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Blasphemy: Art that Offends is a prescient examination of the
perpetually troubled, often explosive relationship between
religion, politics and art. This book draws on a rich wealth of
visual material, tracing both the history of blasphemy as a
concept and re-positioning the term in the twenty-first
century.Questions of censorship and freedom of expression
are today extremely volatile, a fact evinced by the recent
international backlash against the Danish newspaper Islamic
caricatures and the murder of the Dutch filmmaker Theo Van
Gogh following the release of his notorious Submission.
Blasphemy: Art that Offends provides a vital vantage point
from which to view the complicated, compelling interrelations
between religion, politics and the visual arts.Religious and
political authorities have burned, banned and banished
blasphemous art for centuries. In 1627, Dutch political
authorities tortured and imprisoned the painter Johannes
Torrentius for creating blasphemous images &#8211mostly
pornographic renderings of mythological subjects &#8211and
publicly burned his paintings. In 1989, US Senator Jesse
Helms decried Andres Serrano&#8217s Piss Christ calling it
&#8220blasphemy and insensitivity toward the religious
community&#8221. In a reversal of Torrentius&#8217 artistic
fate, Helms&#8217 accusations, accompanied by the tearing
up of a copy of the offending picture, helped raise
Serrano&#8217s status as a photographer, prompting both
international visibility and an increase in sales of his work.God,
Mohammed, Jesus, the Quran, the Bible and the Torah have
all been at one point or another subjected to artistic
interpretation, as have more liberal values, such as friendship,
education and the nation-state. The book features a broad

range of iconographic and textual material including painting,
photography, calligraphy, illuminated manuscripts,
advertisement, graphic design, and film.Works including Piss
Christ and Dinos and Jake Chapmans&#8217 Hell, as well as
the films Submission and Monty Python&#8217s Life of Brian
are explored in detail by author and academic S Brent Plate.
Also analysed are transgressive works of art, past and
present, which walk the line between expression and
incitement, by Francis Bacon, Banksy, Caravaggio, Marc
Chagall, Marcus Harvey, Sarah Lucas, Edvard Munch,
Herman Nitsch and Rembrandt amongst others.In the twentyfirst
century the boundary between artistic freedom and
incitement is becoming ever more blurred, and the modes of
objection by political and religious fundamentalists are
becoming ever more extreme. BBlasphemy: Art that Offends is
testament to the enduring power of images and words to
provoke, challenge and engage, questioning the status of
blasphemy in a world ever more divided as to what is
acceptable and what is profane.