Maria Stuarda Programme Book 2022
Irish National Opera
Irish National Opera
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AMY NÍ FHEARRAIGH<br />
SOPRANO<br />
ELISABETTA<br />
Irish soprano Amy Ní Fhearraigh<br />
is an alumna of the Irish National<br />
Opera Studio 2018–19 and is<br />
currently based in Hannover,<br />
Germany. She is under the tutelage<br />
of Dutch soprano Hanneke de<br />
Wit. Her opera roles include Davnet in the world<br />
premiere of Michael Gallen’s Elsewhere and Gretel<br />
in Humperdinck’s Hansel and Gretel, in productions<br />
which have received Best Opera nominations in<br />
the 2020–21 Irish Times Irish Theatre Awards,<br />
Rosemary in Brian Irvine and Netia Jones’s Least<br />
Like the Other – Searching for Rosemary Kennedy,<br />
Papagena in Mozart’s The Magic Flute, and Barbarina<br />
in Mozart’s Le nozze di Figaro (all Irish National<br />
Opera), Mrs Julian in Britten’s Owen Wingrave (Opera<br />
Collective Ireland), Frasquita in Bizet’s Carmen (Lyric<br />
Opera Productions), Suor Genovieffa in Puccini’s<br />
Suor Angelica (Dublin Opera Studio), the title role<br />
in Handel’s Susanna and Drusilla in Monteverdi’s<br />
L’incoronazione di Poppea (DIT Opera Ensemble),<br />
and Lucinde in Gluck’s Armide (The Yorke Trust). She<br />
has also covered roles for INO – Pamina in The Magic<br />
Flute, Susanna in Le nozze di Figaro, and Hannah in<br />
Donnacha Dennehy and Enda Walsh’s The Second<br />
Violinist. She is making her role debut as Elisabetta in<br />
<strong>Maria</strong> <strong>Stuarda</strong>.<br />
GEMMA NÍ BHRIAIN<br />
MEZZO-SOPRANO<br />
ANNA<br />
Dublin mezzo-soprano Gemma Ní<br />
Bhriain graduated in June 2014 with<br />
a BA in Music Performance from<br />
the Royal Irish Academy of Music<br />
where she studied with Veronica<br />
Dunne. She was then invited to<br />
become a member of the Atelier Lyrique Opera<br />
Studio at Opéra national de Paris, and during her two<br />
seasons there she debuted in five roles, including two<br />
world premieres. From 2016 she spent two seasons<br />
at the International Opera Studio at Zurich Opera<br />
House. There she performed many roles including<br />
Cléone in Charpentier’s Médée, Le Pâtre, La Chatte<br />
and L’écureuil in Ravel’s L’enfant et les Sortilèges,<br />
Zweite Dame in Mozart’s Die Zauberflöte, Valletto in<br />
Monteverdi’s L’incoronazione di Poppea and Ramiro<br />
in Mozart’s La finta giardiniera. Over the past number<br />
of years, she made her concert debuts at Théâtre de<br />
Champs-Elysées and for Radio France, and gave her<br />
solo recital debut at Amphithéâtre Bastille, Opéra<br />
national de Paris. In 2018 she made her company<br />
and role debut with Irish National Opera as Niklausse<br />
in Offenbach’s The Tales of Hoffmann. In 2020 she<br />
performed in Linda Buckley’s Glaoch for INO’s 20<br />
Shots of Opera and most recently she performed<br />
the role of Mother in Elaine Agnew’s Paper Boat,<br />
presented by Music for Galway in association with<br />
INO. Gemma is also part of a new chamber ensemble,<br />
Trio Cantare, with pianist Cahal Masterson and cellist<br />
Yseult Cooper-Stockdale. Their debut recital, at the<br />
Drogheda Classical Music Festival in October 2021,<br />
was later broadcast on RTÉ lyric fm.<br />
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