Caritas 48
December 2021
December 2021
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
ISSUE <strong>48</strong><br />
MAGNIFICENT<br />
MYRESIDE<br />
A new era begins<br />
Also featuring<br />
• Success in Tokyo<br />
• Watsonian Bookshelf<br />
• S3 Projects at 60
CONTENTS<br />
Welcome 1<br />
President’s Update 2<br />
In Principal Position 3<br />
The <strong>Caritas</strong> Lecture 4<br />
The Pavilion at Myreside 6<br />
A Century of Remembering 8<br />
Fadwa Affara Interview 10<br />
Watsonians in the News 12<br />
Tokyo 2020 Olympic Success 14<br />
S3 Projects at 60 in 2022 16<br />
Dates for your Diary 17<br />
The Watsonian Bookshelf 18<br />
Class Reunions 20<br />
George Watson’s Ladies’ College 21<br />
Dates for your Diary 32<br />
Watsonian Battlefields Tour 33<br />
From the Archives 34<br />
Mary Miller Interview 36<br />
East Meets West 38<br />
Watsonian Sections & Branches 40<br />
And finally 44<br />
COVER:<br />
The refurbished Myreside Pavilion<br />
Read the full story on pages 6 -7<br />
CARITAS EDITORIAL TEAM:<br />
Yasmin Duncan Margaret Peat<br />
Karen Goodman Laura Tyzack<br />
Andrew Grant Carol Wood<br />
Design: HERO-Creative.com<br />
W<br />
Privacy Policy: In line with General Data Protection Regulation (GDPR),<br />
which came into force in May 2018, you can view our Privacy Policy by visiting<br />
www.gwc.org.uk/privacy-policy. You can change your communication<br />
preferences at any time by contacting the Development Office.<br />
WatsoniansLinked<br />
WatsoniansLinked
elcome<br />
Welcome to the latest edition of <strong>Caritas</strong>, which<br />
is filled with news, updates and ways that you can<br />
get involved with life on campus and through the<br />
Worldwide Watsonian Community.<br />
None of us could have foreseen yet another year<br />
of disruption to work, education and our hopes for<br />
holidays, weddings and other social gatherings with<br />
family and friends.<br />
For life on campus, that meant that many of the<br />
events that define key milestones in a Watson’s<br />
education such as S3 Projects; sporting fixtures,<br />
musical concerts and drama productions; and the<br />
celebrations that mark the continuing journey from<br />
Junior School to Senior School; and for S6, the<br />
celebration of the end of one journey and the start<br />
of another, were again not as it has been for the<br />
decades before.<br />
Change too for the plans of the Worldwide Watsonian<br />
Community with many of our regional branches not<br />
able to meet and the Watsonian Sections also having<br />
a very mixed year with sporting fixtures cancelled and<br />
the Community Choir coming together online. With<br />
this comes hopes for a busy and exciting year ahead<br />
when we plan to celebrate the 150th anniversary<br />
of the founding of George Watson’s Ladies’ College<br />
(GWLC) in June 2022 - 12 months later than planned<br />
- as well as having events throughout 2022 to mark<br />
the 60th anniversary of S3 Projects. You can read<br />
more about both celebrations and how you can get<br />
involved on page 16 and in the special centre section<br />
celebrating GWLC.<br />
Following the fire at Myreside Pavilion in February<br />
2020, the Watsonian Council asked the School<br />
to consider reimagining its future and following<br />
feedback from the Watsonian Community we were<br />
given the ambitious target to raise £600,000 so that<br />
not only would The Pavilion be reinstated as home to<br />
school and Watsonian sport, but it would be a lively<br />
hub for current staff, pupils and parents; Watsonians;<br />
and our community partners and neighbours. Thanks<br />
to the overwhelming generosity of the Watsonian<br />
Family, the Watsonian Club and the Watsonian<br />
Sections we reached the target ahead of schedule.<br />
You can read more about The Pavilion Project on<br />
page 6. The Development Team have now moved to<br />
the Pavilion, so please drop by to see us and have a<br />
coffee and cake in the new Café.<br />
I hope you enjoy reading about life on campus and<br />
stories about fellow Watsonians. We are always<br />
looking for stories to share on #WatsoniansLinked<br />
and in our online and printed publications, so if you<br />
have a story to share then please get in touch via<br />
development@gwc.org.uk.<br />
Ex Corde <strong>Caritas</strong><br />
Watsonian Council<br />
Watsonian President<br />
Vice President<br />
Principal<br />
Director of Development<br />
Elected member<br />
Gillian Sandilands<br />
Ben Di Rollo<br />
Melvyn Roffe<br />
Karen Goodman<br />
Johnny Bacigalupo<br />
Elected member<br />
Elected member<br />
Secretariat<br />
Heads of Sixth Year<br />
Tracy Black<br />
John Robertson<br />
Laura Tyzack<br />
Lewis Harrison<br />
Maya Lancaster<br />
George Watson’s College, Colinton Road, Edinburgh EH10 5EG<br />
Tel: 0131 446 6008 | email: development@gwc.org.uk<br />
www.gwc.org.uk/WatsoniansLinked<br />
George Watson’s College is administered by the<br />
Edinburgh Merchant Company Education Board,<br />
a charity registered in Scotland SC009747.<br />
21
President’s Update<br />
Online platforms have allowed us all to communicate<br />
in different ways, but are not a substitute for the faceto-face<br />
contact we crave and need. It has, however,<br />
provided us all with a meaningful way of sharing and<br />
communicating and WatsoniansLinked will continue<br />
to be a key channel for the School to communicate<br />
with Watsonians.<br />
As I reflect on my first 10 months in Office, it<br />
coincides with us being given back some of our<br />
freedoms and with that, recognition of some of the<br />
things we may have previously taken for granted.<br />
I took up Office, in February 2021, from Johnny<br />
Bacigalupo (Class of 1995), in what was the first virtual<br />
President’s hand over. At that same time, Ben Di Rollo<br />
(Class of 2002) took up Office as Vice President. In the<br />
period to date, we have been extremely resourceful in<br />
how we have undertaken our activities.<br />
The Sections’ meetings moved online, providing an<br />
opportunity for us to bring everyone together to share<br />
both their frustrations of match days cancelled and, on<br />
a more positive note, activities restarting as restrictions<br />
eased. Our online global meetings have continued,<br />
allowing volunteers from across the world to participate.<br />
These have provided an interesting perspective on<br />
the impact of life in each of the countries in which our<br />
Global Watsonian Community is represented.<br />
During my tenure as Vice President I started and I<br />
continue to Chair a committee of George Square Girls.<br />
We have ambitious plans for celebrating the 150 years<br />
since the founding of George Watson’s Ladies’ College<br />
in 1871. Never daunted by challenge and adversity this<br />
intrepid group have continued with their planning and<br />
research. With the support of the Archive Officer, the<br />
Development Office, the Honorary Heritage Officer, staff<br />
and pupils we have undertaken an enormous amount<br />
of research into the history of the School, uncovered<br />
previously untold stories about the lives of former<br />
pupils, and current pupils have interviewed former<br />
George Square Girls and documented oral histories.<br />
We are also working on the design of a tapestry which<br />
will record, pictorially in stitch, the rich heritage of<br />
the Ladies’ College and its amalgamation into George<br />
Watson’s College. Our programme of social events has<br />
been rescheduled to 2022, and we stride forth with<br />
great optimism.<br />
I wanted to end by sharing a wise insight from one<br />
of our Sixth year pupils.<br />
‘Not being able to come into school highlighted that<br />
school is not just a learning environment. Just as<br />
important is the sense of community and belonging<br />
that school provides, which cannot be truly<br />
replicated remotely.’<br />
For me, this highlights that we do not always recognise<br />
or fully appreciate what we have until it is denied to us.<br />
Gillian Sandilands (née Begg) (Class of 1978)<br />
President of the Watsonian Club<br />
2
In Principal<br />
Position<br />
The Watsonian<br />
Council<br />
Volunteer<br />
Opportunities<br />
Since the incorporation of the Watsonian Club as a<br />
company limited by guarantee in 2019, The Watsonian<br />
Council, as the board of directors of the company,<br />
has acquired an important new role in overseeing<br />
the Watsonian Branches and Sections. The Watsonian<br />
Benevolent Fund, originally established in 1917,<br />
although remaining a distinct charity, also comes within<br />
the Watsonian Club structure.<br />
We are delighted to announce that<br />
our Principal, Melvyn Roffe, has been<br />
elected Chair of the Headmasters’ and<br />
Headmistresses’ Conference (HMC) for<br />
the 2022/23 Session.<br />
HMC represents the Heads of 296 leading independent<br />
schools in the UK, Ireland, and around the world,<br />
which between them are responsible for educating<br />
over 240,000 young people. The organisation has an<br />
important voice in the development of education<br />
policy and good practice, and also provides training<br />
and professional development for Heads and staff<br />
of its member schools.<br />
Mr Roffe said: ‘I feel deeply honoured to have been<br />
chosen by my colleagues to chair the HMC during the<br />
2022/23 school session and I am looking forward to<br />
the task with a mixture of excitement and trepidation.<br />
Mr Roffe’s appointment will be the third time in over<br />
150 years that this prestigious position will have<br />
been held by the Head of a Scottish school. He will be<br />
following in the footsteps of former GWC Principal,<br />
Sir Roger Young, who was Chairman of HMC in 1976.<br />
Members of the Council also provide support, guidance<br />
and advice to the staff of the Development Office who<br />
are responsible for promoting and co-ordinating the<br />
range of Watsonian activities that take place at home<br />
and abroad.<br />
We are currently looking to recruit two new volunteers,<br />
one to join the Watsonian Council and one to become a<br />
Trustee of the Watsonian Benevolent Fund.<br />
The Watsonian Council meets four times a year.<br />
Meetings have been held online and it is likely that the<br />
majority of meetings will continue to be online in future.<br />
The Benevolent Fund holds at least two meetings and<br />
Trustees responsible for making grants meet on an<br />
ad-hoc basis throughout the year.<br />
We are looking to recruit new members who have an<br />
accounting background and would be able to act as<br />
Honorary Treasurers to both the Watsonian Club and<br />
Benevolent Fund.<br />
If you are interested in the work of the Council,<br />
or the Benevolent Fund, and have the expertise<br />
and skills we are looking for, then we would love to<br />
hear from you. Please note your interest by emailing<br />
development@gwc.org.uk<br />
APPLY NOW<br />
3
The<br />
<strong>Caritas</strong> Lecture 2<br />
After a hiatus of a year due to the COVID-19 pandemic, September 2021 once again saw us host the <strong>Caritas</strong><br />
Lecture. In keeping with tradition, our lecturer was of the highest calibre, and we were delighted to welcome<br />
Professor Sue Black, Baroness Black of Strome, the distinguished forensic anthropologist who is currently Pro<br />
Vice-Chancellor for Public Engagement at the University of Lancaster and who was shortly to be President of<br />
St John’s College, Oxford.<br />
Professor Black’s lecture titled,<br />
Forensic Anthropology in the Real<br />
World was somewhat ironically<br />
delivered not quite in the real world,<br />
but rather in the virtual online world<br />
we have all become accustomed to.<br />
Professor Black joined us from her<br />
study in Lancaster and her audience<br />
was not only in Edinburgh but, for<br />
the first time in the Lecture’s history,<br />
stretched around the globe.<br />
However, this was appropriate as<br />
Professor Black’s experience is truly<br />
global as is her reputation as one of<br />
the people who established forensic<br />
anthropology as an internationally<br />
recognised and respected discipline.<br />
Professor Black began by explaining<br />
how her journey to her current<br />
career began. Born and brought up<br />
in the Highlands, she first developed<br />
an interest in anatomy at the age of<br />
twelve doing her Saturday job in a<br />
butchers’ shop. She did not initially<br />
consider an academic path, but her<br />
biology teacher at Inverness Royal<br />
Academy insisted that she should<br />
apply to university and so she found<br />
herself studying as an Anatomy<br />
undergraduate at the University of<br />
Aberdeen. She described the feeling<br />
of fascination and wonder which<br />
enabled her first to understand the<br />
biology and anatomy of animals in<br />
the butchers’ shop and which then<br />
helped her when faced with the task<br />
of dissecting human cadavers as<br />
an undergraduate.<br />
Not only did she succeed in her<br />
undergraduate studies, she also<br />
completed her PhD at Aberdeen<br />
before working as a lecturer in<br />
anatomy at St Thomas’ Hospital,<br />
London. It was here that Professor<br />
Black became increasingly involved<br />
4
021<br />
in forensic anatomy, and before<br />
long she began to work on highprofile<br />
cases for the Foreign Office<br />
and the United Nations. She was<br />
dispatched to various locations<br />
including Sierra Leone and Grenada<br />
and eventually served as the<br />
leading forensic anthropologist for<br />
the investigation of war crimes in<br />
Kosovo in 1999. Professor Black<br />
also contributed to the identification<br />
of victims from the Boxing Day<br />
tsunami in Asia in 2004, as well as<br />
travelling to Iraq to investigate war<br />
crimes there.<br />
Professor Black described with<br />
great sensitivity and compassion<br />
the process of understanding the<br />
circumstances of a human death.<br />
Using some well-known and less<br />
well-known examples she painted<br />
the picture of the painstaking,<br />
meticulous and detailed work<br />
that has so often enabled her and<br />
her team to bring comfort to the<br />
bereaved, to provide answers to<br />
intractable mysteries and to<br />
provide prosecutors with the<br />
evidence to bring some of the<br />
world’s worst criminals to justice.<br />
It seemed unlikely that such<br />
work would have many lighter<br />
moments, but clearly it did,<br />
although Professor Black was at<br />
pains to emphasise that respect<br />
for the dignity of the deceased<br />
was never compromised in any<br />
circumstances.<br />
Most of the time, Professor Black’s<br />
skills and experience are applied<br />
in circumstances of deaths which<br />
have taken place a relatively short<br />
time ago, however, she also gave<br />
a fascinating account of her work<br />
in identifying whether an ancient<br />
coffin in the Wardlaw Mausoleum<br />
contained the skeleton of Simon<br />
Fraser, the 11th Lord Lovat. His fate<br />
following the defeat of the 1745<br />
Jacobite Rebellion had become<br />
the subject of great international<br />
interest due to the TV series<br />
Outlander. Disappointingly to fans<br />
of the series, she proved that the<br />
human remains in the coffin marked<br />
with his name were not in fact those<br />
of Lord Lovat.<br />
Professor Black is one of our most<br />
prominent scientists working at the<br />
intersection of science, medicine,<br />
law and international relations.<br />
She has been instrumental in<br />
developing the discipline of forensic<br />
anthropology in new and important<br />
directions, for example in the<br />
identification of perpetrators of<br />
child sexual abuse from indecent<br />
images of children.<br />
The <strong>Caritas</strong> Lecture audience of<br />
pupils, parents, staff and members<br />
of the public locally and around<br />
the world were grateful to spend<br />
an hour or so learning so much<br />
of such importance from a truly<br />
outstanding lecturer and an<br />
exceptional human being.<br />
You can see the 2021 <strong>Caritas</strong> Lecture<br />
here:<br />
www.gwc.org.uk/caritaslecture2021<br />
Melvyn Roffe<br />
Principal<br />
Photo by David Gross<br />
5
Your Investment:<br />
Your Commitment:<br />
Your Achievement<br />
Welcome to The Pavilion at Myreside<br />
We are delighted to announce that The Pavilion at Myreside will be open for business<br />
in January 2022. We hope that those living locally will drop in regularly to use the<br />
lovely new facilities and those further afield, please drop by on your<br />
travels to Edinburgh.<br />
6<br />
It is hard to believe that as this<br />
publication goes to print, it is<br />
almost two years since fire ripped<br />
through the iconic and much<br />
loved Myreside Pavilion. Shortly<br />
after 9.23am, on 5 February<br />
2020, six fire crews and a height<br />
appliance started their battle to<br />
save the building.<br />
Hours later, and once the flames<br />
had abated and the smouldering,<br />
century old wooden beams had<br />
cooled, the devastating impact of<br />
the fire was clear. And, that’s when<br />
the School reached out to the<br />
Watsonian family. We needed to<br />
find a shared vision for the future.<br />
A vision that, once decided upon,<br />
would only be possible with the<br />
commitment of many.<br />
The decision was made that,<br />
together, we create a hub for every<br />
member of our community. A space<br />
for former staff and former pupils<br />
to drop in to meet friends, visit the<br />
Development Office and participate<br />
in volunteering opportunities; a<br />
space for parents to relax around<br />
pupil pick-up times and at pupil<br />
sporting events; a space for current<br />
staff to meet visitors and each<br />
other; and a space that welcomes<br />
our community partners and<br />
neighbours. All this while retaining<br />
its important role as home to<br />
school and Watsonian sport.<br />
To achieve our shared vision for<br />
the future we set out, with just six<br />
months to go, to raise £600,000<br />
by 30 June 2021. It seemed like an<br />
almost impossible mountain we<br />
had to climb. It was going to be a<br />
monumental undertaking – could we<br />
dare to believe that this was a match<br />
that the Watsonian Family could win.
This complex reinstatement<br />
project would see colleagues in our<br />
Facilities Team working closely with<br />
the team of architects, surveyors<br />
and builders appointed by the<br />
School’s insurance company.<br />
Let the Game Begin<br />
The First Quarter saw us reaching<br />
out to a small number of individual<br />
donors and by 31 March, gifts and<br />
pledges had reached £191,721.<br />
Now for the Second Quarter and the<br />
Easter appeal to Watsonians, which<br />
raised a further £40,780.<br />
It was now time to get our current<br />
parents, staff and pupils involved,<br />
with Myreside Maynia.<br />
The challenge was to raise £100,000,<br />
the funds required for the lift and<br />
ramp accesses. Funds that would,<br />
for the first time in the Pavilion’s<br />
long history, make the facility fully<br />
accessible to all. Over 300 donations<br />
were received during May and<br />
another £99,902 was added to<br />
the fundraising goal.<br />
With one month to go, we were<br />
just over half way and unsure<br />
what to do next. It was then that<br />
a very generous donor came<br />
forward and offered to match<br />
fund every donation we received<br />
in June. The impossible suddenly<br />
seemed possible.<br />
The Final Quarter - The Match<br />
Funding Challenge - for one final<br />
push, we reached out to every<br />
Watsonian, even those who had<br />
already donated! Thanks to the<br />
overwhelming response we received,<br />
on 28 June 2021 we officially passed<br />
our fundraising goal.<br />
Thanks to the belief and generosity<br />
of over 650 Watsonians, their<br />
friends and families, The Pavilion<br />
at Myreside was officially re-opened<br />
on 26 November 2021 by:<br />
The Lord Provost of Edinburgh,<br />
Frank Ross (Class of 1976)<br />
7
8<br />
A Century of Remembering –
The George Watson’s College War Memorial<br />
The George Watson’s College War Memorial was unveiled one hundred years<br />
ago this year, on 16 December 1921. It originally stood in front of the main<br />
steps of George Watson’s Boys’ College in Archibald Place.<br />
Even before the First World<br />
War had ended, the Watsonian<br />
Community had been collecting<br />
money to help the children and<br />
dependents of those killed or<br />
injured in the hostilities. The<br />
Watsonian War Memorial Fund<br />
was established to provide for<br />
the design and construction of<br />
the memorial, to assist those<br />
in need, and to publish the<br />
Watsonian War Record which<br />
would commemorate all those<br />
Watsonains who had served in<br />
the conflict.<br />
The end of the war was<br />
marked at George Square by a<br />
celebration of peace, but while<br />
the overriding mood was one<br />
of relief and joy, there was also<br />
humility. Charlotte Ainslie,<br />
the Headmistress of George<br />
Watson’s Ladies’ College, said<br />
in 1919.<br />
‘We fought for Truth and Right,<br />
and the protection of the weak<br />
against brutal aggression.<br />
But let us spare a little pity too,<br />
for our vanquished enemies:<br />
it is a bitter thing to be beaten,<br />
and not all of them we think,<br />
are guilty of the worst crimes<br />
that have stained their<br />
country’s shield.’<br />
In 1932, when the Boys’ College<br />
moved to Colinton Road, the<br />
war memorial was also moved.<br />
The names of those killed in the<br />
Second World War and in the<br />
Korean War were subsequently<br />
added to the memorial.<br />
Today, the memorial is part<br />
of the joint heritage of the<br />
schools which amalgamated<br />
on this site to form the coeducational<br />
George Watson’s<br />
College in 1974/75. It was<br />
therefore fitting that on the<br />
centenary of her death in 2017,<br />
the name of Daisy Coles was<br />
added to the memorial. In<br />
November 2021, we also<br />
added the names Irene<br />
Bathgate and Ruby Grierson.<br />
The George Watson’s College<br />
War Memorial stands in<br />
perpetual tribute to those who<br />
once shared our heritage and<br />
traditions, our uniform, and<br />
our hopes and ambitions.<br />
It remains a poignant reminder<br />
of what was required of them,<br />
and which has never been<br />
required of us.<br />
In total, some 810 Watsonians<br />
made the supreme sacrifice<br />
of their lives in the wars of the<br />
twentieth century. And, that<br />
is why we have Project 810.<br />
To recognise the duty we all<br />
have to do what we can in our<br />
own way and in our own time<br />
to bring about a fairer, more<br />
sustainable and kinder world;<br />
a world where no life is ever<br />
again sacrificed in war.<br />
9
A NEW WORLD OF<br />
OPPORTUNITIES<br />
Fadwa Affara (Class of 1961) came<br />
to George Watson’s Ladies’ College<br />
from Aden, a former British colony<br />
located in contemporary Yemen.<br />
From there she went on to qualify<br />
as a nurse and shape nursing<br />
education standards in over 80<br />
countries. Fadwa spoke to <strong>Caritas</strong><br />
about her extraordinary career,<br />
working with the World Health<br />
Organisation and leading a project<br />
to provide nurses with face masks<br />
during the pandemic.<br />
Born in 1943 in Aden, Fadwa was<br />
educated in a convent primary<br />
school. However, secondary<br />
schooling for girls in Aden was<br />
scarce so her family decided to send<br />
her to Edinburgh to attend George<br />
Watson’s Ladies’ College (GWLC).<br />
After leaving GWLC, Fadwa<br />
enrolled on two concurrent courses<br />
at The University of Edinburgh.<br />
She explains:<br />
‘At that time nursing wasn’t<br />
accepted as a university level<br />
programme. I did an MA and at<br />
the same time I did nursing<br />
education as required by the<br />
General Nursing Council.’<br />
In more recent times, especially<br />
during the COVID-19 pandemic,<br />
nurses have been front and centre<br />
in the response and the profession<br />
is well recognised and respected.<br />
But Fadwa recalls a time when it was<br />
not considered an academic level<br />
discipline: ‘nursing was ‘on the job’<br />
training, where you went into the<br />
school for two to three weeks and<br />
then you went on to the wards and<br />
were working and learning at the<br />
same time. There wasn’t any inkling,<br />
at that time, that there needed to be<br />
a scientific basis to it.’<br />
After qualifying, Fadwa went on to<br />
work in Edinburgh and followed<br />
the traditional pathway of nursing<br />
and then midwifery, before taking<br />
up her first international post in a<br />
French hospital, in Nazareth, where<br />
she taught nursing and french. A few<br />
years after returning and working<br />
in intensive care in Glasgow, Fadwa<br />
noticed that attitudes to nursing<br />
were beginning to change.<br />
She said: ‘I noticed The University<br />
of Edinburgh was offering a Masters<br />
of Nursing Education and I was in<br />
one of the first groups who did this.<br />
I then went on to Dundee where I<br />
got a lectureship. I was involved in<br />
a brand new BSc Nursing degree,<br />
which I found both stimulating and<br />
very interesting.’<br />
With growing recognition of the<br />
nursing profession, a Masters<br />
degree and lectureship under her<br />
(nurses) belt, Fadwa was offered a<br />
life changing opportunity with the<br />
World Health Organisation.<br />
‘I did my first consultancy in Cairo,<br />
Egypt where I was evaluating an<br />
organisation. This led to me being<br />
invited to go to Bahrain, where a<br />
new College of Health Sciences -<br />
at the forefront of competency<br />
based education in the 1980s -<br />
had just opened. I was asked to<br />
go as Head of Nursing and I spent<br />
seven years there developing a<br />
new approach to education, and<br />
opening up new programmes in<br />
community and general nursing,<br />
and midwifery.<br />
With hands-on experience of nursing<br />
practices around the world, Fadwa<br />
went on to become a driving force in<br />
the development and regulation of<br />
the profession.<br />
‘My next challenge was being invited<br />
by the International Council of<br />
Nurses to lead a project looking at<br />
professional regulation worldwide.<br />
Their report had unearthed some<br />
disturbing facts that showed a<br />
lack of regulation and the need to<br />
bring more order to the way the<br />
profession was regulated in different<br />
countries. I spent the next four<br />
years working with 80 countries,<br />
doing workshops with them and<br />
helping them to develop and reform<br />
laws, before being offered a post<br />
as a consultant at the International<br />
Council of Nurses. That’s where I<br />
spent the next 14 years.’<br />
Fadwa’s work caught the attention<br />
of none other than the Thai Royal<br />
Family and she was awarded the<br />
Princess Srinagarindra Award for<br />
Nursing Regulation and Quality<br />
Improvement and People’s Safety.<br />
Speaking about it, she said: ‘I was<br />
very honoured to be recognised<br />
in this way, for what I saw as my<br />
everyday job.’<br />
10
Even after retirement Fadwa’s<br />
commitment to the nursing<br />
profession continues. She has<br />
been working to establish the<br />
local production and sustainable<br />
supply chains of masks to nurses in<br />
countries where the cost of PPE is<br />
simply too high.<br />
Explaining the work of COVID-19<br />
Africa Action Network for Nurses and<br />
Nurse Midwives and Protect Nurses<br />
Save Lives, she said: ‘Now we have<br />
12 countries involved, and up to<br />
this point have made 750,000 masks<br />
and distributed them to people who<br />
are in need.’<br />
Fadwa’s journey has taken her all<br />
over the world, although that didn’t<br />
stop her reflecting on a corner of<br />
the world much closer to home:<br />
‘My time at Watson’s gave me<br />
an experience where I not only<br />
had an opportunity to achieve<br />
academically, but where I was also<br />
offered the chance to succeed in<br />
sports, the Drama Club, debating<br />
and many other things.’<br />
Fadwa wrapped up her conversation<br />
with <strong>Caritas</strong>, with some advice<br />
for young people thinking<br />
about a career in nursing and<br />
health policy.<br />
‘Nursing has moved so far. Nurses<br />
are taking the lead, not only in<br />
developing practice, but they have a<br />
lot more recognition to deliver care,<br />
to diagnose and prescribe, which<br />
was, in the past, only in the remit<br />
of physicians. With nursing there<br />
are so many different disciplines on<br />
offer, whether you go into practice<br />
or administration, academia or<br />
research. To me it was a profession<br />
that gave me many opportunities,<br />
some unexpected.’<br />
UK Supreme Court<br />
11
Watson<br />
Congratulations!<br />
In August 2020, Jeff Roberts (Class of<br />
2001) became member 2424 of The Bob<br />
Graham 24 Hour Club, for those that have<br />
completed a 66 mile, 27,000ft circuit over<br />
42 of the highest peaks in the Lake District<br />
within 24 hours. First completed in 1932<br />
by Bob Graham, hotelier of Keswick, at the<br />
age of 42, the 42 Peak Round has become<br />
a ‘bucket-list item’ for the supremely fit.<br />
Each summer around 100 ultra-distance<br />
fell runners will attempt the 27,000ft ascent<br />
within the allotted 24 hours. Well done Jeff!<br />
We send our congratulations to Rachel<br />
Jones (Class of 1982) on receiving the<br />
Queen’s Award for Enterprise in April<br />
2020 for her company SnapDragon<br />
Monitoring. SnapDragon was one of only<br />
eight Scottish companies to win a 2020<br />
award. It was presented by The Lord<br />
Provost of Edinburgh, Frank Ross (Class<br />
of 1976).<br />
SnapDragon is a software company<br />
that has developed an online brand<br />
protection solution for SMEs marketed<br />
as Swoop. Counterfeit goods sold online<br />
can harm the reputation and profits of<br />
businesses and can be unsafe for users.<br />
Rachel started SnapDragon after her<br />
own invention was counterfeited.<br />
Swoop surveys online marketplaces<br />
identifying counterfeit products leading<br />
to offending links being removed. The<br />
company combines the use of machine<br />
learning and human intervention to<br />
reduce false positives and improve<br />
the accuracy of the algorithms which<br />
identify infringement. The system has<br />
a 96% success rate with takedowns,<br />
protecting clients’ reputations and<br />
increasing sales by removing fake<br />
products from the market.<br />
Andrew Wildgoose (Class of 2005) was<br />
awarded the British Empire Medal in the<br />
2020 New Year’s Honours in recognition of<br />
his charitable fundraising efforts during the<br />
pandemic. Andrew runs Goose’s Quizzes,<br />
an Edinburgh based company who run<br />
more than 45 weekly pub quizzes across<br />
the central belt. As the crisis deepened, the<br />
company adapted their popular quizzes<br />
to be delivered across online streaming<br />
platforms while raising money for charity.<br />
Another Watsonian who featured in the<br />
2020 New Year’s Honours list was Paul<br />
van Heyningen (Class of 1993) who was<br />
awarded an OBE for services to energy<br />
policy. Paul is a Deputy Director in the<br />
Department for Business, Energy and<br />
Industrial Strategy (BEIS) where he works<br />
with his team to ensure the electricity<br />
network is ready for the transition to electric<br />
vehicles and other low carbon technologies<br />
as we move towards net zero emissions.<br />
12
ians<br />
in the<br />
News<br />
Jake Mackenzie (Class of 1956)<br />
was honoured in the US House of<br />
Representatives upon his retirement as<br />
Vice Mayor of Rohnert Park City Council,<br />
California. Congressman Mike Thompson<br />
paid tribute to Jake’s 24 years of deep<br />
dedication to the Council, which included<br />
five terms as Mayor. We send Jake our best<br />
wishes for a happy retirement after his<br />
many years of exceptional public service.<br />
Catriona Stewart (Class of 1976) was<br />
recognised in the New Year Honours List<br />
with an OBE for her work in advocating<br />
the rights and needs of autistic women.<br />
Catriona was previously an expert advisor to<br />
the National Autism Project and the review<br />
of Scotland’s Mental Health Act. Catriona<br />
also co-founded Scottish Women’s Autism<br />
Network (SWAN) in 2012 after finishing her<br />
PhD on the experiences of anxiety for girls<br />
with Asperger’s Syndrome.<br />
In August 2021, Davy Zyw (Class of 2005)<br />
and team mates including his brothers<br />
Tommy Zyw (Class of 2005) and Sorely<br />
Richardson (Class of 2011), undertook a<br />
gruelling 500 mile cycling challenge ‘Ride<br />
for MND’ with the My Name’5 Doddie<br />
Foundation which took them around the<br />
famous North Coast 500 in just four days.<br />
The team, which Davy captained, raised a<br />
phenomenal £125,000. In recognition of<br />
his amazing efforts Davy was awarded a<br />
Points of Light award from No. 10 Downing<br />
Street and Fundraiser of the Year award<br />
from Cycling Weekly.<br />
13
Kerr leads way as trio<br />
of former pupils compete<br />
at the Tokyo Olympics<br />
Let’s start with an amazing fact: of the 55 Scottish<br />
athletes selected to compete as part of the GB Team,<br />
three were Watsonians.<br />
Former pupils Josh Kerr (Class of 2015), James Heatly<br />
(Class of 2015) and Grace Reid (Class of 2014)<br />
represented Great Britain at the recent Tokyo Olympics<br />
and judging by the overwhelming response to our<br />
social media stories, the wider Watsonian Community<br />
loved watching them compete.<br />
All the Watsonian athletes had an amazing time in<br />
Japan, but perhaps none more so than Kerr, 23,<br />
who flew home proudly clasping his bronze medal.<br />
Amazingly, it had been 33 years since a British man had<br />
last been on the Olympic podium in the 1500m. Kerr<br />
showed guile and class to join legendary names such<br />
as Seb Coe, Steve Ovett, Steve Cram and Peter Elliott<br />
in the history books.<br />
In the final, run at lightning pace, Kerr moved into<br />
the top five at the bell, before storming past Kenya’s<br />
Abel Kipsang down the home straight and almost<br />
overhauling Timothy Cheruiyot, another Kenyan,<br />
for second. As it was, Cheruiyot held on for silver<br />
(3:29.01) while Norwegian Jakob Ingebrigtsen clocked<br />
an Olympic record time (3:28.32) to take gold. Kerr’s<br />
time of 3:29.05 knocked two and a half seconds off<br />
his previous personal best and was just 0.24 seconds<br />
outside Mo Farah’s British record time.<br />
After the final he said: ‘I’m blown away, this has been a<br />
hard championships for me, the first run wasn’t great,<br />
it was one of those days and you can have those. Sadly,<br />
mine was in the first round of the Olympics.<br />
14
‘I had to go back, think about it, recalibrate and come<br />
back to these next rounds fighting every single step<br />
of the way. I feel like you saw that in the semi-final<br />
and then in the final and I’m really happy with that<br />
performance. I have this weird confidence in myself.<br />
Some may call it cockiness, some may call it general<br />
confidence. When you put the effort in and you’re<br />
surrounded by a team like I am, you can’t not feel<br />
confidence every step of the way.’<br />
Meanwhile, back in Tokyo, in the diving pool,<br />
24-year-old James Heatly and 25-year-old Grace<br />
Reid were in action.<br />
Heatly was in great early form to progress comfortably<br />
through the prelims and then the semi-finals in the<br />
men’s 3m event. He went on to finish ninth in the final,<br />
a positive result which leaves him plenty to build on<br />
going forward. James was following in the footsteps of<br />
his late grandad Sir Peter Heatly, who competed at the<br />
19<strong>48</strong> and 1952 Olympic Games.<br />
‘For me, the goal was to make the team and then try to<br />
progress through the rounds, and that’s what I did. I’m<br />
really proud and happy about that, but it’s frustrating<br />
because there’s definitely a lot more in the tank,’ Heatly<br />
said after his event which saw British team mate<br />
Jack Laugher earn a bronze medal.<br />
‘The pros outweigh the cons. Sometimes you win,<br />
sometimes you learn, and today I’ll definitely learn.<br />
It was a shame to have to leave the Heatly Clan back<br />
home, but I definitely feel like he [grandad Sir Peter]<br />
was there with me poolside.’<br />
Grace Reid and partner Katherine Torrance were Team<br />
GB’s first divers in action at the Games, finishing sixth in<br />
the women’s 3m synchronised event. Reid was also in<br />
the women’s 3m event, but just missed out on a top 18<br />
spot in the prelims.<br />
After that outing Reid said: ‘It’s massively frustrating,<br />
I’m disappointed and obviously it’s not the result I was<br />
hoping for. I made a costly mistake on my second dive,<br />
I fought all the way to the end and gave everything,<br />
but it just wasn’t enough. The depth within my event<br />
is so strong, which is amazing. You can’t really afford<br />
to make a mistake like that when those girls are diving<br />
to that level. The experience has been so special. It’s a<br />
wonder that these Games went ahead and were so safe.<br />
To be a part of this will go down in the history books<br />
and to be a part of Team GB was such an honour.’<br />
Gary Heatly (Class of 2000)<br />
It was great to see America-based<br />
Kerr back in Edinburgh recently<br />
when he visited the school.<br />
15
Diamond Days in 2022<br />
Celebrating 60 years of S3 Projects<br />
‘My most standout Projects memory was falling<br />
in a bog right up to my waist. Mr Vandersteen ran<br />
across the moor like something out of Baywatch<br />
and pulled me out! I was very grateful for that and<br />
have been very wary of marsh land ever since!’<br />
Whether you attended George<br />
Watson’s Boys’ College, George<br />
Watson’s Ladies’ College or<br />
George Watson’s College, outdoor<br />
adventures have been an important<br />
part of a Watson’s education. For<br />
some, those adventures came<br />
with membership of the 9th Braid<br />
(George Watson’s) Scout Group, for<br />
others, through their involvement<br />
with the School’s Combined Cadet<br />
Force, Duke of Edinburgh Award<br />
sceme, and, since 1962, through S3<br />
(Third Year) Projects. This was the<br />
year that outdoor education became<br />
an official part of the curriculum<br />
for every pupil at Watson’s.<br />
No matter the circumstances that<br />
led to each individual participating<br />
in an outdoor experience, all came<br />
with challenges to be overcome,<br />
new friendships to be made and<br />
new risks to be assessed and taken.<br />
For many pupils, their S3 Project<br />
trip has remained the most<br />
memorable moment in their<br />
Watson’s journey, often recounted<br />
as a life-changing experience.<br />
And, it is for that very reason that<br />
throughout 2022 we will be hosting<br />
a year of events that celebrate the<br />
past 60 years of S3 Projects, but<br />
also looking to the future. Events<br />
that celebrate camaraderie and<br />
challenge, life-long friendships,<br />
lessons learned and benefits gained,<br />
sites seen and hopefully revisited.<br />
‘Our classroom for the whole two<br />
weeks was the stunning beauty of<br />
the Cairngorm. No Cathedral could<br />
lead us to anything more uplifting.’<br />
‘The thing I remember most about the food<br />
is the Fray Bentos Pies which Miss Gilles<br />
realised with horror used Argentinian meat!<br />
The Falklands War was underway and I seem<br />
to remember we had fish and chips instead<br />
of the pies!’<br />
Your S3 Projects at 60 Committee<br />
Norman Murray, Chair (Class of 1967)<br />
Liz Smith (Class of 1978)<br />
Maxi Maclaren (Class of 1963)<br />
Dave Pyper<br />
Richard Travers<br />
Laura Tyzack<br />
16
Dates for your Diary<br />
We will be planning a year long series of residential and day trips, as well as digital and campus events that<br />
celebrate and highlight the health and wellbeing benefits of outdoor activity and volunteering. We hope that<br />
there will be something in the Calendar of Events for everyone.<br />
Backpacks, Blisters and<br />
Bunk Beds - Three-Day<br />
Residential Trips<br />
Friday 10 - Sunday 12 June 2022<br />
Projects at 60 Reunion Weekend at<br />
Aviemore Youth Hostel<br />
Friday 9 - Sunday 11 September 2022<br />
Projects at 60 Reunion Weekend at<br />
Cairngorm Lodge Youth Hostel<br />
These two special residential events<br />
will give you the opportunity to relive<br />
some of the best (and worst!) bits of<br />
your S3 Project experience. Arriving<br />
on Friday evening - and once bunks<br />
have been bagged - guests will enjoy<br />
a hearty three-course dinner and<br />
have the chance to share memories<br />
(and photos) from their own Project<br />
experience. Saturday will commence<br />
with a full Scottish breakfast, before<br />
heading off on a choice of local<br />
activities, which could include:<br />
walking tours, a foraging experience,<br />
Munro bagging, a visit to a local<br />
distillery or reindeer herd.<br />
However you decide to fill your day<br />
- in true S3 Project tradition - you<br />
will be provided with a packed lunch<br />
to sustain you through your chosen<br />
activity. Following a fight for showers,<br />
Saturday will be rounded off with<br />
another three-course dinner and S3<br />
Project Quiz (optional). The reunion<br />
weekend concludes on Sunday when,<br />
following a final Scottish breakfast,<br />
you can venture out again for local<br />
walks and activities before farewells<br />
after lunch.<br />
The cost of both trips is £95 per<br />
person inclusive of all meals and<br />
two nights accommodation.<br />
Activities can be selected nearer<br />
the time and will be at an additional<br />
cost, where applicable.<br />
Places are limited and will be allocated<br />
on a first come first served basis.<br />
To make an individual or group<br />
booking please visit<br />
www.gwc.org.uk/projectsat60<br />
Are You Up for<br />
the Challenge?<br />
In May 2012, to mark the 50th<br />
Anniversary of Projects and as part<br />
of an amazing effort, a Watsonian<br />
reached the summit of every Munro<br />
in Scotland.<br />
In 2022 we want to challenge<br />
Watsonians again, but this time we<br />
want you to take up a challenge no<br />
matter where you are in the World.<br />
• Challenge One - with your help<br />
can we once again bag every<br />
Munro in Scotland?<br />
• Challenge Two - no matter where<br />
you are in the World, we want you<br />
to set your own challenge and<br />
achieve a new personal goal. In the<br />
spirit of S3 Projects, in 2022 can you<br />
set out on an outdoor adventure,<br />
or support an environmental<br />
or conservation charity. No<br />
matter what you do to challenge<br />
yourself and relive your S3 Project<br />
experience, we want you to share<br />
your 2022 story with us.<br />
You can find out more about the<br />
challenges and how to sign up for<br />
a summit you would like to reach<br />
at www.gwc.org.uk/projectsat60<br />
Diamond Days<br />
The residential trips and challenges<br />
will hopefully whet your appetite<br />
for the many other events we have<br />
planned throughout 2022.<br />
• You can join us on one of our<br />
specially arranged ‘Diamond<br />
Days’ where we will venture out<br />
together on day trips to the Borders,<br />
Perthshire and even a day in<br />
the Pentlands.<br />
• Our wild spaces also need us to<br />
give back by doing something<br />
positive that protects them for the<br />
future, so we will also be organising<br />
‘Diamond Days’ that encourage work<br />
party participation such as beach<br />
cleans, litter picking and<br />
tree planting.<br />
• A specially curated exhibition<br />
Sixty Memories for Sixty Years<br />
will be staged at Colinton Road<br />
in May 2022.<br />
• Engage with talks and lectures<br />
throughout the anniversary<br />
year as we invite high-profile<br />
speakers to join us for this<br />
special celebration.<br />
Photographic<br />
Competition<br />
We will be launching a photographic<br />
competition in February 2022.<br />
Entries will be accepted until the<br />
end of September 2022. The twelve<br />
best images - determined by a<br />
panel of judges - will be used for a<br />
commemorative S3 Projects at 60<br />
calendar. Income from sales will be<br />
split between The John Muir Trust<br />
and the George Watson’s College<br />
Enrichment Fund. More details will be<br />
posted on the Projectsat60 webpage.<br />
Further details on how to get<br />
involved will be released over<br />
the coming months.<br />
To find out more about upcoming<br />
events and how to enter the<br />
photographic competition, visit<br />
www.gwc.org.uk/projectsat60<br />
17
18<br />
The Watsonian Boo
kshelf<br />
This new <strong>Caritas</strong> feature has been<br />
borne out of the desire to create a<br />
special section in the new Library<br />
at Myreside where books authored<br />
by Watsonians can be curated and<br />
enjoyed by those who visit The<br />
Pavilion. The first book to be placed<br />
on our Watsonian Bookshelf has<br />
been written by Susan Tomes (Class<br />
of 1972) who shared with <strong>Caritas</strong><br />
the story of how it came to be.<br />
My sixth book, The Piano – a History<br />
in 100 Pieces – was published by<br />
Yale University Press in July 2021.<br />
During our lockdowns all my ‘live’<br />
concerts had been cancelled,<br />
leaving only this book’s publication<br />
date as an event in my diary, so I<br />
looked forward to it with more<br />
than my usual intensity. When the<br />
date finally arrived, the pleasure<br />
was doubled because I was invited<br />
to launch the book with a concert<br />
at my favourite hall, Wigmore Hall<br />
in London.<br />
My previous books have been<br />
concerned with performance. I<br />
hadn’t focused specifically on<br />
repertoire – for a long time I felt<br />
that there were lots of people<br />
who had done that, were doing<br />
that and could do it better than I<br />
could. After all, I’m not a historian<br />
or a musicologist. But gradually<br />
I began to see that I had other<br />
qualifications. My experience of<br />
playing, rehearsing, performing and<br />
recording these pieces has given<br />
me a wealth of knowledge about<br />
them – not academic knowledge,<br />
but what one might call ‘embodied<br />
knowledge’, accumulated during<br />
years of grappling with piano<br />
parts and sharing them with<br />
concert audiences.<br />
My original plan was to pick a<br />
favourite area of piano repertoire<br />
and explore it in great detail. But I<br />
worried that such a book would be<br />
of limited appeal. I wanted to write<br />
something of wider interest. How to<br />
do that without spreading myself<br />
so thinly that my remarks about any<br />
particular piece seemed glib and<br />
inadequate? Then someone gave<br />
me a present of Neil MacGregor’s<br />
History of the World in 100 Objects,<br />
which has delighted many readers.<br />
As I browsed through it I wondered<br />
if the same approach could be taken<br />
to piano music.<br />
Putting the idea into practice was<br />
tricky. What criteria should I use to<br />
pick the pieces – my own favourites,<br />
or tried and trusted masterpieces?<br />
Where should I begin? Should I stick<br />
to ‘important’ pieces, or was<br />
it OK to include little gems, oddities,<br />
provocations? My first attempt,<br />
based on my favourites, produced<br />
a frankly lopsided list with about 30<br />
pieces by Mozart, 20 by Schubert,<br />
20 by Schumann, 20 by Debussy<br />
and Ravel, and so on. This wouldn’t<br />
do. I had to take a step back and be<br />
more objective.<br />
I spent a lot of time shoving around<br />
pieces of paper with the names of<br />
pieces on them, making mosaics on<br />
the floor before I found a pattern<br />
which seemed to tell a meaningful<br />
story. I decided to start at the<br />
point where the harpsichord was<br />
supplanted by the piano. That<br />
moment in history felt important<br />
because as the piano developed,<br />
its greater tonal variety inspired<br />
a different type of music. To keep<br />
my choices to 100, I found that<br />
I sometimes had to cheat a bit<br />
and include ‘sets’, such as Chopin<br />
Preludes or Debussy Preludes,<br />
rather than artificially pick out just<br />
one. I didn’t feel too bad about<br />
this – after all, a symphony can<br />
easily last for an hour, but everyone<br />
would agree it is just ‘one piece’. So<br />
why not allow a 40-minute set of<br />
preludes to count as one choice?<br />
Although I tried to be objective,<br />
my 100 pieces inevitably reflect my<br />
character and interests. Solo pieces<br />
occupy the lion’s share, but my<br />
love of chamber music led me to<br />
include many collaborative pieces<br />
which I believe are the best of their<br />
composers’ work. My love for jazz<br />
made me include some of that too.<br />
I’m sure that being a woman also<br />
influenced my approach. Above<br />
all, the fact that I’m a pianist has<br />
stamped itself upon my choices.<br />
I know how a lot of this stuff feels<br />
under the hands, how it finds a<br />
home in the imagination. I have<br />
experience of what it’s like to try to<br />
give it shape and bring it to life in<br />
front of listeners, and it was a great<br />
pleasure to describe it.<br />
Footnote: I was a pupil at GWLC<br />
from Nursery at St Alban’s Road to<br />
Senior School at George Square.<br />
Watson’s was a happy experience<br />
for me, though I can’t say that my<br />
progress in music had much to<br />
do with school. My music lessons<br />
happened outside of school and felt<br />
like a separate world. I did, however,<br />
enjoy playing violin in the school<br />
orchestra, and I still remember<br />
the pleasure I got from playing<br />
the orchestral score of Purcell’s<br />
Dido and Aeneas on the piano to<br />
help the solo singers learn their<br />
parts for a performance conducted<br />
by Miss Traves. In terms of writing,<br />
I received great encouragement<br />
from my English teachers – notably<br />
Miss Clark-Wilson in Junior School<br />
and Miss Carnon and Miss Fortescue<br />
in Senior School. At the time I felt<br />
they were faintly disappointed by<br />
my focus on music, so I hope they<br />
would be pleased to know that I<br />
eventually found a way to bring<br />
music and literature together.<br />
If you would like to have your<br />
book sit alongside Susan’s on the<br />
Watsonian Bookshelf then please<br />
get in touch with the Development<br />
Office (development@gwc.org.uk)<br />
and look out for more books as we<br />
feature them on #WatsoniansLinked<br />
over the coming months.<br />
19
Reunions...<br />
Back for 2022<br />
After an interval of two<br />
years we are hopeful<br />
that class reunions will<br />
return in 2022.<br />
We will be inviting all of the Class of 1940s, 1952, 1962,<br />
1972, 1982, 1992, 2002, and 2012 to join us for The Big<br />
Reunion Lunch in the marquee on the school lawn at<br />
Colinton Road on Saturday 25 June 2022.<br />
Arriving at midday for a welcome drink, and a chance<br />
to catch up with your classmates and former teachers,<br />
will be followed by a two course buffet lunch with wine<br />
enjoyed in your year group. After lunch you can embark<br />
on a guided tour of the School and if you attended<br />
George Square you will be invited to enjoy our special<br />
exhibition in the Entrance Hall celebrating 150 years<br />
since the founding of the Ladies’ College.<br />
Tickets for this event are £25 per person and are<br />
available at www.gwc.org.uk/reunions<br />
Lunch will finish at 2.30pm and we encourage year<br />
groups to make their own arrangements to continue<br />
reminiscing either at The Pavilion at Myreside, or<br />
another local venue. If you have any questions about<br />
the event then please email Laura Tyzack in the<br />
Development Office at development@gwc.org.uk<br />
For those whose reunions were cancelled in 2020 and<br />
2021 we are planning special ‘mid-term’ reunions to<br />
celebrate your 15th, 25th, 35th, 45th or 55th year since<br />
leaving Watson’s. We will be in touch about these in<br />
the years ahead but if you are planning to arrange any<br />
reunions in the meantime then please do get in touch<br />
with the Development Office who can help with sending<br />
out communications to your year group, ensuring that<br />
no one is missed.<br />
20
The<br />
Chronicles of George Square<br />
at 150<br />
Welcome from The Principal<br />
In 1871, George Watson’s Ladies’<br />
College began its mission to educate<br />
the girls and young women of<br />
Edinburgh and beyond. It is no<br />
exaggeration to claim, and indeed<br />
it is well illustrated in the stories<br />
we share here, that in the century<br />
and more of its independent<br />
existence, no institution in Scotland<br />
did more to prepare young women<br />
for the variety of family, professional<br />
and public roles that they would<br />
go on to fulfil - often with great<br />
distinction - in a period of huge<br />
and often turbulent change at<br />
home and abroad.<br />
Over the last two years, we have<br />
engaged more than ever before<br />
with the GWLC community and what<br />
has been abundantly clear from<br />
the recollections which have been<br />
shared is that GWLC was a school that<br />
engendered great affection amongst<br />
its pupils and that many shared<br />
experiences continue to<br />
burn vividly in the hearts and<br />
minds of Women Watsonians<br />
across the globe.<br />
For those of us without direct<br />
experience of either George Square<br />
or St Alban’s Road, the anniversary<br />
celebrations have been an<br />
opportunity to reflect on the<br />
many notable achievements of<br />
GWLC and of its former pupils and<br />
staff and the contribution of its<br />
heritage to the success of today’s<br />
co-educational school.<br />
Indeed, when writing in the final<br />
edition of The George Square<br />
Chronicle, published in December<br />
1974, Hilda Fleming - the last in the<br />
line of exceptional educators who<br />
served as Head of George Watson’s<br />
Ladies’ College - recalled the motto<br />
of Mary, Queen of Scots ‘In my end<br />
of my beginning’. She continued ‘We<br />
send our School to Colinton Road...<br />
confident that they take with them,<br />
and will maintain, our traditions and<br />
that they have much to contribute to<br />
the future happiness and success<br />
of George Watson’s College’.<br />
As we mark its 150th anniversary,<br />
we understand now more than ever<br />
the distinctive and powerful heritage<br />
of George Watson’s Ladies’ College.<br />
We celebrate not only the past of the<br />
School, but what that heritage means<br />
in the present and how it will continue<br />
to shape the education of all our pupils<br />
in times to come.<br />
Melvyn Roffe<br />
Principal
EX CORDE CARITAS<br />
Festal Hymn and lasting Legacy<br />
Emma Bryden<br />
When appointed Head of George<br />
Watson’s Ladies’ College in 1902,<br />
having previously attended as<br />
a student from 1873-1880,<br />
Charlotte Ainslie became the<br />
first female Head of an Edinburgh<br />
Merchant Company school,<br />
holding the position until her<br />
retirement in 1926.<br />
During her headship, Charlotte<br />
Ainslie was a member of the Scottish<br />
Education Reform Committee and a<br />
Convener of the Women’s Education<br />
Sub-committee. Her positions of<br />
Vice-President of the Edinburgh<br />
Women’s Citizens’ Association<br />
and President of the Secondary<br />
Education Association of Scotland<br />
saw her regarded as the leading<br />
Scottish expert on the education<br />
of girls of secondary age. Indeed,<br />
over the course of her teaching<br />
career she inspired thousands of<br />
female students to strive towards<br />
achieving their full academic<br />
potential. That she lived at a time<br />
when the education of women<br />
was often of secondary importance<br />
to those in charge of education<br />
across the UK, makes her academic<br />
and educational accolades the<br />
more inspiring.<br />
The legacy of Charlotte Ainslie<br />
continues to this day through her<br />
published articles on education<br />
but equally through the continued<br />
performance of the Festal Hymn of<br />
George Watson’s Ladies’ College,<br />
Ex Corde <strong>Caritas</strong>. It was not until her<br />
retirement that she admitted that<br />
she had in fact written the words<br />
to the six-verse hymn. Until this<br />
clarification it was only known that<br />
the hymn had been written and<br />
composed by three former members<br />
of the school and so it remains that<br />
she lived true to her words, found in<br />
the fourth verse, ‘God of our life, no<br />
gifts we crave of fleeting wealth or<br />
idle fame’.<br />
The music for the school hymn,<br />
originally composed by Miss Winnie<br />
Fry and Miss Molly Grierson, is a<br />
rarity amongst the body of surviving<br />
school songs. At the time of writing,<br />
only four of the 320 songs in my<br />
collection had been written and<br />
composed by women and, as far as<br />
I am aware, it is the only example<br />
where all participants were alumnae<br />
of the school. The pupil’s familiarity<br />
with the school and the affecting<br />
melodic line, married with the<br />
heartfelt text of Charlotte Ainslie<br />
have rightly earned the hymn a<br />
place in the heart of those who have<br />
performed it.<br />
The melody, originally composed by<br />
Miss Fry and Miss Grierson, was later<br />
elevated by an arrangement of the<br />
hymn undertaken by the prominent<br />
organist Dr W B Ross, Head of Music<br />
at the Ladies College (1908-37)<br />
and Founder and President of the<br />
Edinburgh Society of Organists.<br />
The descant composed by Dr Ross<br />
to be sung in verse two and verse<br />
four bares a similarity to his wellknown<br />
descant for Crimond which,<br />
although written in 1914, was first<br />
aired publicly at the wedding of<br />
Queen Elizabeth II and Prince<br />
Philip in 1947.<br />
Hymn singing became an important<br />
part of morning assemblies<br />
from 1902, under the direction<br />
of Miss Ainslie, and took place<br />
in the School's Central Hall. The<br />
school hymn, having been sung<br />
since 1918 at major events such<br />
as Commemoration Day, was<br />
additionally programmed alongside<br />
the Crimond setting of Psalm 23<br />
with Ross’ descant as part of the<br />
Annual Closing Concert and Prize<br />
Giving at The Usher Hall.<br />
For a hymn to retain its relevance<br />
more than one hundred years<br />
after it was written speaks of the<br />
timelessness and integrity of its<br />
composer’s message and the skill<br />
of its compositional arrangement.<br />
Independent school hymns and<br />
songs form an essential part of the<br />
fabric of a school identity, uniting<br />
its community across generations<br />
through the act of its singing. The<br />
hymns final word, Charity, exists<br />
also in its title as <strong>Caritas</strong> and<br />
underpins the many acts of charity<br />
displayed by Charlotte Ainslie,<br />
and the staff and pupils of the<br />
school towards members of their<br />
community and others in need<br />
during the war.<br />
The hymn was performed at the<br />
Ladies’ College closing concert in<br />
1974 where it was accompanied by<br />
the school orchestra. The surviving<br />
recording of this performance<br />
illustrates Ross’ masterful use of<br />
orchestration in shaping the<br />
varied combinations of vocal parts,<br />
including the descant, to create a<br />
truly rousing hymn.<br />
The grandeur of the orchestration<br />
rivals that of Elgars’ Jerusalem<br />
22
whilst the text, so skillfully crafted<br />
by Charlotte Ainslie, is equal to great<br />
hymns of the same time such as<br />
Dear lord and father of Mankind.<br />
The corpus of commonly known<br />
hymns is the lesser for not having<br />
within it God of our youth but the<br />
legacy of Charlotte Ainslie, her passion<br />
for education, and her humility,<br />
are preserved through its continued<br />
performance at George Watson’s<br />
College where it continues to inspire<br />
future generations of pupils to<br />
support and serve others.<br />
Emma Bryden is Head of Academic<br />
Music at Stowe School and a Doctoral<br />
Researcher at the Royal Birmingham<br />
Conservatoire. Emma's thesis<br />
‘The School Song: Creating identity<br />
through shared musical experience<br />
in UK independent day and boarding<br />
schools’ explores the role of school<br />
songs in shaping independent school<br />
music education and pedagogical<br />
praxis from 1840 to the present day.<br />
23
In Conversation<br />
The Lost Recordings of the Voices of George Watson’s Ladies’ College<br />
The 150th anniversary provided an opportunity to enrich the School’s archives and collections by gathering<br />
oral history stories from former pupils of George Watson’s Ladies’ College (GWLC). This project, developed<br />
with The University of Edinburgh, provided an opportunity for current and former pupils to come together<br />
to share their personal experience of a Watson’s education.<br />
<strong>Caritas</strong> joined Gillean Somerville-<br />
Arjat (Class of 1964) and Madison<br />
Jennings (Class of 2021) as they<br />
compared their experiences, 30<br />
years apart, of recording the Voices<br />
of George Square.<br />
With Madison going on to study<br />
History, the oral history project<br />
presented a perfect opportunity<br />
for her to find out how important<br />
it is that we gather information<br />
from people first hand. Speaking<br />
to <strong>Caritas</strong>, she said that the project<br />
has revealed ‘how little things<br />
seem to change over history, but<br />
how much actually does when you<br />
look at things in small detail’.<br />
Madison’s contributions in 2021<br />
will now be added to an oral<br />
history project, that only recently<br />
came to light, that was started in<br />
the early 1990s by former pupil<br />
Gillean. Bringing together the<br />
content captured from these two<br />
projects now means that there<br />
is an oral history record of GWLC<br />
spanning over one hundred years.<br />
A history that captures the life<br />
and times of George Square Girls<br />
from the First World War and<br />
through to the 1920s and 1930s -<br />
something that The University of<br />
Edinburgh’s European Ethnological<br />
Organisation is very excited about.<br />
Explaining how her project started,<br />
Gillean said: ‘It all started when I<br />
found out that there was a grant, I<br />
think the Merchant Company or the<br />
School was offering, if you had a<br />
project that needed some funding.<br />
‘I decided that I would set out my<br />
idea of interviewing former pupils<br />
of the School. By that time, the<br />
School was no longer in existence<br />
and I thought people's memories<br />
of their time at the Ladies’ College<br />
could be lost forever.’<br />
Of course, the interviewing<br />
methods for Gillean’s project were<br />
very different than they are today.<br />
Face-to-face meetings with tape<br />
recorders have been replaced by<br />
online interviews - new technology<br />
that many of us have mastered<br />
during Covid.<br />
Reflecting on the process, Madison<br />
said: ‘The one very positive thing<br />
that came with online meetings<br />
was our ability to interview<br />
people no matter how far away<br />
they live.<br />
‘We interviewed someone in<br />
Australia, they would never have<br />
been able to come for a face-toface<br />
interview. It totally broadened<br />
our reach.<br />
‘Any problem with the technology<br />
could potentially ruin everything,<br />
so that was a bit nerve wracking.<br />
I felt like there was more that<br />
could go wrong online.’<br />
Comparing experiences, Gillean<br />
explained how it was very much<br />
an on foot operation - visiting the<br />
interviewees in person.<br />
‘I just trotted off with the grant,<br />
bought a little recording machine<br />
and tapes and then set off, mostly<br />
going to see people wherever<br />
worked best for them.’<br />
Reflections of events from our<br />
past can often be susceptible<br />
to failure of memory, or rose<br />
tinted glasses. Both Gillean and<br />
Madison shared their thoughts<br />
about discovering the truth and<br />
what that meant in their oral<br />
history interviews.<br />
As Gillean pointed out, truth<br />
is often subjective and what<br />
you get when you ask people<br />
questions about their experiences<br />
is ‘a perspective’. She said:<br />
24
‘... somebody else who went<br />
through at the same time as I did<br />
might have had a very different<br />
experience and from that, a very<br />
different memory of events.’<br />
Madison felt confident that a lot of<br />
the George Square Girls had been<br />
candid about their experiences,<br />
but for others she felt that they<br />
may have held back on things that<br />
they didn’t feel were significant to<br />
them. She said sometimes it was a<br />
challenge to try and coax out those<br />
pearls of wisdom.<br />
Remembering decades old events<br />
clearly is, of course, challenging;<br />
but conducting these interviews<br />
teaches the need to balance talking<br />
and listening. Only then can you<br />
listen for fine details - details that<br />
may at first seem to have little<br />
significance.<br />
Gillean said: ‘I like listening to<br />
people. I'll talk, but I'm not a great<br />
talker. I don't think I could have<br />
interviewed so many people if I<br />
hadn't enjoyed listening.’<br />
For Gillean, the project created<br />
some memorable experiences and<br />
the chance to have conversations<br />
with a wide array of women.<br />
She remembered: ‘One of the<br />
oldest ladies lived in Corstorphine,<br />
by herself, and she'd grown up<br />
in Sikkim in India. Her father was<br />
an administrator out there and<br />
she talked a bit about that and<br />
she would have been in her<br />
nineties then.<br />
‘I can't remember anything<br />
much more, but I just remember<br />
interviewing her outside on the<br />
garden bench, so it must have<br />
been in the summer. I do<br />
remember that she was<br />
very sweet.’<br />
Looking to the future, the<br />
question presents itself: what are<br />
we going to do with the recordings?<br />
Budding historian Madison,<br />
suggested that once we finish<br />
interviewing current and more<br />
recent pupils we will be able to<br />
track changes and themes over<br />
a wider period of time.<br />
Whatever truths or ‘perspectives’<br />
emerge, these oral history<br />
projects have made the links<br />
in our community stronger,<br />
between current and former<br />
pupils and between our present<br />
and our past.<br />
25
The Common Tie<br />
That Makes Us One<br />
Throughout the autumn term,<br />
pupils have been deeply involved<br />
in the heritage of George Watson’s<br />
Ladies’ College.<br />
On 2 October, 150 years to the day<br />
since the opening of the Ladies’<br />
College, a video of current pupils<br />
singing the School Hymn dropped<br />
into former GWLC pupils’ inboxes. To<br />
which many reported singing along.<br />
That same day, a group of senior<br />
girls went to George Square to sing<br />
Ex Corde <strong>Caritas</strong> on the steps of a<br />
building that holds its place within<br />
the hearts and minds of generations<br />
of Watsonians.<br />
Maya Lancaster (Head of Sixth<br />
Year) reflected on the poignant<br />
line from the School Hymn; ‘It was<br />
raining, and we did draw a bit of a<br />
crowd, but, standing on the steps,<br />
in our maroon blazers singing ‘the<br />
common tie that makes us one’,<br />
really did make me appreciate the<br />
strong bond I have with all the other<br />
girls who went before me.’<br />
November is for Remembrance. It<br />
was fitting that in 2021 the names<br />
of Irene Bathgate, a pupil at George<br />
Square and Ruby Grierson, a former<br />
teacher, who both died during the<br />
Second World War, were added to<br />
the George Watson’s College War<br />
Memorial. Current pupils from<br />
both the Junior and Senior Schools<br />
joined Rev Dr Christine Clark<br />
(Class of 1980), Liz Smith (Class of<br />
1978) and Irene’s second cousin,<br />
Daði Kolbeinsson (Class of 1969)<br />
in leading a particularly moving<br />
outdoor service.<br />
Later, the traditional Watson’s<br />
Remembrance Assembly, led by<br />
Senior School pupils featured<br />
only stories of GWLC women in<br />
wartime and a particularly eloquent<br />
rendition of Psalm 23 The Lord’s<br />
My Shepherd. The Chamber Choir<br />
sang the Crimond Version with<br />
the descant, that would have<br />
been so familiar to Irene from her<br />
days at George Square. Watsonian<br />
President, Gillian Sandilands<br />
(Class of 1978), represented the<br />
Watsonian Club at both services;<br />
‘Hearing the descant rise over the<br />
last verse of The Lord’s My Shepherd<br />
in the Remembrance Assembly, I<br />
got goosebumps. I was back at the<br />
Usher Hall for the Closing Concert.’<br />
Pupils who took part in the services<br />
were also moved by the experience:<br />
‘Learning about Irene and all that<br />
she did during her lifetime was<br />
inspiring. I was honoured to read<br />
out her name at the Roll of Honour,<br />
especially with a member of her<br />
family present.’ (Isla)<br />
‘I was more than proud to read the<br />
stories of the different women in<br />
war, some only being recognised for<br />
their service in the war this year. It<br />
was very moving.’ (Helena)<br />
‘When we were told Irene and Ruby’s<br />
stories and were shown the words<br />
and prayers we were to read, none<br />
of us could talk.’ (Lottie)<br />
As the outdoor service drew to its<br />
close, School Captain Cara Buttery<br />
stepped forward to read a poem<br />
first published in The George<br />
Square Chronicle in April 1936.<br />
Written by 14 year old Irene<br />
Bathgate at George Square, the<br />
poignancy of its words transcended<br />
across more than eight decades<br />
and provided a fitting finale to the<br />
act of Remembrance.<br />
26
Matins<br />
The air is swept with palest gold,<br />
Yet, while we watch, it grows<br />
Brighter, finer, and more pure.<br />
That sweet-voiced Herald, the dawn wind,<br />
Calls up the sky,<br />
As, with a silver stream of sound,<br />
The bells peal clear across the cloisters,<br />
And monks, soberly black-gowned,<br />
Move rev’rently to worship.<br />
The bells have ceased, and soon<br />
The deep-toned chant, melodious and rich,<br />
Blends with the far-away<br />
dull crash of breakers<br />
Where the sand lies cold<br />
On the Steps of Day.<br />
Originally published in<br />
The George Square Chronicle<br />
April 1936<br />
27
omen of<br />
Extracts from the<br />
Throughout the 150th Anniversary year, the School Historian, Catherine<br />
Stratford, has been researching the lives of Women Watsonians.<br />
Gathering stories that celebrate the remarkable contributions they made<br />
to wider society and the lives of others. We are delighted to share a<br />
selection of extracts with you here. You can read the full stories of these<br />
and other Women Watsonians here www.gwc.org.uk/heritage<br />
Agnes Savage<br />
Dr Agnes Yewande Savage is<br />
recognised in Nigeria as the first<br />
woman Nigerian doctor and she is<br />
celebrated amongst the 120 greatest<br />
ever Nigerians.<br />
Born on 21 February 1906, at 15<br />
Buccleuch Place, Agnes joined<br />
GWLC at the age of 5. She was<br />
clearly a very gifted pupil and<br />
her school record card shows her<br />
winning prizes in a range of<br />
subjects including Science, Maths<br />
and Music. She left Watson’s in<br />
1924 to follow in her father’s<br />
footsteps, studying Medicine at<br />
The University of Edinburgh.<br />
By the age of 24, Agnes had joined<br />
her father in West Africa, serving<br />
as a junior medical officer. Due to<br />
the colour of her skin, the Colonial<br />
Office refused to acknowledge her<br />
as a European trained doctor so<br />
she was paid as a local employee<br />
and given accommodation in<br />
the hospital servants’ quarters.<br />
Agnes barely had enough money<br />
to buy food and she had no means<br />
of saving money to travel back<br />
to Edinburgh to see her family<br />
and friends.<br />
Agnes’s plight came to the attention<br />
of Andrew Fraser, Headmaster of<br />
Achimota College. Apart from her<br />
broad range of educational skills,<br />
he saw Agnes as a remarkable model<br />
for his pupils. In 1931 he recruited<br />
her as both a teacher and Medical<br />
Officer for the School. Agnes worked<br />
at Achimota for four enjoyable years<br />
before rejoining the Colonial Office<br />
Medical Service. And, it was not<br />
until 1945 that, as a black woman,<br />
Agnes was offered the same terms<br />
of service, salary and retirement<br />
as her white colleagues.<br />
Fighting racism took its toll.<br />
Agnes became physically and<br />
psychologically exhausted, which<br />
led to her being invalided from<br />
the Service. She returned to live<br />
in Hertfordshire with her friend<br />
Esther Appleyard who had been<br />
Chief Education Officer of the Gold<br />
Coast and their Alsatian, Simon.<br />
Agnes died following a stroke in<br />
1964 at the tragically early age<br />
of 56, just after both Nigeria and<br />
Ghana had achieved independence<br />
from Britain.<br />
She ‘set a sterling example for<br />
generations of Nigerian women<br />
to follow in years to come.<br />
Her life shows that hard work<br />
and self-belief can allow one<br />
to break barriers.’<br />
28
Watson’s Series<br />
Jean Aylwin<br />
Stage cigarette dangling from her<br />
lips, swagger stick tucked beneath<br />
her chin and steady gaze at the<br />
camera. This photo of Jean Aylwin,<br />
star of the Edwardian theatre, does<br />
not immediately lead you to think:<br />
‘Now there’s a George Square Girl.’<br />
Jean Aitken was born in Hawick, in<br />
October 1884, the only daughter of<br />
John Aitken and Mary Ann Morham.<br />
She registered at GWLC in 1895.<br />
Within two years of leaving school,<br />
Jean was living with her family in<br />
Glasgow and was about to be bitten<br />
by the acting bug. As she said in an<br />
interview later in life:<br />
‘I was living in Glasgow when<br />
Mr Forbes Robertson and Miss<br />
Gertrude Elliott were appearing<br />
in The Light That Failed, and one<br />
night when I went to the theatre<br />
to see that play, I became so<br />
infatuated with the idea of going<br />
on the stage that I wrote the next<br />
day to Miss Elliott asking her to<br />
help me get on it.’<br />
Miss Elliott secured an introduction<br />
to the actor and stage director Dion<br />
Boucicault, but it was not enough<br />
for him to offer Jean any work. He<br />
told her that only a ‘Scotch part’<br />
would suit her. As she later admitted<br />
wryly, ‘To tell the truth, you could<br />
cut my accent with a knife at that<br />
time, but I did not believe it.’<br />
Jean’s luck changed when she<br />
met the manager of a touring<br />
company and she was recruited to<br />
play a variety of character roles in<br />
melodramas touring around country<br />
towns. Jean Aitken became Jean<br />
Aylwin and her career was launched.<br />
By 1905 she was in the chorus at<br />
the Gaiety Theatre in London’s West<br />
End, progressing to playing a maid<br />
in The New Aladdin. It was a show<br />
described as a ‘miscellany of fun,<br />
melody and glitter’ and garnered<br />
Jean some good reviews.<br />
The show transferred to the Royal<br />
Lyceum, Edinburgh in February<br />
1908. However, it seems unlikely<br />
that there was a school trip from<br />
George Square to see it. We can<br />
only speculate what the teachers<br />
and girls would have made of it.<br />
Jean’s career took another exciting<br />
turn when she was amongst the cast<br />
of Our Miss Gibbs which transferred<br />
to Broadway in 1910. That was not<br />
before Jean had made her first<br />
silent film Winning the Widow.<br />
She must have returned to the UK<br />
by the end of 1911 or beginning of<br />
1912, because she was to appear<br />
with Harry Lauder in the Titanic<br />
Disaster Fund Appeal show at the<br />
London Hippodrome on 5 May 1912,<br />
less than a month after the ill-fated<br />
liner sank.<br />
Jean had her admirers, and in 1913<br />
she married Alfred Rawlinson, the<br />
younger son of a Baronet. He was a<br />
widower and seventeen years older<br />
than Jean. The marriage was of<br />
great public interest and attracted a<br />
great deal of press coverage.<br />
Jean seems to have disappeared<br />
from the stage for a couple of years.<br />
This coincides with the return of her<br />
husband Toby, his health wrecked<br />
by his time in Turkish prisons.<br />
Perhaps she took time off to help<br />
him to recuperate. However, the<br />
Rawlinsons were also without<br />
means and Jean returned to the<br />
stage in 1923, taking the predictable<br />
part of the Scottish maid, in one<br />
of the two rival productions of the<br />
musical play Polly at the Chelsea<br />
Theatre. However, by the end of<br />
the year, Jean had withdrawn from<br />
the production, announcing that<br />
she was going to travel to India<br />
and the Far East to work with the<br />
Wesleyan Missionary Society,<br />
combatting leprosy.<br />
The reason for this sudden,<br />
complete change in career direction<br />
seems to be linked to her husband<br />
subsequently suing her for divorce<br />
on grounds of adultery, citing the<br />
composer of Polly, Hubert Bath as<br />
co-respondent. The scandal fatally<br />
damaged Jean’s acting career.<br />
When she died near Margate in 1964,<br />
aged 79, her death certificate stated<br />
that she was a retired housekeeper.<br />
Jean Aitken, the Edinburgh<br />
schoolgirl, who developed a starry<br />
ambition to tread the boards<br />
was not there. Jean Aylwin, the<br />
professional Scottish actress was<br />
not there either. Neither was Mrs<br />
Alfred Rawlinson.<br />
29
omen of<br />
Extracts from the<br />
Those school days between the ages<br />
of 11 and 18 were spent at GWLC.<br />
Judging by her valedictory account,<br />
it seems most likely that she would<br />
have joined the Edinburgh National<br />
Society for Women’s Suffrage<br />
whilst she was still a schoolgirl. She<br />
certainly took part in the Literary<br />
and Debating Society at school, no<br />
doubt honing debating skills that<br />
would later serve her well.<br />
a vote in the election, they could<br />
not be denied a vote because they<br />
were women.<br />
They lost their case but took an<br />
appeal to the House of Lords in<br />
1908. It took the Law Lords<br />
one month to make a decision.<br />
Unsurprisingly, they ruled that the<br />
word ‘person’ referred to a ‘male<br />
person’ and did not include ‘woman’.<br />
30<br />
Frances Melville<br />
The household into which Frances<br />
Melville was born might reasonably<br />
be described as that of a typical<br />
mid-Victorian middle class family.<br />
Her mother, Helen, gave birth to<br />
seven children in 10 years and when<br />
Frances, her eldest daughter, was<br />
born in October 1873, there were<br />
already four little boys up in<br />
the nursery.<br />
Looking back on her life on her<br />
retiral, Frances spoke of the<br />
good fortune of her upbringing<br />
and education.<br />
‘I personally am conscious of<br />
the great privilege …of being<br />
associated from early life with<br />
the wide forward movement in<br />
women’s education and improved<br />
political status. To have met the<br />
leaders of that movement, men<br />
and women, and been enrolled in<br />
it before school days were over.’<br />
On leaving school in 1891, Frances<br />
followed a traditional route for<br />
middle class girls and went to<br />
study music in Germany. However,<br />
she returned in time to take her<br />
place in the first cohort of women<br />
ever to be enrolled as students<br />
at The University of Edinburgh<br />
in October, 1892, the result of an<br />
historic change in the Scottish<br />
University Ordinances.<br />
Frances graduated in 1897 with<br />
first-class honours in Philosophy.<br />
She worked as a tutor in Edinburgh<br />
and at Cheltenham Ladies’ College<br />
before her appointment, in 1899, as<br />
Warden of University Hall, the first<br />
hall of residence for women at<br />
St Andrew’s University.<br />
Throughout her life, Frances<br />
remained committed to political<br />
and social causes, particularly<br />
those relating to the rights and<br />
experiences of women. In one<br />
celebrated campaign, she and three<br />
other women graduates of The<br />
University of Edinburgh applied to<br />
vote in the 1906 General Election.<br />
They were refused. Undeterred,<br />
Frances and her colleagues went to<br />
the Court of Session, arguing that<br />
as the election rules stated that all<br />
‘persons’ who were graduates had<br />
Nineteen years later, and nearly<br />
ten years after all women had<br />
gained the vote, Frances stood<br />
as an independent candidate in<br />
the by-election to elect a Member<br />
of Parliament for the Scottish<br />
universities which was caused by<br />
the death of former Labour Prime<br />
Minister, Ramsey Macdonald. She<br />
lost to John Anderson, later the<br />
wartime Home Secretary. But<br />
Frances, whose election address<br />
urged her electorate to consider<br />
interests and values other than<br />
material ones, had beaten two<br />
male candidates into third and<br />
fourth place.<br />
Frances was involved in more<br />
practical activity during the War,<br />
helping Elsie Inglis set up and fund<br />
the Scottish Women’s Hospitals<br />
for Foreign Service. The idea of<br />
female medical units serving on<br />
the front line was rejected by<br />
the War Office; nevertheless a<br />
number of units staffed entirely<br />
by women were established.<br />
After the war, and throughout<br />
the rest of her life, Frances<br />
involved herself in the work<br />
of many committees and<br />
organisations devoted to<br />
improving society.
Watson’s Series<br />
She was a member of the Council<br />
of Scottish Justices’ and Magistrates’<br />
Association and one of the first women<br />
in Scotland to be a Justice of the Peace,<br />
dealing mainly with cases under the<br />
Education and Children’s Acts.<br />
Looking at photos of Frances<br />
Melville, it is difficult to see beyond<br />
the reserved and stern demeanour,<br />
but her enthusiasm and concern<br />
come through in her speeches.<br />
And she was never afraid to criticise<br />
male-dominated institutions.<br />
Frances died at her home in<br />
Merchiston Place in 1962.<br />
Letitia Fairfield<br />
Sixteen-year-old Letitia, Winifred,<br />
two years her junior and nineyear-old<br />
Cecily Fairfield arrived<br />
in Edinburgh in 1901 and Letitia<br />
was enrolled at GWLC for the<br />
1901/02 session.<br />
After school, Letitia was accepted<br />
into The Edinburgh Medical<br />
College for Women in Chamber<br />
Street. Although The University of<br />
Edinburgh granted medical degrees<br />
to women, they did not admit them<br />
to medical classes. She was only<br />
able to take up her place because<br />
she was one of the first recipients of<br />
a Carnegie Scholarship and the very<br />
generous gift of £100 from her Aunt<br />
Sophie. Looking back at her years<br />
at medical school, Letitia described<br />
meeting some wonderful teachers<br />
with great minds but noted that ‘the<br />
women were kept under as near an<br />
approach to the purdah system as<br />
a mixed school permits. We were<br />
forbidden to attend university<br />
lectures.’ She remembered how<br />
she and her female colleagues<br />
were barred from several anatomy<br />
classes, for fear of embarrassing<br />
the male students.<br />
Despite receiving the highest marks<br />
in her year and winning several<br />
awards, when she qualified in 1911,<br />
she was recommended only for<br />
asylum positions. These jobs would<br />
have held little appeal to many<br />
young male doctors.<br />
Letitia left Edinburgh and became<br />
a Medical Officer for London County<br />
Council Schools. Before the First<br />
World War, her main responsibilities<br />
were the supervision of child health<br />
and welfare and the inspection of<br />
special schools.<br />
In 1909, during her graduate clinical<br />
training in Manchester, she met the<br />
Pankhursts and for the next decade,<br />
she would combine her considerable<br />
professional workload with<br />
campaigning for Votes for Women,<br />
along with her sisters.<br />
She joined the militant suffragette<br />
organisation, the Women’s Social<br />
and Political Union, but was to leave<br />
when it was suggested that her<br />
professional position as a doctor<br />
might be threatened.<br />
During the First World War, The<br />
War Office turned down Letitia’s<br />
offer of help. They believed that the<br />
help of women doctors was simply<br />
not necessary. However, following<br />
the deaths of many thousands<br />
of soldiers and numerous male<br />
doctors, the Women’s Army Auxiliary<br />
Corps was established. The WAAC; a<br />
corps of 40,850 women volunteers,<br />
of whom some 17,000 served<br />
overseas, would undertake ancillary,<br />
non-combatant duties. Letitia<br />
became the Chief Medical Officer,<br />
with overall responsibility for the<br />
medical care of these women.<br />
As the Second World War began,<br />
the War Office sought her out and<br />
she was appointed Senior Woman<br />
Medical Officer of the Armed Forces.<br />
Between the wars and until she<br />
retired in 19<strong>48</strong>, Letitia returned to<br />
her work for the London County<br />
Council, pioneering the provision<br />
of health care for women. She<br />
was called to the Bar in 1923, after<br />
training in Law so that she had the<br />
right legal knowledge to tackle MPs<br />
about national public health issues.<br />
Letitia was viewed as both eccentric<br />
and inspiring. She developed<br />
an interest in witchcraft and in<br />
parapsychology. She had converted<br />
to Roman Catholicism in the 1920s.<br />
In an interview towards the end<br />
of her life, she said,<br />
‘I always chose, right from the<br />
beginning of my career, things<br />
that I thought were important<br />
but not popular.’<br />
She spent her final days in an NHS<br />
hospital bed, wearing a ‘highly<br />
improbable blonde wig’. She died<br />
on 1 February 1978 in her 93rd year.<br />
Her youngest sister, Cecily, better<br />
known as the writer, Rebecca West,<br />
survived her by five years.<br />
31
Dates for your diary<br />
The Principal and Watsonian Club<br />
President’s Summer Celebration<br />
Saturday 18 June 2022 - 1.30pm<br />
18<br />
JUNE<br />
School Principal, Melvyn Roffe, and Watsonian Club President, Gillian<br />
Sandilands (Class of 1978), will host a celebratory afternoon of events<br />
at Colinton Road. Guests will have an opportunity to be taken on a tour<br />
of the campus by current pupils, enjoy our specially curated exhibition,<br />
The Common Tie That Makes Us One, on the history of GWLC, as well as<br />
enjoying an afternoon tea and musical performances in a marquee on<br />
the front lawn.<br />
Exhibition at George Square<br />
and Service at Greyfriars Kirk<br />
Sunday 19 June 2022 - from 10am<br />
With kind permission of The University of Edinburgh, guests will have<br />
an opportunity to tour George Square, reminisce and relax with friends.<br />
The culmination of the Anniversary weekend will see a congregation of<br />
former pupils gather to give thanks for the founding of George Watson’s<br />
Ladies’ College at Greyfriars Kirk.<br />
19<br />
JUNE<br />
Tickets to attend the entire Anniversary Weekend are priced at £50.<br />
You can book to attend the programme of events online at<br />
www.gwc.org.uk/GWLC150 or through the Development Office.<br />
24
We Will Remember Them<br />
Watsonian Battlefields Tour: 26 September - 1 October 2022<br />
A trip for Watsonians, family and<br />
friends is being planned around<br />
the Battlefields of Belgium and<br />
northern France in 2022. The tour<br />
will culminate with a remembrance<br />
event for Daisy Coles, a former pupil<br />
of George Watson’s Ladies’ College,<br />
to mark the 105th anniversary of<br />
her death.<br />
During the Battlefields tour,<br />
attendees will follow in the footsteps<br />
of the many Watsonians who fought<br />
and died on the Western Front<br />
during the Great War, learning about<br />
the roles they played in the ‘war to<br />
end all wars.’ Previous Watsonian<br />
groups who have attended a<br />
previous tour found it both<br />
memorable and deeply moving.<br />
TOUR ITINERARY<br />
‘I’ve come with my wife and several<br />
old friends from School. It’s a trip<br />
that I’ve been meaning to do for<br />
many years, but I’d never have<br />
got around to it without it being<br />
organised and tailored for us. We are<br />
so glad we came.’<br />
On the 105th anniversary of Daisy<br />
Coles’ death, senior pupils from<br />
her former school will lead a short<br />
ceremony of remembrance at her<br />
grave in the Longuenesse (St Omer)<br />
Souvenir Cemetery, in northern<br />
France. They will be joined by the<br />
Principal, Melvyn Roffe and the<br />
President of the Watsonian Club,<br />
Gillian Sandilands (Class of 1978).<br />
Daisy Coles attended George<br />
Watson’s Ladies' College and in 1914<br />
at the outbreak of war, 21-year-old<br />
Daisy joined the local Voluntary<br />
Aid Detachment becoming a<br />
VAD Nurse. She was working at<br />
Craigleith Military Hospital (now<br />
the Western) in 1917, when she<br />
volunteered to go to France. The<br />
58th General (Scottish) Hospital,<br />
where Daisy arrived in June 1917,<br />
was a base hospital mainly housed<br />
in marquees, bell tents and a few<br />
wooden and corrugated iron huts.<br />
Daisy and her colleagues at the 58th<br />
Hospital were kept busy as large<br />
numbers of serious poison gas<br />
cases arrived.<br />
At 10.40pm, on the night of the<br />
30 September 1917, ‘During a hostile<br />
air raid, three bombs were dropped<br />
[on the hospital]. One bomb struck<br />
a marquee occupied by patients and<br />
nurses.’ Three nurses, Staff Nurse<br />
Agnes Climie and VADs Elizabeth<br />
Thomson and Daisy Coles died,<br />
together with 16 patients. Another<br />
nurse, Mabel Milne was severely<br />
wounded and died two days later.<br />
There were 67 wounded.<br />
On the centenary of her death in<br />
2017, Daisy’s name joined that of<br />
her brother Lionel’s on our School<br />
War Memorial. You can read more<br />
of Daisy’s story by visiting<br />
www.gwc.org.uk/daisy<br />
How to book<br />
Limited places are available for the<br />
entire trip, or for the Remembering<br />
Daisy event only. To note your<br />
interest in this trip, please contact<br />
Laura Tyzack in the Development<br />
Office by email (development@gwc.<br />
org.uk) or by telephone 0131 446<br />
6008 by Thursday 10 February 2022.<br />
It is likely the trip will have different<br />
travel options to allow guests<br />
to either travel as a group from<br />
Edinburgh or make their own way to<br />
the accommodation. The trip cost<br />
will include hotel accommodation,<br />
meals, entrance fees and coach<br />
travel around the battlefield sites<br />
with a guide.<br />
Tuesday 27 September<br />
Ypres<br />
Wednesday 28 September<br />
The Somme<br />
Thursday 29 September<br />
Vimy and Loos followed by an evening reception hosted by<br />
the Mayor of St Omer<br />
Friday 30 September<br />
Remembering Daisy event at Longuenesse and an afternoon in<br />
Ypres closing with the Last Post Ceremony at the Menin Gate.<br />
33
From the Archives<br />
Dr Robert ‘Bobby’ Kho-Seng Lim<br />
Robert Kho-Seng Lim ( ) was born in Singapore on the 15th of October 1897. He was the son of Chinese-<br />
Singaporean Dr Lim Boon Keng ( ), a famous physician and social activist who had studied Medicine at The<br />
University of Edinburgh. At the age of eight, Robert was shipped overseas to Edinburgh for his education and in 1911<br />
he enrolled at George Watson’s Boys’ College. Quickly Robert acquired a ‘scottish burr’ in his accent and was universally<br />
known as Bobby. Bobby was a keen artist and one of the school’s top marksmen in the OTC, winning awards for his<br />
sharpshooting and having drawings published in school publications. He had initially hoped to pursue a career in art,<br />
however his father encouraged him to follow in his footsteps and try the medical profession. Bobby excelled at<br />
Watson’s and at just 15 he left school to also study Medicine at The University of Edinburgh.<br />
However, only a year into his<br />
studies war broke out and Bobby,<br />
despite his age, volunteered and<br />
was assigned to the Indian Army in<br />
France. He joined the Indian Field<br />
Ambulance Corps and worked as<br />
a Junior Medical Officer on the<br />
Western Front for two years before<br />
they were sent to the Levant. In<br />
1916, Bobby was allowed to return<br />
to Edinburgh to continue his<br />
medical studies. He attained the<br />
MBChB degrees in 1919 and was<br />
immediately appointed Lecturer in<br />
Physiology with the responsibility<br />
for teaching histology. The next year<br />
Bobby presented the results of his<br />
research and earned his PhD while<br />
also marrying his Scottish fiancé<br />
Margaret Torrance.<br />
In 1924 Bobby was made an<br />
Associate Professor in Physiology<br />
at Peking Union Medical College,<br />
helping establish Western<br />
physiology in China. The stated<br />
goal of those responsible for the<br />
College was to have Western<br />
medical science taken over by<br />
Chinese people so that it may<br />
become standard practice. Again,<br />
Bobby excelled and in September<br />
1925 the trustees of the School<br />
made him Head of the Department<br />
of Physiology. He also founded the<br />
Chinese Physiological Society, which<br />
began the publication of the Chinese<br />
Journal of Physiology. Bobby<br />
was managing editor and wrote<br />
extensively for the journal.<br />
However, Bobby’s comfortable life<br />
in medical academia and teaching<br />
changed forever in 1937 as the<br />
Japanese attacks began. Bobby<br />
founded the Chinese Red Cross<br />
Medical Relief Commission whose<br />
field units first saw service when the<br />
Japanese moved against Shanghai.<br />
Bobby was quick to understand<br />
the severity of the threat from<br />
Imperial Japan. As fighting spread<br />
along the Great Wall, Bobby had<br />
already organised twelve medical<br />
units which treated over 20,000<br />
casualties. He knew that China<br />
would require a vast number of<br />
persons at all levels of training,<br />
and he pressed upon the Peking<br />
Union Medical College the need for<br />
mass education of technicians and<br />
sanitarians. The PUMC would not<br />
adapt, seeing its mission to solely be<br />
the teaching of teachers. Bobby left<br />
it for good in 1938.<br />
Bobby set up the Emergency<br />
Medical Service Training School<br />
in Guizhou. This was the first such<br />
establishment for training doctors,<br />
nurses, and medical orderlies for<br />
the army and civil relief services.<br />
By 1940, the Chinese Red Cross<br />
under Bobby’s direction, operated<br />
convoys, depots, and medical units.<br />
The Red Cross units, now forty-nine<br />
in number, provided treatment and<br />
nursing services for the wounded;<br />
ambulance units, each with 120<br />
stretcher bearers, transported<br />
casualties, who otherwise would<br />
have been left on the field to die,<br />
into makeshift hospitals. The<br />
medical school at Guizhou was<br />
designed to train 200 personnel<br />
a month as hospital attendants<br />
and stretcher bearers. This and<br />
the similar schools he built were<br />
intended to be the nuclei of future<br />
medical schools. The largest medical<br />
centre in wartime China was built by<br />
Bobby at Kweiyang and served as his<br />
headquarters for much of the war.<br />
34
Bobby’s talents were recognised<br />
in 1941, when he was appointed<br />
Inspector General of the Medical<br />
Services for the Republic of China.<br />
Despite being one of Chiang<br />
Kai-shek’s most useful officers,<br />
Bobby was not concerned with<br />
politics. He treated Nationalists<br />
and Communists equally and was<br />
reprimanded by Chaing Kai-shek<br />
for personally providing rescue<br />
assistance and medical supplies<br />
for the Communist Chinese forces<br />
in Yun’an during the war. He even<br />
treated injured Japanese POWs after<br />
a riot in a camp in Guizhou. Bobby<br />
also looked after refugees, setting<br />
up an ambulance station every 50<br />
kilometres along the Xiangqian<br />
Highway. He set up tents, treated<br />
passing refugees, and distributed<br />
medicine, food, clothing, and relief<br />
funds. Bobby also had to tackle<br />
Japanese germ warfare tactics.<br />
Plague-infected fleas were spread<br />
by low-flying airplanes over Chinese<br />
cities. Bobby implemented free<br />
outpatient clinics for the citizens of<br />
Changde, provided a vaccine,<br />
and successfully controlled<br />
the epidemic.<br />
Bobby was a thorn in Imperial<br />
Japan’s side and after the Japanese<br />
occupation of Singapore, the<br />
Japanese tried to force Bobby to<br />
surrender himself by executing<br />
members of his father’s family<br />
and forcing his father to raise<br />
money for the Japanese war<br />
effort. Bobby also faced pressure<br />
from his own compatriots. He was<br />
constantly attacked with rumours<br />
of drunkenness and a lack of being<br />
truly Chinese. He was eventually<br />
forced out in 1942 as the Japanese<br />
gained more ground in the war. Still<br />
Bobby found allies in the Western<br />
powers and his work did not go<br />
unnoticed. In 1942 he joined the<br />
newly formed Chinese Expeditionary<br />
Force and accompanied General<br />
Joseph Stilwell in the retreat<br />
through Burma and India. When<br />
President Roosevelt ordered Stilwell<br />
to confer the Legion of Merit upon<br />
Chiang Kai-shek, Stilwell said, ‘it<br />
will make me want to throw up.’<br />
However, Stilwell was allowed,<br />
as an antiemetic, to pin the same<br />
decoration on Bobby Lim.<br />
Chen Changwen, the former<br />
chairman of the Taiwan Red Cross<br />
Organization, wrote of Bobby, ‘if<br />
Nightingale is hailed as the ‘angel’ of<br />
the Crimean War, then Lim Kho-seng<br />
can be described as the ‘angel’ of<br />
the Anti-Japanese War, he is a very<br />
remarkable person.’<br />
In the post-war years, Bobby kept<br />
working within the Republic of<br />
China but as the Communist forces<br />
continued to advance, he shifted<br />
his focus to setting up medical<br />
infrastructure in Taiwan, building<br />
the National Defence Medical<br />
College and ten hospitals across<br />
the island. He turned down the<br />
Ministry of Health position offered to<br />
him and in 1949 moved to America<br />
where he spent the rest of his<br />
career out of the military and back<br />
in academia where he had started<br />
in 1913; before the conflicts of the<br />
20th century drastically changed the<br />
course of his life.<br />
35
The Performing Arts,<br />
Music, Opera and Me<br />
36<br />
Mary Miller (Class of 1966) has had an<br />
extraordinary career in the world of performing<br />
arts, recently retiring from her role of Director of<br />
the Bergen National Opera in Norway. Mary spoke<br />
to <strong>Caritas</strong> about her distinguished career and the<br />
fate of the arts during lockdown.<br />
Recently returned to Scotland, after over two<br />
decades living and working internationally, Mary<br />
reflected on how her native land has changed over<br />
time, especially when it comes to culture.<br />
She said: ‘I feel that the country is more confident,<br />
more aware of its culture, and getting really good at<br />
celebrating it. In the past there was a lot of emphasis<br />
on tourism culture, and I think now what I find really<br />
impressive is the number of small companies doing<br />
really exciting, interesting and diverse things.’<br />
Over the course of her career, Mary has been<br />
a significant participant in growing this self<br />
confidence. Reflecting on the truly transformational<br />
power of opera and live theatre, Mary recalls a<br />
project she was involved with, whilst working at<br />
The Scotsman, that won the hearts and minds of<br />
children in the local community.<br />
She said: ‘We did projects with kids up in Wick, in a<br />
disused bus depot. The comments we got back from<br />
some of those kids were amazing.<br />
‘Long afterwards, they went as a choir to sing at the<br />
Albert Hall and one of the kids said ‘this is great but<br />
not as good as singing in the bus depot’.<br />
From Edinburgh to Wick to all over the world, the<br />
transformational power and sense of togetherness<br />
that the shared experience of the arts fosters was<br />
needed more than ever in lockdown. With so<br />
many performances cancelled, performers and<br />
lovers of opera found themselves at a loss. But<br />
ever the innovator, Mary worked to bring them<br />
together again.<br />
‘We brought together opera companies from all<br />
over Europe for a project called This Evening's<br />
Performance has not Been Cancelled.
‘We set up a call centre, where<br />
people could call in to opera<br />
companies all over Europe, talk<br />
about opera, make friends, and<br />
make new contacts. It involved lots<br />
of opera makers and masses of<br />
ordinary people talking about how<br />
much they were missing culture.<br />
‘You could be connected to<br />
an extract of an opera; have a<br />
conversation with the make-up<br />
artist, the director, or someone<br />
backstage - it brought a huge<br />
number of people together.’<br />
This golden thread of innovation<br />
and change, runs through Mary’s<br />
extraordinary career. As the<br />
Director of the Bergen National<br />
Opera she certainly raised a few<br />
eyebrows in her time at the<br />
helm. For example, working<br />
with the local prison to offer<br />
inmates apprenticeships.<br />
She said: ‘I've always been a<br />
disruptor quite honestly. Disrupters<br />
are very important in creating art.<br />
I wouldn’t say it's been easy, you<br />
are asking people to do new things,<br />
you are asking people to change<br />
all the time. Particularly during the<br />
pandemic, people felt frightened<br />
and were worried about their jobs<br />
and we had to think about doing<br />
things in a very different way.<br />
‘Pioneering, driving change, or<br />
asking people to think differently<br />
is tough, both on the people you<br />
are asking and your own sense of<br />
leadership. This has to be sensitively<br />
done and everything must be<br />
collaborative. You can’t bully people<br />
into doing things because it is not<br />
going to result in creativity.’<br />
Leading change in such a time<br />
of change and upheaval like the<br />
COVID-19 pandemic was always<br />
going to be challenging; especially<br />
when cultural and arts are often the<br />
first to be cut and viewed as nonessential.<br />
Reflecting on the effect of<br />
the pandemic on arts venues, Mary<br />
said:<br />
‘One of the things the pandemic<br />
perhaps did, trying to be positive,<br />
was give us all a huge kick up<br />
the backside in terms of thinking<br />
laterally and creatively.<br />
‘I hope, as a result of that, it’s given<br />
us a sort of freedom and maybe we<br />
have gotten a bit stuck thinking art<br />
has to be done in a conventional<br />
way, in a conventional venue.<br />
‘I’m not ignoring the fact that people<br />
had an utterly hellish time and<br />
lost livelihoods, but the smaller<br />
organisations who were able to be<br />
flexible have begun to really shine.’<br />
Mary has worked as a music critic for<br />
The Scotsman, as a concert violinist<br />
with the BBC Symphony Orchestra<br />
and Scottish Chamber Orchestra,<br />
so it is perhaps surprising that her<br />
strongest memories about George<br />
Square aren’t to do with music.<br />
‘When I was at school, I led the<br />
school orchestra but what I really<br />
wanted to do was play the trumpet.<br />
Being the youngest child, maybe I<br />
wanted my voice to be heard.<br />
‘I had a terrific English teacher, Nora<br />
Carnon, who was very fierce indeed!<br />
I could never sit still and she used to<br />
regularly throw me out of the room.<br />
The poetry and reading I learned<br />
with her was my most important<br />
memory of school.’<br />
Since returning to Scotland, Mary<br />
is already looking ahead to new<br />
projects, including a reimagining of<br />
Bartok’s Bluebeard’s Castle as part<br />
of Siste Kapittel festival, which looks<br />
at the science of ageing and the<br />
relationship the eldery have to arts<br />
and culture.<br />
When recalling her experiences,<br />
Mary insists that she has ‘just been<br />
very lucky’. However, it’s clear to see<br />
that her distinguished career has<br />
been driven by dedication to the<br />
performing arts, and the bravery<br />
to lead and implement change for<br />
its benefit.<br />
37
EAST<br />
MEETS<br />
WEST<br />
Sarah Kwan (Class of 2004) is<br />
an Edinburgh-based artist and<br />
illustrator who has created a<br />
unique collection of work which<br />
shows a fusion of Scottish and<br />
Chinese culture. <strong>Caritas</strong> met with<br />
Sarah to hear more about this<br />
remarkable Series and find out<br />
about her memories of Watson’s.<br />
Sarah, you left Watson’s in 2004.<br />
Do the past 18 years feel like a bit<br />
of a whirlwind, and do you feel<br />
your school days had an influence<br />
on your chosen career?<br />
I would say that the past 18 years<br />
have felt both incredibly long and<br />
terribly short at the same time!<br />
Sometimes I think ‘That went by<br />
so quickly!’, but then I think about<br />
the many hours I have spent<br />
working on my craft and how it<br />
often felt like I was giving my all -<br />
but moving forward at a glacial<br />
pace. I have always been interested<br />
in some form of creative career,<br />
ever since I was very young.<br />
The fantastic Art Department at<br />
Watson’s and the wonderful staff<br />
were a massive influence on my<br />
development as an artist – and<br />
helped me master the fundamental<br />
skills that I needed to move to<br />
the next stage of learning. I am<br />
forever grateful for their guidance<br />
and support!<br />
Can you tell us a little bit about<br />
the journey you went on to find<br />
your style, and how you define<br />
your work?<br />
I understand the need to find a<br />
style, a consistency and brand – it<br />
used to be something that really<br />
concerned me as a young artist. I<br />
think in terms of style, it is about<br />
learning the basics, as a foundation,<br />
then choosing a way of working in<br />
which you enjoy and exploring that<br />
fully and deeply. It doesn’t mean<br />
that you are boxed in to only doing<br />
that certain style forever - just as<br />
we change as people when we<br />
develop over time – your art style<br />
may do the same and I think that<br />
is totally fine. The main concern<br />
for me is to always bring a level<br />
of consistency and quality to my<br />
work. I would define the style of my<br />
current East meet West Series as a<br />
fun exploration of the connection<br />
between my Scottish and Chinese<br />
culture, with pops of bright colour<br />
and pattern, and a pinch of humour<br />
Your East meets West Series is<br />
particularly striking, with a real<br />
warmth and humour. What inspired<br />
you to create this series of work<br />
and does your work always contain<br />
light-hearted elements?<br />
Thank you! A few years ago my<br />
Scottish friend and Chinese<br />
Malaysian friend were getting<br />
married, and they thought I would<br />
be the perfect person to represent<br />
38<br />
Double Happiness Thistles<br />
Aye & Brew Tea Set
Lucky Cat Sith Teacake Dim Sum Blossoming<br />
their two worlds coming together,<br />
so I drew some black and white<br />
illustrations for their wedding invites<br />
as a gift to them. These drawings<br />
lay in my portfolio for a couple of<br />
years, until eventually I decided<br />
to see what they would be like if I<br />
added colour and then there was a<br />
natural progression in turning them<br />
into prints. This particular collection<br />
does have humour and light - which<br />
I love - and I always try to bring an<br />
element of that in everything I do.<br />
However, I have also created other<br />
work that is darker in contrast to this<br />
series. I enjoy conveying many parts<br />
of my personality and experiences<br />
through my work – I find there is a<br />
certain freedom in that.<br />
Do you have a favourite piece<br />
from this Series?<br />
My favourite piece has always been<br />
my Aye & Brew Tea Set, where one<br />
of Scotland’s most iconic orange soft<br />
drinks meets a Chinese tea set. I’m<br />
also enjoying my latest design at the<br />
moment titled Blossoming – where<br />
Peonies and Thistles feature in a<br />
way that looks traditional but with a<br />
twist. It’s just a joyful design that I’m<br />
very proud of!<br />
You were born and raised in<br />
Scotland. From your perspective,<br />
what does it mean to be Chinese<br />
and Scottish? Do you feel a pull to<br />
one culture more than another?<br />
From my perspective, to be Chinese<br />
and Scottish is to have a celebration<br />
of connection, of two seemingly<br />
completely different cultures – but<br />
who at the core have some real<br />
human connections and that’s what<br />
I am representing through this series<br />
too. In terms of being pulled to one<br />
culture or the other, if I think about<br />
how I personally feel - the Scottish<br />
and Chinese parts of me are exactly<br />
50/50. Like I mentioned in my BBC<br />
Scotland LOOP series interview, ‘I’m<br />
Chinese and I look like this, but I feel<br />
really Scottish’ – and I do and I’m so<br />
proud to have experience of both<br />
cultures. You can be a mixture of<br />
many things and that’s totally fine,<br />
brilliant even!<br />
So much around us in the World<br />
today, especially politically, can<br />
seem like a great separation. Your<br />
work on the East meets West Series<br />
seems to be a bringing together.<br />
Were you influenced by current<br />
affairs when creating this Series?<br />
The series started from a place of<br />
connection. It symbolises what<br />
brings us together and doesn’t focus<br />
on what separates us as people.<br />
Now, more than ever, I believe this<br />
work is extremely relevant and the<br />
message is important. I hope that<br />
my series provides a safe space for<br />
people to celebrate what connects<br />
us as human beings - despite<br />
whatever negative rhetoric is out<br />
there in the world today.<br />
What do you find feeds your<br />
creativity? Can you tell us<br />
about your process for creating<br />
an artwork?<br />
I find inspiration in many things,<br />
some seemingly mundane or<br />
every day, and some interesting<br />
conversations that can spark ideas.<br />
What I think always helps feed my<br />
creativity is giving myself time and<br />
space to really think about the<br />
connections between ideas and<br />
how I can best present them. I also<br />
tend to do a lot of research online<br />
and read more about the subjects<br />
I want to draw. I try to make sure<br />
I have enough time to rest. Your<br />
brain needs to switch off sometimes<br />
for you to be in optimal condition<br />
to be creative. Creativity is a form<br />
of problem solving that requires a<br />
high level of concentration. In my<br />
own process, I tend to think about<br />
the ideas, do my own research and<br />
gather references. I may then create<br />
some form of collage or mock up,<br />
and then I will move on to creating<br />
the final piece - usually through<br />
drawing or painting.<br />
Do you have forthcoming<br />
exhibitions planned? Where can<br />
we see your work?<br />
My work is always on display<br />
and available from The Red Door<br />
Gallery, on beautiful Victoria Street,<br />
Edinburgh. Upcoming events and<br />
other stockists of my work are also<br />
available to view on my website at<br />
www.sarahkwan.co.uk<br />
And finally, if you had one piece<br />
of advice to pass onto a pupil who<br />
will be leaving Watson’s at the end<br />
of this school year, what would<br />
that be?<br />
Keep going and never give up.<br />
Pursue your goals and work on<br />
developing the skills you need<br />
for the career you want - always<br />
believe in your own abilities and<br />
never be afraid to put yourself out<br />
there. One of my favourite quotes is:<br />
‘Sometimes you win and sometimes<br />
you learn.’ Failing is just learning by<br />
a different name!<br />
39
WATSONI<br />
Sections<br />
SECTION UPDATES<br />
Community Choir<br />
Covid put pay to any chance of the Choir rehearsing or performing together during session<br />
2020-21, so they undertook a number of ‘virtual choir’ projects over the course of the session,<br />
following regular Tuesday evening rehearsals over Zoom. Despite the challenges, around 35<br />
members attended online rehearsals regularly, learned a range of repertoire and shared virtual<br />
choir recordings of arrangements of tunes such as What the World Needs Now is Love Sweet<br />
Love by Burt Bacharach and All For the Best from the musical Godspell. The choir also took<br />
part in GWC’s 2020 virtual St Giles’ celebration at Christmas.<br />
The Choir retains a waiting list, but they are still encouraging those interested to email<br />
watsonianchoir@gmail.com to note interest in joining the choir.<br />
Bra<br />
Rifle Club<br />
In line with most sports, the Club activities were severely curtailed. The County Team<br />
Leagues went ahead, albeit in a reduced format. The Lothians team won Division 1 for the<br />
first time in its history. Oliver Barron was top scorer and Adam Dove won the County Silver<br />
Medal. Dave Caughey was the other team member from the Club. In National Leagues,<br />
the A Team finished 3rd in Division 1 and in the Women’s League the A Team finished 2nd<br />
in Division 1. The local Lothians League format was changed to a ‘best improvement’<br />
calculation. The A team continued their dominance of the league by winning Division 1.<br />
Bev Burnside, Jonty Barron, Susan Jackson, James Gutteridge and Chris Scobie were the<br />
winning team. A one off event was held in Aberdeen to determine the Scottish Champion for<br />
2021. Robin Thomson, Ian Thomson and Andy Coates qualified for the final. Andy won the B,<br />
C and D section and finished 6th in the Championship.<br />
Swimming Club<br />
The Swimming Club survived the pandemic although at a lower level of activity than in normal<br />
times. The Galleon Club had to follow strict guidelines, but the pool was open from September<br />
to November 2020 and from May 2021 onwards. The fire at Myreside prevented members<br />
having their usual get-togethers after swimming on Wednesday evenings but they are looking<br />
forward to these resuming in January 2022.<br />
The Club noted the sad loss of Geoff Bulmer (Class of 1954), their long-time Social Convenor.<br />
40
AN<br />
nches<br />
The Watsonian Club<br />
All current and former pupils, staff, and parents are<br />
eligible for membership of either the Watsonian Club,<br />
or its Sections. The main purpose of the Club is to<br />
promote and maintain relationships at home and abroad,<br />
strengthen friendships, to promote the Club’s recognised<br />
Sections and Branches and encourage participation<br />
in sports and other activities. We would encourage all<br />
Watsonians to be involved in Club activities.<br />
Hockey Club<br />
The 2020-21 season reminded us that you don’t need competition to enjoy sport.<br />
Whilst the pandemic meant no leagues or cups, players trained and played intra-club<br />
and friendly matches whenever restrictions allowed.<br />
Youth players enjoyed 28 weeks of coaching, and the Boys’ Colts continued until the<br />
end of July. Their constant positivity and smiles reminded us of the physical and mental<br />
health benefits of sport for young people.<br />
In the only Scottish Hockey competition to be played, the U14 girls became national<br />
champions in Dundee; and the U14 boys reached the finals.<br />
We are also very proud of all our players who played for Scotland at youth and senior<br />
levels. Sarah Jamieson and Dan Coultas played in the respective Women’s/Men’s<br />
EuroHockey championships; Euan Burgess captained Scotland U19s who won the Home<br />
Nations’ tournament; and Molly Morris, Ellie Stott and Maddie Boyes played for Scotland<br />
U19’s girls in their Home Nations.<br />
Seven of the U16 girls played for the Edinburgh Lightning squad who won the Scottish<br />
Academy series in July, reflecting the depth of talent in the Club. And in early August<br />
the following players played for Scotland’s Emerging squads v Wales: Girls: Sophie<br />
Anderson, Ruby Crawford, Darcy Littlefield, Kirsten Murison; Boys: Owen Hunter, Drew<br />
Lobb, Ally Paul, Henry Porter.<br />
During lockdown members kept busy, fundraising for charity and keeping fit, and the<br />
coaches provided youth players with weekly drills and delivered hockey balls to help them<br />
practice at home.<br />
Scottish Hockey have awarded the Club ‘Silver Club Accreditation’, giving a strong<br />
endorsement of the way the club operates. This reflects the work done to increase<br />
participation in hockey and achieve high standards while developing coaches,<br />
volunteers and players.<br />
The Club is always open to new members aged 5 to 65. For more details,<br />
please visit: www.watsonianshockeyclub.com<br />
If you would like to view the Watsonian Club Branch and Section full reports go to:<br />
www.gwc.org.uk/community/the-watsonian-club<br />
41
BRANCH UPDATES<br />
Belgium (Brussels)<br />
Not unexpectedly the Belgian-based<br />
Watsonians have not been able to<br />
meet since the pandemic hit this<br />
small country. At an early stage the<br />
Covid virus spread with speed with<br />
all the attendant consequences.<br />
The last communication to the<br />
Watsonian in 2019 covered a joint<br />
Belgian-French initiative in Paris<br />
to celebrate on 7 April 2019 the<br />
re-hanging of the Donald Caskie<br />
cross at the Scots Kirk in Paris.<br />
This cross was donated by the<br />
School in 1959. The Caskie story,<br />
as told in his book The Tartan<br />
Pimpernel, so enchanted the<br />
‘Ville de Paris’ that agreement<br />
was reached to place a plaque<br />
in Caskie’s honour on the outside<br />
wall of the kirk in the rue Bayard.<br />
The unveiling ceremony took<br />
place on 10 June attended by<br />
the deputy mayor of Paris, Mme<br />
Laurence Patrice. She spoke<br />
admiringly of Caskie and his<br />
remarkable WW2 achievements.<br />
It is indeed a rare honour for such<br />
a plaque to be erected in Paris.<br />
The Belgian Watsonian Club<br />
was founded in 1994, the first in<br />
Europe outside the UK. One of the<br />
founding members was Professor<br />
Francis J Thomson. It is with much<br />
sadness that we learned of his<br />
death in Antwerp earlier this year<br />
at the age of 85. We must, however,<br />
celebrate his outstanding academic<br />
achievements. ‘The Professor<br />
Francis J Thomson Legacy Project’<br />
is now housed at the University of<br />
Leuven and is partnered with the<br />
University of Innsbruck. The aim of<br />
the Project is to preserve, digitise<br />
and extend access to Professor<br />
Thomson’s card index in order<br />
to preserve his inestimable and<br />
unique academic legacy as well as<br />
to promote and support further<br />
research in the field of Byzantine-<br />
Slavonic studies. He began his<br />
distinguished academic career in<br />
1961 as a lecturer in Russian at the<br />
University of Cambridge, where in<br />
1964 he was awarded a PhD in the<br />
Faculty of Divinity.<br />
Thereafter, he spent his academic<br />
life at Antwerp University<br />
passionately devoting himself to<br />
research into literature in Slavonic<br />
translation and the interrelation<br />
between Slavonic and Byzantine<br />
written culture. An internationally<br />
renowned Slav specialist, Professor<br />
Thomson is justly acknowledged by<br />
fellow academics as a pre-eminent<br />
bridge builder who initiated a<br />
rapprochement between the<br />
scholarly paradigms of Slavonic and<br />
Byzantine Greek studies.<br />
In the course of his lifetime of<br />
scholarship, Professor Thomson<br />
meticulously analysed the findings<br />
of his research and recorded the<br />
entirety in condensed form on several<br />
thousand handwritten index cards.<br />
This catalogue encompasses a vast<br />
amount of knowledge concerning<br />
Old Slavonic literature,namely South<br />
and East Slavonic literature dating from<br />
the beginning of the 9th century up<br />
to the late 17th century reforms of<br />
Peter the Great. His research largely<br />
concentrated on the history of the<br />
early Slavonic translations as well<br />
as the relationship of these<br />
translations to their mostly Greek<br />
originals. Thomson’s archive is<br />
legendary among Slavists and<br />
Byzantinists alike because of its<br />
completeness and breadth of content.<br />
It is a tool of singular relevance to<br />
any scholar dealing with the Middle<br />
Ages and the early modern period in<br />
Eastern and South-Eastern Europe.<br />
The complete cartotheca contains<br />
almost 100,000 small and large index<br />
cards, mostly with information on<br />
both sides.<br />
Andrew Brown (Class of 1963)<br />
Highland and Moray<br />
Unlike many of the Branches, the Highland<br />
and Moray Watsonian Club held its annual<br />
dinner on 17 September. The Principal and<br />
his wife were due to attend, but alas Covid<br />
put paid to their plans. Despite this, guests<br />
had an enjoyable time catching up with<br />
old friends.<br />
London<br />
On Friday 3 September, the London Club Cenotaph Observance<br />
took place. Liz Smith (Class of 1978) was invited as guest of<br />
honour as the Club commemorated the 150th anniversary of the<br />
founding of GWLC. Jodie White (Class of 2016), Events Secretary,<br />
gathered together artefacts that related to London women<br />
who had attended the Ladies’ College. Guests also attended a<br />
reception at the National Liberal Club.<br />
42
Australia (Sydney)<br />
While Scotland was in lockdown,<br />
Watsonians in our Australia<br />
(Sydney) branch came together<br />
for their annual Burns Supper. An<br />
invitation that they extended to<br />
others who had attended Edinburgh<br />
schools and they were pleased to<br />
welcome a ‘Fettesian’ as well as<br />
a Mary Erskine ‘old girl’ who flew<br />
down from Coffs Harbour (over 500<br />
kms away).<br />
Following the ceremonial haggis<br />
procession, Kenny McGilvary (Class<br />
of 1995) delivered the Toast to the<br />
School and shared his memories<br />
from Colinton Road. The school<br />
canteen featured prominently, with<br />
‘square sausage rolls’ and ‘baked<br />
beans with cheese on top’ served in a<br />
polystyrene cup being a big highlight<br />
of school life. There was a lot of<br />
agreement with this!<br />
Harry Laing (Class of 1980)<br />
performed his interpretation of<br />
Rabbie Burns’ Comin’ Thro’ The<br />
Rye as well as other pieces in his<br />
inimitable style. Harry had the<br />
audience rolling with laughter –<br />
something which was a good<br />
release after the preceding<br />
12 months.<br />
Angus McGhie (Class of 1993)<br />
delivered a very heartfelt tribute<br />
to former staff, including in<br />
particular Rod Slater and Les Howie,<br />
who had made a significant impact<br />
on his time at Watson’s. Many<br />
memories were recalled by others<br />
in the room also. Before the ‘Vote<br />
of Thanks’ Angus played Auld Lang<br />
Syne. Although we couldn’t join<br />
hands we were able to enjoy the<br />
sentiment it conveys.<br />
We look forward to the 2022 Burns<br />
Supper which will be on Saturday<br />
29 January.<br />
Pat Stevenson (Class of 1969)<br />
FORTHCOMING EVENTS<br />
LGBTQ<br />
Tuesday 22 February 2022 •7pm | The Pavilion at Myreside<br />
Hosted by Past President Johnny Bacigalupo (Class of 1995) this event will open with a panel discussion<br />
focussed on the role of LGBTQ networks in the 2020s. Following this there will be an open-floor discussion<br />
where attendees can help inform how the Section will be shaped and share ideas about what types<br />
of activity they would like to see in the future. We are particularly keen to welcome and hear from<br />
Watsonians who would consider an office bearer role to help build the membership and gain momentum.<br />
The event will be rounded off with a drinks reception and the chance to meet the Principal Melvyn Roffe<br />
and Watsonian President Gillian Sandilands (Class of 1978).<br />
BAME<br />
Thursday 31 March 2022 • 7pm | The Pavilion at Myreside<br />
Following the recent launch of the Watsonian BAME Section Facebook Page, which has been sharing<br />
stories and celebrating the successes of BAME Watsonians, our small group of volunteers want to reach<br />
out to the wider Watsonian community to share their plans for the future and to grow their membership.<br />
Attended by School Principal Melvyn Roffe and Watsonian President Gillian Sandilands (Class of 1978),<br />
the evening will include a panel discussion and the chance to meet the Section’s committee members<br />
over a refreshment. This is planned as an informal and open event where you can share your own ideas<br />
and comment on what you would like to see from the Section over the coming year.<br />
Please register your attendance at these free events by emailing development@gwc.org.uk<br />
43
And finally...<br />
Copenhagen Concerts<br />
60 years since<br />
touring Denmark<br />
The choir and orchestra’s tour of Denmark was the first of several major events organised by the Music<br />
Department, under Norman Hyde’s directorship, in the early 1960s. Others included a trip to France for<br />
concerts and broadcasts in Paris; an invitation to Russian composer, Dmitri Shostakovich, to visit the school;<br />
and the commissioning of a work by British composer, Alan Rawsthorne, to mark the opening of the then<br />
futuristic Music School building at Tipperlinn.<br />
After assembling in the school<br />
grounds, the combined forces<br />
of singers and instrumentalists<br />
journeyed to Copenhagen by road,<br />
with ferry crossings at Dover, and<br />
between Jutland and Funen, and<br />
Funen and Zealand. Transport<br />
for the several dozen boys and<br />
accompanying masters was<br />
provided by two coaches from the<br />
Pentland Garage, one of which<br />
blew a tyre somewhere on the A1<br />
(no motorways then), the damage<br />
recorded in detail on ciné film by<br />
Jim Jardine, Head of Physics, whose<br />
45 minute movie (now in the School<br />
Archive) documents excerpts from<br />
the entire experience. Despite the<br />
inauspicious start, the buses made it<br />
to Stamford School, Lincolnshire, for<br />
the first overnight stop.<br />
Only in retrospect can one<br />
appreciate the mountain of<br />
organisation required for such<br />
a venture. Aside from securing<br />
transport for dozens of performers,<br />
music and instruments, group<br />
and individual passports were<br />
required for the French, Belgian,<br />
Dutch, German and Danish<br />
border crossings. Norman Hyde<br />
and his team chose schools,<br />
youth hostels and a convent for<br />
accommodation en route, but at<br />
the end, in Copenhagen, somehow<br />
found families prepared to host<br />
a member or two of the party in<br />
their own homes. On top of the<br />
basic practicalities, there were the<br />
concerts to stage, some on the way<br />
and a couple in the capital, one<br />
of these a broadcast recorded for<br />
Danish State Radio.<br />
Recreation was not forgotten, with<br />
detours to the beach at Dunkirk for<br />
ice creams; the National Monument<br />
to the Second Schleswig War at<br />
Dybbøl Mill, Sønderborg; Hans<br />
Christian Andersen’s cottage in<br />
Odense; Frederiksborg Castle; and<br />
the Amalienborg Royal Palace and<br />
Little Mermaid in Copenhagen.<br />
Most memorable was the Carlsberg<br />
Brewery outing which, after a<br />
guided tour of the plant, culminated<br />
in a product-sampling session:<br />
beer for the masters, soft drinks<br />
for the boys. As Jim Jardine’s film<br />
attests, hundreds of bottles-full were<br />
consumed, necessitating several<br />
roadside stops on the way back,<br />
as the coaches lacked onboard<br />
facilities.<br />
The drivers’ professionalism and<br />
patience were heroic with miles<br />
to cover each day on Continental<br />
roads, through unbypassed towns<br />
and cities (including London -<br />
no M25 in those days) and with<br />
44
perpetual noise from the excited<br />
occupants in the seats behind.<br />
One bus, stuck in mud during an<br />
excursion to a prehistoric site in<br />
Denmark, was extricated by several<br />
ranks of boys, large and small,<br />
forming a rugby scrum at the rear<br />
and pushing it to safety.<br />
School uniform was the dress code<br />
for the boys, with thick pullovers<br />
allowed as the season was early<br />
Spring. However, kilts with tweed<br />
jackets were encouraged and chosen<br />
by many, much to the delight of<br />
the school and youth hostel staff in<br />
the Low Countries and the billeting<br />
families in Copenhagen.<br />
The educational impact of the Tour<br />
on its members was considerable,<br />
particularly seeing how European<br />
nations ravaged by war and<br />
occupation were recovering and<br />
modernising. Differences in crosscultural<br />
norms between Denmark<br />
and Scotland were striking with<br />
pipe-smoking by Danish youths<br />
being widespread and the drinking<br />
of mild ale by Danish families at<br />
dinner habitual.<br />
The concerts went well and no one<br />
became obviously ill despite the<br />
hectic schedule; unaccustomed<br />
plumbing; daily ice creams and fizzy<br />
drinks; and a heavy diet of sausages,<br />
soup and doorstep bread served by<br />
institutional kitchens on the way.<br />
The journey home was a quieter<br />
affair than the outbound, everyone<br />
by then tired, though mildly<br />
triumphant. As well as parents,<br />
the buses were welcomed by<br />
Headmaster, Roger Young, on reentering<br />
the school grounds.<br />
Some of my memories of what was<br />
a highlight of my early teens are<br />
fresh, but recall of detail, after over<br />
half-a-century, is patchy. While<br />
many faces are familiar, here is a list<br />
of participants whom I can name<br />
confidently from photographs and<br />
the film: Norman Hyde (Music),<br />
Mr Hughes (Physics), David Bruce<br />
(bassoon), David Hughson (clarinet),<br />
and Christopher Whitehead (oboe);<br />
Bruce Graham, Alistair Mitchell,<br />
Donald Nisbet and Peter Ord (choir).<br />
To the many others I cannot identify,<br />
my apologies.<br />
Dr Peter Griffiths (Class of 1966)<br />
45
The Pavilion<br />
at Myreside<br />
Opening Monday 10 January 2022<br />
For more details about opening times and menus,<br />
the new facilities and how to book, visit:<br />
www.gwc.org.uk/the-pavilion<br />
or email thepavilion@gwc.org.uk