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Transnational Crime Cinema
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Framed by approaches in critical transnationalism, this volume examines crime as a cinematic
mode moving within, between, and across national cinemas to provide rigorous accounts of the
political, economic, and historical processes entangled in the production, circulation, and reception
of crime films most frequently treated through the lens of genre. Filmic narratives of crime open a
porous space of public discourse in which filmmakers and audiences project and reimagine
relations of power. Transnational Crime Cinema studies the production and reception of films from
Europe, Africa, East and South Asia, and South America present crime as a discursive site where
the terms of the nation and cinema gain new definition. Considered transnationally, crime cinema
is a self-reflexive modality through which cinema reflects upon cinema&17 own discursivity while
audiences negotiate ideologies and imaginaries of nation against disruptive transnational
economic and political pressures.