Draw More Furries_ How to Create Anthropomorphic Fantasy Creatures - PDF Room

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STEP 5 Add Finishing TouchesRefine and blend the colors throughout the picture, but be careful not tocompletely obliterate the brushstrokes. Fill in his spots with a dark brown color.To create the texture of coarse fur, pull some of the base color into the shadowportions using a small-sized brush. Add a hint of red to his fur to give him awarm, energetic glow. Finally, carefully clean up any colors bleeding outside theedges of the character.
CHAPTER ONEDrawing FundamentalsTo prepare for the oodles of furry and scaly characters that await you, thischapter provides a quick lesson in character drawing fundamentals. It may betempting to skip ahead to your favorite animals, but we highly recommendrunning through the basics first. Imagine you’re preparing for a marathon: Theselessons are the warm-up stretches that will help you reach the finish line in firstplace!You’ll start by drawing a simple anthro character to brush up on anatomy andproportions. Next, you’ll learn tricks and techniques for drawing furry charactersfrom any angle. Then we’ll show you how to harness your character’s facialfeatures, ears, tail and even body to express a gamut of emotions. The chapteralso comes packed with valuable reference about skeletal and muscularstructure, body shapes, posture and balance, anthro leg configurations anddynamic poses to help you power up your figure drawing abilities.Don’t just stand there—grab a pencil, eraser, some paper and get ready, set…GO!
Page 2 and 3: Draw More FurriesHOW TO CREATE ANTH
Page 4 and 5: ContentsDraw More FurriesSpecial Of
Page 6 and 7: FurriesWolfStylize Your FurFeetRacc
Page 8 and 9: Mythical CreaturesGriffinFeathered
Page 10 and 11: Whatever the reason, furries exist
Page 12 and 13: LynxThe starting point for creating
Page 14 and 15: Human With Animal FeaturesHere’s
Page 16 and 17: Art StyleStyle is your individual a
Page 18 and 19: Toon MascotThe low detail lines, si
Page 20 and 21: RealisticThis example renders the c
Page 22 and 23: Measure With Head ScaleArtists use
Page 24 and 25: Gender DifferencesMuscle MassMen te
Page 26 and 27: Female TorsoIn women, the shoulders
Page 28 and 29: 2B pencils for sketchingRed and blu
Page 30 and 31: WatercolorsColored Pencils
Page 32 and 33: tools.WET MEDIUMSAcrylic paintsWate
Page 34 and 35: STEP 2 Make Thumbnail Sketches Sket
Page 36 and 37: STEP 4 Design the Character Do some
Page 38 and 39: Simple Shapes and LinesPractice dra
Page 40 and 41: STEP 6 Build up the Form Sketching
Page 42 and 43: STEP 8 Add DetailsNow’s your chan
Page 44 and 45: Coloring BasicsHYENAColor adds extr
Page 46 and 47: Shining a Light on Shading
Page 48 and 49: STEP 3 Place ShadowsSelect shadow c
Page 52 and 53: WARM UPby Lindsay Cibos“I start w
Page 54 and 55: or circle guide template for help.S
Page 56 and 57: STEP 4 Sketch the Facial Features D
Page 58 and 59: STEP 6 Refine the Line Work Darken
Page 60 and 61: subject on hand to study and adjust
Page 63 and 64: Use the grid to find the proper pla
Page 65 and 66: those, try adjusting the placement
Page 67 and 68: contemplation, while forward-facing
Page 69 and 70: RegretfulPulled-back ears with a do
Page 71 and 72: DistressedStretching apart the eyes
Page 73 and 74: IncredulousSurprise can be expresse
Page 75 and 76: captures the essence of a pose. Kee
Page 77 and 78: STEP 4 Define the FigureBuild upon
Page 79 and 80: You can check the readability of a
Page 82: Anthro Dog SkeletonThe skull is a f
Page 85 and 86: any bones seem misshapen or contort
Page 87 and 88: Front with Landmarks
Page 89 and 90: Back with Landmarks
Page 91 and 92: Turnaround TrickTurnarounds can hel
Page 93 and 94: DepressedEvery part of his pose sug
Page 95 and 96: HappyThis time he’s so upbeat tha
Page 97 and 98: ScaredThis pose exhibits clear sign
Page 99 and 100: AggressiveAgain, he’s leaning for
Page 101 and 102:
Posture and BalanceTo avoid charact
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Balancing ActThe center of gravity
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Weight on One LegWith most of the w
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True DigitigradeThis stance is true
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Semi-UnguligradeA plantigrade-style
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Here’s an alternate approach to d
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Outside the Center of GravityMotion
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OverlapDynamic poses often use over
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Big Thumbs UpFor help visualizing f
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Body ShapesHumans and furries alike
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CHAPTER TWOFurriesIt’s time to ta
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WolfAs the ancestor of the domestic
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Face DesignPose Ideas
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Finalized Design ConceptSTEP 1 Brai
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STEP 3 Build up the ShapesContinue
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STEP 5 Define the FigureWork throug
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Stylize Your FurSome artists prefer
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STEP 1 Start With a Basic Line Sket
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STEP 3 Detail With FurUse sharp, an
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STEP 2 Draw the ToesFurther divide
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STEP 4 Add ClawsCarefully erase you
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Head Design
Page 146 and 147:
Outfit Design
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STEP 3 Build up the Shapes Use basi
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STEP 5 Add DetailsDraw the hair pul
Page 154 and 155:
RACCOON FEATURES
Page 156 and 157:
STEP 2 Build up the Head Shape Sket
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STEP 4 Draw the Raccoon Mask Sketch
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STEP 6 Finish With ColorColor the r
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STEP 2 Add a ThumbDraw a wedge shap
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STEP 4 Add DetailsErase your guidel
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TigerThe tiger, largest of the big
Page 168 and 169:
Pose Ideas
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Page 172 and 173:
STEP 3 Build up the Shapes Use basi
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STEP 5 Add DetailsWork through your
Page 176 and 177:
TIGER FEATURES
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thinking about the stripes. There
Page 180 and 181:
BadNote the even spacing and monoto
Page 182 and 183:
STEP 1 Build up the Basic Shapes Li
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some angular lines to his cheek ruf
Page 186 and 187:
Head Design
Page 188 and 189:
Outfit Design
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STEP 2 Sketch the Body Position Ske
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STEP 4 Sketch the Clothing Draw the
Page 194 and 195:
STEP 6 Finish With Color Despite th
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WalkingWhen walking, the kangaroo t
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Balanced BodyThe tail acts as a bas
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STEP 1 Draw the Basic Shape Sketch
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IncorrectIt’s fun to draw furries
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Head DesignFinalized Design and Pos
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STEP 3 Build up the Shapes Continue
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STEP 5 Add DetailsDetail your anthr
Page 211 and 212:
BEAR FEATURES
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STEP 2 Draw the ThumbForm the meaty
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STEP 4 Detail With Claws and Pads D
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STEP 2 Refine the Shape Pull the si
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From a side view, notice how the no
Page 221 and 222:
Head DesignPose Idea
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STEP 2 Sketch the Body Position Mak
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STEP 4 Sketch the Clothing Sketch t
Page 227 and 228:
STEP 6 Finish With Color Decide on
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Webbed HandsThe otter’s hands and
Page 231 and 232:
STEP 3 Draw the Fingers Sketch the
Page 233 and 234:
STEP 5 Finish With Claws and Pads S
Page 235 and 236:
HeadOTTER FEATURESThe otter’s hea
Page 237 and 238:
STEP 3 Add Facial Features Draw the
Page 239 and 240:
CHAPTER THREEScaliesScalies! As you
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IguanaThis brightly colored green i
Page 243 and 244:
Outfit Design
Page 245 and 246:
STEP 2 Sketch the Body Position Usi
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STEP 4 Sketch the Clothing Draw an
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STEP 6 Finish With Color Green igua
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HeadLet’s take a closer look at t
Page 253 and 254:
STEP 3 Build up the Face Shape Add
Page 255 and 256:
STEP 5 Add DetailsFill the eye shap
Page 257 and 258:
Head CoveringsSince hair is a mamma
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Outfit Ideas
Page 261 and 262:
Outfit Design
Page 263 and 264:
STEP 2 Sketch the Body Position Sta
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STEP 4 Sketch the Clothing Due to h
Page 267 and 268:
STEP 6 Finish With Color Cobras com
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Cobra HoodThe cobra’s best-known
Page 271 and 272:
STEP 3 Build up the Shapes Use line
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The inside of the snake’s mouth i
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CrocodileCrocodiles, along with all
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Design Idea: Leather jacket
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Pose and Final Design: Leather Kilt
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STEP 3 Build up the ShapesDraw a pa
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STEP 5 Detail the FigureCarefully p
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CROCODILE FEATURES
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STEP 2 Add Details Refine the shape
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The crocodile’s snout tapers at t
Page 294 and 295:
STEP 1 Brainstorm Character Design
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STEP 2 Add DetailsIntersect the sur
Page 298 and 299:
Outfit Concept 1
Page 300 and 301:
Pose and Final DesignSTEP 1 Brainst
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STEP 3 Build up the Shapes Draw the
Page 304 and 305:
STEP 5 Draw Surface Lines Carefully
Page 306 and 307:
FROG FEATURES
Page 308 and 309:
STEP 2 Draw the Snout Draw a short,
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STEP 4 Add DetailsFill each eye wit
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Webbed FeetFrogs that spend much of
Page 314 and 315:
STEP 3 Draw the Webbing Connect the
Page 316 and 317:
STEP 5 Finish With Color Start with
Page 318 and 319:
Body Proportions
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Final DesignSTEP 1 Brainstorm Chara
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STEP 3 Build up the Shapes Using ba
Page 324 and 325:
STEP 5 Add DetailsThe chain mail is
Page 326 and 327:
TRICERATOPS FEATURES
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STEP 2 Add Details When you’re ha
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Neck FrillIt’s unknown whether th
Page 332 and 333:
STEP 3 Add Details Erase your guide
Page 334 and 335:
Body Proportions
Page 336 and 337:
Pose IdeasFinal Design
Page 338 and 339:
head.STEP 3 Build up the Shapes Ext
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STEP 5 Add DetailsDraw the nostrils
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RAPTOR FEATURES
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STEP 3 Add FeathersFill the top sid
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FeetDeinonychus’ standout feature
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STEP 3 Add ClawsDraw claws extendin
Page 350 and 351:
CHAPTER 4Mythical CreaturesFrom awe
Page 352:
GriffinThe griffin (also sometimes
Page 356 and 357:
appealing anthro design. For the cl
Page 358 and 359:
basic bone structure of the wings.
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STEP 6 Finish With Color Select col
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Feathered WingsWings have the power
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STEP 2 Outline the Wing SweepsSketc
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Take it From the TopThe topside/bac
Page 368 and 369:
Pose Concepts
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Final PoseSTEP 1 Brainstorm Charact
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STEP 3 Build up the Shapes Draw the
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STEP 5 Detail the Figure Sketch a p
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DRAGON FEATURES
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STEP 1 Sketch the Basic Structure D
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STEP 4 Add DetailsErase your guidel
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KirinThe kirin is a mythical creatu
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Outfit Design
Page 386 and 387:
STEP 2 Sketch the Body Position Sta
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STEP 4 Sketch the Outfit and Hair D
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STEP 6 Finish With Color Select col
Page 392 and 393:
Outfit Design
Page 394 and 395:
PoseSTEP 1 Brainstorm Character Des
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STEP 4 Sketch the Outfit Draw the p
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KIRIN AND JACKALOPE FEATURES
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foot with a conical-shaped hoof but
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On the back of the foot, you can se
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STEP 2 Map the Antler’s Path Plan
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form, antlers typically come in pai
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Kimono DesignsKimono Design
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with foxy spirit. Dress her in garb
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STEP 4 Sketch the Outfit Pencil the
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STEP 6 Finish With Color The fur co
Page 416 and 417:
Design Concept
Page 418 and 419:
Finished ConceptSTEP 1 Brainstorm C
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Finally, draw his legs in a sturdy,
Page 422 and 423:
STEP 6 Finish With ColorAs his name
Page 424 and 425:
Turtle ShellMade of bony plates, th
Page 426 and 427:
STEP 2 Add the Plastron Shape Sketc
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Scutes like a human chestTypical tu
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STEP 5 Add SpikesSome turtles, like
Page 432 and 433:
Hybrid FurriesLike the chimera of G
Page 434 and 435:
Time to get creative! Think of two
Page 436 and 437:
BUILDING A SCENE
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WHEREWhere does your scene take pla
Page 440 and 441:
Hog with a Hidden MotiveThis ill-te
Page 442 and 443:
Calico Cabin BoyHe joined the crew
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Close StudyThis finished compositio
Page 446 and 447:
One-Point PerspectiveWhen drawing a
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Three-Point PerspectiveIn three-poi
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STEP 2 Block in the Background On a
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Part 3: DrawingIn this section, you
Page 454 and 455:
STEP 2 Block in the Characters Sket
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STEP 5 Complete the Drawing Unify y
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STEP 1 Block in Colors Decide on a
Page 460 and 461:
STEP 3 Refine and Blend Colors Work
Page 462 and 463:
About the AuthorsLindsay Cibos and
Page 464 and 465:
A Final Word of AdviceIt is our sin
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