Parantez Workspace

AAP
DESIGN
2021
WORKSPACE
A L T E R N A T I V E A R C H I T E C T U R A L P R A C T I C E S
M E F U N I V E R S I T Y G R A D U A T E P R O G R A M M E

CONTENTS
CONTEXT
1. WORKSPACE
2. URBAN SPACE
3. BODY & TIME
PROPOSAL: PARANTEZ
4. STRUCTURE
5. TRANSPORTATION AND INSTALLATION
6. SERVICES
7. USERS AND SITE STUDIES
DESIGN
8. CONSTRUCTION PROCESS
AAP TEAM
Students: Berrak Oğrak, Elnur Kayaoğlu, Hanse Yalçınkaya, Murat Usta, Ravza Türk,
Sibel Öksüz, Uğur Yögen
Studio Instructor: Oral Göktaş
Program Coordinators: Kürşad Özdemir, Sevince Bayrak
Program Partners: Fibrobeton, Metal Yapı
2020 - 2021
MEF University Graduate Programme
Alternative Architectural Practices

INTRODUCTION
We are in a threshold that changes the way we work and live due to
the developments in information and communication technologies.
Moreover, this catalogue has been prepared during a period while the
world has been struggling with a pandemic (COVID-19) which causes
a radical acceleration of change in work life. Just before the pandemic,
although we were likely to choose where and when to work, we were in a
period where work predominantly exploited our personal time.
The relation between working and individual life has constantly changed
owing to technological developments and crises. Considering the fact
that, the influences of recently occurring developments have significantly
changed the workplace of white-collars, the scope of this research is
defined in trajectories of the office space and white-collars work life.
In order to understand today’s workspace and to ensure a discussion
ground about alternative ways of contemporary workspace design, this
research focuses on white-collar workers (precariat) and offices in the
time of knowledge economy.
Workspaces are inquired under four main sections ensuring comprehensive
research. First of all, under the title of ‘Thresholds’, historical research
focuses on significant points which affect workspace and work life.
Then, the office types that emerged during this period are analyzed and
classified according to work organizations, relations and work-life balance
in the ‘Typology’ section. The ‘Work Environment’ section investigates the
interior space of the office and analyses it by separating into sub-chapters
of tools, furniture and functions in the context of being user-friendly
and aesthetical. In the last chapter, ‘Cycles’, workspace is analysed as a
systematic combination of cycles which construct office space together
such as the cycle of human, the cycle of data, and the cycle of water.
AAP Team
Image 1: Parantez.
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WORKSPACE 5

CONTEXT
“The idea that there isn’t a permanent solution and you have to keep on thinking about what a
city is, and what the nature of a city is, is incredibly important. Because we’re not all going to go to
work at 9am, pack our bag and get on the train at 5pm. Which means the office has escaped from
the office building. It is actually an urban issue at a very different scale.”
Frank Duffy, 2012 [01]
Working is one of the main activities that occupy our time and
space. The working environment has been constantly shaped to
make people work comfortably in order to obtain efficiency. So,
it’s more of a layout game to make people more productive and
efficient in the workplace. Accordingly, the modes of production
have changed and technological tools began to be added. Adding
technological tools in this game makes us more available in every
way. Our way to work, workplaces, and hours have changed. We
work alone, we work together, we work freelance, we work remote,
we work in office, we work in home, in cafe, in school, in bus, in
campus, in subway, in street. We work in the city.
“Your office is where you are.”
Stone and Luchetti, 1985 [02]
Criticizing the built environment and usage of the urban spaces,
and examination of the workspace history let us think about these
notions together. The urban space that can promote well-being
not for efficiency on work but for people’s daily life. We adopt an
approach of designing urban life-centered space to get together
citizens, create coincidental encounters, care for others, and being a
part of everyday life. Therefore, we take into account the behaviors
and needs of the public/users. Stand by your community!
Image 2: Flickr. “NEC Reinvents the Office.”
Workspace is a space that we occupy with our body, also a space
where we can exist digitally. Thus, work is not done by just sitting,
it can also be done by standing. In a way, it’s about looking for new
ways. Stand front of the desk/screen!
The ways of work progressively have exposed people’s privacy to the
public while isolating the individuals. The pandemic made it more
visible. This design process tries to underline other possibilities
of work and space relations in urban space. We have questioned
whether it is possible to find an alternative way in the public space
to this isolation and stuckness that we are exposed to due to the
pandemic process. In this way, we thought about the question of
whether an environment that serves equal opportunities can be
created while creating an area of work and interaction within the
city.
IN LIGHT OF ALL THIS, PARANTEZ
HAS COME OUT. NOW,
YOU CAN ENJOY YOUR TIME
AND
THE
URBAN SPACE!

1. WORKSPACE
EVOLUTION OF THE OFFICE
Image 3: Medieval Manuscripts. “Scriptorium:La-
TAYLORISM
CURRENT WORK CULTURE
SCRIPTORIUM
Image 4: Syllable Inc. “The Taylorism Office.”
How we work and, accordingly, where we work
constantly change and transform. Unlike home,
office spaces have undergone radical changes, especially
since the early 1900s. The pandemic is also the last landmark
of this change.
Image 5: The Architectural Review.
Also, “new” work areas shaped by economic,
technological, and socio-cultural developments,
have begun to demand the time we devote to
ourselves and deconstruct
the boundaries between work life and
private life.
The boundaries of the working spaces have become
very ambiguous with the addition of many
different accessories to the offices. This has
caused employees to spend longer in
offices and become even more isolated
from outside social life.
BUROLANDSCHAFT
Image 6: K2 Space. “The History of Office Design.” “Typology: Offices.”
ACTION
CO-WORKING
Image 8: Kolektif House.
Image 7: Syllable Inc. “A sea of Cubicles.”
CUBICLE
HOME-OFFICE
Image 9: Woman’s Day. “22 Work From Home Jobs That Bring in Cash.”
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WORKSPACE 9

People who had no preparation for this
“new normal” as space and infrastructure,
quickly and necessarily transformed the house.
While the walls around us physically isolated us
from other people, technology has made us accessible
at any time and anywhere.
EFFECTS OF
COVID-19
PANDEMIC
“new
normal”
The isolation in the offices was
further intensified with the
pandemic and moved to homes.
Image 10: The Conversation.
Image 11: Alaska Public Media.
Housework, studying, working, attending online meetings, and
similar activities began to squeeze into the house. This increased ,
differences in gender roles within the home and negatively affected the
lives of individuals.
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WORKSPACE 11

NOW WE ARE
WORKING
EVERYWHERE
AND IN EVERY
SITUATION.
In addition, spaces such as the bedroom, bathroom,
kitchen, and living room have been transforming into
a work/study space.
Image 12, 13: The New York Times Magazine. “Illustration by Max Guther.”
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WORKSPACE 13

In the process, we began to search
for new escapes/cracks, while the
boundaries of the house
became more visible.
While working from home or remote
work was an option before
the pandemic, these became a necessity
that we were caught unprepared
for after the starting of the
pandemic.
Image 14: Creatively Different. “An Ideal Home No. II. The Folding Garden by W. Heath Robinson.”
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WORKSPACE 15

Can it be possible to open parenthesis in the urban space to this isolation
and the situation of being stuck that we are exposed to with the
post-pandemic?
CURRENT STATE
DESIGN PROPOSAL
Image 15: Memoori
Image 16: Work Environment
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WORKSPACE 17

2. URBAN SPACE
Cities are areas where knowledge and experience
are produced and shared. Free access to
these areas both ensures equal opportunity
and decays the gap between social
classes. The idea of positioning the design in
open spaces in the city stems from the sensitive
approach to this situation.
Image 17: Kultur Istanbul. “Atatürk Kitaplığı.”
ATATÜRK LIBRARY
Urban equipment has been shaped by
the relocation of domestic habits to the urban
space.
Services that are available to everyone such as a
fountain, telephone booth, and toilet, have the
potential to address inequalities of gender, class,
etc.
Urban equipment and its potential have begun
to transform with the development of
technology and the change of needs.
These types of equipment placed in the built environment
play an important role in increasing
interaction in the city.
Image 18: Gazete Kadıköy. “Kalamış Parkı.”
KALAMIŞ PARK
Urban spaces
create equality
of opportunity.
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SMALL SCALE INTERVENTIONS IN URBAN
Simple interventions in the urban area can respond
to short-term needs such as sitting and
resting.
Although experiments have been conducted
in the urban area that can meet these changing
needs, it has remained at the performative
level, as it usually takes place at the initiative of a
person or group. In order for these potentials to
be used efficiently in the urban space, an organization
including local authorities is required. [03]
Can a piece of alternative urban
equipment be designed that will
eliminate the disadvantages of remote
work that we have been forced, gender
inequalities, social and economic
differences that begin with
the pandemic, increase interaction with
people, and help becoming more
intertwined with the urban space? [04]
Image 19: Designboom. “Damien gires: urban terrasse.”
Image 20: BED. “Boll Mobilier Urbain Par Adrian Blanc.”
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WORKSPACE 21

We work in an office, a home,
a cafe, a school, a bus, a campus,
a metro, a street.
We work in the city. [05]
Image 21: Fast Company. “WePark.”
TELEPHONE
archaic furniture
Ancient Rome
trubinal usage
Medieval Tuscany
urban & pastoral
18th cc. Europe
illumination
communication
transportation
urination
mass production electricity wireless technology
Image 22: Type of Urban Equipment (Infrastructure/Street Furniture)
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WORKSPACE 23

3. BODY & TIME
THE END OF SITTING, THE RAAAF
STANDING WHILE WORKING
The most important design decision was to
integrate the “standing” position into
the design.
Instead of sitting, which is the result of long
working hours without breaks, we recommended
standing in an urban area to create a short-term/
temporary and ergonomic working environment.
The prospect of working long hours forced
people to work sitting down. This has brought
with it some health problems. Standing while
working, which emerged as an alternative
method of work, was considered
both a solution to these health problems
and an encouraging alternative to
give a break to work.
This method of work, which is preferred in the past
and today, shows that the work can be done not
only sitting but also standing.
The RAAAF, which said the built
environment was based on “sitting,” but
its research concluded that too much
sitting is harmful to health, designed this
installation. This installation questions
the main use of elements such as chairs
and tables, providing the user with other
possible alternative forms of use.
The “experimental work landscape”, The
End of Sitting - Cut Out, aims to show
the future office in 2025 will be radically
changed and evolved as a “standing”
office. [06]
Image 23: RAAAF. “The End of Sitting.”
24
Image 24: Diagram “Time and Ergonomy”.
STANDING WHILE WORKING :
WORKSPACE 25
TIME AND ERGONOMY

1:1 TESTING
Standing work, which we see by experimenting that
it is suitable for different body sizes, does not tire our
spine due to the posture position and encourages
us to take regular breaks with the impermanence of
standing.
Image 25: 25, Testing 26: Testing Different Different Body Body Sizes Sizes.
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WORKSPACE 27

PARANTEZ
TEZ
Working
PARAN
and Interaction Point in Urban Space
Image 27: Render of Fiber-concrete version of Parantez.
28
PARANTEZ
WORKSPACE 29

PARANTEZ, while providing opportunities to escape from the home
that has limited conditions, creates a space to work and interact. The
conditions that occurred because of the pandemic isolates the individuals
while reducing their privacy. Is it possible to open a parenthesis
in the urban space in order to reduce this isolation and stuckness that
they exposed?
Image 28: Different type of use.
Image 29: Articulation of Units.
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Different
base
+ sitting + lounge
type of
use.
working pod
table + canopy flowerpot
canopy / station
climbing wall
landmark + threshold point
exhibition panel + billboard
high flowerpot
trash + flowerpot
disabled - friendly desk
bank + flowerpot + trash
bank + high flowerpot
bicycle + scooter parking area
bank + animal food bowl
bicycle + scooter parking area
Image 30: Different type of use.
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4. STRUCTURE and MATERIAL
Material selection was made in accordance
with factors such as user, location, function, and
form, with the prerequisite for the applicability
and sustainability of design decisions taken in
accordance with the data obtained. The molding
technology that affects the design is due to
the cooperation with Fibrobeton. The most
important feature of this material is that it has a
long life in urban space thanks to its durability.
In this direction, its structural fiction is
considered in detail. The design is created from
two main materials, such as fibrous concrete
and metal. Also, a wood version of Parantez can
be a lightweight alternative for indoor usages.
In accordance with the decisions taken to make
a new version of the design which can be used
in semi-public places, places that have more
security, indoor places workable and sustainable;
a wooden version has been implemented in
accordance with factors such as user, location,
function, and form.
Parenthesis has basically a 3-way fiction. Its
use is enriched with tools and metal elements
attached to the base and on it. In this way,
the uses other than the working function
are diversified and transformed into urban
equipment.
Image 32: Detailed photo of Parantez.
Image 31: Photo of wood construction process.
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Image 33: Structural Fiction / Assembly.
Image 34:
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Image 34: Render of Parantez in Caddebostan.

Image 35: Different functions with same mould technology.
Image 37: Render of the interior of the working area.
Image 36: Working Unit parts.
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Image 38: Plan of Base.
Image 40: Section of Parantez.
Image 39: Plan of Parantez.
Image 41: Section of Parantez.
Image 42: Section of Parantez.
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VERSIONS of
PARANTEZ
Image 43: Metal Version of Parantez.
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44
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46
WORKSPACE 47

48
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50
WORKSPACE 51

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WORKSPACE 53

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WOOD VERSION of
PARANTEZ
Different variants of Parantez have been
developed as a final project within the scope of
the Prefabricated and Modular Systems course.
In this process, we questioned and tried how the
main idea and section can be constructed with
different materials.
Image 45: Front view of Paran
PARANTEZ, while providing opportunities
to escape from the home that has limited
conditions, creates a space to work and interact.
The conditions that occurred because of
the pandemic isolates the individuals while
reducing their privacy. Is it possible to open
a parenthesis in the urban space in order to
reduce this isolation and stuckness that they
exposed?
The main goal of Parantez is to create an
alternative parenthesis for business life stuck in
homes, especially in the post-pandemic period,
to create a piece of urban equipment accessible
to everyone in the public space, and to make
it open to the entire city by collaborating with
local governments.
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WORKSPACE 65
Image 44: Front view of Parantez.

steel wire
rope pulley
plywood
roof plate
perforated
metal panel
turnbuckle
steel wire
rope
roof beam
steel wire
rope pulley
1150
steel wire
rope pulley
plywood
roof plate
474
2062
plywood
roof plate
892
mortise and
tenon joint
perforated
metal panel
696
plywood
roof beam
turnbuckle
roof
2414
steel wire
rope
roof beam
steel wire
rope pulley
steel wire
rope
1312 1089
base
1996
2358
1150
mortise and
tenon joint
adjustable metal
foot system
696
plywood
roof beam 2000
plywood
bookshelf
474
2062
perforated
metal panel
plywood
roof plate
892
450 427
perforated
metal panel
2534
perforated metal
working surface
roof
2414
seat
perforated
metal cover
plywood
bookshelf
2013
metal
switch button
1200
steel wire
rope
1312 1089
base
1996
1577
1650
2358
Image 46: Plan of the wood verison of Parantez.
adjustable metal
foot system
perforated
metal cover
450
2000
plywood
bookshelf
perforated metal socket
metal panel
perforated metal
standing surface
450 427
perforated
metal panel
2534
perforated metal
working surface
plywood
bookshelf
2013
metal
switch button
seat
perforated
metal cover
1200
metal socket
perforated
metal cover
1577
1650
450
perforated metal
standing surface
Image 47: Section of the wood verison of Parantez.
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WORKSPACE 67

5. TRANSPORTATION AND INSTALLATION
The design is suitable for transportation on
highways and fast installation. Packaging takes
place in accordance with the size of the carrier
vehicles.
The wood version is also made transportation
and the installation process quick and easy as
being a flat-pack system.
Image 49: Photo of Parantez.
Image 48: Photo of Parantez.
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2.4 m
6 m
x8
Image 50: Transportation and Installation of Parantez.
Image 51: Renders of Parantez.
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Image 52: Isometric View of Parantez.
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WOOD VERSION of
PARANTEZ
Image 53: Photo of Parantez.
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Image 54: Assembly Instructions of Wooden Base.
Image 55: Assembly Instructions of Wooden Workspace.
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2.4 m
6 m
2.4 m
X 8
20 feet standard
container dimension
Image 56: Transportation of wood Parantez.
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WORKSPACE 87

6. SERVICES
Parantez is self-contained urban equipment
that provides internet, electricity, and lighting
services.
The design process, which starts with “work”-
oriented, is enriched with different functions
with its modular setup.
For this purpose, modules that can be diversified
using the same mold are designed. In this way,
the sustainability of the design is also increased.
In the design process, different polygons
were tried for providing an easy production
and application for base measurements, and
decagon shape was decided, which provides the
most flexible spatial editing.
Thanks to decagon design and modular editing,
fiction has been created within the city that
can adapt to the gaps in different sizes and
geometry.
Image 58: Photo of Workspace and
Perforated Meal Surface.
Image 57: Photo of Parantez.
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Image 59: Section Diagram of the lighting, Wi-Fi, electricity services.
Image 60: Diagram of Services.
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WOOD VERSION
PARANTEZ
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WORKSPACE 93
Image 61: Photo of Parantez.

It is designed in accordance with the use of
all employees who can do their work with
technological equipment such as computers
and telephones. It offers a parenthesis to parents
whose domestic responsibility is increased by
working from home and who do not have a
dedicated workspace, those who need fresh air,
employees who need an emergency workspace
in cases such as power failure/ internet failure.
7. USERS AND SITE STUDIES
In addition, it appeals to disabled people who
complain that the designs within the city do not
appeal to them in general, creates an interaction
area where local and foreign tourists can stop
and rest, ask for a place-direction, do an urgent
job, or communicate with the local user.
The design is placed in surplus spaces and
undefined spaces in important urban areas of
Istanbul in a way that does not interfere with
everyday life and circulation, and potential
location trials are conducted.
The experiment on Karaköy Square provides to
define a busy square.
Another experiment in a busy area, without
disturbing the social life and daily flow there, is
at Kadıköy Quay.
As can be seen from the experiment on
Bostancı Beach, we take care that the design
can be placed on any floor without the need for
additional intervention.
Image 63: Photo of the sitting area of Parantez.
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Image 62: Photo of Parantez.

Image 64: Isometric view of Parantez.
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STUDENTS
HOME-OFFICE
WORKERS
WHITE COLLAR
ANIMALS
DISABLED PEOPLE
WORKING
PARENTS
FREELANCERS
CHILDREN
TOURISTS
USERS OF WORK-ORIENTED MODULE
It is designed in accordance with the use of all employees
who can do their work with technological equipment such as
computers and telephones. It offers a parenthesis to parents
whose domestic responsibility is increased by working from
home and who do not have a dedicated workspace, those who
need fresh air, employees who need an emergency workspace
in cases such as power failure/ internet failure.
USERS OF RECREATIVE MODULES
In addition, it appeals to disabled people who complain that
the designs within the city do not appeal to them in general,
creates an interaction area where local and foreign tourists can
stop and rest, ask for a place-direction, do an urgent job, or
communicate with the local user.
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SCENARIO 1
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SCENARIO 2
102
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SITE STUDIES
KaraköyCONSTRUCTION
KadıköyCONSTRUCTION
Image 65: Collage of Parantez in Karaköy.
Image 66: Collage of Parantez in Kadıköy.
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Caddebostan
Image 86:
Image 67: Collage of Parantez in Caddebostan.
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Image 69: Photo of wood structure.
8. CONSTRUCTION PROCESS
Image 68: Metal pieces of Parantez.
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WOOD VERSION
PARANTEZ
Image 70: Wood and Metal CNC cutting
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MOD-
Checking Stability
EL
Group Work
Color Palette
Group Work
Models
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BASE
Assembling of
The Parts of
Base
Carrier Parts
On-site
Measurement
The Combination of Wood
and Metal Surface
Weight-Resistant Metal Surface
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Transportation of Wood Panels in
Cooperation with Craftsmen
CNC
Cutting
Process
Creation of
Mortise Joint
Rub with
Emery
Cutting The Parts of
The Base
WOOD
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The Signboard
of
Parantez
Back View of
The Metal Part
Metal Side Surface With a Design that
Prevents The Feeling of Stuckness
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METAL
The Cutting
Down Process
for Metal Parts
Group Works
The Cutting
Down Process
for Metal Parts
Occupational
Health and
Safety
Metal Works Done by Designers
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Seat Squab
Color alternative
Color palette
FAB-
Checking seat
squab
Combination
of purple
and mint
RIC
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ELEC-
TRICITY
Procurement of Electrical Parts
Assembling Electrical Parts
Detail
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BIBLIOGRAPHY
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BIBLIOGRAPHY
[1] Duffy, Frank. “FM World Interview: Frank Duffy (CBE) and Peter McLennan,”
interview by Peter McLennan, Facilitate Magazine, March 19, 2012, https://www.
facilitatemagazine.com/features/interviews/2012/03/19/fm-world-interview-frankduffy-cbe-and-peter-mclennan.
[2] Stone, Philip J., and Robert Luchetti. “Your office is where you are.” Harvard
Business Review 63, no. 2 (March/April 1985): 102–117.
[3] Accessed September 14, 2021. https://www.maisonapart.com/edito/autour-de-lhabitat/urbanisme-ville/sitting-urbain-3261.php
[4] “Can a piece of alternative...?” Blog Esprit Design. “Boll mobilier urbain par
Adrian Blanc.” Last modified July 01, 2015. https://blog-espritdesign.com/
mobilier/boll-mobilier-urbain-par-adrian-blanc-33093.
[5] “We work in the city.” Accessed September 14, 2021. https://www.bbc.com/news/
world-us-canada-48114878
[6] “The End of the Sitting.” Accessed September 14, 2021. https://www.archdaily.
com/574795/the-end-of-sitting-raaaf
LIST OF IMAGES
Image 2: Flickr. “NEC Reinvents the Office.” Accessed September 14, 2021. https://
www.flickr.com/photos/sa_steve/3489330110/in/pool-319560@N24/
Image 3: Medieval Manuscripts. “Scriptorium:Layout.” Accessed September 14, 2021.
https://gilbertredman.com/medievalmanuscripts/codicology/scriptorium-layout/
Image 4: Syllable Inc. “The Taylorism Office.” Accessed September 14, 2021.
https://medium.com/@syllable.design/workplace-evolution-a-retrospective-onoffice-design-from-the-industrial-revolution-to-the-d20ed00bb6e1
Image 5: The Architectural Review. “Typology: Offices.” Accessed September 14, 2021.
https://www.architectural-review.com/essays/typology/typology-offices
Image 6: K2 Space. “The History of Office Design.” Accessed September 14, 2021.
https://k2space.co.uk/knowledge/history-of-office-design/
Image 7: Syllable Inc. “A sea of Cubicles.” Accessed September 14, 2021.
https://medium.com/@syllable.design/workplace-evolution-a-retrospective-onoffice-design-from-the-industrial-revolution-to-the-d20ed00bb6e1
Image 8: Kolektif House. Accessed September 14, 2021. https://kolektifhouse.co/en/
levent-office/
Image 9: Woman’s Day. “22 Work From Home Jobs That Bring in Cash.” Accessed
September 14, 2021. https://www.womansday.com/life/work-money/g934/best-workat-home-jobs/
Image 10: The Conversation. Accessed September 14, 2021. https://theconversation.
com/working-from-home-why-detachment-is-crucial-for-mental-health-135986
Image 11: Alaska Public Media. Accessed September 14, 2021. https://www.
alaskapublic.org/2020/07/31/parenting-during-a-pandemic-means-managingmental-and-physical-health-in-new-ways-were-here-to-help/
Image 12, 13: The New York Times Magazine. “Illustration by Max Guther.” Accessed
September 14, 2021. https://www.nytimes.com/interactive/2020/06/09/magazine/
remote-work-covid.html
Image 14: Creatively Different. “An Ideal Home No. II. The Folding Garden by W.
Heath Robinson.” Accessed September 14, 2021.
http://www.creativelydifferentblinds.com/
MaryEvansPictureLibraryWilliamHeathRobinson18721944/
AnIdealHomeNoIITheFoldingGardenbyWHeathRobinson.aspx
Image 15: Memoori. Accessed September 14, 2021. https://memoori.com/covid-19-
the-worlds-biggest-remote-working-experiment-is-underway/
Image 17: Kultur Istanbul. “Atatürk Kitaplığı.” Accessed September 14, 2021. http://
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