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PERFORMANCE NOTES<br />
• All trills are half step unless specifically noted;<br />
• Unless specifically noted by numbers, all single notes in clarinets, trumpets, and trombones (in<br />
score) are indicated for both parts (in unison).<br />
• Conductor Note about Measures 145-156<br />
<strong>The</strong> conductor should continue to conduct each measure and<br />
the performers should play the pitches with irregular rhythms<br />
that do not coordinate with one another. Bar lines are only<br />
suggestions and not restrictions of what should be played<br />
within each measure. Performers should continue playing<br />
through each measure stopping in the measure with the arrow.<br />
<strong>The</strong> conductor should use the numbering system in one hand<br />
(on beat one of every measure) to indicate where the<br />
performers stop and where others begin as explained below.<br />
Measure 152 #1<br />
Bassoon 2, Baritone Saxophone, Trumpets 1-3, Xylophone all<br />
stop playing on the fourth beat<br />
Measure 153 #2<br />
Piccolo, Flue 2, Clarinets 2-3, Bass Clarinet, Alto Saxophone<br />
1, Trombones 1-3, Euphonium, Tuba, all stop playing on the<br />
fourth beat<br />
Measure 154 #3<br />
Piano begins playing<br />
Oboe 2, Clarinet 1, Bassoon 1, Horns 1 & 2 all stop playing on<br />
the fourth beat<br />
Measure 155 #4<br />
Oboe 1, Alto Saxophone 2 all stop playing on the fourth beat<br />
Triangles, Wind Chimes begin playing near beat 2<br />
Measure 156 #5<br />
Flute 1, Tenor Saxophone all stop playing on the fourth beat<br />
<strong>The</strong> Conductor slows down from quarter note equals 144 to<br />
quarter note equals 72 from measures 151-158.
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