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⚡[PDF] READ] Free Salome: A Tragedy in One Act
Copy link download bellow https://tauenom.blogspot.com/?lite=0486218309 Few works in English literature have so peculiar a history as Oscar Wilde's play Salome. Written originally in French in 1892 and ridiculed on its publication, translated into English by Lord Alfred Douglas ("Bosie" himself) and again heaped with scorn, it has survived for 75 years, served as the text (in abridged form) for Richard Strauss' world-famous opera, and emerged as an acknowledged masterwork of the Aesthetic movement of fin de siècle England.The illustrations that Aubrey Beardsley prepared for the first English edition have no less strange a story. Beardsley liked neither the play nor its author. Yet, it inspired some of his finest work. It is an open question as to how suited the drawings actually are to the text that Wilde wrote. Yet, the two, the play and the Beardsley illustrations, have nevertheless become so identified with each other as to be inseparable.This edition reprints the first edition (1894) text, with "A Note on 'Salome'" by Robert Ross. The Beardsley drawings it superbly reproduces (mostly from a rare early portfolio) include not only the 10 full-page illustrations, the front and back cover designs, the title and List of Illustrations page decorations, and the cul de lampe from the original edition, but also three drawings that were not used, an alternate cover sketch, and the drawing entitled "J'ai baisé ta bouche, Iokanaan," which Beardsley d
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https://tauenom.blogspot.com/?lite=0486218309
Few works in English literature have so peculiar a history as Oscar Wilde's play Salome. Written originally in French in 1892 and ridiculed on its publication, translated into English by Lord Alfred Douglas ("Bosie" himself) and again heaped with scorn, it has survived for 75 years, served as the text (in abridged form) for Richard Strauss' world-famous opera, and emerged as an acknowledged masterwork of the Aesthetic movement of fin de siècle England.The illustrations that Aubrey Beardsley prepared for the first English edition have no less strange a story. Beardsley liked neither the play nor its author. Yet, it inspired some of his finest work. It is an open question as to how suited the drawings actually are to the text that Wilde wrote. Yet, the two, the play and the Beardsley illustrations, have nevertheless become so identified with each other as to be inseparable.This edition reprints the first edition (1894) text, with "A Note on 'Salome'" by Robert Ross. The Beardsley drawings it superbly reproduces (mostly from a rare early portfolio) include not only the 10 full-page illustrations, the front and back cover designs, the title and List of Illustrations page decorations, and the cul de lampe from the original edition, but also three drawings that were not used, an alternate cover sketch, and the drawing entitled "J'ai baisé ta bouche, Iokanaan," which Beardsley d
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Few works in English literature have so peculiar a history as
Oscar Wilde's play Salome. Written originally in French in 1892
and ridiculed on its publication, translated into English by Lord
Alfred Douglas ("Bose"himself) and again heaped
with scorn, it has survived for 75 years, served as the text (in
abridged form) for Richard Strauss' world-famous opera, and
emerged as an acknowledged masterwork of the Aesthetic
movement of fin de siècleEngland.The illustrations that
Aubrey Beardsley prepared for the first English edition have no
less strange a story. Beardsley liked neither the play nor its
author. Yet, it inspired some of his finest work. It is an open
question as to how suited the drawings actually are to the text
that Wilde wrote. Yet, the two, the play and the Beardsley
illustrations, have nevertheless become so identified with each
other as to be inseparable.This edition reprints the first edition
(1894) text, with "ANote on 'Salome'"by Robert
Ross. The Beardsley drawings it superbly reproduces (mostly
from a rare early portfolio) include not only the 10 full-page
illustrations, the front and back cover designs, the title and List
of Illustrations page decorations, and the cul de lampe from
the original edition, but also three drawings that were not used,
an alternate cover sketch, and the drawing entitled "Jai
baiséta bouche, Iokanaan,"which Beardsley did
earlier for The Studio. Furthermore, all of the illustrations are
reproduced in their original state, not as expurgated in the first
and most subsequent editions.
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