Volume 27 Issue 1 - September / October 2021
Blue pages and orange shirts; R. Murray Schafer's complex legacy, stirrings of life on the live concert scene; and the Bookshelf is back. This and much more. Print to follow. Welcome back from endless summer, one and all.
Blue pages and orange shirts; R. Murray Schafer's complex legacy, stirrings of life on the live concert scene; and the Bookshelf is back. This and much more. Print to follow. Welcome back from endless summer, one and all.
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Cathedral Bluffs Symphony Returns<br />
with Exciting <strong>2021</strong>–22 Season!<br />
1. Saturday Oct. 2, <strong>2021</strong> 8 pm guest conductor Pratik Gandhi<br />
Beethoven Symphony No. 6 (“Pastorale”) Schumann Cello Concerto<br />
with guest soloist Samantha Yang<br />
2. Saturday Nov. 6, <strong>2021</strong> 8 pm guest conductor Christine Fong<br />
Brahms Symphony No. 3 Dvorák In Nature’s Realm<br />
3. Saturday Dec. 11, <strong>2021</strong> 8 pm guest conductor Martin MacDonald<br />
Abigail Richardson-Schulte The Hockey Sweater<br />
Tchaikovsky Nutcracker Suite Tchaikovsky Violin Concerto<br />
with guest soloist Eva Lesage<br />
4. Saturday Feb. 12, 2022 8 pm<br />
Schumann Symphony No. 1 (“Spring”) Mahler Songs of a Wayfarer<br />
with guest soloist Danielle MacMillan<br />
(winner of the 2019 CBSO Clifford Poole Vocal Competition)<br />
5. Saturday April 9, 2022 8 pm<br />
Holst The Planets Barbara Croall Nimkii N’gamwin (Thunderbird Song)<br />
with Odawa First Nations composer and soloist Barbara Croall<br />
Sibelius Finlandia<br />
6. Saturday May 28, 2022 8 pm<br />
Dvorák Symphony No. 8 Glenn Buhr Akasha<br />
Robert Rival Northwest Passage Variations<br />
<br />
cathedralbluffs.com | 416.879.5566<br />
<br />
String Players Wanted<br />
Call us and join the excitement!<br />
Subscribe Today<br />
& Save!<br />
What alchemy<br />
produced the<br />
wonderful piano<br />
concerts? I’m<br />
especially pleased<br />
that you will be<br />
bringing Benjamin<br />
Grosvenor back for a<br />
fourth time.<br />
We are pleased<br />
and proud to present<br />
both Stephen Hough<br />
and Marc-André<br />
Hamelin, giants of<br />
the Hyperion label, in<br />
one season – thanks<br />
in Stephen’s case to<br />
Vanessa Benellli Mosell COVID re-dating.<br />
And we have liked<br />
Benjamin Grosvenor since we first heard him in 2014; we are delighted<br />
he is sharing his rise into the stratosphere with us. David Jalbert is an<br />
established Canadian virtuoso whom we have enjoyed hearing, and<br />
Vanessa Benellli Mosell is a rising star especially in Europe as recitalist,<br />
chamber musician, orchestral soloist and conductor. We like variety in<br />
repertoire and interpretation.<br />
How will the current COVID protocols affect your recitals? Will<br />
all attendees need to be double vaccinated? Will mask wearing<br />
be required?<br />
We have just been informed that we are allowed 50% capacity of<br />
the Jane Mallett Theatre, so seating is not as limited as we feared. The<br />
St. Lawrence Centre for the Arts is owned by the city and managed by<br />
TO Live; we will be following all the public health advice and regulations.<br />
Proof of full vaccination will be required (or a valid medical<br />
exemption); masking and social distancing will be required; there will<br />
be no concession service – and no intermission cookies!<br />
Will there still be an intermission?<br />
Yes (the call of nature…).<br />
How many seats are you permitted to sell?<br />
Absolute max 250, but probably fewer because of seating patterns<br />
and distancing.<br />
The Parker Quartet’s program includes works by Schubert, Di Castri<br />
and Schumann. As well as the Kelly-Marie Murphy world premiere,<br />
David Jalbert will perform a selection of Debussy, Ligeti and Prokofiev.<br />
RCM Presents<br />
The first time<br />
violinist Gidon<br />
Kremer heard Astor<br />
Piazzolla play, he<br />
was deeply moved.<br />
He was watching<br />
a videotape with<br />
Manfred Gräter of<br />
the West German<br />
Radio and Television<br />
Network. Gräter<br />
was a good friend<br />
and the person who<br />
introduced Kremer<br />
to Piazzolla’s music.<br />
Whenever Kremer<br />
Gidon Kremer<br />
was on tour in<br />
Europe, he never missed an opportunity to stop off in Cologne and<br />
dig around in Gräter’s videotheque, “a treasure trove stored in a dark<br />
room.” Gräter offered to arrange a meeting with Piazzolla once he<br />
realized the excitement Piazzolla’s music generated in Kremer but<br />
died before the meeting could take place. Kremer wrote the booklet<br />
18 | <strong>September</strong> and <strong>October</strong> <strong>2021</strong> thewholenote.com