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The Pittsburgh Patrika, Vol, 21, No. 1, October 2015

Twenty-five years after my own wedding, my niece Chayanika was

having hers. Though it’s a Hindi movie cliché, that’s how I replay

it in my mind: a shy two-year-old trash-talks as I try to push her on a

swing, saying marengay (I’ll hit you). She responds: nani ke pas jayenge

(I’ll go to my grandma and tell on you), and meri maa ka-han hai (where

is my mother when I need her?).

Cut to: the beautiful bride’s arm, gracefully extended toward the

mehandi wala (mehandi artist). She looks up slowly, smiles. I snap a

photograph. Or rather, 30 shots each second.

One of the changes I witnessed over the past 25 years in India is

the increasing encroachment of television into the daily lives of

youngsters, housewives, and especially retirees. When I arrived in Patna,

the family had a small black-and-white TV that received a single station

— Door Darshan One. Now, large flat-screen TVs are ubiquitous among

the middle and upper-middle class. They stock a quantity of channels

putting the US to shame. More Hindi “soaps” are produced in India than

in the US, exceeding even the Bollywood-to-Hollywood ratio of films

produced annually.

In retirees’ homes, the TV is always, always, on. The main couch usually

faces a flat LCD TV screen that relentlessly telecasts a soap, a news

Pranam India... ... Continued on Page 28

22

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