![download @pdf New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror ^DOWNLOAD [BOOK]](https://documents.yumpu.com/000/067/077/894/1bcd019982a4da5d3740e2561a1fc0a38e56503c/69794b63713548703231762b3674304647696d5931673d3d/69656b7a684e314531793641692b61774267686931673d3d.jpg?AWSAccessKeyId=AKIAICNEWSPSEKTJ5M3Q&Expires=1714730400&Signature=JN3jO4mHwtwHwBGZUAS2FKPyFZ0%3D)
download @pdf New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror ^DOWNLOAD [BOOK]
COPY LINK DOWNLOAD: https://isbooktoday.com/yump/1474466966 Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadž ihalilović and Ana Lily Amirpour, who put &16 a poetics of horror&17 to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre
COPY LINK DOWNLOAD: https://isbooktoday.com/yump/1474466966
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadž ihalilović and Ana Lily Amirpour, who put &16 a poetics of horror&17 to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre
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New Blood in Contemporary Cinema: Women
Directors and the Poetics of Horror
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Since the turn of the millennium, a growing number of female filmmakers have appropriated the
aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women
directors such as Ngozi Onwurah, Claire Denis, Lucile Hadžihalilović and Ana Lily
Amirpour, who put &16a poetics of horror&17 to new use in their work, expanding the range of
gendered and racialised perspectives in the horror genre. Exploring themes such as rage, trauma,
sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women,
bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By
following a red trail of blood, the book illuminates a new generation of women directors who have
enlarged the general scope and stretched the emotional spectrum of the genre.
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