REUSE EXISTING INFRASTRUCTURE WE KNOW THE SENSITIVITY OF BUILDING<br />
ANYTHING PERMANENT IN TAKSIM SQUARE. THEREFORE WE WOULD LIKE TO<br />
MERGE TALIMHANE INTO THE COMPETITION AREA, TO REBUILD SOME OF THE<br />
BUILDINGS OR REUSE EXISTING STRUCTURES.<br />
MAKE THE GEZİ PARK MUCH BIGGER<br />
TALIMHANE SEEMS TO BE A CUT-OFF URBAN FABRIC WANTING TO EXTEND INTO<br />
TAKSIM SQUARE; WE WOULD LIKE TO COMPLETE TALIMHANE AS NEW GREEN ZONES<br />
WHERE PEOPLE CAN REST AND ENJOY GREENERY.<br />
ÇEŞME<br />
ANIT<br />
ISTIKLAL<br />
ISTIKLAL<br />
PROVIDING PEDESTRIAN CONNECTIONS<br />
THE ALIGNMENT OF TALIMHANE SEEMS TO BE COMPLETING THE EXISTING<br />
CONNECTIONS MUCH HEALTHIER THAN ANY OTHER ALIGNMENT FOR THE GRID.<br />
DEFINING THE GRID OF TAKSİM SQUARE<br />
WE INTRODUCE A PIN / GRID SYSTEM 50x50, WHICH ALSO MATCHES THE CURRENT<br />
EXISTING BUILDING EDGES, MONUMENTS, FOUNTAIN to DEFINE THE FORMULA OF<br />
NEW DEVELOPMENT. THESE TOWERS WILL ALSO SERVE AS THE INFRASTRUCTURE<br />
OF THE CITY SQUARE.
Gezi <strong>Park</strong> <strong>District</strong><br />
ŞİŞLİ<br />
FOREST<br />
BEYOĞLU<br />
ISTIKLAL<br />
ISTIKLAL<br />
CULTURE<br />
GRID OVERLAPPING BUILDINGS<br />
WHENEVER A GRID POINT FALLS OVER AN EXISTING BUILDING, WE ARE GOING TO<br />
INTRODUCE REUSE, REBUILD OR REPROGRAMMING THE EXISTING BUILDING, THIS<br />
STRATEGY WILL ENCOURAGE A SOFTER REGENERATION RATHER THAN TABULA<br />
RASA.<br />
NEGATIVE SPACE<br />
THE ROTATED CENTRAL ZONE WLL BE CALLED GEZI PARK DISTRICT, THIS ROTATED<br />
RECTANGLE WILL NATURALLY LEAVE FOUR UNDEFINED CORNERS BECAUSE OF ITS<br />
GEOMETRIC ALIGNMENT. THESE ZONES WILL BELONG TO DENSER USE OF EXISTING<br />
PROGRAMMES SUCH AS CULTURE, GREENERY.<br />
BUS STOP<br />
ISTIKLAL<br />
ISTIKLAL<br />
DOLMUŞ - BAKIRKÖY<br />
DOLMUŞ - KADIKÖY<br />
DOLMUŞ - BOSTANCI<br />
BUS STOP<br />
BUILDING OFFICE | PAGE 7<br />
CARPETS OF USES<br />
WE ARE ALSO INTRODUCING CARPETS WITH SIMILAR SCALE TO EACH THE URBAN<br />
GRID OF TALIMHANE, TO DENSELY HOST CERTAIN USES SUCH AS EXTENSION OF<br />
AKM, MARKER FOR ENDING ISTIKLAL STREET, MARKER FOR ENTRANCE TO TAKSIM<br />
FROM SISLI, ANNUAL PAVILION ZONE PART OFTHE AKM<br />
TRANSPORTATION NETWORK<br />
WE ARE NOT INTERESTED IN CHANGING THE WHOLE ROAD NETWORK REACHING<br />
TAKSIM SQUARE. MOST OF THESE ROADS WERE ENGINEERED VERY RECENTLY, AND<br />
WE ACCEPT THEM AS THEY ARE, WE ONLY INTRODUCE NEW GATHERING POINTS<br />
FOR DOLMUS to IMPROVE EXPERIENCE.<br />
ISTIKLAL<br />
ISTIKLAL<br />
ELEVATED WALKWAYS<br />
ELEVATED WALKWAYS CONNECT DIVAN AND ATATURK LIBRARY SIDES OF TAKSIM<br />
SQUARE TO THE CENTRAL AREA. THEY ALSO ACT AS WALKWAYS AND VIEWING<br />
PLATFORMS FOR TOURISTS AND LOCALS.<br />
GEZİ PARK DISTRICT<br />
COVERED WITH CARPETS OF GREEN, CULTURAL USE ZONES AND FUNCTION<br />
SPECIFIC ZONES, HELD TOGETHER WITH AN OVERLAY OF INFRASTRUCTURE<br />
GRID, WE PROPOSE TO HAVE A RICH TAKSIM SQUARE TEXTURE FULL OF RICH<br />
EXPERIENCES WHILE KEEPING IT DEMOCRATIC AND SAFE.
Gezi <strong>Park</strong> <strong>District</strong><br />
Infrastructure Pavilions<br />
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SCULPTURES OF SOL LEWITT<br />
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BUILDING OFFICE | PAGE 8<br />
50m x 50m grid works with Taksim Square matching with the<br />
existing monuments such as Cumhuriyet Aniti and Gezi Fountain<br />
that are to be preserved. Also the nodes on each 50m network<br />
defines the edge of the project area as a precise tool.<br />
METALLICA’S WORLDWIRED TOUR STAGE DESIGN, PERFORMING SCREENS<br />
The towers will define the limits<br />
for the temporary programs<br />
introduced by sponsors such<br />
as Nike Football renting a<br />
100x100 zone in Taksim Square<br />
for a week. Towers will act<br />
as markers, infrastructure<br />
providers.<br />
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NEW YEAR’S COUNTDOWN IN<br />
THE NEW TAKSIM SQUARE<br />
45°<br />
TWIST<br />
9.5m<br />
ELEVATION<br />
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50m x 50m grid shows potentials for<br />
dividing Taksim Square into different<br />
sizes for different sponsorship,<br />
government or social events. 40,000m 2 ,<br />
30,000m 2 , 25,000m 2 , 20,000m 2 , 5,000m 2 ,<br />
2,500m 2 with great alignments to the<br />
existing fabric.<br />
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NEW YEAR’S DAY COUNTDOWN<br />
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WATER, ELECTRICITY, LIGHT SOURCE, AMPLIFIERS, SCREENS, WASTE COLLECTION NODES
Gezi <strong>Park</strong> <strong>District</strong><br />
2,C<br />
1,A<br />
1,A 4,A<br />
2,A<br />
Pavilion Neutral<br />
The neutral pavilion only hosts foursided<br />
LCD screen and lighting elements<br />
for its surroundings and speaker for<br />
sharing chosen performances with the<br />
public into the park.<br />
Pavilion Neutral Rotated<br />
The neutral pavilion with the rotating<br />
screen.<br />
Pavilion Newstand<br />
It is located next to the metro exit for<br />
Taksim Station. Newsstand also offers<br />
seating around the pavilion.<br />
Pavilion Circulation<br />
Tower has a 1500mm wide staircase<br />
and lifts for elevating the public for the<br />
use of the elevated walkways.<br />
Pavilion Circulation B<br />
Tower has a 1500mm wide staircase<br />
and lifts for elevating the public for the<br />
use of the elevated walkways. The only<br />
difference is the direction of the lifts.<br />
1,A<br />
Pavilion Stage<br />
Located in between the red carpet and<br />
the preserved staircase of Gezi <strong>Park</strong>,<br />
the stage offers dual aspect stage<br />
function depending on the size of the<br />
audience.<br />
0,Z 5,X 0,E<br />
1,E<br />
Pavilion Florist<br />
Pavilion Talimhane Gate Pavilion AKM South Pavilion Meeting Point<br />
Located right next to and above the<br />
historical Su Isleri building, the pavilion<br />
will mark the traditional florist bazaar.<br />
Located right next to and above the<br />
historical Su Isleri building, the pavilion<br />
will mark the traditional florist bazaar.<br />
Right in front of AKM, inside the<br />
reflecting pool, this will be an art piece<br />
open for international competition for<br />
artists.<br />
Located in front of AKM, the northern<br />
pavilion will be an artwork commission/<br />
competition marking the meeting point<br />
in Taksim in front of AKM traditionally.<br />
BUILDING OFFICE | PAGE 9<br />
Taksim Underground Tunnel<br />
FLOOD WATER IN THE NEWLY BUILT UNDERGROUND TUNNEL<br />
Water Collection<br />
MATERIALS ABSORBING AND COLLECTING FLOOD WATER<br />
Emergency Infrastructure<br />
INFORMATION SCREENS, SPEAKERS, WIFI PROVIDER,<br />
ELECTRICITY SOURCE<br />
INTERVENTION WHERE GRID MEETS EXISTING BUILDINGS<br />
USE EXISTING INFRASTRUCTURE INSTEAD OF BUILDING NEW<br />
ARCHITECT 1<br />
DESIGNING NEW<br />
PAINTING GALLERY<br />
BUILDING IN TALIMHANE<br />
1<br />
2<br />
ARCHITECT 2<br />
DESIGNING NEW<br />
BOUTIQUE HOTEL<br />
2<br />
4<br />
WITH ART GALLERY IN<br />
TALIMHANE<br />
1<br />
ARCHITECT 3<br />
DESIGNING NEW BAR<br />
3<br />
& RESTAURANT WITH<br />
ROOF TOP FACING<br />
5<br />
TAKSIM SQUARE AND<br />
BOSPHORUS.<br />
ARCHITECT 4<br />
DESIGNING TAKSIM<br />
4<br />
MODERN ART MUSEUM<br />
AS PART OF GEZI PARK<br />
THE 50MX50M TOWER GRID WHEN IT IS<br />
DISTRICT.<br />
OVER THE TALIMHANE BUILT MASS - THE<br />
EXISTING CITY - BECOMES A MARKER FOR<br />
REGENERATION, SELECTED BUILDINGS<br />
WILL BE RENOVATED AND RE-PURPOSED BY<br />
SUCCESSFUL TURKISH ARCHITECTS INVITED.<br />
THE SELECTION IS REPRESENTATIVE FOR THE<br />
DENSITY OF SELECTION, FURTHER STUDIES<br />
ARE REQUIRED FOR THE REAL SELECTION<br />
3<br />
ARCHITECTS<br />
DESIGNING NEW HOTEL<br />
OF TALIMHANE WITH<br />
THE MOST POPULAR<br />
BAR OF 2022 IN<br />
ISTANBUL.<br />
5
Gezi <strong>Park</strong> <strong>District</strong><br />
Gezi <strong>Park</strong> Extended - Safer and Open<br />
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MULTIMEDIA MESH IN LOS ANGELES - HIGH LINE IN NEW YORK BRINGS PARK AS A PUBLIC<br />
SPACE INTO THE CITY CENTER WITH ART PERFORMANCES AND INSTALLATIONS ALL YEAR<br />
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8E3A7BPY | PAGE 10<br />
There seems to be an existing grid system in Beyoglu district that<br />
the city square has erased. This secondary grid, for us, defines the<br />
circulation and new spaces within the deleted zone.<br />
WE ARE AIMING TO EXTEND THE LIVELY ATMOSPHERE OF ASMALIMESCIT AND CICEK PASAJI<br />
TO THE PEDESTRIANIZED TALIMHANE STREETS<br />
The elevated walkway provides shading<br />
and cooling elements such as waterfalls<br />
for the potential occupation underneath.<br />
They also connect the Gezi <strong>Park</strong><br />
towards Divan Hotel and Ataturk Library<br />
direction above the roads.<br />
This alignment of Istiklal Street in<br />
relationship with Talimhane was also<br />
respected previously by Behruz Cinici’s<br />
proposal for Taksim Square. We came<br />
up with this alignment approach before<br />
finding out on Cinici’s project.
Gezi <strong>Park</strong> <strong>District</strong><br />
Extending AKM into Taksim Square<br />
Music in the <strong>Park</strong><br />
Some performances could be open to the public<br />
via screens in the Taksim Square and Gezi <strong>Park</strong>.<br />
BUILDING OFFICE | PAGE 11<br />
Music in the <strong>Park</strong><br />
Pop / Rock concerts will be performed on the<br />
stage pavilion connected with an underground<br />
passage to AKM building for backstage.
Gezi <strong>Park</strong> <strong>District</strong><br />
Carpets for Intense Programmatic Use<br />
ARRIVAL ZONE FROM SISLI<br />
ZONE FOR ATATURK LIBRARY CONNECTION<br />
ZONE FOR THE MOSQUE AND SU ISLERI<br />
ZONE FOR ANNUAL PAVILION ART DISPLAY<br />
ZONE FOR GATHERINGS, RED CARPET FOR ALL<br />
ZONE FOR ISTIKLAL STREET ARRIVAL<br />
RED CARPET FOR ALL - EXPANDING AKM INTO TAKSIM<br />
BUILDING OFFICE | PAGE 12<br />
The red carpet is an exclusive zone in front of the Ataturk Kultur Merkezi<br />
(AKM), celebrating the gathering for art. The metro exits are located here,<br />
and reflective pools enhancing the AKM experience as architect Tabanlioglu<br />
desired to have. The red carpet is also the gathering, waiting area for all<br />
events in Taksim Square.<br />
FLEXIBLE GROUND FOR AKM ART INSTALLATIONS<br />
The sand-like compressed zone is open to changes during the whole year.<br />
Every summer, a new pavillion such as KAVUSMA DURAGI will be designed<br />
by an architect, artist chosen by AKM and will be built on this zone. This<br />
“carpet” celebrates constant change, youth, and art.<br />
RED TERRAZZO - NATIONAL WALK TO THE ANIT<br />
Red terrazzo is celebrating the National Pride of Turkey. Ataturk Aniti is a<br />
significant monument in Turkey, Every national day, government event or<br />
protest of opposition parties happen in front of this Monument. We propose<br />
to celebrate the walk from Istiklal Street to the Monument with a “carpet”<br />
that is made out of red terrazzo stones.<br />
RED CARPET FOR ALL<br />
EXPANDING AKM INTO TAKSIM<br />
Stage in the <strong>Park</strong><br />
Preserved marble staircase from<br />
Henri Prost GEzi <strong>Park</strong>
COORDINATION<br />
25,281m 2 5,A<br />
Gezi <strong>Park</strong> <strong>District</strong><br />
Moments from Gezi <strong>Park</strong> <strong>District</strong><br />
CYLCLING THROUGH MONUMENTS, CAFES, ART IN GPD<br />
PUBLIC SPACE RESPECTING SOCIAL DISTANCING<br />
NIGHT VIEW ABOVE TALIMHANE / GPD DISTRICT<br />
CUMHURIYET ANITI AND REST OF THE TOWERS<br />
ON THE EASTERN END, VIEWING DECK FOR SEA VIEW<br />
ELEVATED WALKWAY LOOKING INTO TALIMHANE<br />
PRESERVING FOUNTAIN, BALLUSTRADES OF GEZI PARK FEELING THE BEAUTIFUL GRASS IN GEZI PARK DISTRICT STAGE INTEGRATED INTO PAVILION<br />
Areas for Development<br />
-1,E<br />
RED CARPET FOR ALL ZONE<br />
AKM 0,E<br />
-3,A<br />
ANNUAL PAVILION ZONE<br />
0,D<br />
1,E<br />
THE MARMARA HOTEL<br />
ISTIKLAL STREET ZONE<br />
-2,A<br />
2,E<br />
1,D<br />
0,C<br />
-2,Z<br />
-1,A<br />
1,C<br />
3,E<br />
0,B<br />
AMPHITHEATER<br />
2,D<br />
0,A<br />
1,B<br />
CUMHURIYET ANITI<br />
4,E<br />
2,C<br />
3,D<br />
0,Z<br />
1,A<br />
2,B<br />
MOSQUE ZONE<br />
3,C<br />
5,E<br />
4,D<br />
2,A<br />
1,Z<br />
DOLMUS 5,D<br />
4,C<br />
2,Z DOLMUS<br />
6,E<br />
3,A<br />
5,C<br />
4,B<br />
GEZI PARK FOUNTAIN<br />
2,Y<br />
CEYLAN INTERCONTINENTAL HOTEL<br />
3,Z<br />
4,A<br />
5,B<br />
6,C<br />
4,Z<br />
3,Y<br />
6,B<br />
3,X<br />
7,C<br />
8,D<br />
5,Z<br />
4,Y<br />
NUMBER OF<br />
FLOORS<br />
GFA PER FLOOR<br />
GFA PER BUILDING<br />
3,Y 10 253m 2 2,530m 2<br />
3,Z 6 139m 2 834m 2<br />
4,Y 10 253m 2 2,530m 2<br />
4,Z 5 233m 2 1,165m 2<br />
5,W 13 344m 2 4,472m 2<br />
5,Y 10 179m 2 1,790m 2<br />
5,Z 8 286m 2 2,288m 2<br />
5,Z 8 286m 2 2,288m 2<br />
6,7 6 107m 2 642m 2<br />
6,Z 5 884m 2 4,420m 2<br />
7,Z 9 258m 2 2,322m 2<br />
We are proposing to have 12 special<br />
side projects transforming Gezi<br />
<strong>Park</strong> <strong>District</strong> into the most vibrant<br />
area of Istanbul to give back the<br />
life to Istiklal Street used to have.<br />
Currently, the marked buildings are<br />
marked with illustrative purposes<br />
on 50mx50m grid. We will assess<br />
and decide with a similar distance<br />
to transform around 25,000m 2<br />
GFA as strategic new projects to<br />
transform Talimhane and give life to<br />
Gezi <strong>Park</strong> <strong>District</strong>.<br />
9,C<br />
8,C<br />
DIVAN HOTEL<br />
8,B<br />
7,B<br />
ARRIVAL TOURIST BUS AREA<br />
9,B<br />
6,A<br />
7, Z<br />
6,Z<br />
7,Y<br />
3,B<br />
1,A<br />
6,Y<br />
5,Y<br />
6,X<br />
5,X<br />
4,X<br />
BUILDINGS FOR REDEVELOPMENT / RENOVATION<br />
5,W<br />
4,W<br />
BUILDING OFFICE | PAGE 13
1:250 scalebar<br />
0m 5 10<br />
1:2500 scalebar<br />
0m 50 100 250<br />
1:5000 scalebar<br />
0m 100 250<br />
Gezi <strong>Park</strong> <strong>District</strong><br />
1:2000 scalebar<br />
8E3A7BPY<br />
0m 25 50<br />
100<br />
1:1000<br />
1:1000 scalebar<br />
0m 25 50<br />
1:500 scalebar
VEHICLE TRAFFIC<br />
ISTANBUL METRO<br />
FENIKULER KABATAS<br />
Gezi <strong>Park</strong> <strong>District</strong><br />
Transportation Strategy<br />
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INTRODUCING THE URBAN GRID<br />
BUILDING OFFICE | PAGE 16<br />
The tunnel built for the road connecting Golden Horn<br />
to Halaskargazi Street underground was not the<br />
most ideal for the pedestrian experience. However,<br />
it helped Taksim Square become entirely pedestrian.<br />
We are merely proposing an URBAN GRID similar to<br />
manhattan to ease transportation in Gezi <strong>Park</strong> <strong>District</strong>.<br />
This move will encourage walking, cycling, scooter<br />
usage. We also propose to drill a hole on the mega<br />
concrete surface to create a visual connection between<br />
the underground bus station and overground use.<br />
VISUAL CONNECTION WITH THE TUNNEL<br />
By creating a hole in the concrete surface where the inner part<br />
of the tunnel and the Istanbul Metro Galeri is aligned on top of<br />
each other, daylight will be entering into the tunnel and the metro<br />
levels. At the moment for pedestrians on the Taksim level can not<br />
see the bus stops under the concrete plate; therefore, we propose<br />
to open a terracing hole until we reach the metro level.
Gezi <strong>Park</strong> <strong>District</strong><br />
Second Stage Team Structure<br />
8E3A7BPY@GMAIL.COM<br />
BUILDING OFFICE | PAGE 17<br />
ARCHITECT<br />
TEAM LEADER<br />
Oversees the design development making sure<br />
the design is compatible with the economic and<br />
technological realities of the context. Development of<br />
design drawings, details managing sub-Consultants.<br />
STRUCTURAL ENGINEER<br />
Designing the pavilion structural system with its<br />
modularity, consulting on new infrastructure grid and<br />
their potentials.<br />
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ARCHITECTURAL DESIGNER<br />
DESING LEAD<br />
Design Lead develops the concept with the team<br />
leader, production of the presentation, day to day<br />
coordination with sub-consultants during early design<br />
stages manages and edits contriubtions in the most<br />
coherent way.<br />
MUSEOLOGIST<br />
Explores the history of Taksim and its artefacts and<br />
their role in society, as well as the new activities<br />
proposed, the public will engage in, including curating,<br />
preservation, public programming, and education.<br />
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LANDSCAPE DESIGNER<br />
THE DESIGN, USER EXPERIENCE<br />
Development of concept design with the rest of the<br />
team. Makes sure the design is ethically correct in<br />
terms of environment and designs the vegetational<br />
composition, decides on the right specimens for<br />
the Istanbul climate. Landscape designer develops<br />
strategies for water aggregation, landscape design<br />
details in the second stage.<br />
URBAN PLANNER<br />
AND INNOVATION CONSULTANT<br />
The consultant brings the user/client perspective to the<br />
project. Asks the right questions and helps clarification<br />
of the concept, helps to structure the presentations, and<br />
caters the design to meet the public expectations.<br />
MEDIA ARTIST<br />
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Development of concept design with the rest of the<br />
team. Makes sure the design suggests changes on the<br />
existing urban network that is necessary with minimum<br />
effort and maximum effect, enabling the traffic flow to be<br />
seamless around Taksim Square.<br />
Media Arist curates and explores the potentials of the<br />
multimedia screens in the proposal - the pavilions.
CONTACT<br />
8E3A7BPY@GMAIL.COM