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Maria Stuarda Programme Book 2022

Irish National Opera

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AMY NÍ FHEARRAIGH<br />

SOPRANO<br />

ELISABETTA<br />

Irish soprano Amy Ní Fhearraigh<br />

is an alumna of the Irish National<br />

Opera Studio 2018–19 and is<br />

currently based in Hannover,<br />

Germany. She is under the tutelage<br />

of Dutch soprano Hanneke de<br />

Wit. Her opera roles include Davnet in the world<br />

premiere of Michael Gallen’s Elsewhere and Gretel<br />

in Humperdinck’s Hansel and Gretel, in productions<br />

which have received Best Opera nominations in<br />

the 2020–21 Irish Times Irish Theatre Awards,<br />

Rosemary in Brian Irvine and Netia Jones’s Least<br />

Like the Other – Searching for Rosemary Kennedy,<br />

Papagena in Mozart’s The Magic Flute, and Barbarina<br />

in Mozart’s Le nozze di Figaro (all Irish National<br />

Opera), Mrs Julian in Britten’s Owen Wingrave (Opera<br />

Collective Ireland), Frasquita in Bizet’s Carmen (Lyric<br />

Opera Productions), Suor Genovieffa in Puccini’s<br />

Suor Angelica (Dublin Opera Studio), the title role<br />

in Handel’s Susanna and Drusilla in Monteverdi’s<br />

L’incoronazione di Poppea (DIT Opera Ensemble),<br />

and Lucinde in Gluck’s Armide (The Yorke Trust). She<br />

has also covered roles for INO – Pamina in The Magic<br />

Flute, Susanna in Le nozze di Figaro, and Hannah in<br />

Donnacha Dennehy and Enda Walsh’s The Second<br />

Violinist. She is making her role debut as Elisabetta in<br />

<strong>Maria</strong> <strong>Stuarda</strong>.<br />

GEMMA NÍ BHRIAIN<br />

MEZZO-SOPRANO<br />

ANNA<br />

Dublin mezzo-soprano Gemma Ní<br />

Bhriain graduated in June 2014 with<br />

a BA in Music Performance from<br />

the Royal Irish Academy of Music<br />

where she studied with Veronica<br />

Dunne. She was then invited to<br />

become a member of the Atelier Lyrique Opera<br />

Studio at Opéra national de Paris, and during her two<br />

seasons there she debuted in five roles, including two<br />

world premieres. From 2016 she spent two seasons<br />

at the International Opera Studio at Zurich Opera<br />

House. There she performed many roles including<br />

Cléone in Charpentier’s Médée, Le Pâtre, La Chatte<br />

and L’écureuil in Ravel’s L’enfant et les Sortilèges,<br />

Zweite Dame in Mozart’s Die Zauberflöte, Valletto in<br />

Monteverdi’s L’incoronazione di Poppea and Ramiro<br />

in Mozart’s La finta giardiniera. Over the past number<br />

of years, she made her concert debuts at Théâtre de<br />

Champs-Elysées and for Radio France, and gave her<br />

solo recital debut at Amphithéâtre Bastille, Opéra<br />

national de Paris. In 2018 she made her company<br />

and role debut with Irish National Opera as Niklausse<br />

in Offenbach’s The Tales of Hoffmann. In 2020 she<br />

performed in Linda Buckley’s Glaoch for INO’s 20<br />

Shots of Opera and most recently she performed<br />

the role of Mother in Elaine Agnew’s Paper Boat,<br />

presented by Music for Galway in association with<br />

INO. Gemma is also part of a new chamber ensemble,<br />

Trio Cantare, with pianist Cahal Masterson and cellist<br />

Yseult Cooper-Stockdale. Their debut recital, at the<br />

Drogheda Classical Music Festival in October 2021,<br />

was later broadcast on RTÉ lyric fm.<br />

31

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