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NME ELVIS SPECIAL EDITION US VERSION

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A<strong>US</strong>TIN BUTLER<br />

THE FIRST TIME A<strong>US</strong>TIN<br />

Butler took to the stage<br />

as Elvis Presley was one<br />

of the most nervewracking<br />

moments of his<br />

life. “I was walking out in<br />

that famous black leather outfit and I<br />

was terrified,” says Butler, who exudes<br />

the kind of laidback California cool that<br />

makes it hard to imagine he’s ever been<br />

nervous. “I’d done so much work, but in<br />

that moment I thought, ‘If this doesn’t<br />

go well the whole film could fall apart<br />

and my career’s over. It’s make or<br />

break.’”<br />

Hundreds of extras were waiting for<br />

him to perform and excite them into a<br />

screaming frenzy. The scene was a<br />

recreation of Elvis’ 1968 special, his<br />

‘comeback’ show after seven years<br />

away from the live stage focusing on<br />

making movies. It was one of the<br />

defining moments of Elvis’ career, a<br />

show that proved he was still the most<br />

exciting performer on the planet.<br />

Standing on the edge of set, looking out<br />

at the bright lights and expectant<br />

audience, Butler took a huge breath.<br />

“Then I realised, this is a moment that<br />

was make or break for Elvis too.<br />

Everything was on the line for him.” If<br />

this show didn’t go right for Elvis, his<br />

career was over. “I remember this thing<br />

he once said: ‘I have this fear that I’m<br />

going to go out there and they’re going<br />

to throw rocks at me.’ Then he’d go out<br />

there and after one or two songs the<br />

nerves went away.” Butler strutted<br />

out and launched into his first song,<br />

‘Heartbreak Hotel’. The audience<br />

screaming in genuine thrill. “Elvis<br />

was right.”<br />

ROCK AND ROLE<br />

Austin Butler has become well practised<br />

at embracing terrifying experiences.<br />

Playing Elvis Presley in Baz Luhrmann’s<br />

epic biopic has launched Butler, 30, into<br />

the spotlight, the star of one of the<br />

biggest films of 2022. It’s a huge,<br />

incredibly challenging role to play.<br />

Luhrmann’s film follows Elvis from his<br />

teenage years – as a newcomer who<br />

shook up the music industry and<br />

terrified the establishment – to a global<br />

sensation who couldn’t quite<br />

understand his own success, to a<br />

troubled man who died at just 42. Butler<br />

plays them all. It’s a role that’s<br />

consumed the actor’s life for almost<br />

three years, through an intense audition<br />

process that saw him beat a crowded<br />

field to the role of a lifetime, to a shoot<br />

that put him toe-to-toe with Oscarwinner<br />

Tom Hanks, who plays Colonel<br />

Tom Parker, the man who discovered<br />

Elvis and ruthlessly exploited him. Butler<br />

calls becoming Presley his “obsession”.<br />

“I cannot quantify the amount of hours I<br />

spent on every aspect of this,” he says,<br />

with an enormous smile.<br />

When Baz Luhrmann, the Oscarnominated<br />

director of Moulin Rouge!,<br />

Romeo + Juliet and The Great Gatsby,<br />

decided that his first film in almost 10<br />

years would tell the story of Elvis<br />

Presley’s incredible life, he began a hunt<br />

for the perfect actor who could<br />

encompass everything about Elvis. It<br />

would need someone who could dazzle<br />

audiences in the film’s astonishing<br />

concert scenes, but also convey the<br />

private pain and insecurity inside Elvis.<br />

It wouldn’t be enough to simply look or<br />

sound like him. He needed someone<br />

who could become him. In early 2019,<br />

Luhrmann cast his net wide, auditioning<br />

Hollywood stars and newcomers alike.<br />

At the time, Butler was fresh off a<br />

supporting role in Quentin Tarantino’s<br />

Once Upon A Time In Hollywood,<br />

alongside Brad Pitt and Leonardo<br />

DiCaprio. He was far from a newcomer<br />

to acting. Butler had already had a long<br />

and successful career as a child actor,<br />

appearing in a large number of shows<br />

across Nickelodeon and the Disney<br />

Channel throughout the 2000s,<br />

including Hannah Montana and Wizards<br />

Of Waverly Place, then transitioning to<br />

teen shows like The Carrie Diaries and<br />

Arrow. He was now quietly and diligently<br />

making the move into adult roles,<br />

working to prove himself alongside the<br />

best in the business. In 2018, he won<br />

rave reviews for his Broadway debut in<br />

The Iceman Cometh, opposite Denzel<br />

Washington. His career was progressing<br />

well but he knew that winning a role like<br />

Elvis was a long shot.<br />

BREAKING BAZ<br />

“I sent in this tape of me singing<br />

‘Unchained Melody’,” says Butler.<br />

Where many actors might be tempted to<br />

record a barnstorming show to<br />

demonstrate they could match the<br />

superstar performer, Butler recorded a<br />

stripped back performance, just him<br />

and a piano. Luhrmann had found his<br />

guy. Not that Butler knew that yet. “Baz<br />

doesn’t audition in a conventional way.<br />

He doesn’t do many things in a<br />

conventional way,” he laughs. “I flew to<br />

New York and spoke to Baz for about<br />

three hours. He asked me to come back<br />

the next day and read the script with<br />

him. So I came in and read some<br />

scenes, then he asked me to come<br />

back the next day and sing a<br />

couple of songs. We did that day<br />

after day for about five months…<br />

<strong>NME</strong>.COM

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