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Whitman College Magazine Winter 2022

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ON BOYER AVENUE<br />

KIM FETROW ’96 OF KIM FETROW PHOTOGRAPHY<br />

CAMPUS EXHIBIT<br />

Maxey Museum<br />

Explores<br />

Confluence of<br />

Art and Archives<br />

more than two years in the making, Maxey Museum’s<br />

most recent exhibit, “Along the Columbia: Maya Lin and the<br />

Confluence Project,” explored the series of six earthworks by<br />

renowned sculptor and architect Maya Lin installed at historical<br />

locations on the Columbia River.<br />

The public art project, commissioned by a group of arts<br />

patrons and tribal leaders of the Columbia River Plateau and the<br />

Pacific Northwest to commemorate the bicentennial of Lewis and<br />

Clark’s 1804–1806 journey to the Pacific Ocean, was a massive<br />

undertaking. Its archival materials—including blueprints,<br />

site surveys, models and maquettes, drawings and sketches by<br />

Lin and the artists, architects and engineers with whom she<br />

collaborated—which were donated to <strong>Whitman</strong> <strong>College</strong> in 2018,<br />

formed the core of the Maxey exhibit. “Along the Columbia” was<br />

created and curated by the museum’s director, Libby Miller, along<br />

with Penrose Library archivists Ben Murphy and Dana Bronson,<br />

and Matt Reynolds, associate professor of art history and visual<br />

culture studies, who is writing a book about Confluence. The<br />

physical exhibit, featured by The New York Times in April<br />

2021, closed in December, but you can still explore it virtually at<br />

alongthecolumbiaconfluenceexhibit.com.<br />

Along the river. The Maxey Museum exhibit featured archival materials related to the<br />

planning of the sites that make up artist Maya Lin’s Confluence Project, including these<br />

models of the Vancouver Land Bridge (middle) and of the “listening circle” ampitheater at<br />

Chief Timothy Park (bottom).<br />

6 / WHITMAN MAGAZINE

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