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Volume 27 Issue 1 - September / October 2021

Blue pages and orange shirts; R. Murray Schafer's complex legacy, stirrings of life on the live concert scene; and the Bookshelf is back. This and much more. Print to follow. Welcome back from endless summer, one and all.

Blue pages and orange shirts; R. Murray Schafer's complex legacy, stirrings of life on the live concert scene; and the Bookshelf is back. This and much more. Print to follow. Welcome back from endless summer, one and all.

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Cathedral Bluffs Symphony Returns<br />

with Exciting <strong>2021</strong>–22 Season!<br />

1. Saturday Oct. 2, <strong>2021</strong> 8 pm guest conductor Pratik Gandhi<br />

Beethoven Symphony No. 6 (“Pastorale”) Schumann Cello Concerto<br />

with guest soloist Samantha Yang<br />

2. Saturday Nov. 6, <strong>2021</strong> 8 pm guest conductor Christine Fong<br />

Brahms Symphony No. 3 Dvorák In Nature’s Realm<br />

3. Saturday Dec. 11, <strong>2021</strong> 8 pm guest conductor Martin MacDonald<br />

Abigail Richardson-Schulte The Hockey Sweater<br />

Tchaikovsky Nutcracker Suite Tchaikovsky Violin Concerto<br />

with guest soloist Eva Lesage<br />

4. Saturday Feb. 12, 2022 8 pm<br />

Schumann Symphony No. 1 (“Spring”) Mahler Songs of a Wayfarer<br />

with guest soloist Danielle MacMillan<br />

(winner of the 2019 CBSO Clifford Poole Vocal Competition)<br />

5. Saturday April 9, 2022 8 pm<br />

Holst The Planets Barbara Croall Nimkii N’gamwin (Thunderbird Song)<br />

with Odawa First Nations composer and soloist Barbara Croall<br />

Sibelius Finlandia<br />

6. Saturday May 28, 2022 8 pm<br />

Dvorák Symphony No. 8 Glenn Buhr Akasha<br />

Robert Rival Northwest Passage Variations<br />

<br />

cathedralbluffs.com | 416.879.5566<br />

<br />

String Players Wanted<br />

Call us and join the excitement!<br />

Subscribe Today<br />

& Save!<br />

What alchemy<br />

produced the<br />

wonderful piano<br />

concerts? I’m<br />

especially pleased<br />

that you will be<br />

bringing Benjamin<br />

Grosvenor back for a<br />

fourth time.<br />

We are pleased<br />

and proud to present<br />

both Stephen Hough<br />

and Marc-André<br />

Hamelin, giants of<br />

the Hyperion label, in<br />

one season – thanks<br />

in Stephen’s case to<br />

Vanessa Benellli Mosell COVID re-dating.<br />

And we have liked<br />

Benjamin Grosvenor since we first heard him in 2014; we are delighted<br />

he is sharing his rise into the stratosphere with us. David Jalbert is an<br />

established Canadian virtuoso whom we have enjoyed hearing, and<br />

Vanessa Benellli Mosell is a rising star especially in Europe as recitalist,<br />

chamber musician, orchestral soloist and conductor. We like variety in<br />

repertoire and interpretation.<br />

How will the current COVID protocols affect your recitals? Will<br />

all attendees need to be double vaccinated? Will mask wearing<br />

be required?<br />

We have just been informed that we are allowed 50% capacity of<br />

the Jane Mallett Theatre, so seating is not as limited as we feared. The<br />

St. Lawrence Centre for the Arts is owned by the city and managed by<br />

TO Live; we will be following all the public health advice and regulations.<br />

Proof of full vaccination will be required (or a valid medical<br />

exemption); masking and social distancing will be required; there will<br />

be no concession service – and no intermission cookies!<br />

Will there still be an intermission?<br />

Yes (the call of nature…).<br />

How many seats are you permitted to sell?<br />

Absolute max 250, but probably fewer because of seating patterns<br />

and distancing.<br />

The Parker Quartet’s program includes works by Schubert, Di Castri<br />

and Schumann. As well as the Kelly-Marie Murphy world premiere,<br />

David Jalbert will perform a selection of Debussy, Ligeti and Prokofiev.<br />

RCM Presents<br />

The first time<br />

violinist Gidon<br />

Kremer heard Astor<br />

Piazzolla play, he<br />

was deeply moved.<br />

He was watching<br />

a videotape with<br />

Manfred Gräter of<br />

the West German<br />

Radio and Television<br />

Network. Gräter<br />

was a good friend<br />

and the person who<br />

introduced Kremer<br />

to Piazzolla’s music.<br />

Whenever Kremer<br />

Gidon Kremer<br />

was on tour in<br />

Europe, he never missed an opportunity to stop off in Cologne and<br />

dig around in Gräter’s videotheque, “a treasure trove stored in a dark<br />

room.” Gräter offered to arrange a meeting with Piazzolla once he<br />

realized the excitement Piazzolla’s music generated in Kremer but<br />

died before the meeting could take place. Kremer wrote the booklet<br />

18 | <strong>September</strong> and <strong>October</strong> <strong>2021</strong> thewholenote.com

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