SCORE-QUESTIONS TO HEAVEN
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INSTRUMENTATION<br />
Piccolo 1,2<br />
Flute 1,2<br />
Oboe 1,2<br />
English Horn<br />
Bassoon 1,2<br />
Contrabassoon<br />
B-flat Clarinets 1<br />
B-flat Clarinets 2<br />
B-flat Clarinets 3<br />
B-flat Bass Clarinet<br />
Alto Saxophones 1,2<br />
Tenor Saxophone<br />
Baritone Saxophone<br />
Harp<br />
Electric Organ<br />
Trumpet 1,2<br />
Trumpet 3<br />
4 Horns in F<br />
Trombones 1,2<br />
Bass Trombone<br />
Euphonium<br />
Tuba<br />
Double Bass<br />
Timpani<br />
Fixed Media (Tracks available from the composer)<br />
4 Percussion<br />
1: Suspended Cymbal, Medium Tam-tam, Large Tam-tam<br />
2: Almglocken<br />
3: Crotales, Glockenspiel<br />
4: Vibraphone, Crash Cymbals<br />
TECHNICAL REQUIREMENTS/CONDUC<strong>TO</strong>R’S NOTE<br />
This piece has six audio tracks that are played throughout. For this, you will need two highfrequency<br />
response stereo speakers positioned in the back of the ensemble far-left and far-right,<br />
and a two-channel playback device with stereo output for the track. Do NOT amplify the<br />
ensemble; the balance between the track and ensemble should be equal. Because I consider these<br />
tracks an instrument within the ensemble, they are part of the composite texture.<br />
COMMISSIONED BY<br />
a consortium of wind ensembles, whose members include<br />
Baylor University, Isaiah Odajima | Florida State University, Patrick Dunnigan | Northwestern<br />
University, Shawn Vondran | University of Akron, Galen Karriker | University of Illinois, Beth<br />
Peterson | University of South Carolina, Cormac Cannon | Michigan State University Symphonic<br />
Band, David Thornton, lead organizer and commissioner <br />
Duration: ca. 10 minutes<br />
© 2021 by Jennifer Jolley (BMI)<br />
All Rights Reserved<br />
www.jenniferjolley.com