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Tension[s] 2020 Tamworth Textile Triennial Catalogue

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Deborah Prior<br />

Biography<br />

Deborah Prior’s art practice navigates the<br />

complexities and pleasures of having and<br />

being a body, via craft practices including<br />

knitting, stitching and embroidery<br />

Using salvaged, stained, and damaged<br />

material(s) from the domestic sphere, she<br />

crafts soft sculptures, installations, and<br />

performances that explore ideas of bodily<br />

agency, disgust & desire, and the personal<br />

and social histories of domestic work.<br />

Most recently, Prior has been investigating<br />

the shared visual language of body<br />

fragments in medical illustration/<br />

modelling and religious iconography,<br />

positioning her textile pieces as profane<br />

relics to invite conversation around the<br />

contested knowledges, histories, and<br />

mythologies of female corporeality.<br />

Based in Adelaide, Prior has been crafting<br />

strange anatomies for thirteen years.<br />

She completed her PhD in Visual Arts<br />

at the University of South Australia in<br />

2014. In 2016 she spent several months<br />

on residency in Italy as the recipient of<br />

the Helpmann Academy British School in<br />

Rome Residency, which continues to be a<br />

rich vein of inspiration for her practice.<br />

Image: Deborah Prior, <strong>2020</strong>, Easter in the<br />

Anthropocene. Photo: Courtesy of the artist<br />

37

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