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SCORE-QUESTIONS TO HEAVEN

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INSTRUMENTATION<br />

Piccolo 1,2<br />

Flute 1,2<br />

Oboe 1,2<br />

English Horn<br />

Bassoon 1,2<br />

Contrabassoon<br />

B-flat Clarinets 1<br />

B-flat Clarinets 2<br />

B-flat Clarinets 3<br />

B-flat Bass Clarinet<br />

Alto Saxophones 1,2<br />

Tenor Saxophone<br />

Baritone Saxophone<br />

Harp<br />

Electric Organ<br />

Trumpet 1,2<br />

Trumpet 3<br />

4 Horns in F<br />

Trombones 1,2<br />

Bass Trombone<br />

Euphonium<br />

Tuba<br />

Double Bass<br />

Timpani<br />

Fixed Media (Tracks available from the composer)<br />

4 Percussion<br />

1: Suspended Cymbal, Medium Tam-tam, Large Tam-tam<br />

2: Almglocken<br />

3: Crotales, Glockenspiel<br />

4: Vibraphone, Crash Cymbals<br />

TECHNICAL REQUIREMENTS/CONDUC<strong>TO</strong>R’S NOTE<br />

This piece has six audio tracks that are played throughout. For this, you will need two highfrequency<br />

response stereo speakers positioned in the back of the ensemble far-left and far-right,<br />

and a two-channel playback device with stereo output for the track. Do NOT amplify the<br />

ensemble; the balance between the track and ensemble should be equal. Because I consider these<br />

tracks an instrument within the ensemble, they are part of the composite texture.<br />

COMMISSIONED BY<br />

a consortium of wind ensembles, whose members include<br />

Baylor University, Isaiah Odajima | Florida State University, Patrick Dunnigan | Northwestern<br />

University, Shawn Vondran | University of Akron, Galen Karriker | University of Illinois, Beth<br />

Peterson | University of South Carolina, Cormac Cannon | Michigan State University Symphonic<br />

Band, David Thornton, lead organizer and commissioner <br />

Duration: ca. 10 minutes<br />

© 2021 by Jennifer Jolley (BMI)<br />

All Rights Reserved<br />

www.jenniferjolley.com

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